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Page 215 text:
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Page 214 text:
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Xl E 5 P E J' u-1922 THE DERY HOME HE main question was how could we possibly wait to visit this charming home that we had heard so much about? For several days it had been the main topic of conversation around school. We who had not been there were in a high state of anticipation. The things the other girls told us about this place--how could they be true? And yet, what would you do? We didn't dare to tell them they exaggerated too much, or-well, it wouldn't be the best thing to do. Some of them are so husky, you know. The girls, I mean, not the stories, although we did think they too were a bit strong. So we simply had to wait and see for ourselves. Terribly nervous, we were, when our turn to go come 'round. The machines took a disgustingly long time to get there. And yet we'll admit that it was a mean night for the busses to .attempt any speed work. Ah! at last. CBe careful, girls, and don't try to push the buttons on the butler's coat.J The first impression that one had on entering the main hall, I think, was of its well-balanced appearance. The paintings, the rugs, the chairs, everything, combined to make an exceedingly attract- ive entrance. From the hall we were taken down stairs to remove our wraps. On this floor we first saw the billiard room, the small theatre with its moving picture machine, and a lounging hall. Going upstairs again, we visited the music room on the right of the main hall, two of the most noticeable paintings by Kray and Gainsborough were here. Next we went to the large' drawing room across the hall, here were paintings by Rembrandt, Corot, Rigaud, Frankfort, Israels, and Millet. Millet's Girl With the Applev was among the most beautiful and interesting. From the drawing room there opened several doors, one of which greatly excited our curiosity. The girls had told us about this door, but we were unprepared for the surprise that lay behind. Through it we entered a long gallery, where, by the way, it seemed rather dark, so you can imagine how doubly amazed we were at the enchant- ing art salon that lay below us when the lights were put -on. In the gallery were cabinets of curios and small objects d'art from all corners of the globe. French chalices, crucifixes, and pieces of curiously wrought silver, delicate porcelains, vases, Chinese ivories Page Two Hundred Fourteen
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Page 216 text:
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, EEPEJ'Uf-1922 MIRTH We've a table here at Cedar Crest For girls Who think they're fatg They are just eight, you'11 hear them state- You all agree to that. . Bread, butter, and potatoes Forbidden are the same, For to eat them Would mean extra pounds And this is not their aim. They envy us Who are so thin And so they hungry go, We are Waiting for reduction, But it's Coming mighty slow. P g Two Hundred Sixtee
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