Catholic High School For Girls - Silver Sands Yearbook (Philadelphia, PA)

Text from Pages 1 - 88 of the 1937 volume:

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O' , '--, .- 0. 4 f ' ' , . - U x ' ' - ' .' , - , ' ,. n . ' ' ' - ' 4 - . ' rl 1 ' ' . -- .a, - - 1 . 5 A ' .. . .- . r V . -. , . - I . . . V - - O 1- J . 1 5 il .V , V- l , .I .1 , .. . ,O . .A I , '- - ., . 1 n' . . - gn - ' - .,' r F . 4 . -. . . , . 1, - ' ' w ' .1 ,- 4 ' 3, ,O f-9' - 4' ,. ' ' 5 .- . 1 n. . . - . ,' ' , ' ' . i , , T. I 1 Y , ,,,- . ,. K . B 2,1 , ',. .- A - F, . 4 D. . V H I ' . ' 2. .- x f,' .' 9 - A A' - - K . 1- -, ,I ' ' R . ' ' Q ' . ' I . . , - la- . ,. u , .-1 - I V ' , 6 x - ,- , ' . . F , 4 ' - an '. , ' -A, . , Q.. 'A - , J I . . , ' I. . - , ,. Q ---. . 4 .4 , Q .-1,10 , , .I , ' i . ,VJ V 4 A .rq . , ', - A I .1 ,,- .L .1 'L- , . , -- - - , ' 9' f , 3 I- . -' . x . ' -n , ,J K . . . . , - .. . 1 ' 0 - -. ,, ., Q, I 5 - Y, . - , . c- , , .. A . .- . . . . ' , . , Q ' - ... . , , - . A . ,- , 1 5,- 'ns' la . ..f-- 2 . 'fc . Q I PHILADELPHIA 0 PENNSYLVANIA 1997 Primm Howoas xx XI ATN-lf! N' l'XI JN H! up 'Z w 19 5 11 u KL 'XTIONA1 SCI 91 f IAIIOIN A 'Xmcrx uv Homo 195 Cczxr W1 'V , , , . a ' w ' ,v 2 Q' ,nom Pm-,Ss fXSN1!1. lI ' Yuri Pflzv. Vir. Pl: 193., If-4. 3,. XV. 1937 I Cm,m4ls1A Sct1iw1.fwT1-.1 Pines .'XW.lfilATl0N 1:1151 Pla' 1937 o . J . xi1i1I1,A. 1, PRH14 .-Xsmai ' f ll . , 'Qi rs 1933, 11134, 1935, ffm. 1931 '1lf,!.' 938 Stones Essays Poems Features People Book REVIEWS Contents AFTERINIATH Lucille judge 38 A PRODIGAL RETURNS Berenue Ro c 38 ELI AH ' Marv Rlta Hexden PRIDE GOETH BEFORE MARX KLEQCHICII 38 ESTII LF TLRNPR 39 MADr1 me ANQLIN 39 MARY GANNON 38 A TASTE FOR TIES? Helen Woods 3 AN EIGHTEEN YEAR OLD HE KRT Emma Learx THE WAILING XVALL0' Helen Gushue THE OLD CLOCKS STORY FRANCrs SIIAv1c,Ls 38 ELI ABETH OHANLON 38 A XVOMANI S PRIVILEGE Aww. LYNCH 38 MARY XVATSON 8 SUSANLCGIIICTITIE Copeland 40 A DAUGHTER IN PHILADELPHIA jane Wllsovl 39 PEDDLING Kathleen McNulty WE NVENT TO THE ZOO3' MHTIQWHC FIEZPGEVLC I SPEAK NVITH FEELING Elxzabezlz Dorlon 39 CRAB COMPLEX Adelmc Nfarr 39 VIVE LE TRACY Lzllzan Tracy 39 GET THE POINT Mary Trotta 38 HIS KINGDOM FOR A HORSE Ellsabetlz Donaldxon 40 LIKE UNTO A SMILE Marx Rxta Hndew 38 DEFINITIONS lvIAR1r CANANAI fH 38 EMILY LITTIB 38 HANNAH Loc LL 38 MARIE MCWLLTY 8 JANET SWEENEY 38 FOG AND WATERFALLA Mary Rzta Hexden 38 4 SPECIAL DELIVERY Geneuew Vvnglew THE STEPPING STONE A Play Maize Cauanalcgk 38 MAR11 CANANALKH 38 MARY RIN Hwnrx ANNI LYNPH 38 BIRI-NICL KOLBE 38 Grwnxxive WRICLEY 38 Illu trated 1 . 1 A F- I . .-K ..,, ....................,.......,,.....,,.....v.... ...,....-...,,V..,.....,..,.......,...,., I I. - - ' lb ' I -I I ' Y' , '38 ............,......,.......4.,...,,.....,.........,,...................,............. ........ , . . v w ' . if -, , Ly v v q I I I, '- , ' .,.....,.... , ...............,. . ..,....,.....,.,,....... .... . f f I - 'Ig '38 ...... ., .... ......,....,,............ ,. ..,... .. - , '38, ..,...................,........,................................. ,... I . , -. . , ,. ' 1 1- I I I Z I , . I ..... , ........ ,, ...,..,.............,........................................ ,.... . . ,.,.... .............. , . I I 7 I', , . I', '3 . I ' - , '38 .................. , .... . .............. ,,.... . .,...................... ....... ,.,... . . . Q 4 ' A '39. ....... . ..,.4,.........,. . ....,.., . ............,.... . . . . I . . q . . I . . . A I I I , A ,., ....... , ...,......,..,.. . ...............,.. ..., .............,. - I I. N , , ,, - I 1 A . ,I , . A I I I 2'l, l . 'N I - I ' , 3 Y I I I -I ' 1' ,I .................. .......... , .... . ..4......,... , . ,. 0 - ' ' ' ,.... ..........,..........,.....,.....................,....,,,....... ,..., .,.. . . 2 ' '. fi , ' I ' 1 ' Lf, '38 Y I 7 I 1 I , I ' Y 'I . , ,I , , . v ' :I ' I , Q :Qi S Y--A-Y - V Y-Y Y---, . 5 , I I By LUCILLE JUDGE 38 IERRE LECOMPS car swrrled through the rustrc xron gates at the foot of the slope An up and down land of velvety green wlth crooked dusty paths woven mto nts pattern lay before h1m and upon the top of the hxll was Samtorxum 1n Memonam Thrs prcturesque scene was graced by two figures one aged and stooped the other youthful and sturdy The younger man cont1nued h1s walk alone however as a cnsp whxte clad nurse led the older man rn doors The other turned attracted by the lusty honk1ng of Pxerres horn Pxerre sxghed lt was Henn' A slow sm1le of gen uxne pleasure and srncere affectron l1t lus face as hc watched the rapld approach of lus boyhood chuxn How could he be angry w1th Henrx7 How could anyone be angry wrth one so noble and gentle natured7 Nevertheless he was keenly aware that he had come to speak strongly to Henrr and nothmg vtould deter h1m no nothmg' The palr greeted each other boxsterously and backs were pounded vrgorously but Prerres mxen changed qurckly and he eyed h1 compan on 9Cf10USlY Henrx why have you done thrs rejected an offer to teach at one of our greatest UHIVCISIUCS grven up an opportumty of future greatness and success to devote your lrfe to the care of helpless mcurablc veterans? It IS msane No Plerre lt IS my lxfe Henrr smlled and con trnued solrcxtously Come you mu t be th1rst, after your long nde Presently arm rn arm they strode across the lawn toward Ir1err1s qt. c They toasted each other m a drmly hffhted s1tt1n room Henrr glanced confidently at Plerre and pro' ceeded to explam Late rn February a patrcnt totally bund was brought to me for treatment H1 name was acques Durlng h1s V1S1tS he told me a most pathetlc story the story of h1s lmfe When France was threatened by our ne1ghbors across the Rhme he ansvxered the call and trooped away with the marclung men leavmg behxnd h1s w1fe and son and all hrs worldly possessrons You remember surely SILVER SANDS AFTERM TH And every man must choose he way has soul shall go the weepmg and sorrow of the women and chrldren durmg those horrxble days It was not easy for jacques to leave knowrng too well that he mlght never see them aga1n Hrs dear ones were far from the lightmg at first far from the danger that lurked 1n the front llne trenches but as the enemy pressed deeper came the Frrst Battle of the Marne jacques jomed 1n the splnted cry They shall not pass Henrl paused stanng 1nto space How vxell both remembercd They dxd not pass but bloodshed and death enveloped the entrre country Horror and de structron were everywhere as cannons boomed m chxne guns stuttered and planes zoomed overhead carrymg death for those below Homes and vlllages were destroyed tl' worklnvs of gcraeratlons hat c c,l as rf they were trrfles and the flower of French youth anmhllated Yet shoulder to shoulder the staunch patrrots fought wlth no commumcatxon from the1r homes never knowlng whether thelr loved ones were l1V1Dg or dead Henr1 cont1nued It was durxng Frances greatest hour of perrl that Jacques was serrously wounded He and for days lay unconscious hovermg between l1fe and death Many months of convalescence followed and at last he was drscharged It was then he re cerved the tragxc news that h1s w1fe and son had been k1lled and h1s vrllavc evacuated Jacques was extended a furlough of a few weeks o that he mlght return home and verrfy the rumor He found the v1llage deserted a mass of shattered ru1ns Gnef strxcken and determmed to avenge the death of his w1fe and son jacques returned to h1s regnncnt He fought fanat1cally savagely wxth seemmgly mex haustlble enerffy some thought h1m a manlac Then lt came peace and the never tobe forgot ten stillness the mornlng the Afm1St1C6 was slgned and the cheerlng and the merrymakmg of the sol dxers rejolcxng at the good news But for jacques such happ1ness was short l1ved for h1s spmts were quenched at the thought of h1s w1fe and son So once agarn jacques returned home or rather to 7 ff I I 1 ' I, I ' I , . , , . . , , . u . Y . ,, . . ' a : , . . . . . . . , ,,, , , . . f . i , . . . y 4 n Q , . , ' ' Q ss ss - ' 1 ' 9 ' f . . , ' . . 1 ' 4 a , a' - . I 1 w . , , t N ' Q ' ' , .e ' U ' . ' . s t rv I , . . 1 . ' , , . , . . . . . I . Y . . . u , - , , . . Q . . . U I . , ' 's , i r ' . ' -- - - a was taken to a field hosp1tal wxth thousands of others , 7 . . . . . . . , Y V 9 ' , . . .. . sv. . . . . q . . I D ' . s s - V ' D I . - - - , .. , Y S . V - A s - ,. . . ' 3 a . . . I 1 'art-rs. 1 ' . ' 1' . . . . . U , lo cv . . . . l l ' ' . . , , , ' ', v- - C, 1 . ' r 5 . . . . ' H ' f , 1 f . s - - , J ' . . . . - ' ' ' ' , . , . . . . . -w . Ki ' I S Y 7 i the barren wasteland that once buzzed and hummed wlth happy home l1fe He was heartbroken and weary but new hope was enkmdled 1n h1s breast by an ofhclal report that h1S son had surv1ved Unfortunately the authorltles knew nothlng of the boys whereabouts and could only 1nform jacques that the boy had been saved by nelghbors after the mother had been k1lled Thus Jacques started on an amazlng journey 1n search of h1S son Travelmg constantly he visited hundreds of vlllages and hamlets 1nqu1r1ng of res1dents and seeklng 1nformat1on from c1v1l author1t1es No o or a sympathet1c shake of the head was the lnevltable reply Among the peasants h1s pathetlc fame became second only to that of Frances Unknown Soldler Always he pressed on undzscouraged h1s dest1nat1on usually unknown but hrs goal ever be fore hmm After some elghteen years of such wandermg he halted rn seemmg farlure weakened by the mtense pam of h1s old wounds wh1ch had returned to h1m He settled nn a httle town on the outsklrts of To be enrapturecl by the song O btrcls at dewy morn To marvel at the busy bee The ant and not to scorn Vtolets on the lea To eel the charm o waterfalls The loftmess of mountams Fascmatzng zce clothed trees The majesty of fountains Warm caressmg breeze Graceful fallzng autumn leaves Hazy forms o rollmg htlls Dazzlmg sun hght after ram Hauntmg crres o whzppoorwzlls My dehght sustam Ltke a sad lute's stram 8 Pans There he was befrxended by a war tlme com rade to whom he revealed the tale of h1s futxle search and that now old helpless and almost bhnd he was st1ll alone It was h1s fnend who brought h1m to me A desperate case P1erre so far gone that cure seemed 1mposs1ble I started a serles of treatments wh1ch falled Then as you know I performed a most deh cate operatlon the outcome of wh1ch IS st111 uncerta1n You see P1erre such are the ravages of war Yet even today every country 15 prepanng to renew Henr1 stopped suddenly and shuddered mvoluntanly P1erre mterrupted sharply A most worthy cause Henr1 but countless surgeons are pa1d by the govern ment to do just such work And you you gave up so much you rlsked so much by performmg an oper atxon so rare wlth almost certam fallure as your wages What xf you fall Henrf' Fall? I cannot fall P1erre I must not fill h answered I shall not farl You see I am h1s son EACH llAY9S GIFT And so I pray that every day Ill nd the beauty offered me The gladness nature always brmgs To every one who learns to see oy an little thmgs Bsnmcs KOLBE, '38 SILVER SANDS . . . ' . r , , . , . ' 1 X Y 1 1 1 . , , 1 ' ' 'v M . . . 1 s . . . . .1 1 . , , . , , . 9 9 1 1 1 . . . . . . . . . H . . . . , - ' ' - ' ss 11 . , 1- s t . . l ,, - 1 - 1 - - . . f ' 1 s 1 . . . 1 . , . 'Q . . , I ' 1 ns . . . . . . 1 s . . . . . . . ,, 1 ' 1 ' ' - - ss - - - -l 11 - 1 1 0 e . . . . H . - ax . . , , . f . I 1 f f . , . . . . r , 1 I I , v f . . ,Q , , . , . . , By KATHLEEN MCNULTY 38 ITY the peddler for he peddles for p1ty This wxll ever after be my thought when I open the door to a peddler For you see I learned from brtter experrence the trlals and heartaches that accompany the worst of all ev1ls I reallzed before the summer was half over that a season w1thout exc1tement was mdeed a season of monotony When my mother suggested my seekmg a Job as a rehef from vacatron lazmess I was delrghted to fmd opportumty knock1ng at my door rn the form of the evening paper It landed wlth a thump on the front porch I grabbed It and hast1ly turned to the want ad sectxon What I found was too good to be true WANTED Saleswoman by a rellable wholesale firm No experience neces sary Apply Monday Needless to say I was the first appl1cant 1n the oflice Monday mormng I got a job just as qulckly as that and without any fuss or bother I found my self a full fledged employee I left that office wxth a smgmg heart hav1ng prom1sed to be there early the next morning Pretty vxsrons of what could be bought w1th a ten dollar salary danced through my head Salesgxrl I soon found was Just a h1gh soundrng term for peddleress Tuesday mormng I expected to smrle over a counter at enthus1ast1c customers I stead I found myself walkmg hot cxty streets and rmg mg doorbell after doorbell Each step I chmbed meant hope IH my breast Desparr was wr1tten rn my down ward tread My commodxtles mcluded everythmg from babys powder to grated nutmeg But dxd I sell any? I hate to th1nk about rt' That mght I went to bed wxth sore feet and a parched throat Instead of sleep mght brought nlght mares of gruff men sayrng Naw we don t need noth mg and other anythmg but pohte refusals of my wares Work worn women scathlngly remarked Your baklng soda 1S no good and I wouldnt take xt even lf you were gxvmg rt away Of course I wasn t SILVER SANDS DDLING glvmg It away I was only trymg to earn some money Then 1nto my dreams crept that angel of mercy Here was that darhng sweet lovable 'mgellc faced woman who had bought slxty cents worth of my product My only sale of the day brought consolatron and somewhat lncreased my hope for success the next 3-Y But my feet were trred and my head ached as I started out the next mormng However my sales manshlp xncreased a trlfle and I was happy at the end of the day to hand 1nto the company my four orders Two dollars and srxteen cents seemed a great lmprove ment over the slxty cents of the prevlous day and I felt sure that some day I should become a famous saleslady Ah' but Thursday' That day of days' Its memory llaunts me lzke a skeleton rn a closet Busmess car ned me far 1nto the country where I traveled weary rule after mlle 10 vam The sun was as merciless as lt 1S on the Sahara The streets were as rocky as a stone quarry and the people were as hospntable as Afncan cannlbals They dldn t use vamlla because they d1dn t make cakes the1r bables d1dn t need pow der and xf they dxd need anythmg well what were tores for? By noon txme I hadn t the energy erther to walk or talk All my hopes for success and my desrres for adventure fled as though they were feathers blown 1nto the breeze I came home a sad trred dejected but oh so much wxser young lady A few days later I recewed a check for elghty three cents Thrrty per cent of my earnxngs was my wages Nothmg was sa1d of the seventy cents for lunch and the seventy five cents for carfare that had come out of my mothers pocketbook Experlence my dears IS an expensxve teacher but a very good one bes1des I no longer desprse peddlers called salesmen and salesgxrls by the firm that hlres them, but offer them my deepest sympathy and prty May you do the same' 9 I I . qs . . . . 55 1 - , - 5 . a - 1 1 1 1 1 ' . . . . , . . , 1 1 . . . . . . ' 1 ' 1 1 l . . . . r I ' . . . - 1 .. l , f , 1 . A u 1 1 f l , . . . , . , . I ' . . , . . . , - f , 1 , 1 1 1 I 1 1 ' D . , . . II' ' . ' ' - 1 1 1 . l . . . , s , U u l . I Q . . . 1 1 . f - , - 1 - mu 1 ' ' f , , 1 1 - 11 - - ' ' C 1 1 1 ' r . . , 9 ,, . . , . . . . . . ,, -, . , . ilu!-5 issx R -Ut? MQ a gay vmcc callmg Hello hello By MARIANNE FITZPATRICK T WAS one of those October days when the autumn hues which make the forest glad were 1n glorious profuslon that a party of which I was one hied itself to the Philadelphia Zoological Gar dens The impulse which prompted our trip was the de sire to be out of doors when the land was ht with an autumnal blaze of goldenrod Then too we were eager to see the newly arrived dragons which had caused so much comment in the papers of the previous Week Entering the gate we were saluted in a very cheery manner by a gay voice calling Hello hello Look 1ng around to see whence tl'11S greeting came we were amazed to gaze upon the author of it in the form of a giant black crow Knowing that there was much to see in a few too short hours we decided to move on Passing along a multicolored pathway we encountered a. sign dlrecting us to the Carnivora House Here we knew would be thrills mixed with excitement The first thing we heard was loud angry roars that sent cold sh1vers up and down the spines But the specimens 10 themselves were magnificent There were hons and tigers leopards spotted and black and other ferocious ammals The hons especially were restless as though they bemoaned the fact that they great powerful monarchs were cooped up while we enjoyed freedom This observing of other animals only increased our eagerness to see the dragons I was delighted at the prospect of seeing xn the flesh that which I had al ways considered a Ggment of the imagination And what unique fellows they were' They had long sleek bodies much like the crocodiles with large heads and great tongues from which one expected fire to come Present also in this department were many varied classes of snakes Their slmky mosements and smooth skins caught the rays of the sun They too were we like the others centered our interest on them An attendant with a long stick attempted to arouse their CU1'1Ol1S1tY and cause them to move Now after en joyrng a sumptuous serpent meal they remained ln a comfortable steadfast position And have you ever seen the birds specimens from all parts of the world breathtaking in their beauty as though some insprred artist had wielded his brush from delicate pastels to dusky hues? Who could doubt the presence of a Creator in the midst of all these miracles of nature? As a result ot a recent campaign the animals are allowed moie freedom But those who have the most liberty are the bears Their homes consist of caves dug into the ground It is interesting to note that these cages are air conditioned to such a low degree as to enable the bears to live there I unagine that these beasts wouldn t be too friendly once out of these surroundings but down in their caves they sat up and begged for any little particle or crumb that would SILVER SANDS I Q Y 1 Q . l . . 'L'ss-4w's..l-..-gs 5 5 5 . - MF' . .1.r-v- '1 i- ' 'i ' ,Q-1. l 9 h A - 1 , Q ' ' S - wx , , 1 5-15 x N g I, . . . . 'I Nth' luv u . . . , I , 39 D ' . I Y I ' Y I . marked with splendor. As it was just feeding time, . . . . . , . . U V ' , 9 , , l , . . . , 7 - ' ' ' EG 1' Q s s ' ' Y 9 - ' , , , Y n Z . be thrown to them. They were gigantic in size and beautiful in color, some being black, others brown or white. Our attention was then diverted by a village built for the domestic animals. It is complete to the nth degree. These domestic animals are a recent acquisi- tion at the zoo. They were placed there at the request of the many city boys and girls who could see the wild animals present at the Gardens but who had never seen a cow chicken rabbit or other residents of farm life The most intriguing sight of the day was a baby kangaroo with its dear little face looking out from WE WENT 4. 27 its mother's pouch at a. strange world. Many times have I seen pictures in story books of the mother kangaroo and the loving care she gives her young, but never realized that I would one day see it in reality. On the path going out we looked back wistfully toward the wonders we had seen. It was getting late and the giraffe had gone inside its house-all that was visible was its long thin neck. There had been much to see and we had seen it all even to the oldest inhabitant which a placard indicated had been living there half a century If you are looking for a thrill do go to the zoo THE 9 1 I ' Y - 1 ,QAX G. ll iii? 1. 11? ,' A l :jx , ff I f pf .Wax .I I ww.. .X ..., l , . . , , .. Hp 5 lil. ,wn 0 ' .dl i , 1 A lv -X I - e i Ll' fy I E Q . li, 4 S N Rx . Q lil Q 34 M 2 - VL.. . . E 42' 5 i'-- U' 3 Y I I . .. Q . -- . . l. ' V ' 'i - ' V x f A-. - ' ' 7 ' . 'x T17 R 1 Q f 4 I- . . 1 ' ' A x' , , il . . XX f l t 'qi ' if 5 fl' All Ll ll . l l N' 9 f All fl , 11' ' '51 - 1 -1-Il' QS ' ' -ii' ul-1 5 All . r ,nf . I ,N .4 i 'plan' pf' .J ............. .........3 ' LL! SILVER SANDS A 'QW 11 SPEAK wlth FEELING proving that the Immortal Bard was one o the mznor proph ets as well as one o the major phzlosophers when he sazd, Who steals my purse, steals trash CU have heard the real 11151116 story of how Donald Duck came to be a character of how M1ckey Mouse rose to fame and the story bchmd the murder of Cock Robm You have heard the 1n Slde story of the Detent1on Room and the marvelous procedure behmd the expresslonless face of a clock but have you ever heard the real 1ns1de story of a pocketbook7 N07 I thought not A pocketbook lS a decept1ve thmg It may be at tract1ve on the outslde but oh the artlcles you w1ll fmd w1th1n Wxthout a doubt m1ne IS the worst I have ever seen for It 15 the nearest example of a rum mage sale I have yet had the m1sfortune to bump 1nto There 1S everythmg 1n lt from a mov1e t1cket to an Enghsh compos1t1on Once a practxcal joker enclosed a l1ve turtle to shock me I wasnt surpnsed least a good three feet square of table and plenty of elbow room Perhaps I could g1V6 you a fa1r 1dea of th1s collectxon of m1ne by enumerat1ng some of the th1ngs I found the last t1me I set as1de half a day to perform thxs plece of manual labor Enclo ed was a smaller purse contammg a few COIHS I do mean a few and perhaps a score of bobby p1ns The pocketbook proper conta1ned a founta1n pen penc1l red PCHCII a pack of lead my A A card sev eral notes hastlly scr1bbled between classes a small case conta1n1ng some wonderful m1rac1e worker that IS guaranteed so It says to stop the run a com pact a small song sheet a pocket comb file and mxrror a souven1r of Crabs 1n the water Beach or some such place several letters a card telllng me that my l1fe would be changed 1f I would answer the ad and sell some marvelous do dads to my fr1ends ffor merely accommodat1ng the advert1ser I mrght earn up to S75 per week they knew a man who d1d pamphlet from the Frankhn Inst1tute last years bas ketball schedule a very flattermg fortune wh1ch some 12 By ELIZABETH DONLON 39 puppet could have gotten just as eas1ly by standmg on a scale and deposltmg a penny a few snapshots a bracelet a book of cloth samples a l1brary card a lapel watch wh1ch hasn t been runn1ng s1nce last year when I dropped lt IH a bowl of lemonade a pockc d1ct1onary several blotters a few postal cards and but I could fill another page telhng you all the rest ThlS ought to g1V6 you a fan' 1dea of the contents The trouble w1th my pocketbook IS that the cleanmg process ends w1th the replacmg of all the contents I put everythmg back agam w1th Oh I need that Maybe I had better keep thls and see 1f I can use t So you see there 1snt much use of cleanmg 1t out That IS why I go about the momentous task once 1n a blue moon My pocketbook has a hard l1fe of It Inev1tably I lose It every other day Durlng th1S per1od of sep aratlon poor old pocketbook knocks about t1ll I come to recla1m It The bumps and bru1ses lt ICCCIVCS are too cruel to relate It has even been burned and one sad day It fell down a whole fl1ght of sta1rs but e only notable 1r1Jury bes1des be1ng badly shaken up was a broken collar bone From ICS expenences 1n e cafeter1a lt has tasted more than one sauerkraut dxnner Th1s possesslon of m1ne 15 very temperamental All true gemuses are After I have lost 1t or 1f lt has rece1ved bad treatment It behaves ternbly Apparently 1t has a mlnd of ICS own It refuses to shut as a consequence many tlungs fall out When the sp1teful thmg sees somethmg fall to the floor a l1feless grm comes from 1ts gapxng mouth for revenge 1S sweet When I try to replace the fallen artlcle do you th1nk the revengeful creature w1ll ICCCIVC 1t7 It wxll not It jams all the contents to the top and pretends there 1S no more room Now of course th1s deportment 15 not to be tolerated but what can I do? It has re cerved so many bumps lf does not respond to a slap and scold1ng doesn t do one b1t of good I certamly have a problem on my hands Although I have con sulted Anne HlfSt as yet I have recelved no reply Perhaps from th1s descrxptlon you w1ll get the 1dea that my pocketbook IS a very dxsagreeable char acter It really 1snt It merely loses IIS temper some SILVER SANDS Q l n I I I I I . . ,, . . 1 . 5 5 ,, I 9 S I ' . , . . ' ' . fo- , lf - - I ' 9 s 9 1 , . . , . 9 I I I ' Q 5 3 9 or . . , . ' as . . . . . . 1 ' 7 7 I , Y , I I I . . , ' . . i g . I , . I , When the mood strikes me to clean, I require at I . . ' h ' . I S . . . . , 2 LL 15 ' , . 1 A 3 ' . . - . . . , 3 . . . . . r , , 3 3 9 ' ' 5 . . . . A , 9 . . . . ' ' L5 97 I I i 3 9 1 , , ' 1 1 2 S Q D ' ' I 1' a f 7 ' I 9 I . . ' s 5 7 . 1 - . . . . I , l , 2 Q l lg 3. 2 s , , . . . . , . , . . ' tlmes and smce we all do that you must overlook its bad flults for lt hrs some good quahtlcs I IS my constant compamon th It IS except when xt takes xt 1nto 1tS head to get lost When the pocket book rs 1n a good humor lt 15 very oblrgmg and wxll go to any amount of trouble to find room for just one more artlcle It 15 very sympathetrc When I am 1n trouble 1C seems to know th1s and behaves admlrably as all good l1ttle pocketbooks should For mstance one mght I got on the street car and when I looked for fare to my dxsmay I found I had forgotten xt It was the stop before my destmatxon and I was almost embarrassed to tears when the hero stepped 1nto the p1cture m the form of my poCk6t book It took advantage of the next turn and fell ln the a1sle spxlhng out all the contents but what drd that matter? There stlckmg out from a folded paper lay 1 dehghtful sweet l1ttle welcome token After th lt thz1ll1 rt ue no pruse rs too hxgh for It Now you have the ups and downs the tmumphs and fallures the character and the real 1ns1de story of a pocketbook LIKE U N'T0 Q4 SSVIILE Plac1d Madonna of what do you thm Alone an the chapel there? Some say at s sorrow some say tts lore But somehow I thm It zs prayer Sages have hazarded guesses lzke these But none o them seem just rzght Once I thought you were gomg to tell When the sun sprayed your lzps wlth :ts hght Im wamng here or the sun to come Perhaps you wzll tell me then It should arrzve any mmute nou Ive sounded my last amen Lzttle chrld I heard you spea And rt made me want to tell Wzse men have guessed but none ever as ed Me where my thoughts dzd dwell When jesus was a httle box ust as small as you He used to bnng me gay bouquets Fresh wxth the shmmg dew Summer or wmter He always ound A blossom petal sweet To show no to en o Has love Would not find day complete SILVER SANDS One trme twas near the sun s descent And strll no gt t He brought But when the urld brrd reached its nest Has lzttle hand mme sought Mother whzspered a muted bell Today I ve a dz erent gr t I dropped my ace down close to H15 And He Hrs own d1d hft He zssed me then upon my lzps And held my mantle lzght It wasnt lz e Hrs good day rss Nor yet Hts fond good mght Majesty was there and gnc And sacnfice and prtde Son and Father God and Prlest I trted my tears to htde And so my eyes do glzsten now On canvas o a man Who felt the message He conveyed But couldnt understand 'Its not mv thoughts that shape my laps Wzth thus guess wrse men mass And st ll they azl to pzcture there Hrs beautl ul sacred :ss MARY Rmx HBYDEN 38 13 1 1 - 1 2 , 2' ' I 1 '. 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Y x wif xx xw , ,fret 4 I 1,.Igf-Siva MW if . 3 N W' -2, f PWPWPXA 101 Eid' .5-A 'lf RIDKY If Q S .Q Q D I, f ggb'-W, L' ' .fx .1 fa 1 ..-fs. 'S!f'Q!, :x2:ff..f', ismr' .f ggi. ens, but ts sand he were awalkmg through the cotton Eel s, ammm Ins own blzress, when hc seed a tall, skmny puss n 1n a b1g black cloak comm upon hlm fum de OppOS1t6 dxrectlon Joslah he trxed to run fum dat blacx strangah, but he dm gxt fur, caubm he were rooted to dc - Cf' 'wgff ,2 11 .4- ' 1' 'qfy gvlbflg .w1fh',,,, J' 7 Vik! 1 tl' 2'-HAVE 4,1- groun We amt nevah seed hxde no haxr of dat good fo nuiiin man omme smce, and de prcachah folk say he done as , V525 JINRQQFF gm ni? I I. Q at I J .f,l5.f-:II'?'II'2'! 'W-.N 3591: 'EQRUF i gy: r eh' xg 3, I? 6-4: 4 1. KY J XX x'l c1' ?351'5 N Q ff' qi 1 'std N 4 ik 1 Q' 1 153 7 1 5 ,, J, 3 185.1 15 54? 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Y,iI 'l'?'- 7. -i' . yum' :xl ' A .-' .. .ff-f I 'IS' -' If 1 :ilk ' X A 9' 4 -.yu .,.-f- 5 r.- . 1. -v ,,,,.:. -. .f., .-..- ---,.a.gg- - - -2-rf :'f'l3v11.e3 E, -x ' met up wlf hls judgmen at last, pralse dc Lawd' Ah s begmnm to b have dc wust too, causm you pappy ham t been home fo three months Ah spects you don even Lnow yo ol man, no mo' jus see what deb Iment comes fum ste'1l1n Ah prays you darkles don take after yo pappy If Ah Ch11lUDS takm mah cookxes, Ah 11 know de debls work agam An de Lawd pumshes de deb Is ln Indeed He do jus lak He pumshed Joslah 1 ebery mght catches you hand am at strumcns men' SIX eyes gazed solemnly at the1r mammy S1ster Rebecca, a church gomg member of Preacher Rawlms clan As she iimshed her tale three small awed darkxes slowly repeated, men An now, all you plCkZ1D1I1IllCS bese good whlle yo mammy goes to de revwal meetm and de clncken fry Ah ca1n't take youse w1f me, causxn' 1t's fo' adults, an all youse chzlluns done already had yo' watahmelon party dxs bery aft- ernoon Marmny, what do dey hab at a. clucken fry? asked Moe, the smallest of the small darkies. , . . . , . . .,.- - ,v-.. 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' Mammy replied, in an exasperated tone Ocose, deres long tables lanterns, big fires, fiddlin Jiggm , speeches, and a little preach Chlcken and a Woman 5 heart are in besides 'very ar apart, but closely con If anytlun should happn which won t, run hckety split to necled in Miss Nancy She said she bese goin to watch out fo you bless her good heart' Shell be in de drawm room ob de man sion, causm Massah David is visitin her tonight josy Ah s leavin you to take care ob Abraham and Moe Understan, Ah don want no foohshment, and Ah spects you tW1f1S to min yo sistah Ah won t be back t11 late So saying, Sister Rebecca tucked the covers about her three children, blew the candle out, and left the cabin in silence and darkness PRUDIGAL eturn But peace and quiet did not settle over the entire Lee plantation, as it did over the darkies' cabins. The candles in the drawing room of the mansion seemed to shine particularly brightly, shutting out the soft darkness of the night. Nor could the scent of blooming magnolia and honeysuckle sweeten the . atmosphere of the room, for it could not penetrate the walls. Even the two inmates of that room seemed to have missed the romance of the summer night. By BERNICE KOLBE, '38 I shall walk home from church with whom I please, declared Nancy Lee in a haughty manner. She stood with regal height near the piano, facing an anxious, angry young man. ', ALI, , I, .e. LJ 'Z ' 2.9: is , ', -QW. I 1' ':-A ': ':'f-5: - ,.f . I . ..lI.g,, .. ,nf , I ' ,, . V,.41.zv. z,'I'!'22'.f.:i5i-' L' '- IIrIiI'.i'f'f T Qi,2 j?7 Af',:, .2gff'g'. ?:I'f'f.: ks A .I4I.'I- I, I,,.37-A.I -I ,., V ' -r.,- .,,'f:,L,. 'A1' .I - I1I.'I ....I I - I ' , .f I' f1V,v'-1,-.'-'.. '.ru'V XI '. ,I-1 I, 1 ,... -' IrI ,:,,- - I ..: , .. . '. ww. c,-AV, 'L '.f.: e'i ., -' - ' ' . - .-'f .-V:e-'f't.:.s+- V . :'-z.r,:.':'-V.- -ef 1..'f4 '- . .1 :S .. 5.4,-. ,.f,:,,,g-fl! . V- ,L 'iz---1,5 'H 1 s- 'l ' .I.1.III- , I -II,I Q II 4 I I I, I I.. 