Cedarville University - Miracle / Cedrus Yearbook (Cedarville, OH)

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Cedrus Staff of 1933 Editor-in-Chief.............................Clyde Hutchison Assistant Editor...........................Walter Kilpatrick Business Manager...........................Robert Richards Assistant Business Manager.................Charles Spencer Advertising Manager............................'Charles Bost Music Editor...................................Eleanor Bull Art Editor.....................................Joseph Free Assistant Art Editor.......................Arthur Donaldson Snapshot Editor............................Marjorie Gordon Snapshot Editor.................................Jane West Diary Editor.................................Kina Stevenson Athletic Editor...........................Preston Garlough Humor Editor..................................Homer Murray Faculty Advisor............................Prof. Kuehrmann

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CHAPTER TWO Literature and Music ERASMUS Desiderius Erasmus, a Dutch scholar of the Renaissance, was one of the promoters of Humanism in Western Europe and England. The great service he rendered was in fighting the battle of sound learning and plain common sense against unenlightenment, and in emphasizing the sovereign place of reason as the ultimntc guide in all questions, re ligious and political not excepted. This portrait of Erasmus is by the famous German master of the early sixteenth century, Hans Hobcin. WKKam M £ CJ2 fee BH as we understand it, expresses itself in the inter-action of three elements rhythm, melody and harmony. The first two are obviously as ancient as human con- sciousness itself. Without the third, a musical art of permanent value and intelligibility bas not been known to attain independent existence. With harmony, music assumes the existence of a kind of space in three dimens ons n°ne of which can subsist without at least implying the others. When we hear an unaccompanied melody we cannot help interpreting it in the light of its most probable harmonies. Thus, when it does not imply consistent harmonies it seems to us quaint and strange; because, unless it is very remote from our harmonic conception, it at least implies at any given moment some simple har- mony which in the next moment it contradicts. Music is a mode of motion and is usually thought of as a pleasure-evoking emotion, which has become aesthetic. It is purely human, hence, the cound once set in motion. we are at liberty to dream, to thrill, to weep, to sigh, with all the moods induced by the director. Music is the youngest of the arts, but it has advanced into popularity far more rapid- is than many of the older arts. Much of the musical development of the twelfth and irteenth centuries was centered in Paris. The troubadours, the jongleurs, and the minne- singers, who cultivated poetry and music, played no small partin the advancement of the art. ’‘oat Fifteen