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' . . . ., ., ' a 1 ' ' 5 I , . . , . . . . . ., . u 1 1 - Q , ' ' U ' 9 ' 51 1 1 Y i i 3 Yes even w1th Dlck Hanlm whos not worthy to hold your handkerchlef much less your arm re plred David bltterly O Mlss Nancy I waited I consrder Major Hanhn a very courteous and respectable gentleman I suppose you are mtrmatmg I should have walked wxth you' On the contrary I only wanted your snule You must th1nk me very concerted to belleve you can appease me by flatterles I shall not accept them I am weary of your contlnual concern about my wel fare It IS regrettable we must say good mght 1n such an unpleasant manner Then I must go before I have asked you what IS most 1mportant to me? Nothrng 1S so 1mportant that xt cannot wart Be srdes Im not 1n the proper mood to answer s1lly quest1ons If you conslder lt srlly that I ask 1f I may escort you to the cotton festxval I shall not ask you Please dont I know I wouldnt accept anyway Now youd better go before you msult me further Good nxght Belreve me I drd not rnsult you rntentronally I am sorry to have caused you pam O you are mrstaken You have not hurt me 1n the least Good evenmg I hope our next meetmg wrll be more pleasant Good nrght Wrth a last reproachful look at her flushed lovell ness Davxd walked out of the whrte portlcoed bulld mg He was about to descend the steps outsrde when a small figure rn a mghtgown h1t hlm wrth terrxfic lmpact The suddenness of the colhsxon stunned Davld but the whlte figure uttered a scream and was off agaxn l1ke a gust of wmd When Davld regarned hrs W1tS he rushed after the fast drsappearmg shape When he finally caught the small figure he drscovered lt to be a negro ch1ld age about frve years She was sobbmg vrolently and stared at hxm wrth wlde eyed terror Look here drd I hurt you that much? Let me dry your eyes There thats better isnt 1t7 Now tell me who you are and what you are dolng running around this trme of mght7 O Massah Davxd Ah m Josy one ob Mrss Nancy s darkres Ah thought you was another ghost Thas why Ah was so skeered ob you Whats thrs about another ghost? Don t tell me youve been runmng away from ghosts all night 16 Massah we got heaps ob trouble 1n our cab1n Ah comed to gxt Mlss Nancy Mammy done tol us ch1l luns dat rf anythm happened Ah should gmt Mlss Nancy O please we got ghosts ln our cabln Well then Josy what would you say 1f I carrred you to Mlss Nancy s7 Maybe she can help us Josy seemed to llke th1s suggestlon for her tears abated somewhat as she snuggled mto Davrds arms And so once more Davrd mounted the steps to the Lee house and pulled the pollshed gold knocker Nancy was srttrng on the arm of her fathers cha1r rn the lrbrary watclung lum play chess When she heard the knocker she xmmedrately arose Ill go Father Thomas went to the chlcken fry w1th the other negroes So xt was that Nancy opened the door and faced Davrd across the threshold After one moment of surprrse she saw the tear stalned face of Josy She took josy by the hand and led her mto the llbrary Davrd followxng It was strange to see the transformatron of Nancy s character Where once she had appeared to be a haughty selfish w1lful grrl she was at th1s moment filled wrth gentleness and SOl1C1tUd6 She lrstened m tently to Davlds descnptlon of hls meetmg wlth the httle darkle and comforted josy trll there was not a Slgh of tears Davld wondered at Nancys alfectlon for the dark ch1ld until Colonel Lee told hrm that when Josy had been born she had been grven to Nancy as a present She had grown very fond of the chlld who worshrpped Nancy as an angel But josy could not explam her fnght any further than that her mammy s cabrn had a ghostly occupant of whom she was afeared amrghty She repeated th1s fact several times We know josy but where are your brothers Abe and Moe? Colonel Lee asked Oh Massah Lee deys safe Deys under de cub bers but Mammy she would n low me to bese under de cubber she sud fo me to gmt Mrss Nancy S when de ghost wasn t lookm Ah jumps fum mah bed an runs through de doorway to do lak Mammy sez Srr Davrd addressed Colonel Lee dont you thrnk we should go to the cabln to see who th1s ghost rs? I belreve you are rxght Davrd My daughter wrll remaxn here wxth Josy whxle we rnvestrgate the cause of all th1s excxternent SILVER SANDS ss 1 - - 1 at . . i 3 9 1 - 11 . . , . f 1 1 . ' . . . L, . 1 Q1 . . , . . . , . . . , M , . Q . . 11 . , . . . . tn . . ' 1 1 . ,, . V 1 11 u - 11 . . . 1 1 , tt - - ' ' ' 7 , . . . 1 ' 1 . . . . . . , , l f 11 . , . . . , , sv. . ' ' , . - 11 11 1 . . , . 11 . . . . . - 11 . ' 1 7 , . . , , 1 - 11 . st . . . . - - f 1 . 1 11 ' ' I ' , as 1 1 ' ' , . 1 - - 1 , . - 11 u. . . . . . ' ' ' 1 1 1 1 1 , . - 11 f . , . . . . . 14 - - 1 ' . . , - 11 , as - - ' ' . , . - 11 . . 1 r . . . . , . f 1 1 - - . . , ' 1 . Q ' . . , 7 7 ns 1 - 11 Y ' a 4 ' rt , ' ' 1 1 1 11 1 1 . , 11 1 1 1 . , 1 . . . ' ' 4 . , . , . . at - . ' S, 1 . 0 , . 1 - 1 - s ' ' ' ' ' 1 1 ' 1 , ' . 11 , . - 1 - 11 1. - 11 - 11 1 ' 1 1 .,, . ., . , . Y .4 . l 1 1 - 1 - 11 11 u. - - ' - . , . 11 1 - Q . . . . . ' ' 1 1 - ' 11 - - 11 O no Father may I go wlth you7 I ll glve josy my red parasol rf she promlses not to be afra1d to come along If some un holds mah han Ahll come josy answered cautxously Thus the four went back to the dark1es cabms 1n search of a ghost As they drew near to the black outlme of S1ster Rebeccas cabm they could hear a nolse that sounded l1ke shuflllng feet 1ns1de the shack Josy began to whlmper softly and even Nancy was affected 1nwardly though she tr1ed bravely not to show her fear Wlule Colonel Lee trled to qulet thelr fears Davxd moved softly toward the cab1n As he entered the doorway Nancy ran softly to the dark entrance Davxd please don t go 1n there I know somethmg terr1ble w1ll happen to you 1f you do she whlspered O I wlsh we had a light Now Nancy calm yourself don t you see someone must capture the 1ntruder7 We ll have to be very stlll or we ll be heard We won t need a llght now because It whatever lf 1s--would see us but when I call you come 1n and llght a candle so that we can see what Ive caught All nght Davxd Ill Walt here ln the entry for your volce O but what w1l1 I do lf you don t call that IS I mean 1f you can t call? Nancy dont you have any falth IH me? O mdecd I do But Well then lf I don t call you m five mmutes tell your father He IS staymg back w1th josy trylng to comfort her Don t worry about me Ill be careful Davld pressed Nancys hand quxckly and then crept srlently mto the dark room The noxse had abated a httle but he could st1ll dlscern a soft rustle When hrs eyes became accustomed to the darkness he could drstmgulsh a shadow thrown m relref agamst a wmdow on the farther wall of the cab1n It was the tall figure of a man bent over a small table H was rummagmg through some papers as lf he were lookmg for somethmg Davxd dld not hesxtate one moment He lunged at the legs of the figure 1n a tackle that would have done justxce to Pop Warners reputatlon Both bod1es crashed down upon the Hoot but as the figures went down one head h1t the end of the table One lay stxll Davld rose slowly to his feet and called Nancy who SILVER SANDS qulckly stepped mto the room and l1t a candle Upon the floor lay the unconsclous form of an elderly negro Hrs clothes were tattered and torn hrs face haggard and yet there was a carefree appearance about hls features that seemed to belle h1s gullt as a robber As Nancy and Dav1d stood xn the center of the room uncerta1n what to do next Colonel Lee Josy and several colored folk mcludmg S1ster Rebecca who had returned from the ch1cken fry entered the room Evldently Colonel Lee had mformed S1ster Rebecca of as much of the happemngs of the mght as he knew We came as soon as we saw the hght in the cab1n Colonel Lee spoke hastxly I see that you can take good care of yourself as well as xntruders young man After he shook Davxds hand vigorously everyone began to exam1ne the prostrate 6g'l1I'6 Sister Rebecca gazed at the old man and then sprang back Pralse de Lawd' Its Joslah' Mah man werent sp1r1ted away' S1ster Rebecca advanced threaten mgly upon the colored man who strrred shghtly and began to rouse hunself joslah you get up fum dat fl Ebery tlme Ah sees you yous down on yo back restm What does you mean by comm back to yo lawful wzfe whenever at pleases you an skeenn 1s7 Rustle your bones out of heah dls mlnute If you thmk Ah s gwme to hab anythm to do wxf you yous nughty nustaken Gxt up now an gmt' JOSlElll looked pleadmgly at S1ster Rebecca who stared menac1ngly at hlm Why Honey IS dat any km ob a way to treat yo husban 7 Ah comes back to you an mstead ob a blg welcome Ah glts tol to go back where Ah comed fum Ahs gwme to hab nuflin to do wrf a ch1cken stealer If you wants to su v1ve you bettah g1t a gom Das all Ah got to say Honey lamb Ah swears by St Peters keys to de door ob Heab n I d m steal dem chrckens It were de debl rn me what grasped dem chxckens by de necks Ah nevah stole nufhn An Ah s pose lt were de debl who ate dem clnck ens too Now you leave mah cabm a fo Ah loses mah temper Aw Honey you know Ah cam t hve wxfout you You lived fo three months wzfout me sol spects you km stay away a few mo M , , , . . . I 3 ' as ' ' 1 I 9 U s v an ' 5 I , , . . ' ' . Y D Q . 1 1 ' . I . , U Y , . . . . I , , . 3 Q ' if ' I , . . .. . .. 1 Q ' - ' l ss - 'I - , ' 'R 1 D s ' 1 ,, . . ,, , . , . . IL , 1 Q 1 Q it ' U ' 5 , , . , . 9 I . . . .. . 5 ' I 1 1, 1 ' 1 Y , 0. , ss - - s - - ' I. ' ' 1 1 , ' . . . , , . . . , , ' 7 . . - - 1 1- de pepuls out ob der skins? What do you thmk we sn 1 - - H - 1 , ' I 5 1 1 5 1 ts 1 11 , , , . . . 1 - - - - 11 . , . Sb ' 5 ' ' , , . . . 1 s 1 0 7 , , . . 1 . 1 M ' ' 9 ' ss - - 1 1 9 i 1 1 U ' , . , . ' ' ' I U1 3 ' . , .. . . . . , . . , . , 1 1 ' 1 ' . . .. ' e as 9 , . . , . . .- . - . . , , ' y 1 . . . . q N 55 I U Q I . . , . 1 ' Q ' l ' 11 , a , . H5 ' 1 ' ' 'Y , n 1 - ' ' Gi ' U ' 1 1 ' ' ' 151 , . Honey Ah was awandenn on de face ob de earth lak de prodlgal son what s 1n de B1ble and Ahs come home lalr dat smner but Ah don glt no gran welcome lak dat wanderer Rebecca you IS go1n to brxng punlshmen down on yo fambly :fn you don take me back you husban Ah ll go now but spec ulate on what Ah warns you If de Lawd w1lls rt you km stay But rf Ah evah catches you gxbm one look at a clucken Ah 15 gwlne take you by bof ob yo ears an Ah IS gw1ne drag you through dat door an you 1S nevah gwlne to come back Why Honey you IS so sweet How bese de 111 ch1lluns7 Lor bless us what hab you done wlf Abe an Moe? O mah poor darkxes mah 111 lost honey covers and began to laugh gleefully The heaped covers began to move and presently two small darkles therr eyes saucer lxke wxth fnght emerged from theu lndmg place S1ster Rebecca 1II1II18Cl13C6lY took them under her wmg and presently confuslon settled mto peace When all had returned to thexr respectxve homes S1ster Rebecca proved to the hungry Joslah that she really was glad to see hun by settmg before h1m such food as only darkles know how to prepare properly JOS13.h d1d Justlce to her culmary arts but he brought another of her tlrades upon hlmself when he asked A1n t we gwme hab no ch1cken7 After servxces on the followxng Sunday a very proud and dlgnlfied Dav1d had the honor of escortmg M1ss Nancy Lee to the Lee resldence They made a handsome couple walkmg down the tree shaded lane clules A frantlc search followed but It led to no success Jos1ah med to comfort Sxster Rebecca but she seemed to hold hlm respons1ble for the loss of her treasures together as most of the congregatlon remarked but Nancy and Dav1d were too engrossed talkmg over thexr plans for the com1ng cotton festlval fand other plansj to notlce the lnterest they created among the1r Suddenly Josy ran to the bed peeked under the fellow panshwners 'YOUTH C-Aman args Boldly patterned summer s :es Dazzle and bewnch all eyes But each star that deeply glows Vamshes be ore the storm that blows L1 e fickle 'Youth that quzc ly ees Before hfes battle o realmes Wznter s :es are clear and bnght Wlth stars that shme w1th a. steady zght Cezlmg of blue above suspended To mght a peace has landed Which Age w1th calm serenity Wall gave to men for all etermty. MARY Knzscmcx, '3 8. gg Y ' Q 1 I ' . 1 - - 1 - 9 1 I , i I u . 1 1 ' U U I a D l 7 9 1 1 1 , 9 ' 1 ' 15 ' ' ' 1 51, . . . . ' ' , . . . q . . . ' ' ' i g Q . - ' 3 . , 1 N ' ' 1 3 L5 ' 1 ' ' 11 GS a ni . 7 ' . . a 'QQ , Y ss 1 . g ' U I ' ' - is ' , , . 3 , . ' ' ss 'n . ' . . . 0 I f . li . li fl . , , f .. . . . I. l I I 18 SILVER SANDS SPECIAL DELIVER Y Atlantrc C1ty Dear Mane August 4 1937 It certamly IS a shame that you had to leave so soon We all IIIISS you no end but I suppose lt can t be helped Debuts do take weeks of preparatxon My srster was all a flutter for months before hers Our meetmg two days before you left was fortunate rn a way although at first It appeared to be a great ll11Sf0ft'L1l'18 I suggested the other day that I go up to the c1ty and stay w1th Father I m1ght as well have suggested gomg to Mars for Mother wouldnt hear of xt She Sald that I would be a fnghtful bother to you I suppose I must stay here and be mrserable for another month Your letters w1ll be a help though so Im look1ng forward to them Slncerely yours JOSEPH T KAND Ph1ladelph1a Dm Joseph August 8 1937 Your letter provxded a pleasant 1nterval ln all these pre debut actxvltres I am pos1t1vely swamped w1th lnvltatlons to go here there and the next place I m ternbly sorry I had to leave I would have enjoyed staymg longer but I srmply had to come home Mother lrked you very much when she saw you on the beach She made me promrse to 1nv1te you to some of my entertamments but I told her that you couldnt leave your falnlly 1n Atlantxc C1ty wlthout a man s1nce your father IS rn the c1ty Ill tell you all about the partles 1f youll promrse to answer my letters S1ncerely MAME Snvms Atl8.l'1UC C1ty Darn e August 10 1937 You don t know how glad I was to IECCIVC your letter I had a pecuhar feel1ng that you mxght have forgotten me You socrety g1rls meet so many people you know We poor men never know whether our lady faxr w1ll remember us or not If only I could get up to Phxllyl I have been look mg m all the papers for news of your act1v1t1es but SILVER SANDS By GENEVI EVE WRIGLEY 38 I suppose your famxly 15 hke mme They hate pub l1ClfY of any k1nd Ill be able to see you though next week end Im dnvmg up on Fnday mght Saturday afternoon I would hke to take you ndmg 1f you would enjoy It Let me know lf you would Yours Jos1zPH Phxladelphla Dm Joe August 12 1937 You would prck next week end' We re motormg to our place at Bar Harbor on Thursday to stay untrl Tuesday You could come up but we ll be sort of crowded Im hav1ng a week end party so you see you would have to sleep on a cot 1f you came Perhaps I w1ll be able to run down for a few days next week If I do Ill telegraph you so that you can meet me at the tram Yours Mzuun WESTERN UNION MR JOSEPH T KAND 791 BOARDWALK ATLANTIC CITY COMING DOWN FROM PHILADELPHIA STOP MEET ME AT STATION TEN FORTY FIVE STOP WHY DIDN T YOU WRITE MARIE Ph11adelph1a Dear Joe August 19 1937 How s trlcks? Keep the home ires burnmg because Im golng to land 1n on you tomorrow A fnend of mme 15 comlng down too I know a couple of g1rls who are commg so we can have a line old time One of them IS Mane Sxmms I thmk she s Just about your type a cute l1ttle waxtress She has a few days off to do nothrng but become better acquamted wxth Atlantrc C1ty and you too for that matter Ask the boss for a few hours leave from the hot dog counter so that you can meet us at the ten forty five tram Your fnend IM 19 I I ' ' ' ' - ' ' n PHILADELPHIA, PENN., AUG. 20, 1937 . . . .. ' J I 'rw lf A1225 'FHFV ffiid' gggvwa dia' M 'fa ,eww 'f W, gyda df vue- T? 40 G ,G-. W .f 1 QV QP-WISH, rf? 'Wy ,' J A wr , ,f 'L' I 11 we df 4 -v-ML, A 1' 5' e-8' as L'-'sis P ilL Wr Q73 asa- gfsglggwawbw as sg-gras aug Sis- SQ, 'W 'f HZ. aaa. QV? MM aware -Q-,,,,ga ,Maier lg-:USA an -st 5 SHf-x- 4y,p.,q,, -,gyf-,J wb ell '8Jf.gt,,a rr b P er I sag? 42555: 'W' skew 'I The gurl that was just I and the boy? My b-rothefrl C 0 P L E X By ADELINE MARR 39 HE warm, soft breeze caressmg your harr the song of brrds soarmg gracefully above, the gentle lappmg of the water agamst the sxdes of the boat, a boy and a glrl 1n an entranced sllence Aahh' But no, the breeze was much too drstlnctly flavored wrth the odor of clams and fish to be lnspmng, the song of the bxrds was the harsh cry of a bony gull It was not a qmet stream reflectmg a poetrc wrllow tree, rather, It was the salty green bay bordered by hornd soggy marshes and weeds The g1rl, that was just I, and the boy? My brother' We were crabbmg, and the sum total of our catch so far, was three crabs One was a big grand' father, the next, a tmy baby, and the th1rd, an ugly, black-lookmg specxmen They were bubbling away rn thexr burlap bag, at one end of the boat. You can be sure I was at the other end! After perhaps half an hour of crabless crabbingf' we decided to 20 start home I can never explam how lt happened, but a sudden scrapmg sound made me look down, and horrors' There on the boat bottom was that grandfather crab' H1s sharp claws were extended hrs bulgmg eyes were starxng rxght at me I jumped from my seat, at the same txme hrttmg a hlgh C that even L1ly Pons would have envied In my haste, however, I slxpped and dld a remarkable dxve xnto the cold water' To conclude my story, my brother refused to k1ll the crabs, but I firmly msrsted that I would rather swxm home than nde 111 the same boat wrth the omery cutters, so he had to submxt to my demands. He cruelly murdered the three mnocent crabs and we peacefully rowed home. Incxdentally, I can't bear the sxght of crab salad smce that memorable occasxon, and, whenever I go swxmmmg, I fearfully expect some relation of grandpa crab's to grab my toe in order to obtain revenge! 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MADGE fLaughmg gleefully and throwmg her THE STEPPIN By MARIE J CAVANAUGH 38 S T 0 N E CHARACTERS Madge a tall slender tawny haxred gurl wnh a guft for attractmg attentaon She rs rather awkward but wrth a personalzty that tums even her awkward ness mto grace Her egotnsm rs quzte unmtentwnal Laura a small clark gurl wzth large eyes Her manner as eager but reserved TIME 'Twxlnght of a brush November day SCENE A typzcal small room an a cheap boardmg house The room as poorly lzghted and strewn with papers magazmes and books whzch Laura rs makmg an effort to tzdy An outer door as heard bangmg and Madge comes breathlessly m wnh her arms loaded wath bundles IVIADGB Laura Laura come see what Ive got' narrow warped small town wlth xts goss1p and httle LAURA Why Madge' What on earth MSS' LAURA I cant explam It Madge but belxeve me hat mto the mrj Oh Im so happy' It happened so suddenly Ive a part mn that new play Rxchards IS producmg and 1ts bound to be a hxt because Leonard and Allen wrote xt and LAURA And you ve spent all the money you were savmg to celebrate someth1ng that Isnt even certam I guess that just about sums up everythmg MADGE Oh Laura dont scold me' I just had to celebrate Don t you know thms IS our ann1versary7 We ve been m New York just one year today' LAURA fturnmg away qumetlyj Yes I know MADGE Why Laura whats the matter? LAURA Well remember that we saxd we d glve ourselves a year to get accustomed to New York? And remember too what we said wed do lf we failed? MADGE Yes we sand wed go home But LAURA Im goxng home Madge MADGE Qstares at her stunned for a momentl Laura' Oh but you can t' Why? LAURA Oh Madge cant you see? I don t want excltement I want peace and contentment New York doesn t thnll me It s just one more dxrty noxsy c1ty that had to be put up w1th because of a promxse I made' MADGE QBatterlyj So thats xt You only stayed because of that promise you made me And all the txme you were wxshmg you were back m that stuprd SILVER SANDS when I say that I made a promrse to myself as well as to you I wanted to know for sure whether or not that talent I powessed for sketchmg would blossom out here m New York But I know now that more than talent IS needed for success You must have that mdescnbable someth1ng that makes you push ahead overcome all obstacles endure anythlng to reach your goal You have that someth1ng Madge I havent tmg along so well at your new pos1t1on It could eas1ly have led to someth1ng better' LAURA For you perhaps but not for me It was uncertam and I hate uncerta1nty I hated the comxng home at mght txred and hungry to cl1mb those staxrs to thxs dmgy httle room We never had enough money to pay our brlls We were always dodgmg someone MADGE But thats all past now' Wxth this new part I have fgoes mto a revene for a momentj Oh Laura doesnt lt stop your breath to look out of your wmdow at nxght and see the glamour the ghtter the glory that rs New York to know that It has glven fame and careers to so many and to feel yourself a part of xt? Doesn t that make up for all the rest? LAURA I wzsh I could feel that way Madge but I can t In New York I feel as though Im bemg sub merged trampled down and Im slowly suffocatxng 21 I ' I : I I I 1 I . I I I ' 9 9 ' Q ' ' : , . - - ' ' Q Y Q 4 1 ' . , . , , . . 9 , . l ' , 9 9 l . ' ' ' s . , , . , ' ' ' . MADGE: How can you be sure? You were get' : ' ' , . - l , , o ' 0 . 1 ' a . , . , , . . , . . , . . . . . Q , I U . ' I l I I , u -T I ' D . I ' . , . , -w . . . , . . s , . 0 ' Q 1 ' 1 I ' 1 . I ' 0 . 9 9 g . g . . . ' 2 ' ' ' I ' ' ' Q ' 9 . 0 ' H 0 n I . . . , , I Q Q ' MADGB Do you doubt It? Now what IS the mat If only I were home and could take those long tramps through the country wrth Bob as I used to do MADGB So Its Bob agarn IS It? I suppose hes been advertlsmg the wonders of marrred hfe as usual LAURA Must you get cymcal every txme you mentron Bob? I mrght as well tell you now Ive de crded to marry hmm MADGE Laura' How can you poss1b1y give up a career In New York for a dull smug self satlsfied husband that wrll never get anywhere? You ll be stuck In that h1ck town for the rest of your lxfe' LAURA Lrsten to me please and try to under stand I want to be stuck as you call IC In that luck town for the rest of my hfe Bemg a good wlfe IS the only career Ill ever want I dont care If I ever see New York agaxn' MADGE QAghastj Not see New York agaxn' motwes Forgwe me If Ive made you unhappy ID tI'I1S last year I m sorry really I am LAURA You havent made me unhappy Madge ever It was my problem and I had to solve lt alone MADGB If I only thought you understood my reasons Thrs room the stalrs the d1rt they ve just been steppmg stones a budge I had to cross to get to that sought after shore I have to reach that shore' I must' Its as essentIal to me as your dream house 15 to you LAURA Our Ideas of success may not be the same but In thrs year we have dlscovered the 1ll11S1V6 embryo of happlness It was the most Important year of our lxves because It was the year In Wl'I1Ch we found our selves I understand that much at least You wxll come to see me often wont you Madge? ter wxth us anyway? Here we are gettmg senumen tal and exchangmg theorxes whxle the irst good dm ner we ve had In months awalts us It may be our anmversary celebratxon but we ll make It our fare well dmner too Well drmk a toast to Laura the successful wlfe' LAURA Oh I d1dnt mean that Ill come every trme you re In a new play and I hope I know they ll all be the seasons best MADGE fStrangely movedj I guess I have been rather selfish Im so wrapt up In my own career that I never took tIme to study anyone else or her LAURA And to Madge the successful actress' P6cu1C6 You are water touched to my laps In a burnmg desert of sand 'You are sweet sleep m the mght To soothe my fevered brow 'You are a lake crystal blue In far of land And an my solztary lonelmess you Come to me now 'You come to eager hopeful youth As calm upon a sea 'You come as moonbeams on Water m a. sslvery path of lnght 'You come to blossom In my heart After love s ecstasy 'You come as dawn In radzant glory From dark and shadowy mght. CATHERINE T WILSON, '38. 1 - u 1 ' ' 1 1 . , , . . g I a ' - 9 ' , ' ' 9 9 I ' D , . 1 1 , : ' - 5 5 . s ' 3 2 . . . . . n ' ' 1 Q - . , . , ' W ' 9 U ' 0 ' ' 9 I . Q , , 4 Q , 1 . , 9 9 9 , 5 ' 4 I 0 S ' D 1 - ' : , . I I I I , I I I the I I I I 22 SILVER SANDS LOGUS Love peace after pam Love quzet after stram Love clouds dnftmg by Love stars m the sky Love fragrant deltcate and rare Love a mazd with a rose rn her hazr EMILY Lxrruz CB6'eAU'T'Y Beauty owers m all thezr splendor Beauty musrc sweet song bwds render Beauty meadows zs mountams hrgh Beauty the moon m a starry s Beauty the ocean deep and blue HANNAH Locus 38 SILVER SANDS HOCPE Hope sunshme after mght Hope daybreaks glowmg lzght Hope as Apnl s breezes warm Hope as somethmg that can brmg From out the frost a breath of sprmg JAN BT SWEENEY SFWUSIC Musac the smgmg breeze Musrc the swaymg trees Muswc a dream soothmg possessmg Musrc the ram cool and re reshmg Muszc love m search o a word And only by love us :ts real meamng heard MAME MCNULTY 38 'YOUTH 'Youth as spun rn franlest weave 'Youth as wise and yet natve 'Youth as ree as bzrds as sea T1s eloquent szmplzmty Thxs one bnef hour of fantasy O unaualgened ecstasy Mfuunj CAVANAUGH 38 23 is ' , is ' ' , is ' ' , is ' , is . ' . . is . . . . I , '38. is fl ' ' , is ' f ' . is I. . . , is ' ky. 'S ' is , 'S ' Beauty is a dream come Hue' Hope as shelter from the storm, , n 1 ' . . . Q , 40 . is , . J . is . J ' is , ' , ' . ' is '. , f ' : ' is ' f , 1 S I f ' - Q ' 1 I f you're looking for gripping drama or stirring thrills don't read . . . IT WAS snowing and the flakes on Elijah's clothing made him look like a sugared gumdrop-a licorice one, for he was shiny and black and sweet. In the late afternoon light he stood wearily piping, Payfpuhs, buy youah pay'puhs, payfpuhs, payfpuhs, pay-puhs . . . payfpuh, mistah? Now, at last, they were all sold and Elijah started homeward with lagging feet. Usually he hurried be' cause the soles of his shoes were almost as thin as his ragged little jacket, but tonight even the slush seeping through his cracked boots couldn't hasten him along. Spot was gone and Elijah would never feel the same again! Every day the muddy mongrel had stood close to the boy while he sold his papersg every day the pup had shivered with him, run with him-had even gone hungry with him. For Elijah was poor. Although his mammy took in washing and his pappy sometimes suffered spasmodic working spells to visit him, often the stew wouldn't stretch or the bread couldn't be cut thin enough. Now, tonight, the cheery jingling of pennies in his pockets was the only happy sound near Elijah. Of course, he didn't cry. All the tears he had ever held fell fast when he saw the dog catcher put Spot in the wired cage and drive away. He hadn't saved one to shed now. His little throat felt dry and cold from sucking in his breath so much. That was a habit he had when- ever his stomach was empty or his heart full. To' night, though, his tummy would feel warm and happy 'cause it was pay night for Mammy. Pay night meant bean soup-not thin, watery soup, but rich, heavy broth with brisket and a bone for-No! Spot wouldn't have a bone tonight, nor any other night. Now Elijah was running fast so those dry, hard sobs couldn't catch up with him. He stood for a long time before the rickety clapboard house with his little chin quivering and his brown eyes lusterless. Finally, he gave the paintless door a shove and shuffled into his home. It was a bare dwelling, but spotlessly clean and glowing under the leaping light of an open fire. The combined living room and kitchen held a sweet, soupy smell and was filled with the rhymthmic beat of Aunt Dilcey's contralto. 'Lo, gulped Elijah to the portly figure of his aunt rocking to and fro in a sagging cane chair. Hel-lo, 'Lijah honey, cadenced his aunt, did yo' papuhs all go slow today? Yo' is mighty late. Yo' mammy am sortin' de wash an' yo' pappy choppin' up some mo' pine sticks fo' de hah. 24 ELIJAH, LITTLE B0 for he was shiny and black and sweet. SILVER SANDS This explained the permeating piny scent in the house. Although it was over a month since Christ' mas, people were still discarding mistletoe and ever' green and Pappy Brown was always around to proit by their riddance. Aunt Dilcey heaved herself out of the chair and went over to a pot steaming above the fire. While she was pouring the soup Elijah ventured, Did yo' all make it, Aunt Dilcey? He knew if she had, the soup would be somehow sweeter and spicier, for Aunt Dilcey worked uptown as cook for the Dwights. She lived there, too, but Wednesday was her free night and then she came to the Browns'. Sho' nuff, honey, she chuckled, Han' you'd bettah eat it all up, if'n yo' do, I've got a s'prise fo' yo'. Get long theah now. Only a few minutes ago Elijah had felt as if he never wanted to eat again, but as he was only a very ordif nary little boy with a little boy's appetite, the soup slid down easily. While sopping the last ounce of liquid with a piece of bread, Elijah meditated on the nature of the surprise. Maybe it was cake. There was a bakery at the corner that sold stale delicacies for a few pennies-and it was pay night. Sometimes the Dwight children gave Aunt Dilcey clothes and, al- though they were a few sizes too large for Elijah, they did keep him warm and dry. In the meantime, Elijah's pappy had come in, his arms laden with dry wood, and was grinning happily at his little ebony replica. There was something sheep' ish in that grin. Elijah catalogued it with the one Pappy used on Mammy when he had a new job to tell her about. When his mammy came padding out of the bath' room, her arms soapy to the elbows, Elijah knew defif nitely that something untoward was afoot, for Mammy never let her wash soak in the big tin tub once she had worked the suds up. There they stood all three in a row looking as if they deserved a spanking. Elijah wondered idly how Grandmammy had ever surrounded Aunt Dilcey's breadth to administer much-needed thrashings. By now, Aunt Dilcey had walked to the bedroom door at the end of the kitchen and opened it slowly. After she had made several clucking noises with her tongue to no avail, she squeezed her poundage through the doorway and went into the room. In a few seconds she reappeared carrying a fuzzy object under her arm. When she had successfully rnaneuvered her girth into the kitchen again, she put her burden down on the floor with a flourish. 25 A dog gasped Elljah Oh that they even dared to th1nk any other dog could make up for Spot Why thxs one dxdn t even look l1ke h1m except for the same k1nd of black daub near h1s nose The new pup was l1ttler and wh1ter only one ear stood up the other flopped tlredly over h1s left eye h1S front legs weren t stralght and h1s ta1l was almost a negatwe excuse Its all for yo honey pet h1m Aunt D1lcey urged And wh1le the sm1les faded from h1s parents eyes Elljah mumbled a polxte thanks and went quxetly over to the Ere to s1t there 1n IIIISCIY After a wh1le he felt ashamed of hrs behavlor and looked pleadrngly at the hurt faces before h1m for sympathy He alnt Spot he deplored he just a1nt He doan know how Ah feels 1ns1de when de blg boys mek fun of mah cloes an and here he pushed away a mo1st frlendly nose and how t1s to work when you d l1ke to play he doan know what txs to lose a frlend l1ke Spot Oh yes he do reproved Aunt Dxlcey dat dawg am sorner dan yo be Ahs seed h1m wxf cans t1ed to h1s tall because the 111 crlppled boy what owned h1m couldnt stop the blg fellows from dom It Ahs seed h1m fight b1g dogs fo h1s l1l b1t o suppah Ahs seed h1m cry real watah tears when h1s masa got tooken to God An today Ah seed h1m all alone wet an col an hungry Ah knowed he couldn be anotha Spot but Ah thought you d love h1m a l1l El11ah looked unhapp1ly at the httle mougrel vtho was nuzzlmg h1s knee All at once he wasnt just a mutt any more he was a real pal Of course Elijah would keep h1m' The dog pound nught take th1s one too but now that Ehjah knew they were around he could watch and h1de the pup Now the dog yapped and w1th a llttle cry Elljah swooped h1m lnto his arms and held h1m t1ght Then as mf to make up for hls harsh treatment of the l1ttle anlmal he pressed h1s mouth close to the pups floppy ear and wluspered the blggest comphment he knew Ise gwme call yo Spot MARY RITA HBYDEN 38 SOMETHING HINTBD so.-mea'H1sNg gaufwsfn Welch s Grape wce eeps you thm Palrnolwe Soap grrls cleans the skm L1 ehuoy tends to charm your rzends Lzsterme Mouth Wash never o ends Lux 'Tmlet Soap use at too lklany a beaux you ll gam anew Camels tend to soothe ones nerves Whrle Mobzle Gas helps take the curves Lest coffee keep you wzde aw e Be sure that you some Postum ta e Ovaltme wlll 'nounsh you It wnll gwe the strength of two Baseball players for Wheatres call They say It helps to h1t the ball After you have read thrs through, Come on, gwls, you try them, too, They wzll please you one and all, If for our sales talk you wzll fall 26 MARGARET ROTH, '38 SILVER SANDS as u -- sn 11 ' H 1 ' 9 9 1 1 9 , . , , . . . . , . , . ., . . . . . , . . . . Q . - 1 ' - 1 . s , . . . , . .., . 1, . a s 9 ' . . . . f, . - 9 1 . . . . , . . . , 5 1 1 s 1 u 1 1 - 11 - , ' 9 9 1 - ' 11 . . . , , , .. . . A y 9 . . 1 - . . . , , 1 ' s - 1 1 ss ' 1 11 ss - - 1 9 9 ' . . . . . . . v . , 11 1 1 - 1 ' ss 1 - . . as 1 - 1 1 - , . Y ' 1 9 11 11 , ' , . 9 ' I ' k ' ' 1 1 1 p f f , if . .1 .v 1 x . 1 1 ak , 1 r I AM A DAWDLER OLLOWING 1ts monotonous habxt of arnvmg xmmedlately after Fnday Saturday dawns The sun has evxdently developed a stern sense of duty this mormng He sparkles wxth such deterrruned radlance that even I hardened sun resrster that I am cant w1thstand hrs lmperatrve summons I dress slowly a luxury not to be enjoyed on school days and tr1p hghtly down to breakfast unaware that this t1me honored and necessary 1nst1tut1on has been a thmg of the past for at least an hour After survxvxng a sxege of sarcasm from several younger prompter members of the famrly and emerg mg unscathed from the battle of gettmg my own breakfast I begm to suspect that thxs Saturday rs not to be one of dellcrous xdleness My susprclons raprdly become a certamty A POSICIVC a1r of mdus try pervades the house I cannot hope to escape Tremblxng mwardly wlth apprehensron I awalt the pronouncement of my sentence So great 15 my rehef on learnxng that my sole task rs the smgle one of cleamng my bedroom that I de termlne to be a perfect model of eHic1ency That bedroom shall be shaken to the roots by a. cleanmg such as lt has never known fAt least not rn my re1gnJ Thrs remarkable feat shall be performed w1th such dlspatch that by noon at the very latest I ll be free of the rrksome burden of housework Accordlngly armed wlth broom mop dust cloth and dust pan I march forth to meet and conquer my enemy d1rt When I reach my room however good resolutlons evaporate a1arm1ngly 1n the face of temptatxon The open wmdow mvrtes 1tS xnvitatxon IS speedrly accepted Wlmat Joy can compare wrth the forbxdden fruxt of leanxng on one s elbows at an open w1ndow7 My attentron rs arrested almost unmedxately by an rmpromptu football game rn progress below My th1r teen year old brother IS quarterback of hrs team and seems to be havmg some dlfliculty an penetratmg to enemy terrxtory In the role of helpful splnt I con sxder the advrsabxlrty of suggestxng that he try a new trrck play xnvented by myself I declde against thls course of actxon on the grounds that he doesn t often apprecrate my suggesnons In add1t1on I have an xdea that I do not appear partlcularly graceful rn my SILVER SANDS By MARGARET SWEENEY 39 present posltxon and I have no deslre to call attention to rt by shoutrng down to lnm Reluctantly I wlthdraw from the W1Dd0W The trme has come to turn my attentron to the busmess at hand I pnck up the duster and begm to fhck It half heartedly here and there wondering fleetmgly what IS the motrve behmd th1s madness of dustmg I rarely note any xmprovement 111 a room I have dusted A glance mto the mxrror assures me that my haxr 18 doing 1ts very best to look 1ts very worst th1s morrung I declde to try the effect of a new coxffure that I have seen recently 1n the movnes The duster IS dlscarded 1n 1ts place the comb and ha1rbrush take the hmehght After a quarter of an hour of experrmentmg my attl tude 15 one of dlscouragement and I abandon the attempt at beautrficatlon The art of bed makrng now comes 1nto play I per form the first stages of th1s rltual wlth beautrful pre c1s1on and prarseworthy mdustry only to fall a v1ct1m to rmagmatxon before the task 15 completed The bed spread 15 my undorng Its sxlken smoothness and rosy hue remmnd me mstantly of royal robes from royal robes to queens IS only a step and queens have always 1n the slummenng folds of the bedspread Wxth a ruler for my scepter and a crown whlch only my eyes can see I receive the humble obexsance of my loyal subjects m a truly regal manner The pnvxleges of royalty are not for me I finally declde M1ne must be a lxfe of sacrrfice The sheets are qu1ckly transformed 1nto the hablt of a mxsslonary nun much to the detnment of my nlcely made bed and once agam I float on the enchanted sea of make beheve Soothmg fevered brows and murmunng words of comfort and hope xnto the ears of the dymg are my new dutles T1me and housework are matters of httle lf any importance rn this sphere Somewhere rn the drstance a church bell begms to rmg Two dmg dongs serve to bnng me back to the world of realrty after four I am fa1ntly alarmed at the elghth posmvely petnied wrth amazement Surely rt xsn t noon already' But the relentless strokes contmue to twelve endmg wrth a firm final peal whxch seals my doom I heave a sxgh of desparr Wall I never leam7 Twelve oclock and the gxgantxc task of cleamng a bedroom is strll before mel 27 I I I , . , , . . . . , 9 Y ' ' 9 1 l . - I I 1 I 9 3 1 - n 1 1 1 .. . .. , 3 - . . . f 2 a. - 1 on ' 9 , . . . . n Q ' I , , intrigued me. In a moment I am in my glory, robed . , . . . . D 1 ' ' - I I , I , , I -. 3 , u . . . .. 5 9 I 7 I I , Q .... . . . , u n , ' 1 ' . . a a. ' ii' I 11 ' . . . . .5 , , 3 . . ., f , . . I , . . . , . i VER smce I can remember when bemg xntro duced to someone my new acquamtance asks me 1f I am related to that famous rncomparable detectwe Dlck Tracy of the Comxc Stnp How httle one knows of the thmgs I have mn common wxth the sleuth Frequently dunng the course of the day I am re m1nded of Dlck by means of my two brothers In the mormng when everyone 1S trymg to catch forty more wmks my l1ttle brother Bob greets the famxly w1th the sound of a slren He tells us of sur vwmg a nxght filled wxth mghtmares about guns Tracy Jumor Many tunes he wltnesses murders traps cnmmals and the txmes he 16 k1dnapped are numerous The language he uses to fulfill hms role 18 not typ1cal of Englxsh The only escape I have from such a l1fe IS 111 school There I am l1kely to be remlnded that I am a Tracy So as not to let me get homesxck wh1le there my fnends relate Tracy anecdotes mn the locker room The underworld slang xs used Of course Sxster 18 the worlds greatest sleuth ln th1s case If she catches us lt means dom t1me on the th1rd floor The dally trudge home 1S a b1t of exercxse for the ordlnary g1rl who upon entermg her own ne1ghbor 28 EU!! By LILLIAN TRACY 39 hood may see her brothers playmg as boys of thexr age should play But the g1rl who has brothers who practlcally hve D1ck Tracy must be prepared for any th1ng She walks home dreadmg the s1ght of behold mg jumor lyxng m the mxddle of the street pre tendmg to be h1t by some crnnxnal seeklng revenge agaxnst Dxck Stnck em up dxs IS a holdup' Dont make a squawk or youll gxt yer knob shot through Such a salutatlon IS sometxmes alarmmg especxally when I am by myself The feel of a gun agaxnst my back no longer makes me famt For turnmg around I see the culprlt my twln brother Eddle Twlnkhng eyes greet me As long as he xmpersonates desperadoes heroes the whole pollce force and G men he expen ments on me There may be found 1n lus pockets at any tlme art1cles of vanous shapes and forms to use for ammunmons and dxsguxses He IS the director of jumor Tracy The best performance of the day 15 the arnval of the t1me to help with the dlshes Eddie takes the roll of a desperate character and kxdnaps Jumor An oc caslonal home made machme gun sound may be heard and then absolute quxet The purpose of th1s scene 15 to get out of helping with the dxshes But after all tlus strenuous exercxse Uumor inally and heroxc ally escapmg the clutches of Eddie, they find the SILVER SANDS C I I a , . . 9 I ' D ' , , , , , , . 1 Q . . 1 , , n l v ' . , , . . Y .. I , n I u . a . . 7 9 2 s D . . . . . ' ' 9 . . - - . 9 7 ' gangsters, and crnme 1n general. H1s 15 the role of Dxck D u u u . , I ' 9 . . .5 N . . . . . 9 ' 7 . 1 - u , , 1 1 n u SB 11 ' ' . I . , I - - ss - s - - sv ' . . , , . . r , . TRACY! dishes have been waiting for them. Their play seems to have been all in vain. Complaining that G-men or criminals don't do dishes, they hesitantly pick up the towel to dry them. Time to do our home assignments comes and all is quiet in the Tracy household But on examining their home work one may find among the papers caricatures of crime The caricatures differ as to the mood my brothers are in Sometnnes the pictures are scenes of gangsters and policemen shooting at each other Other scenes are of Dick Tracy using a newly invented machine for catching criminals Then if Joe comes for me to go for a walk with him Bob insists we need a G man for protection Hell take no bribe less than ten cents before I can send him home to Mother junior pretending to be hat by a cnmmal One may be impressed by these daily occurrences and pity one so unfortunate as to be named Tracy and to have such brothers. I am sometimes exhausted by their tricks, which at times amuse or irritate me. But if Dick Tracy weren't Dick or my last name were not Tracy mine would be a dull life n ce7i'f7R7?5 TC X 5 , . C9 1 ' i ' , . 7 Y - ' . Ls-LSL- Y-1-lv ' T' 'L 'T-L -141 iff, -2 'nm SEEING EYE AS I SEE IT T FIRST I was astounded really astounded then I became mdxgnant Well wouldnt you have been to have a cranky and radmcal man try to bhght your young l1fe by 1ns1st1ng that you wear glasses? I suppose I felt a httle hurt and yes a httle bxtter too to th1nk that I would be dxfferent You know some people just love to be dxfferent but some how they all agree that glasses are taboo Oh they ll wear nngs 111 the1r ears grease on the1r llps and curlers rn the1r hanr but no glasses I wasnt any dnferent from anyone else My xdeas on the subject were not orlgxnal I merely wept and moaned my fate But the only crumb of comfort I recexved was the thought that I wasn t the nrst and I wouldnt be the last to wear them The admlnlstrator of my m1sery sald I would only have to wear glasses for about ten years Only ten years' They might as well have been a hundred I was seven then and to me ten years seemed a lxfe tlme I used to s1t and plcture myself the lovely herome of some fantastlc dream and the one dark cloud was the fact the herome wore glasses I tned to 1mag1ne myself w1thout them but xn vam My rmagmatlon rambled on and I would see myself at seventeen st1ll weanng glasses Some people feel that they need glasses not only for readmg or wntmg or for some work that requxres a straxn on the eyes but they feel that they need them at mght too They never bother to remove them before ret1r1ng You know the ones who sxt propped up nn bed readxng a novel guaranteed to freeze the blood and who rarely ever fnnlsh It The cause may be e1ther fnght or fatxgue but they fall asleep stxll wear mg the1r glasses Then there are those people who th1nk that any bathlng costume 15 mcomplete w1thout the1r glasses Whether lt be a swnnmmg marathon or Just an ordmary dmp 1n the water the1r glasses do a command performance Im not speakmg of sun glasses now They are a httle d1Eerent from the ordmary glasses nn color These glasses come IH varxous shades If you are partxal to color though you can get glasses wxth a very very slxght txnt of pmk or blue You dxdn t know they came m duferent 30 By MARY RITA DE FAY 38 colors? Oh my yes another conquest of sclence another step an progress Glawes have for years stood as the outward slgn of an up and commg young genmus If she wore glasses she was sure to know her lessons Such a concluslon of long standmg could not be wrong Oh how I resented th1s If only to prove thxs txme honored obser vatlon wrong I longed to fa1l m a few subjects for a day or so So many UIIICS I wanted to shock them out of the1r stup1d1ty But lxke other temptauons they were reslsted and so the tlme honored observat1on 15 stlll mtact For all the1r drawbacks glasses do have some re deemmg quahtles To atta1n that perfect d1gn1ty there IS nothmg to compare wxth glasses They add that certam somethmg that no style of coxffure or eyebrows can a qu1et d1gn1ty that cannot be broken Glasses can be used for someth1ng besrdes an a1d to the s1ght Mme serve as a sort of defense behmd whxch I take refuge Its very rnterestlng to s1t back complacently and study human nature The hght on my glasses makes the correct color of my eyes elusxve as an advantage A person ordmanly glancmg 1n my d1rect1on wouldn t be aware of my scrutlny It s very mterestmg to watch your nexghbor from such a van tage pomt I suppose I sound rather smug and self satxsfied but Im not really You wouldnt accuse me of such an mjustxce lf you could Slt back and study your nelghbor wxthout bemg too much observed I have worn glasses now for almost ten years and 1n all that tune Ive never allowed myself to become too fond of them If I should be allowed to lay them asxde I th1nk I would wxllmgly Almost wxllmgly' After you ve worn a th1ng so long rt becomes almost a part of you It would be like partmg wlth a leg or an arm My dependency on them would make me feel the1r loss more than those who wear glasses only part time I rather thmk my wnllmgness would be nungled wxth a lxttle wlstfulness I lxke to mmagxne that my laymg as1de my glasses would be lxke partmg from an old fnend a frlend nn need Perhaps some day Id wear them agam not because I needed them but gust for old tlmes sake SILVER SANDS I I Q 5 ' 5 I 1' . , . Q - . 9 1 ' ' l s 1 I ' ' 9 , , . . . . . . , , , , , , , . . I . . . . a ' ' . . , t ' U . . f . . . No one can say definitely the right color. This serves U ' 1 . 1 Q - - 1 - Q a Q 1 , D I ' , . . , . , D . . . . . ' , I Q n . . ' Q , . . - t , , . , . . . . . . . ' , . , . . . . . , . . 1 . I 4 v u ' - ' , ' . T- . . . I I . I S 0W, WAS born ln the thrrd largest clty of Germany Cologne on the 16th of August 1920 Good graclous a neighbor of our household ex cla1med 15 not thls planet crowded enough w1thout a newcomer dropprng 1n7 Then she peered at the tmy object xn the cradle 1n a very crxtlcal manner Thus was I greeted by the world But just then I was not the least b1t concerned about the1r att1tude toward me Anyhow my mother turned adonng eyes upon me Soon I was a very hvely 11ttle bemg wxth dark eyes a httle round nose and blonde p1g talls I was carefully guarded agarnst all manner of 111s and spent my ch11dhood mostly among my famxly When I was three years old we moved to the sub urbs very close to the romantlc Rhlne There I spent mother often told me stones and taught me kruttlng whxle my mother made me dolls houses and a big stage Many a ramy afternoon we would s1t to gether for hours and pamt or perform httle plays I hked best to be aken on long walks along the Rhme to go boat rxdmg to v1s1t museums and cathed rals or to s1t wxth my mother ID a cafe for afternoon ea About once a month Mother would go wxth me to plays for ch11dren or ballets and when I was four years old I was taken to my Hrst opera Hansel and Gretel Thns was an unforgettable evenmg for me I sat very quletly mn a box between my mother and grandmother and could not take my eyes from the stage That was the begmnmg of my apprecxatron for good musxc Fmally a new chapter commenced I was ready for school Fxrst I was xnspected by the school doctor Because I was too dehcate the school would not accept me and I never had the prlvxlege of gomg to pnmary school Mother was puzzled but soon found a way out I was to be mstructed at home A pn vate tutor was secured and I was mtroduced to new worlds Thus years passed the glonous years of SILVER SANDS ATIVE L By YVONNE ERNST 39 cluldhood durmg whlch I learned played and grew These were years of unforgettable happmess and pleasure Germans are a people possessed wxth an lntense love for nature and an The folk song plays an everxm portant part ln the1r hves and House Muslc IS cul txvated nn a home both IH the C1'Y and ln the country So when I was exght years old I was presented wxth a v1ol1n and IIISCIUCYIOIIS followed 1mmed1ately Often Mother and I spent many hours at a concert But st1ll I found time to play wlth my dolls and soldrers Behmd our apartment was a 11ttle garden where our landlord kept ch1ckens and doves On warm summer even1ngs the swallows would whlzz past my W1!1d0W or mmgle wlth the doves wh1le the breeze earned the fresh scent of flowers from the nexghbormg gar dens Th1s was l1ke a Paradxse to me there I would buxld 1magmary palaces dream of strange lands or talk to the cluckens One day around my nmth bxrthday I recexved the message that my father was comlng to V1S1t us from Amerxca Smce I could not remember lus last vaca t1on abroad I made blg eyes at th1s news and opened my mouth 1n astomshment Fmally my father came and all three of us spent excxtmg days together Then Daddy had to retum to Amer1ca smce he works on a newspaper and can never go on a long vacatxon So he went back and we promxsed to follow hzm soon Smce we knew that IH a short tzme we would be leavxng the fatherland Mother and I began to go out every day to those places whxch we held dear It was wzth a sad heart that I climbed the vme clad h1lls of the Rh1ne for the last tune I bade farewell to the old castles forests and vxllages Then one day xt was all over The clock struck twelve on a warm May nlght xn the year 1932 when I found myself ln the tram to Hamburg The tears blurred everythmg around me and I could not even eat the chocolate my mother gave me 31 I I . . , . ' . . , , . 9 U ' it ' 1' ' l n D 1 n 1 ' ' ' 9 ' , . M n . . . , , . - , . , , , . , . f . i . 7 . I. 1 . . , , . ' 1 n 9 I . .l - 3 the happ1est hours of my young l1fe. My grand- - - - , , , s s , . . q - ' ' ' f 9 l . 9 . ' 5 . . . . . . . . . 5 9 1 I ' ' , . . , ' I . . . . , l , . il ' , . . ,. . . . D I 7 . 3 ' . I . I Y I ' , . , . . , . I . ' , . . U . 4 .' I . Q . , . The next mornmg we were 1n Hamburg Mother and I stayed there for about two days watchmg the bxg ocean l1ners along the docks or v1s1t1ng the places of h1gh mterest Then we went aboard the sh1p wh1ch was to bnng us to the promxsed land As we were standmg on the deck leamng aga1nst the ra1lmg the tears were streaxmng down our faces whxle the band played an old German folk song Then slowly very slowly the Shlp left the harbor and before long we were out on the open sea Around me was water and sky beh1nd me a chxld hood and before be an unknown future A Cundul Camera Shot AKE a medlum portxon of a chubby l1ttle boy topped w1th blond curls and blue eyes and a dash of m1sch1ef and you have the 1dol of the famlly Charles the Baby It was the second bxrthday of our baby who was usually known as Ch1Ck and Mother wanted l11S PIC ture taken The photographer was to come at two o clock and Ch1ck dressed 1n a L1ttle Lord Fauntleroy su1t looked l1ke an angel1c cherub w1th every blond curl 1n place However Edward who 1S four years old and snn ply a larger ed1t1on of the baby havmg just a l1ttle more m1sch1ef 1n l11S make up dec1ded that Ch1ck looked much too S1SS1flCd s1tt1ng there 1n state Say Ch1ck let s make some mud P165 Allw1te agreed Ch1Ck who found It very dim cult to Slt st1ll for any length of tune Now to take a small boy 1n a velvet su1t 1nto a. backyard to make some mud ples IS sure to be d1S3.S trous Th1s case was no except1on When Mother came out some twenty m1nutes later she found two very muddy l1ttle boys lookmg aghast at her ap proach She reached them wearmg a very dec1ded look wluch seemed to say that a spankmg was m the ofling Ch1ck dec1ded to take matters 1nto h1s Own hands and gomg up to her took her dress 111 h1s gr1my l1ttle hands and lookmg up w1th a cherub1c sm1le sa1d Me be dood boy Mummy At s1ght of that sm1le Mother relented but hustled them both off for a bath and a nap photographer or no photographer She proceeded to the bathroom to d1scover that the hot water was not qu1te hot enough So Ch1ck 32 By REGINA c GAIN 41 and Ed were left alone 111 the bathroom wlule Mother went to mvest1gate As I have sa1d Cl'l1Ck dxd not l1ke to s1t st1l1 and when thus left alone he tned to ind somethmg to do to amuse h1mself On th1s occas1on he went to a small cab1net where brushes shoe po11sh and other thmgs were kept He took out the black shoe pohsh and a clothes brush and takmg h1s own small wh1te shoe set about pol1sh1ng 1t' You need use no stretch of 1mag1nat1on to reallze how Mother felt when she saw Ch1CkS work of Ch1ck greeted her w1th Me shoe sh1ne boy unwr1tten h1St0fY Scarcely an hour later the photographer arnved Wlth h1s ass1stant Mother had to awaken the baby who was by tl'11S t1me 1n the Land of Nod Cl'11Ck was 1n a very bad humor The photographer va1nly tned to make l'11ID look at the pretty l1ttle b1rd but Cl'11Ck d1d not tlnnk the b1rd was pretty and sa1d so Wlth a loud wa11 of vexat1on Thmgs looked pretty black for a time t11l the ass1stant con ce1ved the happy 1dea of playmg ball to d1vert Chlcks attentlon The baby melted under th1s charmmg mfluence and as the photographer stood wautmg the ass1stant h1t h1mself w1th the ball and Ch1Ck chuckled gleefully Thus a very charm1ng p1cture was snapped There had been no txme to dress Ch1ck up so that the hrst tlung wh1ch greets you as you step 1Hf0 our l1v1ng room IS the p1cture of a sweet l1ttle baby dressed 1n old clothes w1th an angel1c smxle on Ins ace SILVER SANDS . . ' . . , . , I l . . I I , ' 3 ' 9 . 1 ' 9 S l ' C 0 I ' I , . . . A y . . , . . . , .1 1 . , ' 3 . ' . I a . ' . 9 9 W . I a n . n n q U Q Q I , , , . . . . ' . . - s As 9 9 5 , n 1 n - Q if , art. . . . . . , - - u. - as , , , . ' ' ' ' ' . What happened after that remains in a sect1on of s f a . ,, ' ' I 9 9 - G G5 ' 19 ' Q ' 9 I ' . - 4 . . . . , , p . . . g b I I ' ' . n 1 QQ I . ' l 5 . 1, . . . . . 3 Q G 1 , . , . . 1 1 t . . . , U , . . , . . , , . . , . l , . . ' . , 1 I . if QQ n a . - 3 ' 9 , , . . . , . . . . . , . , , . . . . . ' . ' f . PRIDE GIIETI-I CHAPTER I A Guest as Announced By MARY KLESCHICK 38 NE could tell 1n many ways that Ella McL1nn was a srmple woman but one needed only one glance at her plnched face to know that she was also a dour one She smlled but such a sm1le It was hke one huge crack that suddenly appeared 1n an 1ce coated pond She appeared to be 1n d1s cord wrth both people and nature Men especrally were hateful to her Not even her twrn brothers had ever found favor w1th her When one of the twms dxed however leavmg a bhnd wrfe Ella lI1S1StCd that Stephan1e lrve wrth her even though It meant takxng her daughter too Ella could never understand her French born srster 1n law There had been ten years of quarrelxng on the part of Ella Stephame refuslng to wrangle so today whlch marked the begrnnmg of the eleventh year was no excepnon wh1te parnted screen door and flung herself rnto the wrcker rocker Her husky voice trembled and then a torrent of words almost falhng over themselves 1n the1r haste to be spoken were dlrected at the world 1n general and her mother rn part1cular I hate her I hate her I hate her oh why do we stay here? VVhy can t we do someth1ng7 Can t be as bad as all that Steve The vo1ce was full and resonant and despxte her affl1ct1on the woman 1n the other rocker was beautrful Her name 1S Stephan1e and 1t IS worse than that Ellas gaunt frame towered ln the doorway She came 1nto the k1tchen and broke a tea cup Now now Ella whats a tea cup? Stephanxes slghtless eyes smxled the questlon Its not the tea cup alone Stephanxe How tlns rankled Ella It had not been sacnlegxous enough that her brother had marrred a glddy French g1rl but she also had a mans name whxch her daughter bore too Her daughter however msxsted on shortenmg rt to the more hateful Steve I recexved a letter SILVER SANDS BEFDBE . from Peter He wants to stop here on hrs way back to college to rest up after vacatxon Hts father wxll vrsxt hrm here on hxs way to New York Even though he 18 the son of my brothers bosom fnend I don t lrke a man around the house Zxppety a man m the house now I shall have someone to pounce on once ln a wlule laughed elghteen year old Steve It w1ll do us all good to have a v1s1tor even rf he IS a male one her mother remarked In four days t1me Peter arrlved Ella almost col lapsed He had that odd bnck red ha1r she had seen only on one other person Could she ever forget that other head of bnck red ha1r7 She hadn t thought xt would be th1s hard She had not counted on Peters belng so 1mpuls1ve She just managed to elude hrs embrace Lo Aunt El hows 8VC1'Yth1I'lg7 Everybody calls me Pete My name IS Aunt Ella Peter I do not approve f n1cknames Here comes my mece H1s blue eyes were completely hxdden by lus laugh drawn eyehds Aunt Ella was speechless Steve black curls flymg had rushed to her mother who was com1ng from the far end of the porch to greet the newcomer Hes horrlble he thmks hes clever Ill show hlm when I get the chance Im afra1d I can t wa1t that long sa1d Stepharue I ve never seen a woman really best a man yet espe cxally a red headed one Heres Peter now How 18 the carrot topped college boy? Peter was surprlsed The black eyes glowed wlth a much deeper llght than ever shone from seelng eyes Young man do you want to see my garden? sald the older Stephan1e Wrth a gallant bow Peter ac cepted took th1s lovely ladys arm and thus they strolled 1nto the garden CHAPTER II Arrwal and A Rwal By ESTELLA TURNER 39 UNT EL wouldnt be so bad 1f she would only melt a httle thought Peter as he stood walt 1ng for h1s fathers tram Three days had passed three days of anguish for Ella McLmn because he re mrnded her so much of the com1ng v1s1tor and three 33 0 C . . . . . I 1 Q I 9 ' I V1 I . I us - ' 1 9 Q ' if U 1 1 l 1 I l ' 1 , ' 1' . , , . . , . l , . n . , , I . .a u ' . . , ' 7 , . . . ' , . . . . . . . , 5 I 5 1 1' 2 ' I ss - A P ' 4 ' 1, ' . 1 Rl 1 . d ' ' ' n 1 J 1 ' 0 1 I Q U ' - - - 1 1 l , . ' SM 7 ' ' U ' 7 3 Young Steve dashed out of the house, slammed the , . ,, I I . ss 1 - 1 - 11 - - - . 2 I 9 li 1 . . Q S . ' u ' n ' , , 11 . . . 5, ' 1 9 ' ' 1 1 ' ' ' 1 - 11 ' 4 55 55 ' as 1 11 - ' , , . Q . , 1 ' . . 5 SL 1 1 1 a 11 . 5 4 bi - - 11 ' . C C it 1 11 ' 1 , I Q , ' . . . I I I it 1 ' 1, ' , , . P 5 ' S ' 3 . . . . . f ' I 9 - as 11 u - - - - - ' 1 days of terror as she dodged hrs zrrepressmble spmts For Stephanxe the txme was iilled wxth quxet amuse ment as she sensed Steves cold receptlon of the guest When Pete xgnored the lxttle d1gs and sar casms of h1s young hostess the gxrl began to use every fenunxne artxfice to attract h1s attention W1th a luss of steam and a grmdmg of wheels the 1ron horse pulled to a halt H1 dad' yelled Pete as he sxghted hrs parent descend1ng the steps Okay son was the jov1al retort of the handsome man who hastened to meet h1s boy Handsome was the name for Paul Radclnff The brick red hau' that caught the sunlxght was 1dent1cal wlth Peters Hrs steel blue eyes twmkled 1n h1s tanned face as he regarded Wlth fond glance h1s sons capenng hke a young pup Grabbmg hls dads suxtcase Peter led the way to an awaltmg tax1 He was Elled w1th pr1de to present such a father to Steve whxle Paul thought What w1ll Ella do? How does she feel about my 1ntrus1on Does she remember Ella was thrnklng the same thlng as she and the others awalted thelr arnval YVhat was xt that had made the grun old spmster put on her best drew and stxll a lxngermg spark to her supposedly burnt out love for Paul Radchff? Ella grew more tense as the mmutes passed swlftly by A rush of footsteps a yell from Pete and then he was there' Good evenxng Ella he smxled as she fluttered to meet h1m As he smelt the perfume he was sad for xt was old as old as she and filled wlth unreachable memones of the past A look of awed surprxse spread rap1dly across his face as Radchff bowed to Stephame seated calmly 1n her chaxr Watclung th1s adm1rat1on Ella was n raged as she thought Am I to lose h1m for a second time? As the days passed quxckly by Pauls admlra t1on for Stephanle became more pronounced Ella 1n her anxxety to turn the course of Pauls attentron was slowly loslng her studxed coldness CHAPTER III Revolutzon and Resolutzon By MADELEINE ANGLIN 39 OTHER may I come m7 Young Steves lnsxstent tapplng on the door awakened Stephanle from her revene Come right rn Steve and do tell me what you re 34 so excxted about For although the bl1nd cant see Stephame had a keen sense of heanng and the tremor rn Steves young vo1ce was felt by her mother O Mother I th1nk hes wonderful and he thmks you are too I could just see xt rn his eyes If only rf only If only what Steve? XVhat are you talkxng about? If only what7 If only-oh heavens-if only Peter were as mce as hxs father But I suppose that rs xmposslble for Pete IS so hopeless Thus heated outburst was to be expected whenever Steve spoke of Peter for she and Peter were far from bemg amxcable although the host1l1ty came from Steve Stephanie seated ln her chalr as usual by the wmdow hstened quretly to her daughter as she nar rated her most recent outburst wlth Pete Upon completxon Steve stanng at her mother for sympathy was startled by the expressxon of a.nx1ety Dunng the narrat1ve Stephanxe had been l1.StCI11Dg eagerly to Steve s tale for she could not help but wxsh that Steve and Pete could be frxends In her heart Steve knew that the fault was hers but her proud stubborn na ture refused to adm1t lt even thought lt was the truth Steve too wrshed that she and Pete nught be fnends but how could It come about for each was as stubborn as the other and gnmly detenmned not to be the first to wave the flag of truce Really Steve don t you th1nk you two are rather old to engage 111 such ch1ld1sh b1CkCX'1!1g7 quened Stephame a brxght sm1le coverxng the anxxety her heart I think you could be such lovely fr1ends lets try shall we? Steve grateful for an excuse to become fnends wxth Pete wxthout mjunng her pnde was only too glad to hsten to her mothers suggestxons After a moments hesxtanon Steve mn an effort to be nonchalant answered O I guess rt could be ar ranged but Ill not be first to apologize nor wxll I be n1ce to lnm untxl he apologlzes to me W1th that Steve left her mother Once more alone Stephame aga.1n lapsed mto revene What had been the relatxons between Paul and Ella m the past? What was the cause of Ellas anx1ety Was Steve really nonchalant where Peter was concerned? Llfe became more complex everyday SILVER SANDS . . , , I I ' . I Q - - 1 - l ' ' I ' as ' s ' . . 1 1 , . . . . Q 1 - . a . ' , , - 11 65 ' c k L5 ' 71 , n ' ' 11 . . . ,. , 99 - - ss ' - . u . . , , . . . ' . . . . , . . y . . ' . . Q . ' 7 . . , . . , . . . . f ss ' r a I ' ' Tn I 7 ' 1 4 ' I . even a drop of her long unused perfume? Was there ' ' v u . , , ' ' I . ., . Q u . . , , - , , 1 ! ss ' u ' ' ' - 1 1 ' ,D , i c - a ' gg 1 u D 9 I , , ' . . . . . . H . ' ' ' . , . . . . in as - ' I u I I 1 u . , . , e f , ., ss - 9 ' , 1 n Q 9 ' Q l ' ' Q 4 n n 56 ' ' 9 U 7 U - u - - 11 ' O 0 l , . . . I . 1 1' 1 ' GM ' ' ' M, . . 1 9 1 ' CHAPTER IV As All Stones Should End By MARYC GANNON 38 TEVE walked slowly down the h1ll and gazed reflect1vely at the waters of Cumnor Bay It was 11ke m1ll1ons of dazzhng sapplures glnttenng ln the r1ch October sun The sky was perfectly clear but for one t1ny cloud away out on the honzon just like her happmess thought Steve One tmy cloud to spo11 xt Her pnde' From whom d1d she 1nher1t lt? Not from her mother she was sure who was the meekest of creatures Hardly from her father of whom she had fond recollect1ons of a Jolly debonaxr man with twxnkhng eyes Then the 1mage of Ella McL1nn arose m her m1nd That was who had bequeathed Steve her haughty stubbornness' Everyone sa1d that Steve had the proud chm of her aunt Then another quest1on arose 1n Steve s m1nd What was the cause of the radxcal change that had come over her aunt 1n the past few days? Her own m1nd was a conglomeratlon of questxons answers and vague ldeas clash1ng W1th each other A qu1et hour on the bay would stralghten thmgs thought Steve As she approached the place where the boat was usually moored an 1nev1table head of coppery glow made 1ts appearance 1n a mock bow Would you care to go for a spm on the water my fa1r Ar1el7 asked Pete No Cahban for lrke the great Garbo I want to be alone she repl1ed In other words- In other words I would 11ke to have the boat to myself For a spht second the1r eyes met Petes of a hard 1ron1c blue Steve s l1ke two PICCZS of cold steel When Pete spoke agaln lt was l1ke the keenness of a blade Then you shall have lt Under h1s breath he muttered just as you have everythxng else Steve s keen ears d1d not mxss the 1mpl1cat1on She turned on h1m funously What dxd you mean by that Peter Radcl1ffe Exactly what you thlnk I mean You re the per fect example of a sporled chlld everyone around here kow tows to you even Aunt Ella' There are two kmds of people I desplse ln this world one IS the spolled type the other 15 the proud type You re a perfect comb1nat1on of both he fimshed vehemently SILVER SANDS Hot blood coursed 1nto Steve s cheeks and back agam leavmg them ashen For once Steve was speechless In the mtenm Pete fimshed h1s t1rade And you had better be careful Mlss Twentleth Century for the tnde IS strong today I can take care of myself thank you she samd fr1g1dly I havent hved here for exghteen years w1thout knowxng sometlung of Cumnor Bay' W1th that Steve turned her back on Pete and gave the boat a vehement push and qurckly stepped 1nto It so that Pete would not see the tears that had sprung to her eyes He could not help but admlre her swlft even strokes as she rowed across the gllstenmg bay straight as an arrow her chm h1gh 111 the a1r W1th a sigh of resxgnatlon Pete strode slowly up the lull hi! chm buned in the collar of h1s jacket Why d1d he say those th1ngs7 Why had he lost h1s temper? he reflected gloomlly That was h1s whole trouble his temper seemed to co1nc1de wxth h1s red haxr D1d all red heads have tempers he thought For a long t1me he cont1nued thus Suddenly h1s revene was mterrupted by the breeze no longer gentle wh1ch had rudely removed from h1s head the r1d1culous cap that had once been white but wh1ch he always wore despite 1ts gray1sh color The sun had hldden xtself behlnd the cloud wh1ch had been but a speck on the hor1zon but whxch was now lncreasmg 1n proportxons Instmctxvely he turned towards the bay Great Scott' Steve was away out 1n the mlddle rowlng furlously but she seemed to be gettmg nowhere The wlnd wh1pped through her black curls whlstled in her ears Steve come back come back' shouted Pete from the shore The trees rustled as lf 1n answer to h1s command wh1ch was almost llke a plea Then from sheer exhaustlon her arms collapsed and she lay ln sens1ble 1n the boat Llke a t1ny matchbox the boat dnfted along wlth the swlft current Wvlth an agonlzmg cry Pete ran up to the house for help Dad Aunt Ella help' Steves bemg carrled downstream help' Great heavens boy get another boat quick' commanded Paul Radchlfe Run down to Jeff Wxlson s he has a motor boat' Hurry' shouted Ella But there was no need for that he faxrly flew down the lull and wxthout a word of explanatxon yanked 3 1 1 1 ' 1 . 1 1 4 1 1 . , - U, . . ' Q ' I - - is , . as V1 ' ' s 1 . . ... 1 . . ' 1 1 - I 11 s , s . . y , . s 9 1 . , 1 1 I ' 1 1 W , D v ' . . . I. . . , . , , ' 1 9 9 ' I 1 X ' Q Q S tt - , s ' ' U 1 1 55 ' ' C , , 1 1 S . . . 'I 19 ' 1 I ' . 1 ss 11 Q 1 L5 19 ' 1 a ' , 1 1 1 ss , 1 . . , . S 1 ' ' , . . , . . , , - . . . . . . . . , , - . . . GS ' 51 ' . Lt ' 11 Y , . 1 1 - . 1 . . - ss U ' ' ' ' 55 1 D I ' s 1 sa . ,, , . 0 ti ' 1i 51 ' 1 I l I ' , 3 tt - -1 0 1 9 ' , . . 1 1 1 1 T, s . . , . - , . 9 . . ,, . . . . 1 ' ' 1 the boat free Wrth the motor hummmg It was not long before they reached the craft bearxng the senseless Steve As they neared her they saw w1th horror that the boat was rap1dly filhng wxth water as the choppy waves lashed mercxlessly agamst the helpless g1rl and boat In that bnef moment the angry torrent of words rushed back to Petes ears O to have those words back' Gently Paul Radclxffe lxfted Steve mto the rescue boat Several days had passed srnce Steves accident Days filled w1th forebodmg and rughts of watchful wa1t1ng The doctor had sald that the shock had caused a temporary coma but that recovery would not be long commg And he was nght It was Saturday afternoon As Ella sat on the porch sewmg and watchmg Pete and Steve arm rn arm walkmg down the road the last rays of the de partmg sun caught the l1ghts of her auburn hair and the tears that unconscxously fell on her work Sud denly she became aware of another presence Look mg up she beheld Paul followmg the d1rect1on of her mtent gaze They look happy dont they Ella? he Sald he sat down Yes they certamly do replxed Ella fervently She learned her lesson bxtterly Then they both fell sllent Paul was first to break the sxlence Stephan1e looks happy doesnt she? he reflected Yes she IS happy But shes never forgotten Bob She sa1d that she often feels that he IS near her that she could talk to lum Instmctwely the two palrs of eyes turned towards Stephame seated at the other end of the porch The eloquent eyes gazed unsee lngly mto the dxstance She may have seen Steve and Pete who knows? For she whlspered I m glad Bob arent you? Then thelr eyes turned back to Pete and Steve To thmk that they almost forfe1ted th1s happx ness for themselves mused Ella Pr1de IS a terr1ble thmg he replxed I know It It seemed as mf all the pent up angulsh of the past twenty years escaped Ella 1n those three words Then for the Hrst tlme 1n twenty years the dour old ma1d 1n Ella vamshed she blushed She had not meant to allow such a show of feelmg But the ve1l was torn away from Pauls eyes Ella he wluspered Ella do you suppose you suppose we could 7 And Ella supposed 1 QA.-914 Nor c-ALOGN6 I always thought I was alone In feelmg as I do I want to wander and to foam And see me worlds anew But others feel the way I do So I am not alone May I meet you m far off lands Comrades who love to 'roam 36 ELISABETH Aram., '39 SILVER SANDS . . . H . ,, . ' a s 9 ' ' Ll ' 'Q . , . . ' ' ' it ' Y ,Q , , . . . . ,K . , 2 ' ' ' , , Q . ,g . . - 1 ' 1 ' f ' 1 ' ' SK E ' 9 ' s 9 ' ' ' I 5' Y , ' .,, . . . . , f . . ,, . . , . N . . . . ,, . . 1 , , ' ' ' Cl I 'I 1 a 9 - ' Y , , ' , ' fl ' 5, ' ' . ' I . r . . . . . . . . , . ' lf is ' Hb d . , , , . . . O K5 1 11 ' 'Y , , . , 3.5 T I I . I r I , . SSSBAKNIGHTSSS By ELIZABETH GANTERT 38 T ONE trme everyone accepted baseball as the average Amer1cans pastime But t1mes change Now Bank Nrght has rrsen to a hlgher place 1n the amusements of the Amerlcan people than baseball monopoly or even that old stand by brldge ever attalned Every Thursday nlght wlthout fa11 the famrly rushes through the dmner drshes the home lessons and the varrous chores so that all may be present at Bank Nxght Of course there wxll be a double fea ture Why? Well 1ts an unheard of tlung to have Bank Nlght wxthout a double feature Call rt tradr t1on 1f you wxll but whatever lt IS we wouldnt mlss If for the world It doesnt make the shghtest drffer ence that we ve seen Lotta Beauty rn The Bxrd on Nellres Hat and Dan Druff ID Take Off at least s1x tunes before Well just have to make the best of lt for the sake of Bank Nlght Most everyone knows the procedure one must go through to qualrfy for the cash awards In the lobby of the theatre there 15 a large regrster In thls book you wrlte your name and address besrde any prrnted number A shp of paper wrth your name and ad dress IS then placed rn a large revolv1ng basket At the end of the first performance the manager of the theatre comes out on the stage wrth the basket H then requests a l1ttle chmld to come to the stage to p1Ck the lucky name An obllgrng mother who 15 a confirmed Bank Nlght fan hastxly pushes forward her son A hush falls over the audience and every heart beat qurckens to a speed dangerous rn 1ts veloc1ty The manager w1th an expenenced hand grves the w1re basket a few swrft turns and then opens a small door at the top of the basket The small boy reaches ln and hes1tates The audience as rf under a magic spell holds 1ts breath The boy wrthdraws his hand and gxves the small prece of paper to the manager The latter slrghtly flustered walks to the front of the stage Humph Hurumph Is Mr Cyrus Pmch penny rn the theatre7 The aud1ence answers w1th a groan Ah h h h Irnmedrately the heretofore sllenced tongues are loosened and everyone beglns talklng at once Why I was sure Id w1n I even used my lucky quarter to pay for the trcket Well I want to tell you 1tS a shame That Mr Pmchpenny has so much money he could use quarters for pennles There goes my fur coat Your fur coat? There goes the money for umor s tonsxl Ah well we can try aga1n next week Then everyone hurrles home to discuss the good fortune of Mr Pmchpenny over the bedtxme snack of cookres and mllk SILVER SANDS W6c-ALTH Golden are the sands upon the seashore S11-uer are the dewdrops m the grass eweled as the western sky at sunset Sweet the rose s per ume as we pass Though you seek for 'nches that are man made 'You ll never nd the finest or the best Untzl you now that treasures you have gathered Cannot compare wzth Natures treasure chest JANET SWBBNEY 40 I I 7 , 7 - 7 S ! , , 9 . 66 91 n T r 44 I , . 1 ' SG ' 'T S1 ' K5 11 ' ' B5 . . , ' 9 . ' ' . I 3 ' ' u T ' . . . - J ' ' s. , . I I I , ' f 4 r I ' fi . 1 , . GET THE POI OFTEN wonder rf people really apprecrate the l1ttle convemences of hfe They become so accus tomed to these applrances that as a result they use them automatrcally There IS one HITICIC espec1ally that I have rn m1nd Most persons, I am sure never g1ve It a moment s consrderanon as they employ It but should they be depr1ved of th1s art1cle they would find themselves at a great loss 1ndeed Of course you know th1S object to whrch I refer It 15 put mto SCIVICC 1n every manner 1mag1nable A damty ghsten mg mstrument It LS a necessrty 1n any household It 15 just as essent1al to the soph1st1cated debutante as lt IS to the ordrnary W0fklHg g1rl For perfect symmetry of figure and sharp powers of penetratlon It IS un surpassed True 1n S1116 1t IS rather small but th1s does not detract from 1ts rmportance rn the least Surely you have recogmzed tl'11S artxcle by now Yes that IS r1ght lt 1S a stralght p1n Stop to thlnk a moment Can you even begm to enumerate the many uses of th1s seemmgly ummportant object? COHS1dCf IIZS great value to the seamstress for 1n stance What a quandary she would be 1n rf for some reason the stralght pm were no more' Then too busrne s people find It a great ald rn preventing 1m portant papers from berng separated from one another School teachers employ If constantly for varrous school room purposes Surely you have heard of lnstances when the schoolmrstress dec1des a t1e by havlng the contestants sl1p a pm between the pages of a book The one whose page b6g1I1S wrth the earller letter of the alphabet IECCIVCS the prize Housekeepers can find one and a hundred uses for lt 1n the course of a s1ngle day And have you ever notrced that when you are trymg on dresses 1n a department store the sleeves and belts of the dresses are fastened wxth p1ns? Also one frequently sees cartoons dCp1Ct11'lg a d1S comfited male endeavormg to remove the endless array of p1ns that 1S found 1n every newly purchased sh1rt However do not TCCCIVC the 1mpress1on that th1s nute of metal 1S employed for senous purposes 38 By MARY J TROTTA 38 only No 1ndeed' Why what sort of party would youngsters have lf they had no p1ns wlth whxch to p1n the ta1l on the donkey? That would be a calamrty, 1ndeed Th1S shm sl1ver of sh1n1ng steel IS also an rmportant factor 1n holdrng the decoratxons 1n place And oh just how eluslve IS th1s rnnocent l1ttle pm when 1t IS needed' Hasnt It happened to you? For xnstance just as you are about to dash out of the house ln the customary mornmg rush a button pops off your belt w1th an exasperatmg pmg' If you wart to sew lt on aga1n you w1ll m1ss the as trolley that would bnng you to school on t1me you search frant1cally for a p1n Any other trme you would be able to pxck up dozens of them but 1n a case l1ke th1s you are fortunate lfldeed 1f you are able to procure even one The lncrdent usually ends by your And so lt goes Persons employ these prec1ous pnck mg part1cles perpetually but not once do they pause to g1VC these brrght b1ts a moments cons1derat1on The p1ns serve the1r purpose fa1thfully and stead fastly Never do they farl to perform the1r duty Yet all they IBCCIVC for the1r efforts 1S base mgratxtude Do you not th1nk that once 1n a whlle they deserve a word of commendatron? Monuments have been erected rn memory of Mar COH1 Morse and Ed1son The1r 1nvent1ons were ha1led w1th great acclamatxon by all the nat1ons of the world Why could not one be put up 1n commemora txon of the person who dev1sed the stra1ght p1n? HIS name should nng forever 11'1 the hallowed hall of Fame But he IS an unsung hero no one knows or cares who he 15 Do you not thlnk fl11S 1S an unjust reward? After labormg so long and ted1ously surely the worth of h1s mventxon should be acknowledged Come now let us grve the man h1s due All hall to the man who thought of th1s wonderful mechamsm' W1thout rt hfe would be pomtless 1ndeed' SILVER SANDS I I - I ' 9 . ' 9 ' D 1 1 ' ' . U , , . . . . . . . . n 1 Q . - 1 ,. ' I . . . . . . Q . . . , , 7 . . , . 1 ' Q - . . . . . . . , I 4 . s o I a 1 ' . , U - - as - 11 Q ' . 4 . . . . , . . . . , l t . . . ' ' , So, D 9 . . ' . ' . , . .W . . . , ' 9 I . - . . ' ' ' 9 3 S 9 . l . ' I . , . . . . i . . . . . runmng out w1thout the p1n. , . 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PM J,--ff: ag 1a-'1' T' ,Q '-Qi. -rm ,a 5' v . -- , , , 4 ,..- . -- 7 n. - 1 -mg mf, Q +-- ,, , I .,,,,Q- ' .,A ,- ,.-K. -. . 1,.,f.7 -L!-'QM1,181--a.fS f ii ,- A -If A51 10-' IPA,-f - 'Aff 'wif .' 'f'f12ff-ffl'-:1 f1pF 5-4 i'LL' 'f.1,A?'i5 '4!:4i.9- -af -17f 2 -ff ' 1' 6' 4.41 .- 'S . 5.15,- L fafZ''gin LQ .-' M -' ff' fl' Q .- V-f '-H' fu -.7 'f9'J,,Y'Hh- :iLfL'1 ?'l -,-,1 4' 1 .,' :'3 1 QU? -Z' if-F1 ' '13, - 111- ' 1' L gn., ,,,.f., g.,-1' .J .- r f nlwbgg, ata.. .,1g,.,,, -15 ,v 5' -- - ,, .513 1,5 ,if Q-,,. : ,I ., 3, 5.4 229 255- Q. r u l. ,i,. ti?-,: , .- L gn? ii, J. 2:33 gal lx 1572 ,171 ,- F 1.1.4 , ff 2.,:',p, ,AI iv: 15. 'f , r1':,. ,:. , ,,f- . bf- 1 1 , .A , av I , - ICI-IARD MOREHOUSE SHERIDAN, III, walked into his bedroom, followed by a frozen' faced valet laden with packages. Put them on the bed, Cooper, he said. I'l1 open them myself. Handing the valet his hat and cane, Mr. Sheridan turned his attention to the packages on the bed. Cooper, once outside the door, shook his head dole' fully and betook himself to the nether regions of the big house, muttering into his tie. 'Tain't as if 'e 'ad nothin' else to do for h'amuse- ment. But ties, of h'all things. H'and if some o'them h'ain't 'oly 'orrors. Red h'and green . . . Such a fine young man, 'e was . . . a shame. For it seems, Richard Morehouse Sheridan, III, scion of the house of Sheridan, had recently developed a passion for neckware. He collected ties by the dozen and they overflowed his closets and bureau' drawers to adorn bedfposts and chair-backs like strips of canvas from a cubist sunrise. His shirts were al- ways tastefully complemented, for not Solomon in all his glory wore a salmonfpink tie with emeraldfgreen and purple stripes. Leaving Cooper to mourn his master's shortcomf ings, let us return to Richard, absorbed in unpacking the fruits of the mornings shopping. As he opened a box with the emblem of a fashionable men's shop on the cover, a tiny, square paper iluttered from it to the floor and lay there. He stooped to pick it up and looked at it curiously. Then with a shrug of well-tailored shoulders he placed it on the bureau and went on with his work. Richard looked up from his unpacking a halffhour later with a gleam of dissatisfaction in his eye. He had bought one particularly nice tie and now he could not End it. As he turned toward the bureau he spied both the red and purple of the misplaced tie 9 ,lib sc., C -,MM,s -'Q?- , . .- I vs ' -......-.954 --5-.ii'SLe , 'C '11 fl -5Y'l 6 51f'x Yi- ' ' Biff' I un -2' x -ai -', 'F- pf- . Q .Q ,. M... '- .pi 'F W 3 , ggzaifsifi-ft- ' . . . Packed by 26? A machine . . . a man . . . a girl? A TASTE for TIES By HELEN WOODS 38 and a certam httle paper Lxftmg them both he examlned first the t1e and then thoughtfully the paper Packed by 267 A machme a man grrl7 Thxs last 1dea startled hxm He had of course a vague knowledge that there must be people who made the ties he bought But who7 For a long tune Rlchard tumed the problem over and over xn h1s mmd and all the tune h1s curloslty grew He had never gxven a thought to anyone but h1mself m all his twenty four years and now he was mcapable of protracted mental act1v1ty on the subject of txe manufacturxng He could ponder for hours over whxch part1cular tle he hked best of a lot for there he was drrectly concerned but the zmpersonal nature of h1s problem seemed to deaden hrs powers of con centratxon He was about to glve up m despalr and admxt that he had no 1nkl1ng of mformatlon when he tumed the slxp over to the other slde and read INSPECTION OF KLEIN S NEW FACTORY INVITED Thrs struck a note of remembrance rn some d1m recess of hxs bram Where had he heard somethmg about fl'11S7 He frowned puttlng all lus WIS to work trying to recall the mentlon of some new factory Oh yes he had xt now he snapped h15 Engers remember ing Some frxend of hzs mentxoned casually that he had bought stocks rn a corporatxon wh1ch was trymg to put through the xdea of a modern axr condmoned txe factory Fragments of the conversatxon dnfted back to hmm now He even remembered where xt was srtuated He looked agam at the paper Inspect1on mvxted xt saxd Rxchard wondered rf there would really be people there A factory seemed such a sxlly tlnng to go to see However xt mxght be a novelty Hrs hfe he thought was turnmg mto a routme a thmg he dreaded more than small pox Even hrs socxal actxv SILVER SANDS Leads a young man to do strange thmgs xtxes were begrnnmg to pall Everything was so dull He would go regardless of anythlng else One sxmply had to amuse ones self and besldes he really was cur1ous No doubt she was a glamorous thrxllmg personahty one who would l1ft hmm out of the rut mto wh1ch he had fallen He could pxcture her a petxte laughrng brunette whose red lips parted to show flashing whxte teeth He could hardly wart to see her So next mormng any one interested m1ght have observed a shiny lxmousme draw up before the en trance of Klems factory and a young man wellr dressed almost to fopp1shness step out of lt Call for me rn an hour or so Kirk he mur mured to the chauffeur and stood on the curb whxle the bng car purred away Then he turned looked around settled hrs hat and entered the factory Richard was taken aback by the number of people assembled ln the waxtxng room He was genurnely surpnsed to see a few of has fnends there but they greeted lum with just as much astomshment and by the tune the gulde came to conduct them through the satxon Young Shendan stayed with h1s compamons untxl the gunde announced that they were nearmg the packmg sectxon Then he skxlfully lost h1mself m the crowd He wanted to be by hxmself ln spmt at least when he irst saw h1s dream grrl. For thrs was what 26 amounted to 1n hrs eyes by now Constant thmkmg of her as Rxchard had done from the tnme when he had first notxced the number on the paper had raised her from a mere automaton who put a pretty txe ln a box to a more or less rdeallzed girl His whole being stramed toward the moment when he would actually see her Above the tattoo of hrs heart he could hear the guxde s voxce flowmg on and on He began to lxsten In thrs sectxon the gxrls work thxrty to a table and each 15 assigned a deimte number wh1ch is printed on a paper and put m the boxes wxth her t1es Any mxstake m packxng can be eas1ly checked upon 41 I I o o o C 1 D 3 - li 1, ' I . . . . . . . a ' , . - , g . . I . . . f I . ' . : . , . I 1 n 4 , ' , . ' 1 a - T . I . . . . , Q n , , Sl ' ' if , a u ' . . ' g . u . . . i , . . . . . , , - G 9 9 A M f 5 P M factory, the young men were deep in pleasant conver- . . , . . , 4 n u , . , , ' , ' . , ' 3 ' , 4 - u n - - . I . . . , . , in u , I . 0 . - - 11 ' ' ' ' 9 9 ' ' . . M . . . . s D u i , . . n . ' . I i . I . . . A . . . . ,, Swrftly eagerly Richards eyes scanned the hnes of grrls One seven en exghteen twenty one twenty sxx there she was He stood stock st1l1 as hrs heart looped the loop and made a three pomt landmg 1n the heel of lus left shoe H15 dream gnrl' Another blonde' How he detested them' He had never yet met one w1th a serrous thought m her head And he had looked forward to shmmg black curls top pmg danc1ng brovtn eyes drmples and everythmg else that went to make up the plcture he had carrled ln hrs T W0 By ALICE MAcHuLsKY 41 ST JOACHIM s ANNEX LL show them that they can t treat me hke some dyed m the wool person just because Im her twm they needn t thrnk I have to do everythxng Prue does Hardly behevmg my ears I heard these words ut tered rebell1ously by my chum Pnscllla Dawson Prls cxlla was one half of the Dawson twms the other bemg Prudence Both possessed blonde curly haxr and spark Img blue eyes They were ahke rn everythmg except more prudence Ever smce I can remember she contmued peo ple have regarded us as bemg allke 1n everything I have no 1nd1v1dual1ty Im always just one of the Dawson twxns Even you say rt No don t deny It There was no use Now that I began to th1nk about it perhaps I d1d After all what dlECI'6HCC d1d t make? They always wore the same kmd of clothes and were usually seen 1n the same places Naturally people looked for us together and occaslonally when one d1d remam at home that ugly term was used But whatever had come over Pr1sc1lla7 Never before had she shown any d1Sl1kB for bemg classed Wlth Prudence Now as 1f determmed that thls was to be the end of It she cr1ed But Ill make them srt up and take notlce that I have a personalxty of my own Marys havmg a party next Saturday so dont be surprised nf you see a great change 1D me then Wlth these words as a partmg shot she left me wondermg The next week I saw lxttle of her so I presumed she was makmg preparatrons for the turnmg of the 42 mmd ever smce he had resolved to come to the fac tory How could he ever have been so fool1sh7 She was not only a dlsappomtment she was a complete fallure He looked at the g1r1 once more and then turned on hrs heel and strode down the corndor and made h1s way to the street He was back to where he had started from an hour ago so full of hxgh hopes and now he was gorng away back to a hfe that was fast becomlng a routme and rn whrch pretty factory g1rls played absolutely no part 0NE 9 worm Then one day I met her on the street No change had taken place She strll wore the brown coat and hat exactly lxke Prues On Fnday when I dropped 1n to say hello as I was passmg Pru dence was opemng packages She d1d not hesrtate to let me see the contents From the first emerged a shxmmermg yellow taifeta evenmg dress Gaspmg w1th pleasure I could not conceal my surprrse at 1ts breathtakmg lovelrness In qu1ck suc cessxon followed a short sllver jacket and s1lver slxp pers and cobwebby stockmgs Smrlmg w1th pleasure Pnsc1lla asked Well how do you Oh' Walt a mmute Wlmere 15 that small box? Im sure I had lt Where can lt be? Here rt IS Wlmat a. rel1ef Mystlfled by her actlons I leaned over to see It more closely but she h1d xt beh1nd her say1ng No you may not see It Thxs IS my surpnse for you all Soon I left her home feelmg as though I had been cheated out of somethmg Suddenly I cr1ed to my self She doesnt have to tell me what her secret IS I know xt She 1S gomg to wear her aunts pearls Anyone could guess that The next evenmg I eagerly awaxted Pr1sc1llas ar r1val I wanted to be the first to know the secret xf there was one u1ckly I went toward her VVhat was the matter w1th her7 As I stared everyone was S61Z6d w1th a fit of laughter In her attempt to be dxfferent she had turned her beaut1ful golden ha1r to blue1sh green mstead of black as she had hoped Frghtmg back tears she fled from the room and I after her Sobblng brtterly she Cfled Ill never try to be dxiferent from my twm agam for Ive only made myself r1d1culous m everyone s eyes SILVER SANDS . . . . , , , . ' . . . . . . . t . . . 1 . . . . ' , , 1 Q l r 0 Q 9 u ' I ' ' 9 I . , . P O ..... .... Q I 11 I . . , . ' v Q n ss - ' ' ' ' - ' . . . . , . . . . 11 , l f . ' . . . . l . I , . I . - . . - l , 1 . . 5, . . . . . 3 7 ' , , . . , . that Pnscrlla was the one who usually showed the when I came in. Perhaps it-S under no it isn-t. , . . . . ., bb 1 W1 ' KL I ' l n Q I - - ' . . . . , . . . . . .. - - - - ' 1 - s s 9 v , . . . . ,, . , . , , .. . . . . , . . . , . - , . . i H , ' . . 7 ' I , . 1, 7 . . . . 1 ' I . I A . . I . . u ,, , . , t U , . . . I Q ' ' . . I , , , . . ,, . . . . . . . . uw . . , S ' ' AL ' . v . V 15 THERE ARE TWO SIDES By HELEN sAwcHYNsKY as O a confirmed dyed ID the wool bachelor It was just another ordxnary Wednesday mght T Myrtle Ha1nes however Wednesday mght held the glamorous d1st1nct1on of bemg date nlght A pros pect of an evenmg 1n the company of Herbert Ald rxch to most glrls seemed an unattract1ve and dull proposltlon Thxs was not at all the case wxth Myrtle Her chxld hke gulhbxhty formed a perfect supplement to hrs boastful all know1ng attltude At the present moment they were hstemng to the Wont You Dance program on the Ha1nes no stoop no squat no squrnt radio There' suddenly exclalmed Herbert refernng to a crooner who had just begun a popular d1tty Thats what I mean about these New Yorkers All of them are a pack of yes men to the sponsors who control radxo Goodness Herb' What on earth are you ravmg about? quened hrs puzzled compamon a swell program because he had a good s1nger Tom Shaw But hrs sponsor decxdes that hls nephew or son or some relatxve would sound better on h1s program He tells Blue theres a mce ramse for h1m 1f he doesn t renew Shaws contract Heres the result a new smger and I ll bet he doesn t go over Myrtle was deeply moved by hxs st1rr1ng orat1on and for a few seconds she sat deep 111 thought Then an zdea struck her But how do you know all th1s7 she asked and then added eagerly Do you know Tom Shaw? No I don t have to know h1m I can see 1t all as plam as day There wasnt any reason for them to drop Shaw and above all h1re some amateur no one ever heard of Why lf! New York In New York a few hours before Wont You Dance went on the a1r youthful Arthur Blue was tryxng h1s utmost to reach a satlsfactory solution to hrs perplexmg problem He recalled what Tom Shaw had told h1m a few days ago I apprec1ate all you ve done for me Art but 1f I don t leave for Hollywood by Wednesday afternoon I won t be m t1me to take the part Century has offered SILVER SANDS and TIIEN SUME me I passed a screen test when we played an engage ment there and all I have to do now IS step 1nto the part Its the opportunlty of my llfe' I don t want to mtmudate you Blue the sponsor had somewhat tersely stated but I thmk lt would be for the defimte good of our program rf you refused Shaw a release from hrs contract I know you have jurxsdrctxon over your performers but I 1n turn control your contract Id l1ke you to act accord mgly Then there was the earnest B111 Adams He was brlef and to the pomt-eager to begln lus career ID radlo I rehearsed all those numbers scheduled for Wednesday mght You gwe me the chance and Ill make good' Art slghed weanly Here on one s1de Fate pre sented h1m an opportumty to further the careers of two talented young men and on the other a sponsor M1lllOHS of radlo fans heard Arts declsxon ln the form of B111 Adams vo1ce on the program Few knew of the actual occurrences that had taken place backstage Then all too soon the program was ended Art s feel1ngs were of a vaned nature There was uneasl ness brought about by the uncertamty of Ins sponsor s react1on to the new smger Combat1ng th1s was the feel1ng whlch assured h1m that he had done the rxght thmg YES-lt was the proper step to take But would hrs sacntice be rewarded or would It spell fa1lure7 Vehemently he w1shed he could explaln IHS pos1t1on to the radlo publxc Instead he was obllged to stand by helplessly whxle In Plnladelphra Myrtle was endmg Herbert home She waved good bye from the porch Slowly she went mto the house xn a quxet pens1ve mood Herberts derogatory talk had left a deep 1mpress1on A pet1t1on must be sent demandmg Tom Shaw s return to the a1r waves How exceedxngly grateful she was that she dxd not llve ln New York where they had such clan consclous sponsors and such money mad orchestra leaders 43 Z I I , ri I A ' . . 7 . . . i O , . - - 1 - - as t s Q ' ' ' ' ' ' ' ' , as 1 - - - 11 ' 9 9 ' ' , ss - - 1 5 , . 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' 4a-.xml ' J 'W 4 A , uv' l if xx .3 ,, sII li' 7 'l -iv! l aI I fv 3- ? ,g .e f-Q 4 J 0 faskxgggoazy 'fig IR , I ,IMIII I -III-, INIII Ss. t 1.1.1-5, ' x ra-we 4-..r' rf Ax Fog Gray mantled ghost, you spiral down Upon a weary, sleepmg town Tour cloa envelopes tzmes vast space 'Yours as no home, no rest:-ng place -w. 'You do not see to soothe 01 nght In eepmg covenant with the mght What looked ye for m aeons past What seek ye now when swzrlmg ast7 f 2l r.-I a I 'uv Q 1 I, 'I' su 'PN -fan. , - -- rit' ,- .f ' in ru ,Qld r l If -41, is ff ,g Q 1 I I ,Incl 7' 3510 fi fs T Ill' 1 ' 4' 14' 1 sv-,I WJ: AIIIIH a ' v 'nf .- Mu L1 1'L.Efl'ill'fll' III llll llllllll mul qf 1. .- T Tour secrets wrapt m mur y mlst Ma e haste to leave ere sun has -nst What you ma e way with none can ee 'You leave behmd but mystevy .f I' MARY Rrm HEYDBN, 3 ll 'iff W II JI uln ZL,-Ti.. 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SDMETHING SACRED what the blmdxng brzghtness Re uses to understand NPARALLELED ab1l1ty complemented with charm and grace coupled w1th s1mpl1c1ty 15 Nathal1a Crane Hers IS maturxty not soph1st1cat1on for she still retams that quahty of mlrthful youth whlch sophxstlcatlon lacks A sp1r1tual essence too radlates from Mrss Cranes glowmg personalrty wh1ch 1S lxke Joyce Kxlmers Blue Valentme 1n that her soul sh1nes through At twenty four she 1S an establlshed success I fact Miss Crane has been a recogmzed poetess smce the age of ten when she publ1shed her shm volume The janxtors Boy The ,oung gemus won her readers by her na1ve confesslon Oh I m m love wzth the yamtors boy He s gomg to hunt or a. desert 1sle In our geography The boy of whom she wrote was real and as fire pated as her descrxptxon boastrng the possessxon of the sonorous name Roger Jackson Jones Unfortu nately t1me has curtalned hrs whereabouts and so no more can be told of hlm To date Mxss Crane has pubhshed SIX books of verse two prose works and has collaborated w1th Lours Untermeyer 111 several text books All 1n all the story of her l1fe reads llke fictron matur1ty of express1on at ten a novel at s1xteen European tra1n mg and background by an unknown benefactor Swear by the N1ght lecture tours a posxtron as teacher at Pratt Instxtute A summary of all these achxevements leads one to expect anythmg but the natural unaffected person who IS Nathal1a Crane She w1th her mother and father hves 1n a de hghtful Brooklyn apartment Her home a. sanctuary of beauty IS as gay as her lxghtest verse and as w1th her poetry here 15 more than a trace of the priceless 46 By MARY RITA HEYDEN 38 ANNE LYNCH 38 No formal decoratlve scheme marglns beauty Here one may revel ln the wrmkled Mass parchment or the smooth alabaster of that l1ttle pagan The Read 1ng Boy who cons an anczent manuscnpt he scanneth as a sa e But wzth all hrs nnghty readmg never yet hath turned a page Both her parents are mseparably woven 1nto the l1fe pattern of the poetess Not untrl one meets her par ents can he apprecxate the attamments of the gxrl at H1116 Wh1le they revel 1n the talents of thexr prodlgy st1ll they are lntelllgently cr1t1cal of her works and feel that a poetess should be consecrated to her art kept apart from the throng so that her songs may be lovel1er Hence they have helped to mold the sp1r1tual grace that IS so much a part of the poetess mlred by them the humble people of the commumty lean on her they have access to her conidence whereas the pseudo 1ntell1gent1a fall Consequently an 1nterv1ew w1th such a usually 1naccess1ble personage IS a prxvxlege Her father a former newspaperman and war vet eran possesses a keen ph1losophy of hfe He con tends that because the young women of today have the beautlfully romant1c as well as the prosalc always 1U mmd they are destmed to outstr1de the men 1n poetrys vaulted halls In two words he marks the code of all success Have courage Mrs Crane IS a gentle Spanxsh lady whose love of the beauuful and pr1de 1n her daughter IS a splendxd th1ng to see She treasures the shxmng words that fall chal1ced mto her memory The Bllnd Gul Naturally she loves the beauty of w1th 1ts reachmg query In the da, ness who would answer or the color o a aose O1 the 'uestments of the May moth and the p1lgnm age II goes? SILVER SANDS I I I I ,, . . . I . C C f .91 , , , . ' 91 . , . ' ' g as . . 9 I . I . , , g , - 5 . . , . . ' . . . ' H AL ' 51 ' . ' - , . . . n . u . , Q . . . . . - 7 CL ' U 51 'v ' , ll Y . I . 1 1 Y I ' ' , . And the janitorfs boy loves mc. Yet, though not of the throng, she is loved and ad' . , . f , ' 5 ' ,. 3 , .... . , 9 ' ' , . . . , U n , . , , , , , , I a Q Q . 4 u 1 1 , . , v ' a - . . ' 3 1 it 51 n . . - 1 V' ' , , r . - , . . . . . ss - sq . . - , , . . . gg 1 . .gg I - 1 ' , . . I , . li f 9 , l ' f . I I ' 1 9 l 9 9 I r 3 ' I . l . In the dar ness who would answer tn the darkness who would care I the odor of the roses and the wtnged things were there In the dar ness who would cavrl oer the questton o a lne Smce the dar ness holds all lovelmess beyond the mere design Interestlng mdeed IS the fact that Mxss Crane has no favor1te meter Mostly she sa1d I chant th words of a new poem over and over sometimes It comes very easrly and then agaln I may have to work on a srngle lxne for a month Thls lnborn rhythmxc feehng very probably accounts for her ab1l1ty to play any mus1cal mstrument by ear Her talents more over do not end here Clever modehngs 1n IDIHIHCUIC hand1work hang below a V1V1d prmt dep1ct1ng the evolut1on of Buddhlsm It 1S a masterprece of Eastern art wrought wxth a del1cacy of touch partlcular to those people Th1S 1S a glft from the poet Tagor Who sa1d her mother has wr1tten a poem about Nathalla No more words than these were needed to convey that the young QCHIUS and the old one are l1nked by spun verse The fact that MISS Crane has no rnkhng as to the 1dent1ty of the benefactor who provided for her edu cat1on does not lessen h1s or her worth 1n the bards eyes The depth of her apprec1at1on can be plumbed only by her ded1cat1on 1n Swear By the N1ght Commg when every measurer rs mute The rule demented and the compass strayed The benefmence of thxs person enabled the poetess to study at the Unrversxty of Madnd In th1s clty she found herself on her nmeteenth birthday as battle jarred around her As a memento of her v1s1t M1ss Crane has a photo graph of herself wearmg the natlve headdress a frothy lace mantllla Her dark eyes lack thexr gay sparkle and retam but a sad reflectron of sadder scenes her line sensxtrve mouth has forgotten lllS usual SID.1.l6 She has at last seen a battle fierce Wzth star shells up at nzght Conversatlon soon turned from Spam to home and stopped slgmflcantly at An Allen from Heaven Before Miss Crane was seventeen she wrote this novel wh1ch cntlcs comment on for the poetess read It can one apprecrate 1lIS prxceless worth She dzd so at the request of her parents who l1stened eagerly to her vrbrant 1ntonat1ons of ethereal passages as lf they were hearmg them for the first tune Her vo1ce holds an elusive quahty l1ke that of her poetry It darts to heaven on streammg wmgs then rests xts depth 1n qu1et pools All the whrle that ears hear spoken words hearts catch the message that chlmes burld on the dream alone Swear by the nrght orever Reach for a faultless land For gratrtucle no carpentry o sound You may touch what the blmdmg bnghtness When such bestowals are by Heaven made Re uses to understand THe QQQAIGN QAGNCD 1 I pray dear Lord that I may ever thrzll To the patterzng o ram upon my wmdowsrll As rt whzspers sweet and so t Thzngs wlnch I have heard Many trmes before And yet they seem to be Wondrous new thmgs Spo en by the ram to me MARY B GRADY 38 SILVER SANDS 47 1 9 - f f . -- - , . k , , 1 . . . . 3 - us wa - u 0 9 l l I . . ' 9 9 . u I , 4 '55 ' grace the mantle, and watercolors, also examples of her poetical quality of its prose. only by hearing the , . . . . u , , 1 Q . . I - . . , ' , ' - w su. . D s . , l - - - as . as l f I .. . f . . . lf 0 Y . , . V0 I C E By ANNE LYNCH 38 AGAINST TIME Where the pzlfermg o a second as grand larceny HE Nat1onal Broadcastmg bu1ldmg at Rocke feller Center towers tall agalnst the sky as 1f to measure 1ts 1mportance agalnst the heavens Wltlun the burldxng people ID hke manner measure the1r lmportance agamst the surround1ngs A cosmopol1tan group from w1se eyed short sklrted ch1ld prodxgxes to portfol1o armed muslclans tend to make the atmos phere congemal yet they charge lt w1th the1r effort to lmpress An unaffected part of th1s colorful whole IS the clever announcer Wllllam Balley Th1s squarely bullt young man of medlum herght possesses m addxtxon to hls other talents an 1nfect1ous gr1n and a pleaslng VOICC Wlth a courtesy 1n keep 1ng Wlth h1s manner Mr Ba1ley perm1tted hxs v1s1tors to watch h1m part1c1pate IH a program relayed from Ch1cago H1s was the double duty of 1dent1ficat1on of stat1on as well as checkmg The latter 15 a method by Wh1Ch the delrvered Chicago broadcast IS compared wxth 1ts approved recelpt rn New York If any var1at1on occurs It must be noted and reported before the scrxpt l1ke all COPIES of broadcasts IS filed for future reference In case anythmg happens to the Clncago dehvery sa1d Mr Balley there IS a standby orgamst ready to beg1n play1ng at a g1ven sxgnal from the control room A musxcxan was seated at one of the new electrlc organs Remarked Mr Baxley An organ sxmllar to th1s IS used on the Cathollc Hour Broad cast Thls IS one of the announcers sustamlng programs To quote Mr Ba1ley he has gone com 48 merc1al w1th Plaxn B111 -done twxce da1ly for the east and the west coast and Dav1d Harum H1 other many and varxed programs prevent hxm from becommg typed whlch IS the bane of every announcer However he has h1s favorlte role whlch IS news commentator Preparat1on for broadcasts var1es w1th the t1me and type of program Some weekly revues are cut added to or revlsed for a SPCCIIIC pC1'1Od others require but a scr1pt read1ng A fifteen mlnute broadcast mlght take only one half hour rehearsal Because t1me IS the all 1mportant element actxon ceases or commences on the splxt second The stress placed on th1s element mxght be more fully appreczated by the narratxon of a quamt 1nc1dent In th1S bulldmg there IS a charmmg studlo resem blmg a drawmg room complete even to a fireplace lt IS used by lecturers news commentators guest speakers and other chosen few l1ke Mrs Roosevelt Lowell Thomas and Amos n Andy AdjO11'11I'1g the room 1S the control compartment common to every stud1o Wlule here Mr Baxley remarked on the duty of the clock checker who was at that mmute comparmg studlo t1me wxth the correct t1me The attendant pronounced the t1me p1ece a fractlon of a. second off and went on h1S way The clock Mr Balley explamed w1ll be automat1cally reset from downsta1rs In strong contrast wlth th1s small mformal studxo was a show place of red and whxte the largest rn the world It IS here one can audxt a program Applause heard over the axr declared the an nouncer 15 usually the spontaneous outburst of a studxo audxence Unfortunately because of a t1me hmxt It usually has to be governed Mentlon of t1me made Mr Baxley reahze that he was due for another broad cast As the pllfermg of a second would be grand larceny here adxeus were hasty Then one of radmos v1v1d personal1t1es went back to h1s novel and vaned world of tlmed actxvxty SILVER SANDS I I - as - ss - - M - - LL ' 19 'S , . ' ' f . . . . 1 1 ' 9 1 a 1 1 1 1 ' ' . ' . . . f , 1 e 1 1 , f Y . . . . . . r ' ' 1 1 ' f ' ' f ' ' . 9 9 1 ' 9 9 ' 9 ' 1 2 ' , . . . . . . . , , . 9 s , . . . . . f , s 9 9 ' . . . 1 1 1 1 ' - ns ss . . . . . . , . ' . . H . . . . . , ' - 11 ' 1 ' a s 9 . . ' ss - 11 1 9 ss - - - as N. 9 9 ' ' 55 u 1 1 1 n 1 o ' 2 . , . . . . . ,, . , as . . , , . . 4 - - u. . . . . , . - ' . . 1, , . 0 ' ' 1 as - - as . . . . , . u. . sr . . . . f ' 9 . CRUSADER Fon Y0UTn who loves the young has art, and hrs Blue Heaven N NEW YORKS St james Theatre are the oihces of Edd1e Dowlmg producer A small lnft d1sgorges most of the passengers on the second floor for Mr Dowhng 1S cast1ng and the trek of talent IS on All the var1ety that IS the theatres troop toward the door lettered wlth the producers name Thrs opens 1nto the outer office where hope IS often d1s appo1nted Here bustles Julla Dorn secretary d1plo mat and guardlan of Mr Dowlmgs lnner sanctum M1ss Dorns Nothmg today IS not qulte so bUS1 ness l1ke not qulte so stern as those words are sup posed to be Why? same thlng for a whole year whlle I pounded pave ments I know how they feel 1ns1de Her well modulated vo1ce makes words mcldental xnstead of prxmary and her dark eyes shme wxth a kmdred sympathy wh1ch the theatre knows At present Shadow and Substance wntten by an Ir1sh schoolmaster 1S belng cast and w1th Mxss Dorn l1es much of the respons1b1l1ty of selectlon Her shm wool clad person IS a perfect whxrlwmd of act1v1ty as she answers phones 1nterv1ews applicants and barncades Mr Dowhngs oflice When a vxsltor IS fortunate enough to obtam the open Sesame there IS a dlstmct surpnse 1n store for h1m especrally 1f he expects to see a pompous success w1th tnmnungs to match In fact both oflice and Mr Dowhng are a refreshing contradxctlon The room LS spacxous and pleasant nts homey atmos phere accentuated by a plcture of Ray Dooley h1s SILVER SANDS By MARY nm. HEYDEN as wlfe on the wall and one of h1s beaut1ful baby daugh ter Maxme Mary wh1ch reposes on h1s desk The paneled walls of knotted wood are covered wxth scenes of h1s famous product1on of Rzchard II and mounted rev1ews attest the cr1t1cs applause P1ctures too of h1s clever wxfe 1n costume of the pres1dent the presl dents mother and countless others gwe a surface xdea of the man s personahty He lnrnself IS a contradlctlon of all h1s photographs You have seen camera St11dl8S of hlm even sketches wh1ch on the whole have only caught the song and dance aspect of h1s personallty Eddle Dowhng actor composer sxnger playwnght producer av erage 100 per cent' HIS 1ll1m1table C3pB.lJ1l1tlCS have been nurtured by h1s deep love of the theatre and he warmly aflirms that he would llke h1s daughter to have a theatncal career If she wants to and shows real talent At present the l1ttle lady IS an av1d m1m1c of her mother whom the producer feelmgly styles A great artlst Hxs s1ncer1ty and unaffected s1mpl1c1ty make clearly understandable the love and respect wh1ch everyone tenders lum That he 15 a crusader for beauty and a champron of the young trymg to find themselves 15 reason enough for h1s producxng Rzchard Il Th1s Shakespearean drama offers a tremendous challenge 1n the youth and 1nsp1rat1on of Rlchard He holds that mentally a play for the young to be acted by the young To th1s he added Shakespeare 1n the language of the theatre IS sure fire bes1des the play had appeal from the standpomt of 1ts never havxng been done before At thxs junction The Raxnbow Man rum1nated on the lIltI'1l'lSlC value wh1ch a knowl edge of Shakespeare has ln the theatre It 1S funda The stock compames tra1n1ng ground for yester days theatre regarded Shakespeares works as they really are a basls for all productxons Young thesplans were thoroughly conversant With these classxcs and therem lay the secret of therr skxll In Europe the theatre stxll nounshes IIS chlldren on these classlcs but our Amencan stage 15 more or less forgettmg 1ts duty 49 I I . i 1 l I 4 1 I ' o n 0 , ' . ' ' 9 I . . . , , I , . Q , . u Q . . , 9 ' . gg Y ' , a ' 5 7 Y 1 il T . . , , - . A , . . I ' 55 U 9 ' ' f as - ' 9 Q . . y . ' I ' , v . . . . . I . . , . , , , . . . Well, answered the lady, I had to listen to the . - ' . . ,., 1 1 ' 7 l . . 1 91 ' SS ' . ' , I 7 I ' , ' - . . . . 1 ' 1 1 , . . . . . . . . ' I ' 1 1, . . . . . ' , . . . , . 1 5 55 91 . . . . . , 7 . 1 . . . . , , 7 . . . . . , ' 9 w . . . . . . . , Y , , . . . . , . Mr Dowlmg slteptxcally remarked Shadow and Substance very probably won t make a penny but 1ts fine theatre' and herexn lxes h1s code of ethics To hxm that whlch IS not splendxd and worthwhile 1n xt self despxte any box office appeal lt may have taboo Anything 1n h1s eyes whlch IS not funda mentally ine cannot survxve that whxch IS morally bad destroys ltself Publlc apprecmtxon of a play he contends depends to a great extent on the way the productxon 15 re success lf It ns tabulated as a type play for a type publlc lf usually falls Therexn hes the responslbxlxty of the press To hxm the press IS an organlzatxon worthy of great respect for lt has kept ahve mterest m the theatre Then too he IS a great adm1rer of the m1ddle and poorer classes who love the theatre for ltself Eyes shlnmg leamng forward on h1s cha1r he Wxshed you could have seen the people who bought t1ckets for Rzchard H the best seats werent al ways filled lt was the cheapest that were bought some of them by people so poor that It made you wonder where they got the money A phllosopher too 15 th1s man of the motley talents and a patrxot dehvermg h1s theorles w1th characterlstlc gestures and a Slmple chrectness that would wm even an antagomst really carnes out h1s behefs by g1v1ng the mexperlenced a chance m the theatre For he reallzes that the youth of today 1S the theatre of tomorrow And so we g1V6 you Eddxe Dowlmg the greatest spmt 1n the theatre today A man who loves youth h1s art and hrs Blue Heaven 'THIS Tc-AT The wondrous achmg beauty of this day Has captured me Its potgnant charm wrll burn mto my bra: an Never ade away Was rt only yesterday my heart stood strll In pro oundest wonder At your artzst s s 1ll But to beat agam wzth rapturous dehght At the soarmg wznged gladness that 18 newly born wzthm me At thrs s1ght7 Oh 'vazn and haughty Nature' Have you surpassed the glorxes that were yours to bnn g The grandeur o thus day arrayed In all your knowledge of subhmest harmony7 It zs yours alone to gave Thzs ecstatzc exultatron when lzfe as sweet, And we were meant to hue' Mann: J CAVANAUGH, '38 50 SILVER SANDS ' , v , , , ' . . , . . ., U ,, . . .... ' 1 ' , . . . . . .f -. , y . r . , is , . .. BG ' WU ' ' lk ' ' 7 , , . . . 1 1 1 , y S . - 1 - . . . ,, , , v 1 . . . , , . l ' viewed. If it is accorded universal appeal, it is a In Champlomng Youth, he not only discusses ltr but Q ' 9 9 I ' 1 a . 1 Q I ' ' ' 'n d , . , k. , . . Y J f ' . ' PAGING TI-IE DIRECTOR DOOR marked Forrest Theater Dressmg Rooms opened suddenly and men d1st1nguxsh able by therr subdued Englrsh accents shpped xnto the darkened narrow alley leadxng to the c1ty and reahty An appomtrnent to mtervlew MISS Mar garet Webster youthful d1rector of Rlchard II fol lowed drrectly upon Mxss Websters rehearsal of Henry IV Behind stage the surroundlngs breathed of the unlque atmosphere of the theater A notlce on the bulletm board read Rehearsals for Curta1n Calls The mtervxew was conducted 1n one of the actors dress1ng rooms Here was a bewxldenng array of mxrrors dress1ng tables cosmetlc jars and costumes Mlss Webster ln business l1ke tweeds brown seal sk1n and oxfords entered the room wlth the uncon scrous ease and rhythmrcal gart of a successful Eng hshwoman Immed1ately one IS dommated by her lndependence and determxnatlon Her deep blue eyes are frank and her voxce IS a husky contralto tinged Wlth a moderated Brrtxsh accent Hers IS a sparklmg and dlfferent personalrty obstacle to overcome 1n d1rect1ng MISS Webster re phed The four weeks I spent rn rehearsal were not so ted1ous as the weeks of preparatron for Richard I had a dxflicult t1me for Mr Ffolkes who rs responsible for the scenery was IH New York whxle I was rn England Of course th1s was troublesome for I had to confer many tunes w1th Mr Ffolkes about the mechanzcs of the play Our preparat1on con srsted mamly 1n securrng a rough ldea of the manlp ulatlon of characters stage dlrectlons scenery and costumes Then Mr Dowl1ng Mr Evans and I had to 1nterv1ew some 200 actors 1n New York I knew comparatxvely no actors here and contrary to the general belxef I brought no actors from Eng and Upon bemg asked her favorrte scene 1n R1chard II Mlss Webster responded I have a particular l1k1ng for the entlre play You see 1n my hxgh school days I studxed It rather extensrvely Later I played m the same productxon when john Gellgud was Rxch ard II I have directed 1t 1n England for rt is very popular there But I do have a fondness for the farewell scene Szrvnn SANDS By BERENICE KOLBE 38 In answer to the query whether Shakespeanan or modern plays are more dlfhcult to drrect Miss Web ster replred Shakespeares plays requlre more effort on the part of the d1rector for h1s plays need an mterpretatlon of the mechamcs of staging whxle the drrector of a modern play can work on the scrrpt wxth the author Then too the techmque of actmg IS decldedly dxfferent m Shakespeare Maurxce Evans accordrng to Mrss Websters v1ew pomt lS a very colorful personahty Wlth whom to work MISS Webster explamed With a sly twmkle Mr Evans was m New York when the play produc t1on was belng planned Smce It was necessary to confer w1th hmm about the play we used the trans Atlantlc telephone many tunes We had but three mmutes to accomplish an mfimte number of plans Durmg one such conversatxon Mr Evans was speak mg 1nterm1nably ln h1s chpped syllables d1I'CCt1I1g me wh1ch people to see about costumes scenery l1ght1ng where I would find them and when I should see them Then came a pause Mr Evans breathed deeply and remarked We ve got half a mlnute left hows the K1ng7 Inqu1ry about how she had come to select dlrectmg as her career perplexed Miss Webster She medxtated a few seconds and then vlgorously she rephed that durmg a fourteen months run of a play rn which she was acting she had been asked to dlrect a group of amateurs 1n a Sunday evenxng product1on The Sun day evenxng groups are a pecuharly Enghsh custom She accepted the offer to occupy time It proved to be a frurtful cholce for shortly after she dnrected her first major play Richard of Bordeaux Since that trme she has found an mdlvrdual place in d1l.'6Ctll'lg one of her later plays bexng Love of Women She was asked to dlrect that play rn the Umted States th1s year but lack of trme prevented her acceptance Asked how she reacted to the enthuslastzc welcome of American audlences Mxss Webster laughed appre c1at1vely and then answered frankly My receptron was the most surprxsmg thmg that ever happened to me Thus closed a fnntful xntervrew wlth a smcere real and colorful personahty m a world of artlficxalxty and lmagmatron 5 I I lb ' ' 1 3 ! Q U I l ' ll ' if 4 1 , ' 1 9 50 V9 1 1 1 1 , UQ I , . 1 1 1 Q I f . . 9 - ss I - 11 7 , , . . . . . . . 5 ' ' ' LG ' , l 9 l 1 l I 9 ' ' ' , 1 s ' Q I ' ' . , , , . . . . . . . . I - 1 ' ' Q . 1 1 ' , 1 1 I 4 I , , , 1 , 1 1 Q 1 I . . . ' 9 ' 1 5 Y ' -T . . 9 5 Asked what she cons1dered to be the most dxflicult . . . .. , . . ,, . . . , U- , - . . ' '. . . , . . . . , - , . . . f . - ' . . , ' . I 1 ' bl ' 19 ' - - 3 - p . ' . . . . . . . . . , ' ' 55 95 , . . . . s ' . . I as , . . . . N . ' ' 19 - u ' ' ' ' , 9 1 ' . . . . . ' ' .5 ' f , 9 I . u , 1 . 1 Q Q' , . . 1 , . I , . , . . . QQ 1 Q 1 WE SAW 'RICHARD ll' HRCUGH every age scholars have acknowledged Rrchard II as an outstandrng example of Shakespeares lrterary art However not untrl Maurrce Evans arded by an excellent supportrng cast pre sented rt to theatre goers was rt recognrzed as a dra matrc masterprece For many years the play was neglected by thesprans both rn England and Amerrca Now rn IICS Amerrcan appearance rt becomes the outstandrng legrtrmate stage productron of the season From the cold black and whrte page Mr Evans emerges a lrvrng vrbrant man a foolrsh yet occas sronally wrse krng to thrrll hrs audrence with a superb rnterpretatron of a drfficult role Grvrng a splendrd performance from the openrng fanfare Evans nses to unbelrevable herghts as the plot develops He rs magnricent rn adversrty seem rng to grasp the very soul of hrs character Then does he hold the audrence rn hrs power Frederrck Worlock grves an excellent portrayal of Bolrngbroke the ursurper A G Andrews as gar dener although appearrng rn only one scene IS one of the most outstandrng performers I'I1S brt of com edy enlrvens the more somber aspects of the play as does that of the Duke of York Characterrstrc rn deed rs rt of Shakespeare to grve an apparently rnsrg nrficant part a certarn undenrable appeal In drrect parallel rs the Porter the comedy relref rn Macbeth The transrtron from a thoughtless boy to the man who let a throne slrp through hrs frngers 15 the grgantrc task Mr Evans has accomplrshed well How we desprse the ungrateful boy as he laughs at exrle death and the mrsfortune of others' We love and sym By EMMA LEARY as GENEVIEVE WRIGLEY as pathrze wrth the krng who on returnrng to hrs natrve land kneels lrke a subject to hrs monarch to krss hrs well loved sorl We can apprecrate hrs feelrngs as he realrzes too late hrs long dormant love for hrs throne and people Let us srt upon the ground and tell sad stones of the death of krngs Not untrl hrs return from a serres of unsuccessful Irrsh carnpargns do we see the nature of a hero con querrng frrvolrty As mrsfortune heaps upon mrs fortune Evans warms to hrs subject and grves a truly krngly portrayal rn the abdrcatron scene Hrs charac terrzatron of the older Rrchard Bolrngbrokes v1ct1m far surpasses that of the younger Rrchard The departure from hrs farthful though grrlrsh queen rs another touchrng eprsode In the prrson cell where Rrchard meets hrs death we agarn catch a glimpse of hrs proud and haughty nature Here Mr Evans thrrlls to the core wrth hrs realrstrc portrayal As the end approaches and the treach erous assassrns knrfe 1S porsed Richard IS as rnagmficent rn death as he was rn lrfe Maurrce Evans completely merges hrs own personalrty wrth that of hrs hero and rn our rmagrnatron Krng Rrchard II whose short lrfe overflowed wrth adventure l1ves agarn as only Shakespeare could have rmmortalrzed rm Perhaps never before has Shakespeare drsplayed a truer understandrng of human nature Hrs heroes are never qurte heroes hrs vrllarns never qurte vrllarns So rt rs that rn the same breath we both condemn and prty hate and love the 111 fated krng W H T 'N I Q H T 7 Oh Nzght that never falls 'To cast dark shadows O er hrlls and 'vales And tells the sleepy mmds Of Natures farry tales Where do you lwe7 MILDRED WHALBN 41 52 St Ehzabcths Annex SILVER SANDS Q 9 ' I I I 1 1 ss - as - . . . - - 9 1 - - - . . . . a . , , . . ' . . . 1 9 . . . ,, . 1 f 1 . . . . N , , . . I . . . . 9 . . . . . . ' , . . . . . . . . 3 5 f . . . . . 9 1 s J f , . . . . , . . . . . 9 7 . . . , 9 . . . . . . . . 1 I ' 3 . . . . . , . f . . ' . V . , . . . . . . . . , 7 , . . . . . f . . . , , f - , . . . . . . . . , f , . . . , . . . 9 1 ' 1 v . f . . ' . . , . , Q 1 1 y . 1 . 1 1 , . . 1 EVANS U 9 r 3 u 3 By MARIE CAVANAUGH 38 EVANS I am sworn brother to gram necessztyv Rzchard II Act V Scene I F YOU have never met Evelyn Evans lntroduc tlons are rn order Thxs charmrng Enghsh lady IS small and slender Hers 1S coplous talent a splendid sense of humor and a pleasmg voxce graced wrth contxnental mflectxons Recently she has come as an exchange teacher from England to the Friends Select School m Morrrstown New jersey There at present she IS busy teachxng Enghsh hterature and dlrectrng the senror play Added to her many d1st1nct1ons IS that of belng slster to Maur1ce Evans who tnumphantly conquered Phila delplua as Shakespeares Rlchard II and all too br1efly hved as the rolhcklng Falstaff 1n an exper1 mental performance of Henry IV Mention of her brother kmdled a responslve spark m the eyes of the teacher Upon rnvxtatxon Mrss Evans hsted the Shakespearean dramas 1n wh1ch he has appeared countmg off the traglc Hamlet R1ch ar Romeo and the treacherous Iago Othello Breakxng off 1D the l1st she remembered that her father has always sa1d Maurrce w1ll make h1s mark 1n the world 1n comedy then added bu I hke hxm best 1n tragedy At thls junctlon the corners of her dark eyes crmkleel 1n merr1ment as she recalled her v1s1t to the Forrest Theatre durmg a rehearsal of Henry IV I had not seen Maurlce for two months she sa1d and when I arrlved he was on the stage I slxpped 1nto the last row and watched rehearsal The unl1ghted theatre and the actors who wore no per1od1c costume but cloak and sword gave an Ehzabethan flavor to ll The stage was ast1r wxth act1v1ty all of Maur xces makmg He was enactlng the battlefield scene ln whlch Falstaff fearmg he w1ll be kllled rushes about crymg Oh oh oh' and at last throws h1S grrth down and shams dead When he was finrshed and had come down from the stage I t1p toed up the alsle and sat bes1de h1m We were busrly whrspermg when suddenly Maurrce realxzed he was due on stage SILVER SANDS and ran up so as not to be late for h1s cue The co operation of the cast IS 111 Miss Evans oplnlon a trxbute to the remarkable abrlxty of the Cllrectress Margaret Webster whose every sxgnal 18 obeyed wxth marked preclsxon and whose every order 15 car ned out rn detail Memory work plays a great part ln any produc tron and here as ID all other branches of hrs art Mr Evans excels He has sometlmes only to read a scrlpt twlce and he knows lt he becomes so lmmersed 1n h1s character that the contlnulty of hls speech be comes merely mechanical Any forelgn H0156 1n the theatre makes hrs mlnd a blank yet he goes on wrth the words merely because of tlns mechamcal reactlon A paxr of kmttmg needles almost drove h1m to d1stract1on when he was playmg Rxchard at the St James Theatre London It was durmg that scene when R1chard returns to England to find that he has been deserted and srttmg down wearxly near the stage front dwells on the deaths of kxngs At thls pO1Ht Mr Evans became aware that hrs every speech was accompamed by the chck chck of steel kn1t What was more nerve rackmg the actor was con scrous of the needles steady flash Once m a whlle the kn1tter would pause and he thought Ah now Ive got her but soon agam the offender would m dustrlously recommence She knrtted and kmtted untxl 1nterm1ss1on when Mr Evans sent a message to ask her to please put away her needles untrl after the show Mr Evans has played many txmes too at Lon dons repertory theatre the Old VIC It was here h1s slster saw hlm act the uncut verslon of Hamlet whlch requlres five hours to do Before he left London he went to see john Gerlgud 1n that role Mrss Evans drsclosed to see rf he could obtaln any pomters on the productlon Gellgud and he are fast frlends In a prrceless scrapbook of Mlss Evans there IS a full. length photograph of these two IH whxch an examlner may find much of contrast and comparrson Th1s book IS a ver1table treasure trove of press not1ces programs photographs and memor 53 I I ff - ' l - . . . . ., . . I Q y 9 0 0 a - - - ' S I I 1 , , . . . 1 . - D I 4 l , 4 4 Q ' ' ' n 1 9 ' ' as ' . . . , , , ' , . . . n ' 1 1 ' 9 , I , , , - . . . . . , ' a . a gg 9 - 1 as - u ' ' ' U ' I' . 7 . . . . 5, gg . . ' , , . us ss ' . . . , s ' 1 ' ss ' - sw ' ' ' lk 51 Lb ' , , T , , 9 . 1 d 1- -- -- -- -Q in t1ng needles plled by a woman ln a front row seat. 9 9 , .. ,, . . . , , , . , . , l I 7 - ss ' ' ' If ti t , , ' ' 1 11 - ' . . . ,, 1 a . . . . F . . . , . , . . .. .. .. ' 19 ' SL ' a 9 , ' 9 1 7 S5 ' 5, . ' ' ' ' bi 1, 5 a .,, . . . . f ,, . ' 9 ' ' ' 19 ' ' it s ' Y 1 7 I ' 5 3 Q ' Y ' ' 1 9 1 1 1 1 1 ' anda of people who today are the foremost xn the theatre In wxth all th1s and strangely enough be longing there xs an undeclpherable scrawl wntten by her three and a half year old nephew Rxchard fnamed for the famous kmgj Thrs hreroglypluced sheet was wntten to hrs Aunt Evelyn to tell of a new acquxsmon a rabblt wh1ch he had proudly chnstened Rabblt II The plans wlnch Mr Evans has made for the future are settled thus far He would lxke to do Hamlet also It rs h1s a1m to establrsh rn the Amerlcan theatre an equrvalent of the Enghsh repertory To establish and rev1v1fy the CIEISSICS here he feels would show in some part how he apprecxates the kmdness of the Amerxcan publrc to hun He IS not consrdermg Hollywood because he does not llke the 1dea of Slgfllng a contract wherem he would have to play whatever role hls drrector chose for hun hrs sxster confided But rf Maunce ever should go rnto pictures the only role he says that he would lxke to play 1S Mr Chlps Miss Evans rose and holdxng her scrapbook thumbed through xt whlle she sard I told Maurice I want hun to go down 1n hxstory as our great actor Irvlng but he rephed that he hadnt the color or the mag netxc personality However there was a wh1ms1cal denxal 1n her tone wh1ch found responslve echo 1n our hearts If Shakespeare wlll suffer any correctxon let lt be m th1s I a.m sworn brother to sweet necessxty DAZED MOMENTS WITH THE IMMDRTALS By FRANCES PAOLINI 41 ST PETER s ANNEX NGROSSED rn readmg the romantxc myth Cupxd and Psyche I saw the sun god Apollo who spread hrs ghttermg rays about me Hrs dazzlmg beams guxded me to an enchanted sphere and to my amazement I was makxng an adventurous Journey mn the Garden of Hesperxdes Lxke Hercules I tn umphantly carned 0E three Golden Apples Though unacquamted wlth the env1ronment I walked along 1n a carefree manner but at the sound of mmble feet followxng I turned xnstantly and gazed 111 sur prxse at the fleet footed Atalanta who led me to the Delphxc Oracle where an mfallxble predlctron as slgned me one hour with the Immortals by the route of fantasy I ylelded to mstructrons and tlungs began to happen Berng only a passerby I stopped under the wel cormng branches of the Oak and the Lmden wh1ch seemed to breathe the gentle S1ghS of Bauc1s and Phxlemon Thelr coolmg shade soothed me and again I was fit for my momentous Journey The nymphs looked strangely at me as I passed and shook thelr heads rn mournful apprehenslon Besrde the quiet lake sat Orpheus playmg hrs lyre so that all the 54 gods were charmed at xts maglcal beauty My next approach was to see and become acquamted wxth Jup1ter and juno As I reached my dest1nat1on the stern face of Jupxter stood out among the gods and Juno hrs proud and beautlful wlfe gazed on me wrth queenly scorn The gods and goddesses passed me wrthout notlce but I could recognlze the domlnant tra1t wh1ch lden txied each M1nerva the daughter of Jupxter radrated wzsdom The beauty of Venus could not be con cerved Jupiter commanded that I be brought to the land of the Shadows Hades Hrs xnstrucuons were obeyed xmmedxately and I was grasped 1n the strength of Atlas and Hercules HADES' Suddenly I reallzed then msxsted that I be let go free But all was 1n vaxn for as we approached the Land of Shadows Perse phone and Pluto were eagerly awa1t1ng my arrxval I attempted to escape but Pluto condemned me to rema1n 1n Hades for all etermty Dazedly walkmg I heard the voxces of Echo and LOk1 Echo mter preted her words of unlmportance wh1ch sealed my condemnatron and Lok: commanded that I gave hxm the golden apples I had carned off vrctonously Echo s conversatlon w1th Persephone was annoylng I cer tamly dxd not feel at ease among these celebntres Then came the m1ghty sound of Thors hammer I came back to l1fe and earth only to find the Llght of Myth at my feet on the floor SILVER SANDS 9 1 9 . . ' . - s 9 . . . . . . . ,., . . 9 1 ' - U . . . . 1 . . . . . . , . ,N . , , . . , , . . . ,, . ss - as 9 . 9 . . , f . - ss nl - s . . ,, . . . . . . . . . . , 1 s . . . N . . . . . ' N . ,, I . . I . , . . . . . , 9 s 1 9 . Bl ' 99 s s Q ' ' - f . . 1 , l . . . . . , , . . . . a . o - , , a . . .I . I ' 1 . . . 9 ' , . . . . , s 1 s ' . . Q - . I , a . . . . v . ' s , , I - . . . . 7 , 4 . . . ' - ss as ' 9 Q a 1 1 , ' 1 Q ' ti if lt '1i- ' , a ' . . 9 a ' L8 YY bi ' 11 u . . - 9 ' . . . . . Q . - , , 1 ' 1 , . ' - . . . 0 . ' 9 ' ' ' 11 9 p . A brrthday party, an old enemy, E I G H T E E N and a new me are the mgredz ents thoroughly mixed to produce Y E A R 0 L D ll E A B T T GLEAMED It sparkled it floated xt danced It was only a dress but to Mary Lous happy eyes xt was the most beautrful of rts kind A great slgh escaped from the eighteen year old heart I fact only a heart that had beaten just eighteen years could em1t such a sound True tlus was only Wednes day and Mary Lou would not be exghteen untxl Sat urday Oh dear further evldence of deep feellng I wonder rf I can Walt such an eterruty What could be the reason for such srghmg and expectant wa1t1ng7 On th1s very Saturday mght there was goxng to be a dance no ordmary one erther celebratmg th1s great event Everythxng was 1n per fect readxness The dream of a dance frock the tmy srlver shppers the dxamond ha1r clxps had been ad m1red and carefully placed away at least a hundred trmes The massrve bxrthday cake the favors the orchestra had been arranged for weeks ahead Surely when Bob Jennmgs sees me 1n th1s adora ble dress he wlll notxce no one else ran her happy lme of thought Bob Jennmgs was the current rage handsome a football player and the xdol of the fem mme heart To add to these rather doubtful attn butes he was qu1te sophrstlcated belng a jumor at Ya e Mary Lous m1nd came back to cold realxty at the sound of the dmner gong Bemg a normal healthy young woman she was ordmanly the first arrrval at the dmner table Tomght however the entire fam 1ly was already gathered A sweet sm1le greeted her parents a blank stare her eleven year old brother the mevltable fly 1n her olntment Gee am I glad I won t be here for your s1lly old dance remarked the fly And that Bob Jenmngs' Wow' Is he a p1ll' Wltherrng hllll or endeavonng to do so wxth a look Mary Lou wondered when the younger generatron would acquxre taste Darlmg I have a surpnse for you sand her mother Do you remember Dlck Cramer? You two SILVER SANDS By EMMA LEARY as used to quarrel so Well he is back from mrhtary school and I have asked hxm to your dance Mary Lous rosy world became a realm of storm clouds Drck Cramer' Her enemy' The person she hated above all others For two years l1fe had been beaut1ful because the hated creature had been away at m1l1tary school It had all started on the Berkely nursery Hoor It had contxnued through the dancmg school age It had stopped only at hrs departure for a mxhtary academy Through the changmg years he had remamed umm proved He teased humrlrated and called her Freckle Face That last had been the worst So goodbye to two happy years The end would come the night of her dance of all n1ghts There wrll be no dance Mary Lou made the sudden dec1sxon Why not? What ms rt? asked her startled mother Now now Baby Lou consoled her father rner He wrll not rum my one night of happlness There will be no dance Excrted explanatmons an old fnend of the famlly the mvrtatrons the g1ftS reverberated around Mary Lou s stubborn ears From sheer desperatron she gave m hopelessly unhappxly Saturday the luster the beauty the excrtement gone she dressed slowly Bob would be there only to see her r1d1culed by crude 111 mannered Dxck She would face It she had to In a steady stream her guests poured by rece1vmg her charrmng smxles pollte phrases Soon the glamour would end The next guest mrght be he Wrth the last late arnval Mary Lous heart brrghtened He mrght not come Hope gett1ng the better of her she floated away rn the perfect Bobs arms Halfway through the dance a tall dark polsed figure stood bowmg gracefully to her mother who was radrant wrth snules Leavrng Bob she hurned over to greet the late arrrval Hxs back was unfamllxar but as he 55 I I I 9 ' 5 ' 4 ' - . . , . tu , . , . . , ' , . . 1 . . . tk TY ' ' - o Q 1 ' ss ' ' ' fn ' ' . . . . . i , , . , . . , - , , . ' , . i l . . , . . . 1 , . . lb ' 91 I . ' . . , ' . li ' ' lf . Sh if N ' ' ' . 1 s 1 ' - - .. For eighteen endless years I have hated Dick Craf Y Q . . - 1 ' 7 I - vs 7 ' . q - . - . . .' , , - w . . 1 . I ' , I , a 9 , . 1 - . ' . 1 ' ' 1 Y ' ' ' 1 Q , ' 3 I . . . , . . . . , ' - . , , ' . . . . , . D 1 1 Q 1 I I 1 ' ' ' . . . . , . bl Q 1 I . 1 ' ' ' 11 ll ' , ' , . . ' ' . ,, . . . . ' v Q a ' . . , D . - , , lt I n ii ' . - s 4 1 5 - , Sl I . a o a turned Mary Lou recognized D1ck Cramer but a new D1ck Cramer Thrs was a young gentleman whose t1e was straxght whose clothes were perfect whose haxr was smooth Out of a great dnstance Mary Lou heard a chpped mrlxtary vo1ce Good evemng Mary Lou I am delrghted to be here Hello Dxck managed Mary Lou I hope I may dance wrth you soon answered the coolly pol1te voxce as she danced away wxth the attentxve Bob The evenmg was empty He had not asked for h1s promlsed dance agam but he had not been so mat tentrve to the other glrls Yes Mary Lou was m1s erable but how dxlferent the reason from what she had thought rt would be Escapmg mto the qu1et gar den she heard that newly famlhar chpped voxce I am certamly glad we have a chance for a good talk Freckle Face Mary Lou gazed up rapturously The allus1on to her sprmkled countenance went entlrely unnot1ced You know Mary Lou It was awfully n1ce of you to mvxte me here tomght after the way I treated you Mary Lou had a warm feelmg 1ns1de For the rest of her l1fe she would be glad she had not canceled the dance I really only wanted you to not1ce me That was the reason for my bad manners Oh Dlck you know I never mxnded I knew lt was only teasmg Two laughs rang out Lets dance sard the re pentant smner to the gentle dece1ver Jovxal but sllghtly bewlldered Mr Berkely gazed perplexedly at hxs gay young daughter gazing ador mgly at her erstwhlle enemy Women are funny he unonglnally but accurately remarked You can never understand them from the1r cradles to the1r graves MY MCI-HERS CREED By EuzAsETHc OHANLON as EVERY g1rl at some tlme or other has recelved from her mother such repnmands You re too old for thxs you re too young for that In order that young people mlght not be too confused I thmk that mothers the world over should get together and decxde just what thmgs a g1rl IS the rlght age for Take my case I am seventeen Th1s IS Mothers formula for me m oo young to be a lady m ooold tobeacluld m oo young to see adult pxctures m too old to see cowboy pxctures m oo young to get an allowance m oo old to ask for pennies rn o enough to get a job yet m oo young to declde what I want t 0 m too old to ask for second helpmgs, But when dmner IS over, I'm nexther too old nor too young To do the dmshesl 56 SILVER SANDS , . I ' li 1 l 9 3 D 1 . . . . ,, , , . . . . . . . ,, . , 9 9 ' ' 11 IS ' ,Y lb s 9 S ' u u - ss gg , . S D ' ' - n ' ' it U Vi 0 1 I , ' . . , . n . . i . . . ' . . . . , , . . . , . , - ' - ' r A ' as 11 . . , . . . . ns . . H , . . I 15 if . . O D I I ' I 9 7 as. tt 1 ' . 'I 9' . , . 3 . . . I' t g I' r ' . , . I t g I' ' . U I t 3 I' r ' I' ld ' ' 9 I' t ' o d . I' ' ' A STA ES BOB By ROSEMARY BRESLIN 41 URRAH' Encore' Encore' Wxth thas .Ioan Dolores walks graciously across the stage and repeats her act Though only three years old she 15 undemably the star of our fam1ly When she was only one year old she attracted much attent1on 1n the household by learmng to walk and then to talk say mg Mama and Dada at an extraordmarnly early age Everyone as proud of her even the dog whom she tortures by lmplormg hxm to g1ve her a nde on h1s back wlule she pulls at hrs b1g flappy ears Her ch1ef problem used to be what made her dolly say Mama Many hours were spent each day m m vestrgatron Now her dolly says nothmg Joan Dolores carned her lflVCSt1g3.tIOI1S to the breakmg pomt Whenever my slsters and I take her for a walk she attracts much attentlon by her contlnual Ah' pretty baby wlth whxch she greets every httle chxld she sees joan Dolores w1ll do anythmg to Now that she IS three years old she has acquxred new ways of drsplaylng her dynamlc personallty She sings and dances Shlrley Temple IS her only nval Joan Dolores has made quxte an xmpressxon on the famlly wxth her srngxng of Rock a Bye Baby Every one goes about the house humm1ng the same tune wh1le her dancmg mspxres us to tap our feet on our hardwood floors Whenever our frrends come our httle star puts on a show though perhaps they have seen xt five or ten trmes They always accept It wxth whole hearted good humor To joan Dolores bxrth days occur every t1me we have cake because the mere appearance of xt IS always the slgnal for her to smg Happy Blrthday to joan Dolores Even when go1ng to bed she attracts attentlon by the good mghts bestowed upon each member of the fam1ly 1nd1v1dually From the smxle on her face whxle sleepxng xt IS quxte evldent she 16 dreammg of many other httle stars hghtmg up the dark sky-stars even bnghter than she but then they are mrles away SILVER SANDS am a VERT By SARAH HODSON 40 WO years ago what rt was or how It felt to be a Cathol1c was somethmg I dxd not know Sxnce that tlme a wonderful change has taken place and now I understand what rt means to say I am a Catholxc Before my converslon many moments of dehght had come my way to be sure But the happxest ad venture beyond doubt was my becomxng a Catholxc Perhaps thms IS because the thmgs that mean the most the thmgs that bnng profoundest peace that have an aftermath of happy thoughts and rxch slgmi cance are spmtual expenences The first tlme I v1s1ted a Cathohc church It was our Phxladelphla Cathedral Wxthout It appealed to me as massive and dlgmfied Wlthxn I was charmed by nts great works of art The stained glass wmdows I regarded as lovelxer than the rambow But above thxs not be because Hrs Presence rs Beauty7 Generally after the fourth or fnfth VISIC to a strange place ones lmagmatxon departs and realxty unvexls the true prcture Not so wxth me The Dxvme Presence makes the church more beautxful now than It was the first time When I enter church an mdescnbable feehng comes over me The influence of the peace and beauty of my surroundxngs upon me are xncentrves to prayer A great Personahty possesses me and all about me only Beauty IS visible But my relxglon 15 more than someth1ng whxch slmply moves me when xn church The days work 1,5 made more enjoyable by lt It makes easler my more arduous tasks and hghtens all my cares Through lt many former routme happenmgs have be come adventures When I thmk of all my blessmgs I ask myself who could be happrer than I7 VVho as more fortunate7 57 0 I I , I . . . I l , 9 I n , ' ' I ' . . as , , , , ' 15 , . , ' - . ' it 19 Ll II ' ' , , . Y ' ' , , . . - . . - f I I ' - Q 1 15 B1 n o S T . 4 1 Y ' . . . . . - - ' ' ' ' . . D D , LL 1 ,YI ' ' ' ' gain the limelight. everything else, I found the altar beautiful. May . ' . . ' ' Q I v S ' ' . ' . I . , ' lb Ui . 1 a . . . , ' Q ' 9 . . . ' It ' QU ' ' I i ' ' bl ' ii , . Q , . 9 , , . . f xmas ro Aga' ' Q Sh, -Eiw-or 'M' f kv NNE 7-41 x -y N5 my 'El 'N Y' hx, iii ,ww ar N, Mais! Y '4Y Q bg w A 1 'W ,P H ,-.A 4-'A N ug Wai- -H., X1- Qm., raw., ws NEW- fz--f3i'ih+ 'X' , ff . THE ...ev- 4,1 '1 vu. f.-o J ma 'fs rr: --sb- sf -'V-W-Vi E3 N:-...gpsix J- U it in-wx' ef?-A. ,ass LS Jax rv-,P wx Law: N- '-Fitz +-w'R-wifi an-gmfiau -'Aw l in wg 'kv-1 st...-W... ..- -V -S.. V--V.: V- Lf . 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M-- GROUP of students hngered near the ornate entrance of the Wrlson Hxgh School Ap parently they were waxtmg for someone to leave the school, as varxous members glanced eagerly at the door A curxous and contagxous zur of excltement pervaded the crowd of Jolly good natured boys 58 e semors began to yell and cheer wildly Suddenly, a tall lanky fellow, evldently a fresh man, appeared 1n the entrance He glanced eagerly m the drrectlon of the group and percexvmg thexr rapt attentron fastened upon h1lIl.S6lf, assumed an a1r of superxor arrogance Thxs, therefore, was the hero of the Wxlson freshmen They clustered about h1m as Su.v1zn SANDS ei ' ..-., .- . ff' .. . -' Nt-,iv ' :X ' V fl 3' a . . I ,dtfli-. gi f 1 ,,, 'y - V Q, ...fi .,,. X-If I , '-v-gg.. 3 I jf?-1 '31, f - ' YL ' 'ft-1. ' V f,:Zf1?ff..'l5:J.:f - . ' , ' - .ala 24 . '- 1- .'.a'-1--:.V 1 . . gs' V ' -f:1ErvQ.1, ' . EQ: A fl LV , ,Ren j-11V3x:rV' 1 . .J . 1, Q ,eu . . . . . Q . . '-f'ST.f ' 'adm aa .. 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ILING bees about a honey laden flower He shook off hrs adorers wrth a d1sda1nful a1r and qu1ckly removed hlmself from the scene of his trrumph Gee youd th1nk hed say somethmg to h1s old pals one chubby fellow remarked Oh well Charley thrnks we re not good enough for hrm Smce hes been p1cked for the b1g cross country race he doesn t know l11S old frxends an other answered Yeah and I hope joe McCollough that b1g semor WIHS the race tomorrow dont you Brll? the th1rd freshman remarked to h1s chum standrng nearby Gosh I want the freshmen to w1n the race even rf old Charley d1d g1ve us the hlgh hat He 15 a good runner and McCol1ough cant hold a candle to h1m h1s pal rejorned 1n fiery defense of h1s absent hero The race IS really between the two to my way Of thrnkrng Charley Augustus 1S the better runner but IS a little over confident Mark my wo d that McCollough xs a steady gomg fellow and w1ll w1n that gold medal even rf Charley IS a faster runner and With thrs sally a heretofore sllent member of the party wlthdrew from the sarcastlc answers that fol lowed h1s prophetrc drscourse And so the day for the b1g cross country race be tween all classes dawned upon an eager anx1ous crowd of hrgh school students The entrants ln the race were 1n the dress1ng rooms of the stad1um d jomrng the school prepanng for the big event All of the boys were friendly 1n chatter w1se cracklng about the1r prowess All exceptmg Charley who had wrthdrawn to hrmself and would not make merry wzth the gang Several remarked h1s behavror but consoled themselves that he was at his best and would llkely wm the race Overhearrng therr remarks Char leys chest swelled to twlce :ts normal S123 H SILVER SANDS By HELEN GUSHUE as smxled to hlmself as he glanced 1n the d1rect1on of h1s adversary who was rn the mldst of a group chumm1ng wrth all Then the race was announced He took h1s appomted place ln the ranks When the pistol shot rang out Charley was off llke a srlver arrow down the track leadmg all others The crowd went w1ld' Wlth 2 500 vo1ces yellmg and cheerlng the runners were domg theu' utmost to wm McCollough was a far dlstant second All along the first rmle McCollough could not shorten the several yards drfference between h1mself and Charley As they entered upon the last mrle McCollough gamed one yard then one half yard on hrs adversary As they saw thezr champron garnmg the semors began to yell and cheer wlldly The runners neared a sectlon sec txon of the track where the stadrum wall runmng about 20 yards from the fimshmg tape Charley real rzed lus nval was gaxnmg on him he increased hrs speed However prompted by an rnner urging he glanced over lus shoulder to dlscover h1s opponents posrtron In a. moment the atmsophere changed color A sky of brxght crrmson wrth a huge black ball for a sun rose upon h1s v1s1on Then large pmk birds with yellow orange and green eyes began to srng 1n the sweetest tone xmaglnable the strams of hlS Alma Mater Then a bllssful black peace descended on Charles Augustus When Charley regamed conscrousness he was abruptly aware of a terrrflc headache and the stern dlsapproval of the coach bendrng over hun You rdrot' You re worse than a woman' You had to turn around and bump mto that stadium wall Of all the sxlly tncks I never 59 ' I , , ' LC , Y ' I ' li ' . I , , 1 1 as ' 'P l . , , . p . I Y s 9 . I , I . l . ' . . . , ss . . u - a s 9 9 , . 1 ' if ' 9 3 ' . , . , . , 3 T 3 ' , 2 ss - , . ' close to the track, made a sudden curve inward. Vlfhen 1 . 9 - - 4 ' ' f , I' S, . . . . . . , . . , , . . 9 . - is ' 3 9 a - - - 1 , . . , . 1 . D 9 ' . . . . . U I J 1 I , 3. ' no f 1 n . , , . Q T ' ' 1 l . u . . , , ' ns - - Q 1 . . . e . . -5, ' 2 THE 0Lll By FRANCES SKAVICUS 38 ELIZABETH O HANLON 38 Tick Tack' Patzence and more Patience ICK' Tock' T1ck' Tock' Our clock mrght be called the Old Falthful of the South sa1d Patrence to herself as she curled up on the davenport It s been rn the fam1ly for years Who knows how many Joys and sorrows lt has seen and heard? Tlus muslng was takmg place rn Patrence s favor1te room the hbrary of the old southern manor Pat1ence was a typ1cal Southern grrl wxth soft gray eyes lrght brown curly ha1r and a generous mouth the corners of wh1ch contmually played wrth a smrle When the smlle broke through as lt was wont to do the soft ness of her face was enhanced and d1d Justlce to the Worth fam1ly tra1t of beauty Dxrectly 1n front of her stood the anclent grand father clock shrouded 111 some myster1ous secrecy wh1ch Pat1ence could not explaln Turnrng her head she contemplat1vely regarded the portraxt of her grandaunt after whom she was named The artrst had done h1s work well The parntmg revealed the first Pat1ence Worth as a proud lovely lady w1th ch1n held defiantly hrgh yet wrth a wrstful, somewhat pla1nt1ve expressron rn her sapphxre eyes Strangely enough the pxcture was opposxte the old grandfather clock In some mtangrble way th1s added to the secrecy wh1ch seemed to surround the aged tlmeplece What rs your story Grandaunt Pat1ence7 What 15 xt that makes your face so sad? Surely someone or someth1ng IS to blame for that Then lookrng at the old clock she saxd I sup 60 LOCK'S STIIIIY pose that wrse expressron on your face means that you know all about xt The clock seemed to smrle as rf rn confirmatron of her remark Grandfather must have known the story of the Erst Patlence I wonder why he never told us about her Srmultaneous w1th the sw1ng1ng of the clocks pen dulum her thoughts swung back to the recent ar r1val of young Drck Graham at the Graham Place the fam1ly estate wh1ch adjomed Worth Manor Patxences home The res1dents of the ne1ghborhood had ant1c1pated hrs arrrval eagerly because the Gra hams had always been respected by the vlllagers Patrence srmled as she recalled then' first meetxng He had been dnvmg h1s automobrle down the garage way probably on h1s way mto town Patlence sxt tmg on the porch readmg had been startled when she heard the splutterxng of h1s motor Young Drck Graham sprang out of the car wxth a mumbled ejaculatron placed hrs hands on h1s lups and stood lookxng perplexedly at It He pulled up the hood and twrsted several spark plugs but all attempts to start the motor proved fut1le D1ck looked helplessly up and down the road rn search of a passmg motor xst and then not seelng any he sat down dejectedly on the runmng board Usmg her book as a shleld Patrence had watched all these proceedrngs wrth a great deal of amusement Now laymg the book aslde she arose norselessly and walked down to the stalled roadster Is there anythmg I can do? she asked Recelvmg no answer she walked around to where Dlck was seated on the other s1de of the car Are you havrng trouble she queried Oh' He stood up hurrredly I-er I that rs- well sometlungs wrong w1th the car I tned to fix t gesturmg towards the open hood but as a matter of fact I never was much good at solvmg motor trouble SILVER SANDS 9 - 4 -f .ar -Us? QQ -ff: '. I ,L,f. '3 l A I Lv -' ,, J j w l vl . 4 l l 'lr ' f W Q .ly Q. fl 'Ill X ' 'Y ' l un .1' ffvnunu..-.l,I l I lun.. .I I 1 I ' 51 I 1 . . . . I 55 I I 91 . . . 0 . . . . , , Q I I . 1 , , s 9 u I n a ' 9 ' ' ss - r - 1 ' 11 - - I 9 9 ' u s - - ' . . . . . r Ti . . . . . ' . . . . . , . 9 - 3 1 - S , , . . 9 9 - - , , , . . . . . . . . , , , 3 T ' I . . . , , . . . . a ' ' Q 2 , 7 3 ' r ' Q - . 4 . . , Q ' 4 . Q ' ' ' 9 Q , , , 55 ' 11 3 I A . . . ' . . . . . , , , . . . . sl. - M - . , . . . . . tt N - tt - H , , . , . . 9 ' 9 , ' I D ' 55 1 ll . 1 - - , . . ,, . ' 9 ' ' it if , l 1 I ' Patience walked nonchalantly to the front of the car and looked at the dashboard. You're out of gas, she stated, trying to hide a smile. He looked at her with a disgusted expression on his face and then both broke into spontaneous laughter. Patience remembered her old feeling of animosity toward Dick when she had first seen him, briskly striding past her house.. He probably thinks he's a ladyfkillerf' she had said to herself scornfully. Well, here's one heart he won't add to his collection. After their meeting on the road, however, these sentiments were completely changed. His disarming manner had utterly broken down the barrier she had placed between them. In the days that followed, their friendship blossomed into wholesome young love. There was an unspoken understanding between them, but they had not as yet thought of marriage. Patience's reverie was sharply broken by the boom' ing voice of SnowfWhite, a privileged colored mammy. Lan' sakes, honey chile, you sure make a purty pitcher, afsettin' there on that there sofy. What youfall doin' up dis late anyways? The door seemed to expand as SnowfWl1ite squeezed her ample figure through the door. She placed her pudgy hands on her hips, and waddled over to where Patience was sitting. She looked at her young mistress with solicitude. Is youfall afdreamin' 'bout dat young gennamin? Patience laughed and blushed in turn, and then confessed shyly, Yes, I was. But I was thinking about Aunt Patience, too. She had a man most as nice as yournf' Snow' White sighed. 'S funny nobuddy never found dat letter she write. And den he- She quickly clapped her hand to her mouth. Patience started forward and grasped Snow-White's arm. That's letting the cat out of the bag. He said, Why, Patience, what are you doing here? Lawsy Mlssy Pat1ence I doan know nuthxn she sald excltedly Honest I doan Oh yes you do-you must Why dxdnt I tlnnk of that before? You must tell me Snow Wlnte Please she begged wmmngly Well Ill tell you but doan you go a tell1n any buddy else now The t1ck1ng of the clock helghtened the tenslon 1n the surcharged room Long after Snow Wh1te left her Pat1ence sat there wlde eyed w1th the wonder of her aunts traglc love story Fmally the straln of the day together wlth the feelmg of dfOWS1n6SS created by the warm room ended thls medltatlon and she fell fast asleep T1Ckl Tock' Tlckl Tock' Even ln her sleep she seemed to hear the old clock Suddenly the door of the library opened to admit a very lovely lady and a ruggedly handsome young man The lady looked anxlously at the man Is there anythmg wrong? You ve been very pre occupxed Dont you hke the ball? I suppose xt 18 a surpnse to you but that s part of the plan What 18 xt you wanted to say to me? Father s wamng to announce our engagement The young man looked at her trustful uptumed face and then turned away sadly Pat1ence I dont know how to say thns I came all the way from the North to tell you myself but now that I am here I just cant brmg myself to do It He drew a deep breath and took the plunge Im married Pat Married' Pat1ence looked at h1m 1n bewllderment Oh Rxcky you must be Jokmg' No Pat Im not I marned my employers daughter two weeks ago But oh cant you under stand dear? Pat1ence stood there shocked Pa he sa1d pleadxngly Pat you do under stand don t you? Pat1ence struggled to regam her polse Of course I understand Rlcky I only hope youll be happy But would you mxnd leavmg now? How long she sat there 111 the darkened lxbrary she dxd not know Fmally the ch1me of the clock broke 1nto her consclousness She paced the room frantrcally m a va1n effort to compose herself But thxs new sorrow follow1ng so close upon her joyous preparatlons proved fatal All her pent up emo tlons gave vent to shuddermg sobs of angulsh and self plty These heahng tears were the last Pat1ence shed dunng the rest of her hfe A hand fell gently on her head 62 Patxence ch1ld what IS xt Wheres R1chard He s gone father Gone' But hes commg back 1sn t he? Pat1ence ralsed the lovely eyes whlch pam had darkened and looked stra1ght at her father N father he s never commg back Her lower hp trem bled He he hes marned Her father stared over her head for a few mmutes trymg to quell the brtter anger r1s1ng w1th1n l'11ID at tlus ternble mgustxoe to h1s beloved ch1ld but he sa1d nothxng He merely la1d h1s hand on her shoulder and walked from the room He was thankful that h1s guests dxd not know the celebratxon was m real1ty an engagement party Now he just had to say that Pat1ence was suddenly taken 1ll and asked to be excused from the fest1v1t1es of the evenmg Pat1ence m the fullness of her heart felt that she must unburden her heart to someone but she resolved no other person would know of her hum1l1at1on She would wnte It all down and then never speak of It agam The lights burned long 1n the library that nzght Pat1ence was so engrossed 1n wr1t1ng th1s eplstle that the ch1m1ng of the clock went unheard all through the fateful mght As the rosy streaks of dawn crept over the sleeping earth she hurnedly rose and ran out 1nto the garden to a g1gant1c oak tree her favonte outdoor nook Thxs tree had often been the trystmg place of Pat1ence and Rnchard There in the hollow formed by nature where they had often left notes for each other she placed the letter She stood look1ng at the tree for a long tune and then ran back 1nto the house T1ck' Tock' T1Ckl Tock' Pat1ence the second slowly opened her eyes She gazed around the room try1ng to shake off the feelmg of strangeness whlch overcame her She could almost sense a presence 1n the room Her eyes flew to the plcture of her aunt The lady of the pa1nt1ng looked at her wxth eyes that seemed to say Now you know Pat1ence could not res1st the urge to look 111 the trunk of the tree to see whether or not the letter was really there She threw on a hght wrap and takmg a flashlxght wxth her she went out 1nto the garden D1ck had been s1tt1ng 1n h1s study read1ng and xdly glanclng up he happened to catch the beam of the flashlight through hlS wlndow He hurned out to see rf anythlng was the matter He found Patience seated on the love seat peruslng a whrte manuscnpt He walked up to her and sald Why Pat1ence what are you domg out here? SILVER SANDS 0 . . . , ,, N, . . . . ., . n 9 9 9 9 9 ' ' . - ts wa u s 99 . . , . L - 9 - as 9 - Q 1 as , , . . , . X I . . . . . . , . ,., . . . 0 9 ' 9 ' 9 51 9 ' 9 1 I 1 ' 71 ' ' 9 , - 11 as 9 - 99 , ' I .... .-. Q 9 I . . . . . . . . . . 5 D 9 . . , . . . . a - 9 . , , . 9 , . . . , , . a ' 9 1 9 . . ,L . ., . . . . . , . . . . . - . . , . , . . . . . . a ' - , . . . . . . . . gg . . . ' 9 , . 55 ' 1 ' 9 9 9 9 ' 9 9 9 9 ' . , . . .,, . . I 1 SS 5 ' Y! ' ' 9 9 ' ' 9 9 5, . ,, . . . . . . , U, . . . ,, . , , . . u 9 - 1 . - 9 5 ' ! ' , . . f . , , . . . . 99 - 9 ' 1 1 ' . . . D ' 1 55 15 I ' lb 1 t..... . T a D 1 19 Q , . . li ' I u it 91 9 9 ' 9 ' . . 91 . . . . . 9 9 . , . , . , . ' 9 9 9 . - ' ' , . . . . ' . . . ' . . . , . . . . .5 . ' 9 9 9 - 99 . . Pat1ence hfted her head and sard heatedly Read t S D1ck sat down beslde her and read the letter through After he had firushed he turned to Pa t1ence But whats all tlus got to do wxth us? This hap pened a long t1me ago and Im not responsrble for what my grandfather d1d Patxence ran away rn a burst of feelmg D1ck fol lowed her 1nto the llbrary where he found her s1tt1ng on the dwan I won t lxsten to anythmg you say D1ck Its ab solutely no use Oh look here Patxence Ill admxt that my grand father was unjust to your aunt and maybe he dxd break her heart But why are you angry w1th me? Please go D1ck But Pat Please go D1ck All rlght I w1ll' But I tlunk 1ts unreasonable for you to hold me accountable for somethmg my grandfather d1d years ago' W1th thxs partmg shot he stamped angnly out of the room A few evemngs later Patxence sat m the llbrary Her thoughts were contxnually straymg to Dlck and to thexr quarrel After her anger had subslded a dxtferent hght was cast on the whole alfarr and she reahzed how unjust and unreasonable she had been However her prxde would not allow her to take the first step toward reconclllatxon The hbrary door opened and Snow Whxte an nounced Mxstah D1ck Grah Patxence jumped up but before she could do any thmg D1ck brushed past the maxd and came over to confessmg how much they had mlssed each other and each takmg the blame for the quarrel He took a step forward Patlence he began Snow Wlute chuckled dehghtedly as she softly closed the lxbrary door Txckl Tock' 'Trek' Tock' Ha4LLC-AHC-AN s aneqwqr go fxouwcn Famzlrar faces same old s1ghts Busy days and studzous mghts Gym day echoes lefts and -nghts Lunch mme laughter hearty bztes Ice cream duet-added pound Hallahan s lzke-a merry go 'round Glee club practzce varsaty games Excmng vrctones lastmg fames Orchestra tuning delzghtful 'refvams Naughty gnfls detentlon clazms Djsmrssal s bell a blessed sound Hallaharfs lzke a menyfgofround Rrm McCLos1uzY, '38 . . , . , .. . . . , . hi .55 I ' ' , . , . . - . a , ' I ' ' , ' . a 1 . I l , h , . . . , 0 ' ' , D 5, , f . . 1 7 il ' , . ' . . 1! Y ' S5 ' 1 ' ' ' , ' . ' ' . her. They stood there looking at each other, silently , ' C1 . I Q , . 5 1-U nu - vl 55 ' V1 , 1' 3 ' I O P . . , - I SILVE11 SANDS 63 IIIS KINGIHIM for A IIIIBSE By ELIZABETH DONALDSON 40 N THE purple twrlrght a lone nder stood on the butte overlookrng the grasslands Chnt was eye mg eagerly some drstant obscure figures Then wrth a joyous exclamatron he rode down behrnd the rrdge through the gorge and halted behrnd a huge boulder to wart By thrs trme the figures were near Gal loprng swrftly they were beautrful to see these chrl dren of the open grassland the wrld horses' They came to the canyon and raced to the stream Therr leader was the notorrous Kmg monarch of horses who had defied the lassos of many men He went downstream away from the others The rrder swrftly rode after hrm lasso rn hand and spun rt over the srlky head of the stallron The captrve gave a great bellow and lunged for the nder but he was blrnd wrth madness In hrs terrorlzrng fury he was beautrful to see Thus the battle be tween man and horse began Chnt was excrted the horse was wrld The Krng could only thrnk of revenge Murder was rn hrs blazrng eyes The struggle waged a long trme but eventually the man was the conqueror He pulled the chokrng horse was known who hrs captrve was The next day the K1ng was to be ndden mornrng men were lrned around the corral O Trmer who had bred horses for seventy years sar Boys Ive seen horses thousands of them but none could equal the K1ng Clrnt has a great horse ere You are all experrenced rrders but that horse looks lrke the breed that rsn t much good after 1ts broken The men chuckled A horse hke thrs-to say he wouldn t be much good' Old Trmer was a httle dotty anyway After all he was almost nrnety There he stood the Krng of horses' Alone always off from the others he gazed w1th blazrng eyes at hrs surroundrng audrence The men feasted therr eyes on hrm He was hands higher than any of the other horses hrs l1mbs were graceful and hrs hoofs whrch so recently had roamed the canyon were beautrful rn therr perfectron Here he was captured but not beaten wrth the walls of a wooden corral surroundrng hrm rnstead of rocky clrlfs 64 In the afternoon the horses were put mto small chutes to be saddled Great precautrons had to be taken wrth the Krng He would murder any man rf he had half a chance He was tred so securely on all srdes that he could barely move The saddle was placed on hrs smooth glossy back He could not see lt but the scent of leather reached hrs nostrrls H knew and understood The Kmg rolled h1s bloodshot eyes and flattened hrs ears The men recogruzed those srgns Thrs horse was really gorng to fight' Clrnt clrmbed on and the K1ng could only stand and wart The chute was opened the ropes cut and-OUT THEY CAME' Vlhen that rrpprng roarrng lrghtnrng was under lum Clrnt felt the Krngs great power It was up to hrm to prove that thrs power was not greater than hrs own The Krng s head went down between hrs fore legs and he bucked as only he could The bucks came rn a serres No sooner drd the stall1on touch ground than he was up m the a1r agarn Clrnt knew that rf he drd not rrde thrs horse he would never agarn be able to rrde another Once thrown to the ground he knew he So they fought the horse defiant the man desper ate Sand was flyrng everywhere The men were cheerrng Clmt on whrle the Krngs comrades from the adjacent corrals whrnnred excxtedly as they watched therr leaders magnrficent struggle The man was the vrctor They pulled lum from the drooprng stallron Clrnt was exhausted every muscle 1n hrs body gave hrrn 1ntense pa1n They had to carry hrm rnto the house Somebody pulled the K1ng mto the corral wrth the others They drdnt dare try to pull the saddle off yet The horse was strll gasprng for breath blood and foam were drrpprng from hrs mouth and nostrrls Blood marred hrs beautrful jet black hrde where he had crashed 1nto the corral walls The saddle was left on all nrght The Krng could not get away from that hated leathery odor Clrnt rose early the next mornrng strll strff and sore He went to the saddle room and prcked out the best for hrs Krng He almost ran out to the corral Smvrn SANDS I I . . , . , ., . , . . . e back to the ranch. Clint's glory was great when it would be trampled by those flying hoofs., - . . 1 . D Q J T ' l ' , ld ' . , . . ', . , , .ds . 1 D , . 9 There a sxckemng sxght met h1s eyes The Kmg flat on the ground w1th stncken eyes and qu1ver1ng flesh was moanmg horrxbly The saddle was st11l on his back Clmt could see great welts where the straps had tortured the horse all mght He pulled the saddle off angrxly hatmg the man that had left lt there Everythmg was done for the K1ng but he steadily grew worse Then Old Tlmer sald Ive seen that look before men Its homeslckness Freedom w1ll save hrm nothxng else' Let that horse go' Clmt felt s1ck all over The horse he had trarled for days weeks months to let lum go agaln' Then he looked at the Kmg H1s beau txful expressxve eyes always revealed hrs feelmgs Before lt was fury then hatred now death' Yes 1f I Arise From ERE I am once more deeply engrossed rn the pos1t1vely thr1lhng occupatron of wntmg some thrng for SILVER SANDS A11 year I dread thxs par txcular trme but now there IS no longer any fear 111 me Let s see I have all my pencxls sharpened stacks of th1ng7 Where are they? Oh I cant wnte anythlng' Its really very qu1et here I suppose I truss the nolse on Carlton Street no blar1ng radxos not a sound from even a smgle vacuum cleaner and no vendors' Its really too peaceful so much so that 1ts artrficxal I guess Ill g1ve up and go to bed Bed why d1dnt I thmk of that before? Ive heard that Julxa Ward Howe wrote her masterp1ece under the mfluence of warm blankets and soft pxllows So to bed Ill go and thmk up a mce JUICY plot Well I went to bed and all the most 1mag1nat1ve thoughts came to my m1nd VVhy they re splendld I thought To reverse the usual procedure of the patlent fall1ng 1n love wlth hrs nurse I had a pretty nurse fall rn love w1th the pat1ent I thought of a gorgeous dumb blonde startlng a revolutlon but I dxdn t know how to end lt And no 1nsp1rat1on could be complete wlthout a tnangular love affarr that d1dn t work erther After th1s I planned a play whxch would have made Shakespeare turn III hrs grave It SILVER SANDS the horse were to lrve he would have to be g1VCI1 UP to the canyon country h1s home At last Clmt made hrs dec1s1on The logs were pulled asxde and the Kmg WAS f3CC to face wrth freedom He rose qulvenng and Stlllll bled through the opemng As he went forward he gamed m strength Soon he was gallopmg Wrth h1s mane and tall flymg he was a wonderful sxght Clmt no longer felt as if hrs world had toppled Af fect1on swelled ln hun He watched the horse wrth happy eyes A lump was in every man s throat how ever as they saw the Kmg for the last time toss h1s head proudly Soon juttmg rocks hxd the great horse from vlew They heard the clatter of h1s hoofs echo mg down the canyon l'I!3lllS By HELEN PARK as was srmply marvelous untnl I thought It over I must have acqulred my msp1rat1on 1n a penny arcade or a Hve cent moving plcture of the 1900 s It contamed so much melodrama It was then that I reallzed my p1l.low was my greatest consolatxon I know I ll wrxte an essay have to say It knows my joys and sorrows my de l1ghts my farhngs my deslres-1n a word all that I am or am not I was completely overwhelmed by enthuslasm I wanted to get up 1mmed1ately rummage for paper and penc1l and wnte everythlng before I had chance to forget rt I put one foot out of bed Oh boy was lt cold' Undaunted I shpped out my other foot Naturally rt was twxce as cold Fmally wxth one last burst of wxll power I was out of the bed Brr rt w w was r r really c c cold I got back 1n bed wzth much less effort than It took to get out Then when I tned to collect my thoughts everythlng was just one grand conglomeratron And today Ive forgotten every one of my brxlhant rdeas You know when you have somethmg to say but dont know how to say It thats just one smoul dered 1dea When you havent anythlng to say and admlt lt thats lett1ng people know too much of what you haven t When you have nothxng to say and manage to say somethmg that s too good to be true But when you have something to say and really and truly say It well you ve got somethmg there 65 . . . . i . , . , 1 l 9 W . - . n . G , . . , 1 , . . n . Q ' . ' . . . I . . - ss v . . . 1 ' 9 a ' , . . ' 1 . I 1 n I . c 1 l i 9 1 9 , , , , I ' . . - - I 66 0 99 I I . . , . . I r . . . . . , , Y ' ' Cl 1 ' D Q ' 3 paper, and lots of ideas. Ideas, did somseone say some' on 'My Pillowf I'1l tell how it hears everythmg I . - . , 1 I . . . I , ' ' 9 1 ! 4 ' ' il 9 9 ' , . . , , , ., . . . ., . , . . , . . , . . ' , Q 3 ' 9 A . , . , ' 1 ' U' ' ' ' H .-.' f 4 4 1 a f It ar 4: It as , . ' 1 9 1 ' ' ' 55 5 ' li 9 ' ' ' 1 I 1 u . I , Q 9 D T . . , 3 2 S . . , . . . . , .. , l ' I . , . WOMAN'S PBI ILEGE Dick was adept at scoring the mnmng touchdown, but zt took a kid sister' to bench him By MARY K WATSON as ANNE LYNCH as N A cozy corner of an attractlve hvlng room sat a young g1rl deeply engrossed ln an open book At the sound of faxruhar footsteps Carols glance darted toward the doorway her amazlngly frank countenance flushxng a deep crxmson Hello Sls moomng over Drcks press notxces aga1n Prev1ous expenence had taught Carol that she was 1n for another srege of teasmg an art III whlch her brother Bob excelled Instantly on the defensrve she closed the book and w1th an 1mpat1ent gesture haughnly saxled up the stalrs accompamed by the mockmg laughter of her bxg brother Gamxng rmgmg m her ears she flung herself across the bed unable to suppress the mevltable torrent of tears that came as naturally as the summer ram Gradually partly regalmng her self composure she lmpulsrvely rose from the bed and seated herself at the dressmg tab e No wonder he teases me What chance have I aga1nst the glrls whom Dxck meets? They are at least good lookmg even rf they dont have an ounce of sense she wa1led between muilled sobs Reachmg for her comb Carol tr1ed va1nly to arrange her exas peratrngly stra1ght ha1r mto unaccustomed waves What rs the use? she contxnued I could put up wxth my strzught haxr 1f my eyes had half the allure of that K1t Conners that Drck took to the last frat dance Shes sxlly supericlal and utterly fnv olous Of course she mlght look well m an evenlng dress but rf I have to stoop to such artrficlallty Im afraxd that Carol Ross w1ll d1e the death of an old mald Bob can be the soclal lum1nary of thas famxly But try as she mrght Carol could not suppress a 66 furtwe glance at the framed rmage of Dxck Purcell whxch she had so pa1nstak1ngly cllpped from the news paper the day followmg h1s spectacular elghty yard run for the wmnrng touchdown that made hlm the acknowledged hero of the Penn Pnnceton game Could Bob she mused have been so mean as to tell Dxck of my crazy crush as he puts 1t7 The same evemng Bob no1s1ly backed h1s battered car out of the garage and after breakmg all known speed laws came to a stop amid the complaunng screech of well worn brakes Dartxng from the car he entered the famrhar door of the Plke a spot frequented by all the local lads and lass1es At Ins appearance he was welcomed by the bolsterous greet mgs of a group of h1S fratermty brothers who 1nstantly made a place for hlm xn the already overcrowded booth We were just talkmg over date prospects for the Lambda Chr Alpha dance when you came m Bob We have all decxded but Dlck and of course hes so popular Okay chxldren have your fun but 1ts really qurte a problem to choose one from among such a selectlon but then you wouldnt know anythmg about that mterrupted the favorxte of Penn s campus Dxck Purcell Dont rub lt 1n handsome saxd Dave we can t all have blonde nnglets and baby blue eyes Nor can we all be football heroes mterposed ac When 1n doubt Rxchard mboy theres always Bobs kxd srster jlbed another of the group At this remark the entrre crowd burst forth 1n an uproanous shout of merrlment Well fellows 1ts mee to see the younger gen eratron as represented by the Ross chlld appreclates my 1nv1t1ng personahty and extraordmary Before Dlck had a chance to fimsh Bob mterrupted Well hes off on h1s favonte subject agaln self Thats usually the slgnal for departure so shall we canter7 Several days later the evemng meal of the Ross household was rnten-upted by the msrstent nngnng of the doorbell Mrs Ross answered the door and returned wxth a pleased expressxon on her face and a telegram 1n her hand Robert she sa1d addressmg her husband here 1S a wue from your srster Loulse She IS golng to be m town for a few days and she turned to Carol she wntes that she has a great surpnse for you SILVER SANDS K5 15 I5 I I . . ' K 1 ' 11 ff ' ' 9 ee .u ' ' ' . . . . I 1 . l ' ' ' li ' II I 9 t I . . . I ' , I . . . . I o n I . ' , ' . ' A 9 s 1 , II . . Q 55 ' ' 1 ss l . . Q , I Q 1 s I I ' N ' ' . , . I I ' . D 1 9 9 , Il ' ' I . I I I , , . U I as 1 - - .11 - u. s . . 1 - I 9 i , - ss ' ll ' II ' ' ' . GL SQ ' the haven of her own room, the hateful taunts stnll J k ' . . . , , . ' D ss - - 1 1 I I I . , 9 ' . . r , . . , Bl ' I ' l a I I ' H i . i . , . . . , . . . I I I , . , . . . hun' I ' ' I I Q Q u Q I1 Ci ' If ' Sl ' ' I I . . - , , . . . f . . ' I I . , . ' ' ' ' ' an 11 ' - ss ' ' 9 a 1 f u a Q ' If . . v' I ' ' 1 s a ' tt ' ' 11 , . Aunt Louxse commg to town' Thats great' I wonder what she means by a SUIPFISC7 excla1med Carol General enthuslasm rexgned rn the Ross house hold for Aunt Loulse the famxlys only clalm to the four hundred was a prlme favorxte w1th all lts members The arrlval of Aunt LOUISE was heralded by the Joyousness that can only accompany the lnfrequent VISICS of loved ones The clxmax of her stay came when on Carols elghteenth b1rthday she announced her 1ntent1on of takmg her favorxte nxece abroad w1th her as a bxrthday gxft So th.s was the surprlse' Confused by mlngled emotlons of joy and sadness Carol made ready for her prospect1ve voyage Whlle packmg she d1d not forget the framed prcture of her 1dol Tak1ng one last look before relegatlng the object of her affect1ons to the dark recesses of her steamer trunk she mused Perhaps that anc1ent adage st1ll applles Does absence make the heart grow fonder7 Ivtonder Pans London Vlenna there followed a constant round of pleasure 1n whxch Carol never ceased to revel But Aunt LOUISC d1d not let pleasure mterfere w1th bus1ness She had a purpose xn vxew 1n taklng her n1ece abroad RC3.l1Z1I1g her young relatlves de6c1enc1es she proceeded hterally to make Carol over and teach her to make the most of her natural 3.l'J1l1C1CS Carol proved an apt pup1l and after a prof1table year 1n her aunts company returned home 111 a blaze of glory From the drab chrysal1s had emerged a v1s1on of lovely young womanhood Her burnlshed copper tresses now arranged so d1st1nc txvely set off to perfectlon her clear cut cameo lrke features It could not be saxd that clothes made Carol but rather they were made by her How ever Carols new found lovelmess could not be at trxbuted to her physxcal appearance alone for that mnate quahty wh1ch had always made her stand out m a crowd had been developed to xts fullest degree She was poised graceful and self confident All these together made up a Carol that would have been a proud product of any fashxonable fimshmg school The evenmg of her return the now admmng and a brt awe stncken Bob approached hxs sister w1th a respect utterly forexgn to lus usual self Say Carol Las Vegas IS up at Somerton tomght Would you hke to go? Dlck wlll be there wlthout a date When they arnved Carol found that Bob was not the only one who dxsplayed a changed attxtude to ward her Carol obvxously 1mpressed even the most soplustlcated She unmedxately became the center of masculme attentlon The heretofore acknowledged belles found themselves sadly neglected For the irst trme ln therr lxves they were wallflowers Constantly changmg partners lauglungly acceptmg 1nv1tat1ons Carol spent one of the most enjoyable evemngs she had ever known just before the last dance was announced a rather txmldly asked Carol may I have two favors the last dance and the pnvxlege of tak1ng you home? Carol with a rather nonchalant a1r answered Why not? To the strains of Stardust the couple smoothly danced off Dick tall handsome athletlc a perfect foxl for Carols exquxslte lovehness The dance over the cr1es of Good mght echoxng through the stxll mght the two started for home After several mmutes of sllence-embarrassed s11ence on the part of Drck he blurted out Carol the Ivy ball IS thzs month W1ll you go wxth me? Stxfhng the tmy glow of heart warmmg sat1sfact1on and vxctory that Carol could not help but feel she replxed Im sorry Dmck but I have already accepted an mvxtatxon THE THORNT ROSE Fragrant dehghtful Unsurpassed I touch the tender petals A chm 'reminder Of the past The thorn stall ncttles SILVER SANDS MARGARET ONBILL 38 67 . . , . . . , ' . . . - Q 4 u n . I U ' ' I ' ' - - u ' I I Q . a I . I I . 1' ' 1 , u A J 9 1 ' . . . . . V , . . . . . . v 1,5 . . . yy . LL ' . 7 I , , . . . . . . , 15 ' . . , 1 s 2 , , - - humble Drck presented hxmself before her and almost . . . . . , C. , 1 . n - I QQ ' - - ss . . . . , , , , ' n y . ' it 91 . . . G 1 . , T ' , , ' ' ..- I D , . 1 - so H . as - - . . ' ' , . . , . . f . . s ' ' T 9 1 I ll li ' ' ' ' ii Q ' T n ' ' I a f 1 ' bb H ' Q I i Y . . . . . . ,, O . I , . , . and dcagn to bc a humble pzgtaxl forever THIS IS now THEY TREAT ME By EDNA CLAIRE HAYES 38 ONCE was cons1dered an extraordrnarrly beau t1ful head of ebony locks but at th1s present moment prove only a sourcc of utter dejectxon to my possessor For you see I was destmed to undergo a complete change and xlas and alack I unw1ll1ngly assumed the role of a p1gta1l Ugh' The very men txon of that ugly appellat1on mlkes my ha1rs stand on end How I fought aga1nst 1t' As many txmes as Dolores mother would pamstakmgly pla1t me I would not only untangle myself lnstantly but I also managed to gxve myself to the four wmds' And how they d1d blow me about Even th1s d1d not exasperate Dolores mother enough to clxp me off from that un ruly mass Completely rulned IH the eyes of all other curly locks I am now res1gned to my lot and de1gn to be a humble p1gta1l forever the horr1ble stage of bemg too short to make a re spectable lookmg p1gta1l As I bewa1l th1s fact I am belng unmerc1fully pulled and tw1sted 1nto three more turns and I defy any hands to twlst me once more Ouch' Can you 1mag1ne that7 They have challenged n1e and are laborlously try1ng to stretch me 1nto a fourth tW1St Well Ill show them how to treat me There now I suppose s1nce Ive undone myself from that confimng mode of ha1rdress they will let me alone Oh no they re begmnmg all over agaln How hor nble' Now I have to Go through all that torture Dear why cant I learn to be a llttle more doc1le7 Thank goodness I see Dolores handmg her mother a brlght red bow to fasten her ungovernable braxds It always 1S such a comfort to have someone to whom you may explode your volcano of m1sfortune And bows are so cheerful all the t1me Su.vB11 SANDS F1nally I am ready to be marched off to school where Dolores flaunts high her head and 1S the sub ject of the fourth grade Cat Soc1ety d1scuss1on I do wrsh she wasn t so concerted about me for I really am terr1bly embarrassed before so many lassles But the worst IS yet to come That hateful Johnny Lane enjoys hlmself lmmensely by d1ppmg my few strag ghng ends 1nto the lnkwell and when Dolores moves her head I splash all the mk 1n her face and on her neck She can scarcely blame ME for such a dastardly act And then there s Brewster Hall who finds a pe cul1ar dehght 111 glvrng me a yank so that I am pulled out of my sockets roots and all But I weakly nurse my poor hurt feelings and am myself ln a short time one 15 more jubllant than I when the three oclock e rmgs and I am free for another day I mean free 1 can reach home unobserved and there hxde myself 1n Dolores playroom However 1f I am not that lucky I must undergo pluckmg from urch1ns unt1l I am safe 1D Mother s apron folds Taking t1me out to breathe I reallze If was fun even though I d1d get the tall end of xt What' Ready for bed so soon? Now I submrt to what IS known as the undoxng process Fxrst the aforementloned bow IS g1ngerly taken from me Next I am combed and brushed vlgorously The final ap pearance IS sat1sfactory I am agam my beaut1ful self raven hued s1lken wavy free locks whrch no one ever admxres except Dolores p1llow And so to bed there to dream of dreadful johnny Lanes and cowardly Brewster Halls untxl tomorrow when I shall be just a plgtaxl 69 I I I I , N . y 1 . , , f ' ' ' ' u. - 11 'Q - ' Y l , S 1 3 1 ' ' , . ' 2 I . 1 . 1 n r .1 I ' . I , , . . . 5 5 . . 1 1 - 4 ' l T , . . . , . , . I I 7 I . . 1 1 I VVhat seems to be the irony of fate, I am just at 11 ' ' ' , f I . 1 1 . . . T l . A , ' ' . . . . , I . , . . Q ' - ' - I . I D 7 - . , 1 . , 9 ' Q ss 1 vi ' v . . A . 1 1 . . 1 y - ' , I D I 1 1 1- 1 , . 1 . , I U ' 9 f Y Y . 1 I I . . I SUSAN In whxch Rex finds that the best By CATHERINE COPELAND 40 thmgs 0 ls e he near home USAN was about exght years old when her grandmother and grandfather Ahson took her to l1ve w1th them She was a nondescnpt l1ttle person w1th freckles l1ke many pale ra1s1ns across a txp tllted nose blg blue eyes that made her thm face look top heavy and ashy hght haxr ned tlghtly back m horsetarl formatlon Smce Susans dead father had been an only ch1ld Susans grandmother had never sewed for a httle g1rl so she made all of her clothes rather l1ke her own of the early e1ght1es wmth full Sli11'tS gathered on deep yokes The httle g1rl often suggested buy mg dresses ready made but her grandmother told her she dldnt have the money There was some money m the bank but that was for when she grew older so she could go to college The bank belonged to Mr Carsta1rs and Susans grandfather took care of lus garden The Alxson Street next to the alley and at rlght angles to the garage end of the Carsta1rs home wh1ch fronted Sherman Avenue To Susan the Carstalrs home was parad1se 1tsel.f and const1tuted the last word 1n grandeur The house was of dark brown bncks wrth gay stnped awmngs and a stretch of sparklmg glass wxndows across one sxde In sprmg the garden was a not of snowy brldal wreath and blood red tulxps and blue mses Wlule Susans grandfather mowed the lawn Susan would sxt on the steps and 1mag1ne people sayxng Wouldnt It be grand to hve here hke that lovely httle g1rl7 But every one ln the communxty knew the Car starrs lwed there and that they had one son Rex and no httle girls Rex was about fifteen and Susan about twelve now She had never seen Rex face to face for he would be home only around Chnstmas tlme because he went to school outsnde of the c1ty Susan knew it was t1me for hun to come home agam so she squeezed 70 her way through the hedge so no one would see her She walked over to see her httle frog where she stood every day when Rex called her He saxd Hey there Ind how are you? and Susan sa1d All rxght and began hummmg wxth assumed nonchalance and h1pp1ty hopped back home through the hedge Before she knew lt she was a sen1or xn hxgh school and Rex had begun h1S second year 1n Yale When ever Rex would come home whether rt be Chnstmas or summer vacation there would always be something happenmg 1n h1s home ln wh1ch Susan took an mn terest When sprmg had come Mr Carsta1rs dxd not open h1S bank one mommg Mr and Mrs Alxson went wlute and stared at each other and tnought The money the money for Susans college educat1on The bank had closed and Mrs Carstaxrs who had been sick smce Chnstmas dxed when she heard the news It was one evemng the followxng spnng that Mr Carsta1rs was stncken wxth a heart attack A few days later he dxed The next week when Mr Ahson came home he sa1d that the bulk of Mr Carsta1rs fortune would go to the depositors Rex would be left wxth a very slen der mcome He had been searchmg for weeks for a pos1t1on when finally a man who had 'worked IH h1s father s bank used h1s mfluence to get l'um a place m a bank m a nearby town Rex made enough for h1s hvmg expenses so lt was not necessary to sell h1s old home Susan had now started her first year II! college Smce Mrs Carsta1rs had dxed Susans grandmother took care of the house for Rex Whenever Susan was at home durmg her vacatxon she helped her grandmother do the housekeepxng In the meantrme Rex had advanced 1n h1s posxtxon as a bank teller and had prospects of domg even bet ter When h1s vacatxon came he decxded to go back to h1s old home He had not been there for five years To h1s surprxse he found Susan busrly SILVER SANDS , . . . . f f - . l , . . . . . i V . l . . ' Bl I 1' I . I D D 1 ' I . ' Sl ' 11 ' ' , s 4 u . , , , , , . . ' ' ' . Q n Q u 9 s ' . . Q p , . . 7 . , ' 7 . ' 1 ' 'V a - sv . , , , house, a small one story frame, stood on Ninth - - - - , . . . . , ' . . , , , . 1 - , ' . . . q f ' q . . . . . , . . . - . 1 , . . ' , D I . I , . . . cleamng the front porch She was Just gomg to get some fresh water when she notxced h1m Fnghtened for the nunute she felt lxke dashlng home but some thmng told her to stay He found rt hard to recogmze her as the lxttle g1rl who lwed next door Now that he was older he thought she had become very beau txfu He saxd Whenever I thought of coming back nt seemed unbearable too dreadful I decrded to come and prove to myself that xt couldnt be done-to hve here Perhaps you can sense how I had to steel my dred txmes and the expenence was terrrble And now after all that when I get here I End you I dont understand It 1snt awesome or unbearable and I th1nk I am staymg It 1snt even sad It xs merely peaceful and homehke as though Id found Suddenly as though he realized he was rushing thmgs a b1t he broke off and bent to look mto Susan l pretty face And so you re the gxrl next door? And youve been away to college? Say you re not engaged or anytlung are you? he asked ln sudden alarm Yes she saxd bhthely for a year to the school board And they both laughed the gay untroubled laughter of youth And your name is Susan Rex went on I gums Ive never known your name Its funny Ive known a lot of gxrls but somehow I never happened to know one by the name of Susan Im glad I never have for now :ts just you OUT TO SEM The og ho-rn lx ts sts moanmg uorcc Above all other sound A slnp as pacrmg out to sea I wonder where sts bound far off fetzd jungle lands clzmates cold and clear great length slxps through water blue captam knows no fear stands upon the bndge once more To watch the lzghts rush by The harbor s gone the seas at hand Goodfbye' goodfbye' goodfbye' HELEN Wooos, '38 SILVER SANDS 71 . u . . . , - . . YI , . - ' , ' . . P ' u I 1 - Q 1 ' 1. - . ,, . . 1 ' ' ' , li VI ' ' 85 i I s I ' , n . , . ' self to do it. I've lived this home-coming over a hun- H ' Q' n U ' . . 1 Q 9 1 ' . , 1 a ' ' , 1 - 1 1 - - - v - - 1 - N . . . . . , . C To - ' ' , To ' , Its ' 5 Its ' . He ' A DAUGHTER ln PHIL DELPIII By JANE WILSON 39 AVE a good t1me Mother Don t stay out too late G1ve Grace my love Here re your rubbers Mum Fragments of these statements stlll echoed 1n jean Thompsons ears as the tra1n pulled out of Wlnd borough statlon Her eyes were stramed to catch a last gllmpse of the group on the platform Her famlly had just glven her a rousing send off for Mother was gomg to v1s1t Grace IU Phlladelphla Grace was the eldest of jeans brood and the most successful When she marrxed J Harr1ngton Well worth an mfluentxal Ph1ladelph1a banker she had moved to the smart sectxon of Germantown and they stxll llved there w1th the tw1ns Elalne and Harry After what seemed many hours of traveling jean arrlved 1n Germantown She was o eager to see Grace that she had forgotten to look for B1lly Penn as she had promxsed young Jock The crowd 1n the sub urban statlon dlsregarded the tllly figure bustllng to the gate where she was to meet Grace unt1l a strange umformed man approached her and sa1d Excuse me ma am but are you Mrs Wellworths mother? Why yes Iam answered ean Mrs Wellworth told me to see that you got home safely ma am Im her chauffeur He plcked up her bags and jean too stunned to respond meekly followed h1m to the car The r1de home served to lessen the dlsappolntment of not bemg met at the statxon by one of the famlly for every turn of the wheels brought her nearer to her daughter But th1s couldnt be Graces home' The car had stopped before a house that looked magmflcent t jeans small town eyes but she soon dlscovered that the msxde of the house was just as cold looklng Just as magmficent as the outslde The mald who met her at the door smrled engagmgly at jean You can take the bags to the guest room Rob ert she sa1d If youll come tl'11S way ma am Ill show you your room 72 A Small Town Gxrl Makes Good, But After the g1rl had settled the v1s1tor in her room she sa1d Master Harry 1S 1n the l1brary 1f you wlsh to see h1m ma am No sooner had she left the room than Jean heard a staccato rap on the door A youthful vo1ce called I say can I come 1n7 W1thout wa1t1ng for a reply an overgrown young ster w1th a tousled head entered the room Are you my grandmother she questxoned bluntly jean laughed 1n assent You must be Elame Yes Im Blame Mother made me promlse to stay 1n unt1l you came whxle she went off to a brldge party A small hurt Oh escaped jeans l1ps I hope theres nothmg you want me to do the g1rls are wamng for me to go skat1ng w1th them Elalne headed for the door but turned back just before she reached If A httle hope pran up 111 the womans heart perhaps she would stay to talk a whlle But Elalne merely remarked Mother sa1d you can use the car 1f you want to shop just r1ng the bell by the bed to call Marle Wlth that she was off down the stalrs Wh1Stl1Hg a merry tune Elalne certamly had changed Why the last t1me she saw her but you couldnt expect a ten year old g1rl to be as lovable as a ive year old baby But maybe Harry would be fr1endl1er and she felt sure Grace would be glad to see her Marle had sa1d Harry was 1n the hbrary well she would go down to see h1II'1 now When she entered the room she was surprlsed to see a small mousy figure bent over a large book Blue eyes surpr1s1ngly lxke jocks looked up at her from beh1nd thxck glasses Hello You re not my grandmother are you? he asked So thls was Harry' Yes I am she answered Before Jean could utter another word the boy sa1d Mother told me she would be home about sxx just make yourself at home And he turned back to hls book SILVER SANDS I I . Q Q . ,, . . . . 66 a - tt 5 SN - th ' ' ' ' ' - 1 Sb ' 71 1 1 11 . ' , . it ,N N9 , . , . . r . H . q, s 9 ' . ' , f l ' ' ' , 9 ' 9 9 ' ' ' ' , ss as ' Q . ' - tt - 99 . ' . 1 th 1 ' ' , . 7 3 -n , , ss as a - 9 ' ' , tt 1 - I . . 7 , 5 . , . . . as , ' f . . , C 0' . . . . ' s ' :s 7 , ' , . . .5 . - , ' 9 s I 1 ' ' ss , a s ' , , . - as - 'n ' th Q9 ' s tt . , ' 1 1 1 11 T r 2 ' - . . f f 7 7 . . . . 7 9 f . . - I . . , , 3 . a - s Q Y . . . . , , ' ' Lb 5 , I . . V . Q1 . , . . 9 1 . , ' 65 59 . - a s ' u , M , , 1 9 - 7' ' In 1 ' 9 9 11 ' ' 1 9 v - ss . Well she wouldnt have to Walt long It wa 1 quarter of s1x now She could pass the txme by eunw llllllg some of these books brxee true to her P10111 ISE '1rr1ved shortly after IX ghe .milled into th hbrary and bestowed 1 kr om her moth rs eh el hello Mother le su Hon 1re ou Th1s casual greetmv had 1ts elfeet on ,Ie 1 but l managed to keep mmhnq My you re lookmg lane How 1S everybody back home? O vte re all xyell br1ee All the ehx dren e the1r love you know how It IS-ORC of those engnleznents you just can t break sa1d thls woman of the world Ldfl tflckl to SUUIICI LOIINIIILIIT I tb l I'Il7 If l 3 ert took perfect care of me And Marre helped me to unpack and get settled Yes Mane IS a good grrl How do you lllie my dress? Everyone at the party thought xt xy as stunnmf I won two pr1zes today tOeJ e n you 1I'l1f'1YlC t 1t Oh dont tell me that l 1 h' tune' Do vou w mt to come Vvllth me wh1le I dress or wlll you Wdlt here I guess you d better went beeau e I ll h1ve to rush Ol I forgot to tell you we re dlnmg out tonwht Mother You dont m1nd staymff wxth the ehlldren do you? The sm1le whxeh 1eeomp1n1eel lem s nod mould not we L.UlIhl ered enthusu txe J11ee lllffllt. 11' If L stowed mother lu md tuppcd gnly 1w1y Amost lil hour l1ter em XVIS p lklilll' he1 bw qhe h1d formed her pl llh durlnv ehnner 1nd she hlul plentv of tlme for the dinner w lb not 1 soenl sue eess The two ehlldren were too mterested 1n thexr food to bother yxlth Crrmdmother Her few attempts to start 1 eonver 1t1on were frrntless But now she xx la on her way hon e where COIIVLIBIYIOII never lagged MIYIL e1lled the Cl'llLlfl:CUI' and yyhen he 1ppeared Ie1n 1f1ve hlm her su1te1ses to brnw down to the e1r blle snnled h1pp1ly lc she rode to the st l.f1011 Home was somethnw to look forward to now She shlvereel 1s he Illtllllfllt of tlle eold unfrlendly atmosphere she hxd 1ust left She hoped M1r1e would remember to glve QJYICL her note The children would wmt to know yyhy she hzd cut short her y1s1t but she mustn t tell them lt d1dnt matter anyhow ean laughed aloud as she thought of the quest1ons that would be nred at her when she got home D1d you hue 1 good t1me, Mother? How s CJr1ee7 I hope xt d1dn t ram Mum How late d1d you stay out last nlght Mother? Well she eould f1nd some way to answer them H zrvcreqq The aays me long There IS no sonff wds 111 ll ll The blue Cold slves Cast leermg eyes Where ov The na ed boughs And szlent woods Slgh, Summe XVh1le clnftmg snow, And wmds that blow C uel ea lou ly Sf' mf' r N gone away, Moan, .lW7l71I57 s here to ytayf' Hetrxf GARDNLR, '38 SILVER Sums 73 ' I ' 1 . V '. , -s . ' v 1 ' , . xg .s . - ' 1 . . f 5 '. . .e - ' .f lr' .d ' e.s .Qu-l. g'dl,lly',l1 P 1'-, - - f 5 z ' 'ss, 1 ' Ag 4 . '. ' ' . Qu ' . 1 , .. ,, ,. -41 e- is , . . 1 . . e . e e . . . .. . D ,ee- . . 'r : 'ss 1 X c ' e'-1. . ' 1 ' ' 1 5 g ' 1 - Oh, , , rl e. el. ' 1 y . y , . , . . N A . e .. em y S he . , , , , . . e X. , . . . 1 ' 1 . I k 1 l - , Sl ' .-. s ' 1.. . fs h, ' . , e ' ' l ' s'n. 1' r . 1' ' N W 1 N gf. I i, 1 Av f v ' v 1 ' 1 I hope you dont mmd my not meetmgg you, hu, 'x ,Q ' H ' 'Q r 5 1 . . I A 3 h 1 u s V: I fx : V N Z ' Y 2' .u r x w ' b Y e , . . . e D . . jf ' ' ' g. Iwll 5lQR7l' if s ' , ' ' ' , ' . ' , , ' V 5 - 5 4 5 u x ' Iv v x x ' ' -. T 1 w e s Q 4 v f u I . V K M' ' ' ' v A y V 1 . f x v'-' f 1 ' 9 , - , ' 1 1 . ,, ,. - ' D 5' 9 ' J - I . .- ' 1 ' . 'Y ' . . .1 le , l'11 . . e D , 5 tm: rg. e 1 '. y 1 . H ' . ' e. L 1 C . Y 5 s V' ' X- -N ' , . Q V' ' , .5 H e m I ' . 1. e . 9 .3 1 1 ' . . K ' C3 3 I ' 1, x y Q . , . I K 1 1 ' I ' o Of I7 .' 'o .ze uwvzy. , ,, . ' . , I lv. C 4 ' 'Y 1 Y'V 'V . e . . , O. R , E , U. . ,. QICTUB AL NCIDEN By RITA SCHUBERT, '40 OOR Georgia! Although she had been with us for six months, she was still unable to tell what to expect from the two oldest-Mary and Billy. The first sign of trouble came shortly after Mother and Daddy went out for an evening. Georgia was entertaining a guest, and was greatly disturbed at being interrupted in the middle of her conversation by a giggle. Investigation showed the giggle to come from behind the closed door of the back steps where Mary and Billy were taking every' thing in. Georgia's usually mild temper was tried to the utmost. She had thought the two imps were in bed hours ago. She decided to settle things, once and for all. You young scamps git right upstairs, now. I'm goin' to tell yer mother as soon as she gits home. To enforce her command, she seized a rubber doll which happened to be near, and chased Mary and Billy up the stairs with it in her hand. The children were so unprepared for this demon- stration of temper on easyfgoing Georgizfs part, that they felt they had been decidedly mistreated, and ref solved to take drastic means to punish her. I know what we'll do. We'll run away, and then when Georgia sees we're not here any more, she'll be real sorry she was so mean to us. Leader Mary be- gan to suit action to her words by getting out a bag. Let's make her sadder and bring Rita, too. If we take her, she'll be even sorrier, 'cause Rita's her pet. This suggestion on Bill's side was eagerly accepted by lvlary, and the two of them went over to Rita QI was she, to tell her that she was going to run away. I don't want to run away. Georgia's always good ,I 7. to me, and yesterday when I did what you said an' put my dolly into the pool to swim, she floated out into the middle and sunk. Now I haven't any dolly. Besides, Georgia's makin' cookies tomorrow, an' she said she'd give me some if I was good. After trying in vain to make me change my mind both by force and by persuasion, the two conspirators held another council of war and decided that two would be enough to run away. While they were packing, Mary insisted that not one of her ribbons be left behind, and carefully folded and packed them away, while her little dresses were simply thrown into the bag- cause, she explained, I can gets lots more dresses, but I might not be able to End any more ribbons as pretty as these. Bill's one precious tie was as carefully folded as Mary's ribbons. For, he remarked, if I lose it, I won't have any tie SILVER SANDS . . . and decided that two would be enough to rim away. at all, and Daddy says all men must have ties. As he spoke, he was throwing his poor little suits into the grip so that he could never wear them again until they were pressed. The bag was at last made ready and they put on their travelling clothes to embark on their journey. It didn't bother them at all that the grips were as big as they, and that they could never carry them. You'll be sorry you didn't come with us. We're goin' to get a train and go all the way to Grandmas house. She can make cookies better than Georgias, an' we'll tell her not to give you any at all. After delivering that parting reproach, the two wanderers were ready to start. just as they were struggling to lift the bags, they heard a sound that struck terror to their hearts. Mary, however, reminded Billy that they didn't have to be afraid because they were leaving home anyway. SiLvi3R SANDS Somewhat, but not entirely, reassured, Bill con' tinued to listen anxiously for Mother's Customary, Were the children good, Georgia? Hs: just wanted to make sure of Georgia! answer. Ch, Mrs. Schubert, they were terrilrle. I jus' want to tell you what they did--- Even brave Mary' was unrerved hy this reply, and the clothes were put hack into the drawers so quickly that when Mother came up stairs. she found three sleeping children' -Mary and Bill had decided not to run away after all. The next day was my day, for Georgia kept her promise and gave me some of the cookies she baked. Uf course, I enjoyed them even more than usual, as l could dance before the chairs to which Mary and Billy had been sentenced, and taunt them with, 1 got a treat for hein' good, l-ut yeu was bad. 70 BO0KS and Y U RE you seeklng a personallty ton1c7 These days of mach1ne made entertamment have weakened cons1derably the 1n1t1at1ve of mank1nd The cry of today 1S How d1d you do 1t7 rather than Ill try do1ng lt th1s way Why can t more people be earn mg the1r da1ly bread? Sxmply because they are afraxd to try They th1nk that thelr best frlends 1b1l1ty to do a p1ece of work would put the1r own apt1tude to shame when n1ne t1mes out of every ten the t1m1d soul IS better able to retaln or obta1n 1 pos1t1on suc cessfully Present day people are l1ke mechan1cal toys Wlnd them up and they w1ll go Were our ancestors lxke that? No of course not They had to sh1ft for themselves just as we should be forced to do Th1s world would be a sorry slght w1thout the help of ma ch1nery 1nvented by men who knew how to develop and to use a good mentallty Perhaps your mlnd rs a l1ttle rusty but there 1S no need for lt to rema1n Cflp pled Bookshelves abound IH works on applled psy chology V1Ct1mS of tlII11dlt1S no longer have any plaus1ble reason for the1r cond1t1on s1nce so many modern authors reallzlng future needs have spon sored the cause of self help One of these keys to happ1ness w1ll surely fit the keyhole of your m.1nd Whats Holclmg 'You Bac 7 Amerrcas 'Yesterday had 1ts share 1n Gurdmg 'Your Ltfe but now you must Help 'Yourself to Happmess Do 'You Know What 'You re Domg7 Acqu1re po1se ID sudden act1ons as well as 1n prerned1tated ones The Twenty our Hours a Day are not One to a Customer You have the whole twenty four 10 wh1ch to Thm for 'Yourself S1nce the Road to Happmess has just been repaved why not Stream lme 'Your Mmd to be fit for The Conquest of Fear7 Some day soon you w1ll have to Spea or 'Your sel hence you mlght as well learn The Art o Con versatron In the course of Irzcreasmg 'Your Personal E czency you w1ll undoubtedly d1scover How to Ma e People Lzlge 'You It would be advlsable to enter the up and comme Charm Busmess Through one of the four New York charm schools any woman can learn the art 1n ten weeks Pup1ls l1v1ng at a dlstance from the school can obtam tl1e1r 1nstruct1on xn ten or more correspondence lessons Nourxsh your fr1ends self esteem 1f you wlsh to know How to Wzn Frrends and Influence People The Strategy m Handlmg People 1S only one of the many factors of The Techmque of Happmess In Plarmmg 'Your Lrfe Be Glad 'You re Neurotzc If you learn How to Worry Success ully you hold the secret of would Rush to the Sun to possess Truly there 1S A Fortune to Share 1f you but knew It Why Be T1red7 Wa e Up and Lwe' GELBVIEVE WRIGLEY 38 THREE WAYS HOME SHEILA KAYF SMITH Harper 59' Bros New 'York 1937 One who IS unmterested 1n the mamsprmgs of an authors l1fe stands out as an except1on to a very common rule for the major1tv l1ke to know how he has managed to beat out h1s path to success what wmgs he has used to overtake h1s 1deals She1la Kaye Sm1th 1n a reveal mg autobxography tells s just these tlungs She claxms that from her schooldays she had three defin 1te deslres to l1ve 1n the country by herself to Wflfe novels dealmg Wlth rural l1fe to be extremely Hlgh Church She explams the lnfluences that shaped her career just why she chose Sussex to 1m 76 mortal1ze and of course why she became a Cathol1c Thxs latter was a gradual con vers1on that bore fruxt 1n her works and her l1fe and as we know was the subject of much d1scuss1on IH the world of hterary cr1t1c1sm Sherla Kaye Sm1th g1VCS no argu ment for e1ther Cathohcxsm or country l1fe but the reader grasps the happ1ness and sat1sfact1on she has found 1n both By MARIE FEUERSTEIN 38 AND SO VICTORIA VAUGHAN WILKINS MacM1llan New 'York 1937 For those who make bare faced COUYCSSIOD that they l1ke the1r read mg th1ckly coated wlth romance the book of the moment 15 And So Vnctona Through 600 odd pages of horror gun play humor 1ntr1gue suspense and dangerous adventure they w1ll follow a V1V1d pageant of early n1neteenth Cen tury personahtxes 1nto England Wales Malta Canada Amenca and Scotland The author Vaughan Wllk1IlS delves 1nto hrstory to uncover plots and counterplots armed to keep VIC tor1a from the throne Through the weave of the plots run the glow mg colorful threads of l1ttle Deb tawny ha1red Arabella Eck1e too voung to dxe and the famxly con sclous Chrlstopher And So V1ctor1a IS justly one of the years best sellers If one chooses lf one draws a thrxllerl By DOROTHY EDWARDS 38 SILVER SANDS ' it ' ' 11 I GL 'I n - . k l ' . . . Q, V A1 , - . . . . T , T . . . ', . . ' . 1 . - ji Jr , - - .t - - lf, ' f ' , . . qi - ' I ' ' . I Im . ' . v R . l . 'l ' I 5 l ' - k . , . K . . . . . . ' ' ' , ' ' , , . . . L, . . . . ,, ' ' ' ' - - 1 S I , 7 - ' ,' f ' f r - . . How to Be Happy Though Human, a fact many of us 3 ' k s 7 . . - , . - - . . I . ,, . l , li . . V , . , . O A s 9 1 'T . I ' ' Af ' Y 1 3 I T , . . . . ., ' , . ' ' - I , ' ' 'V ' I , , , , , , . . 4 T ' 9 . I ' 9 I 3 7 , ' ' n 1 . I 1 ' l Y . ' 9 . ' I . . ,r ' 1 ' o . , , ' 1 ' u --iQ.ii T ' ' 1 . 9 I 9 I T ' 1 . 5 - . . . 1 5 T T Q , . ' ' L l , , . Wi V I I . , , . ' l , . . . T . 9 ' ' ' . l . ' s , , , OF ALL PLACES SOMETHING OF MYSELF By PATIENCE RICHARD AND JOHNNY ABBE Publzsber Frederic A Sto es Co It was decreed that the Abbes should visit Hollywood On their round the world journey It was just as inevitable as it 15 that they shall probably visit every place there is to visit Their new book descr1bes the ad ventures of the three children from the time they left the Colorado ranch The story takes us through Connecticut a short sojourn there and from that state across the con tment in an airplane to Hollywood Their mother accompanied them while their father dashed off to report the war in Spain Once in Hollywood there is no stopping Patience Richard and Johnny Collecting autographs going to parties and visiting the Stars seem to be the Abbe childrens favorite pastimes They show us the great really are and not as portrayed on the screen They overlook not the smallest detail con cerning the stars stand ins and hams The children like the ma jority of the stars some they think are stuck up They hold that a person in Hollywood lives in the kind of house that suits his per sonality Sprinkled throughout the book are some philosophical sayings that are really quite true Of course they are translated by the children into a simpler language than that by which we know them but they do not lose weight for all the translation Of All Places is like no other book you have ever read It has made an instantaneous hit as one of the most entertaining books of this literary season For a gay and amusing story there is none like Of All Places JOAN T MCCOY 38 SILVER SANDS FOR MY FRIENDS KNOWN AND UNKNOWN By RUDYARD KIPLING Publisher Doubleday Doran69'Co The general impres ion which people have of Kipling ls that he IS an English author and has become a great success However behind his success one finds a long but in teresting story This tale is in it self a work of art written as though Kipling were sitting by his own lireside relating incidents from his life to a friend He tells his story not just as one who IS reminiscing but rel1ves his whole life Like many other literary men his life was one of many hardships Each one of these hardships gave him a distinct quality Or something which he was glad to have in later years His sojourn with an Evan gelrst woman gave him his first de sire to read as this was his only recreation His hard school days developed in him a finer and more solid character It was then that he acquired many valuable fnends Seven long years he spent in India as a newspaper man Thus he gathered expenence Kipling s par ticipation in the Boer War led him to discover the ideal place to es tablish his home when he was married During the time that he was busy in South Africa and India he gathered information for many of his literary achievements He progressed in the literary world n the meantime gathering new friends and new ideas We can see from this then that to read a complete story of his life would inspire one to gain the goal no matter how many hand: caps intervene MARIONJ AHERNE 38 THEY SOLD THEMSELVES By HOWARD STEPHENSON AWD JOSEPH KEELEY Pubhsher Hlllman Curl Versatility and imagination that powerful combination which sures success are stressed by the authors of They Sold Themselves as the qualities necessary to attain accomplishment through inspiration In a most engaging manner Keeley and Stephenson speak intimately of the little known incidents in the lives ofthe very well known Names such as these Paul Whiteman Elsa Schiaparelli James Melton Sinclair Lewis and Elizabeth Arden names familiar to the least informed of men are met frequently within the pages of this volume The co authors have dedicated their work to George Spelvm the name ap plied to any partlcularly versatile actor by people connected with the theatrical world The writers stress these three attributes as being vitally related to the attainment of ones probably most important interest in people They tell, of the hrst meeting between James Melton the brilliant young radio and screen s tar and the almost mythical Roxy For many long weeks Mr Melton had vainly striven to gain admittance to that holy of holies Roxys office One day when he was particularly discouraged he hit upon a daring plan Planting his six feet of manly strength before the door he raised his magnificent voice in song to the consternation of the entire office force Needless to say he saw Roxy and started on his met' orxc rise to fame They Sold Themselves pro vides interesting reading as well as instructive hints towards selling yourself Even the alleged fiction readers will find stores of enjoy ment and a wealth of worth while advice between the pages this book MARY K WATSON 38 77 l I A I . . as' ' I . 4 S , . . . . . ' ' ', ' ss in . . ' , , ' I ' , ' l ' . 4 1 1 1 4 , . , , , . . I . . . , , , . . . ' ' ' ' ' 1 9 I . , 1 Q 1 1 1 1 1 1 1 Y l T . O , I li I 15 1 1 1 T , , . - - 1 . . ' ' ' 9 - - ' , 1 1 1 ' . ' - 1 - . ' ' ' . I . l T I I ff and lesser Cmematlc Stars as they . ' . ideals, imagination, initiative, and, Q Q 1 1 . , . ' ' . o D , , j I . . . u sa . . ' ' . 1 1 l ' , A . ' . ss ln s '- 9 s . , . ns r as ' - - 1 I , , , l c . . , . f . . r , ' s ' 1 A ' . . . 1 I 1 . . . , , , , . 1 , , , . . - - l - , - 1 1 l I ' . . ss 11 . . ' , . n as Y 1 T s I . . . - I ' ' . , ,j a . - .. , . .N T Q ,H . , . , , , . , . A CITY OF BELLS ELIZABETH GouDcE Publnsher Coward McCann A rarety a pleasmg book about nIce people was the stamp of approval put on The Cnty of Bells by the Book of the Month Club And how ruce the people really are' Jocelyn Irvmg comes to Tor mmster a dreammg Englrsh Cathe to escape the aftermath of the Boer War and the ralsed eyebrows of hxs too anstocratlc famxly He opens a book store IH a house wlth pmk walls and a moss covered roof Strangely attracted to thls httle place he finds It had been the former home of Gabnel Ferrantx a meteonc v1sItant who had kindled the l1ttle town Into lxfe for a brxef t1me then had dzs appeared leavmg no spark 1n hrs wake The search for and the eventual indxng of Ferrantl the love of Jocelyn and FelIcIty merge Into a quest for beauty by the author dral town Elxzabeth Goudge who drsplays a perfect understandmg of the human bemgs she meets on the way I-hgh on the horlzon of her endearmg characters loom Canon Fordyce and httle Henrxetta Most readers wIll hke every m1lestone 1n The C1tv of Bells from the Tormmster bus that paused to let the Archdeacons dog cross the street to Martha and Mary Car roway the gossxpy owners of the towns sweet shop By JAINE KELLI QS BELOVED FRIEND CATHERINE DRINKER BOWEN AND BARBARA voN MECK Pubhsher Random House Inc Many the world over have been strrred by the muslc of Tcharkow sky smce the year eIghteen nmety seven It was In that year that he wrote the last letter to the woman who made that muslc possxble Beloved Frzend LS the strange love story of Peter IlyIch whom 78 we know as Tchalkowsky and Nadejda von Meck a w1dow mother of eleven chlldren who fell In love with hlS musrc We say a strange love for although It covered a penod of tlnrteen years rt was carned on by cor respondence the lovers never met Nxcholas Rubmstem In search of a patron for a favorxte pupxl bnngs TCh31kOWSkYS 'Tempest to the von Meck palace to play for the fabulously wealthy w1dow Would she help thlS gxfted youth to a mus1calcareer7 Rubmstem s maglc fingers touched the keys looked at her and knew that the day was won Shortly after thxs the correspondence began These letters were hldden and forgotten IH the von Meck palace but durlng the Russxan revolutxon thev were rooted out by the Bol shevIkI and are now the property of the SovIet government From the letters th1s bxography of Tchal kowsky has been reconstructed wrth Barbara von Meck Nadejda s granddaughter as translator and Catherrne D Bowen as narrator Have you ever harbored a doubt of the musxcal temperam nt 7 Read Beloved Frlend Bv IVLARTHA DE CELIS 38 NORTHERN SUMMER Costa of Gezjerstam A Translatzon rom the Norwegaan By JORANT BIRKELAND Pubhsher E P Dutton fi Co Have you ever w1shed for a book out of the ordrnary trend not a novel not a brography but just Cl1HCI'CHt7 If so thrs dehghtful translatlon of the Norweglan work Northern Summer w1ll be answer to your wxsh It IS a charm1ng chronicle of a summer spent by the wrIter Costa or Papa and h1s famxly on a llttle Island In a Norwegxan fjord Papa IS compounded of Solomon St Peter Lewls Carroll and Hans Anderson he just has to be' Any movmg day 15 one of the severer trIals of hfe but Papa guldes safely across a fjord a terror stncken cow cacklmg hens a squealnng pIg and a restless fam1ly The struggles of Papa wlth deaf Martha the maxd of seventy h1s answers to quenes from the chxl dren as How does a fish sleep? How can It close ICS eyes when It has no eye11ds7 Papa what does xt mean to be dead? gxves one many a chuckle Northern Summer IS refreshmg throughout One thmg IS certaxn one loves the famIly and IS glad to have met them By LORETTA U MCCONNELL 38 STORM GIRL By JosEPH C LINCOLN Publisher D Appleton Century Company Storm Grrl a real1stIc novel portrays the llfe of the hale and hearty Cape Cod 1nhab1tants Em1ly Blanchard a young glfl In her teens l1ved a hfe In wh1ch every Important event was predlcted by a storm Her Aunt Desxre who was a soft hearted yet choler1c woman was destined to wlthstand the ca pers and sudden dxsappearances of that blunt and easy goIng brother m law Slmeon Coleman He even went so far as to mckname her Drzzy wh1ch for a hlghly d1gnI ned w1dow was utterly unbear able Emxlys romance w1th Ed Coombes was brought to a hasty concluslon by h1s dlsappearance and supposed death Tlus unwel come character reappears to enact an exc1t1ng Cp1SOdC In the Coleman household Chet Brewster young captam of the Trumet Coast Guard Statxon made h1s appearance by resculng Sxm from death on the shoals Thxs was the beglnnlng of a close frxendshlp between Errnly and Chet It can be justly Bald that Joseph C Lmcoln has wrxtten a novel that provIdes enjoyment for all l'us readers GLORIA HARTLIAN 40 and CLAIRE KOLBE 40 SILVER SANDS 1 J . . . r 9 1 1 3 ' 9 1 . , . . . . . st as - u ' , 1 - - - ls - n - - at y 1 I . . ' . - ' I I 5. as f f f 1 ' ' . . . . U ' ' ' ' ' l ' as ns ' 1 ' ' . yy . . . . , , I . . . . P . y 3 . . I . ' . . . . ' , ' ' b . ,, . . ., . ' ' . . , sa - ' , . o 1 ' - ' 1 f 1 9 . . . . . . - ' I K , . . . ., as - as - - ' ' 1 1 g . . . . . . , , , . . . , , . . , - . . , . . . V 9 ' ' st -Q ss ' -. 'L' . ' ' ' sn - sv - 1 ' 9 s . . . . a F I , . , 0 , - , . N 7 ' , . 1 n , ' a - . a f ' , , . , . v A . y r 5 I ' . . . . . , . . . D , 1 u n . , ' ' ' ' , of - 1-I - - . , I ' 7 1 ' . . all ' . , . ' , , . . . . . . . Y , . , I . . Y ' . . . I , . . . . ' ' ' ' 1 9 . 5 , 1 1 . . . q 9 1 ' SILVER SAN Volume VIII January, 1938 NO- 1 STAFF Edztor m Chzef ANNE LYNCH 38 Assocmtc Edttors Bus:-ness MARY RITA HEYDEN 38 MARY WATSON 38 MARIEI CAVANAUGH 38 HELEN C SAWCHYNSKY 3 MARY KLESCHICK 38 JOAN T McCoY 38 MARY C GANNON 38 HELEN Woons 38 BSTELLA TURNER 39 MADELINE ANGLIN 39 SARA HODSON 40 PATRICIA CORKERY 40 RITA SCI-IUEERT 40 BERENICE HANEY 38 ANNE KAUEFMAN 38 MARY GRADY 38 ELIZABETH M MCDEVITT 3 Art AcNEs KLEINI-IANs 8 IDA BELz 38 VERA FISCHER 38 LILIIAV SOSNA 38 Pubhshcd twzcc durmg the school year by the students of 'The john W Hallahan Cathohc Gxrls Htgh School at Nmetecnth and Wood Streets m Ph1.ladelphIa. Pennsvlvanta ADVE As We Deflne It By CHARLOTTE CARROLL 39 ET S do sornethmg d1fIerent How often have these words been uttered by people who In cessantly crave dev1atIon from the ordlnary trend ot l1fe When someone partIcIpates In an unusual or exc1tIng experIence he terms thIs happemng ad venture To the scIentIst an adventure would be the dzs covery of a new formula or theorem to the archaeolo glSt fru1tful excavatxon to the av1ator the Bndlng of nevt lands or the Hmnv of new endurance or speed records Adventure plays an Important part In the hves of all those who follow the walks of hfe that are beneHcIa1 to mankmd But what of the ordmary person whose lxfe IS seldom varIed what does adventure mean to hIm7 The most pecuhar thxnv happened today Many txmes has the average person uttered these words If SILVER SANDS N TUBE people would only thank more clearly and be a lxttle more optImIstIc they would recognlze these pecuhar happemngs as adventures One need not pursue adventure or track lt down by traversmg the con tInents Yet how many people have been heard to say Nothmg ever happens to me? Surely they do not expect adventure to walk up to them tap them on the shoulder and say I am adventure Wont you 10111 me and have an CXC1f1flg t1me7 If they would but rem1nIsce on the days events sometunes they would certaInly recall thmgs CXClt1Ilg and adven turesome that have happened to them So It IS wlth pleasure we offer you our adventures and those of others They are wrltten IH the forms of essays poems and stones We hope that you wIll enjoy readmg and dIscussIng them as much as we have enjoyed wntmg them 79 . I ' n ' I , , . . ' ' .8 , Y . ,s , . . , . . , . 1 . , . ,a ' v ' a , , . , , ' 0 I I 66 , . . ,. V V . . I 1 S ' 7 Lb ' 11 7 ' 1 ' 9 ' Q , 1 S ' 1 ' l 7 9 s 9 I D . .. . 6 Q 1 9 , - I D ' nn . . N . . . . . O . As We Lwe It 0 By MARY KERRIGAN 38 N HIS spare moments the average person day dreams for at heart he IS an adventurer The Or1ent In all rts srlken perfumed splendor the sand swept floor of Arab1a the gently swaymg palms and the lappmg of waves upon the southern shores the soft Whlfllng blankets of snow of the North 1ntr1gue But these are only dreams of fantasy Much more 1mportant are our dreams of usefulness success and happ1ness The test of our metal w1ll be how many of our dreams can we make come true? Yet as we travel over these dream worn paths we seldom con srder that rt 1S because of the dreams of our parents that we have mherlted our adventuresome Splflt They too have had the1r dreams of success and of happmess Even w1th advancmg years the1r efforts to fulfill them have not ended abruptly They have matured 1Ht0 thoughts of our present and future As We Behold It 0 By ELIZABETH M McDEVITT 38 OT many years ago xt was no uncommon sxght to see a gay troop of gYPS1CS maklng the1r way along some secluded road by a slow tedlous ox cart The gypsys love of beauty was shown by h1s selec tzon of camp locatrons In the woods 1n a very p1c turesque locahty where the sl1ghtest breeze caused a rustle of leaves the colorful gypsy establ1shed hrs troop Then he went to v1s1t the nerghbormg town only to find xt full of the dlsapporntmg commonplace To the trarl he returned more joyously than before Glowlng accounts of gypsy l1fe always breathe of romance and adventure Th1s great nomadxc trrbe has captxvated the lmaglnatron of men of all t1mes A great urge for travel and adventure 1n our own age has led to the wrdespread followmg of a gypsy mode of l1v1ng Much has been done to satrsfy those who could no longer resrst the lure of nomad1c lrfc and to assure to them a degree of comfort the gypsy of former years never knew Men who have the 80 Through them It has been made poss1ble for us to attam the opportumtres educatlonal and socral that we enjoy today We are 1n fact l1v1ng the1r dreams Here w1th1n the covers of th1s book we find exam ples of the1r plans for us To make our Sdver Sands complete lt was necessary to send two of our students to New York C1ty to 1nterv1ew the famous poetess Nathaha Crane Th1s tr1p was made poss1ble only through the fores1ght and generos1ty of these grrls parents The 1nterv1ew ltself furnxshes us wlth an example of parental adventure Nathalla Crane the daughter of lntelhgent foresrghted unselfish parents IS reallzlng the glory of the1r v1s1on To the parents who w1th wrde wrsdom and ad venturesome sp1r1ts have schemed for us the oppor tU1'l1lZ16S that we know today we are grateful May we have the courage to make the1r dreams come true' yearmng to wonder about the earth no longer suffer hardshxps Someone u ed h1s xngenurty 1n orxgrnatmff a dev1ce by whlch the 1uxur1es of a permanent home are contamed 1n a small house on wheels Th1s com pact dev1ce IS known as the now famous trarler S today when we see the traller on our mam hlghways lt does not astomsh us at all In face we are qu1te famxlnr with th1s qu1ckly famed veh1cle Truly th1s present l1fe of the traxler gypsy IS the real1zat1on of an old gypsys dream As yet we have not properly labeled the mhabxtants of tra1lers To call them merely gypsxes would not be qu1te adequate when we recall the tra1ts and h1s tory of the gypSlCS of old St11l th1s name seems to express most ekplxcltly the act ons of such people Let us call them modern gypsles twentreth century adven turers who tale the hrghroad to romance ID the effcrent modern way SILVER SANDS 0 I I 5 ' 1 9 3 9 - 1 , - 1 - V ' , , J . . , 5 . 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TI-IE SAND GLASS ay HELEN wooos as ONSIDER the lowly p1n wh1ch has been prrt and parcel of our l1ves for years Would you ever have thought of wr1t1ng an essay about 1t7 No of course not But one Hallahan1te d1d and It s 1D th1s very ISSUE Turn back and read Get the Pomt by Mary Trotta If you re romant1c land who ISD t7J Emma Leary Frances Skav1cus and Beren1ce Kolbe have catered to your taste w1th An E1ghteen Year Old Heart T1Ck Tock and A Prodlgal Returns respect1vely The last two recall plantat1on days w1th hoop skxrts magnolxas and everyth1ng A Prodrgal Returns even boasts a ghost Through the ages there have been stor1es of boys and the1r dogs that we have cher1shed for the1r s1m pl1c1ty and naturalness Mary Rlta Heyden flHgS the bell wlth her story of a sugared l1cor1ce gurr' drop and a muddy mongrel Elljah a Lxttle B03 Don t m1ss lt Success storles always hold our attentlon and a questxon often brought up 1n connect1on w1th them IS How should success affect a g1rls attxtude toward her mother? Read A Daughter 1n Ph1l1delph1a by ane Wllson to End one small town g1r1s answer The An1mal Kmgdom yes I know 1ts a play but It IS also one of the head1ngs under wh1ch we could 11st some of the contents of SILNER Suns lf we were 1D a l1st1ng mood We could sub d1v1de It too General We Went to the Zoo by Marr anne F1tzpatr1ck Part1cu1ar I'I.1S Kmgdom for a Horse by Ehzabeth Donaldson and Crab Com plex by Adel1ne Marr Th1s m1ght al o be called the underclassmens field as there are no sen1ors rep resented One need not go to popular mafa mes for open confess1ons of weakness Margaret Sweeney tells all 1n I Am a Dawdler and L1ll1an Tracy owns k1nsh1p w1th the great D1ck IU V1ve le Tracy SILXER SVNDS pre ents tvvo novelty numbers IU SILVER SANDS Y th1s ISSUE a one act play by MHIIC Cavanaugh called The Steppmg Stone and a four part story entntled Pr1de Goeth Before wr1tten by Mary Kles chrck Mary Gannon Estelle Turner and Madel1ne Angl1n Eme art1cles both we are sure they wxll be enjoyed by all our readers Three var1ed tr1butes to chlldhood are Nocturnal Incrdent A Cand1d Camera Shot and A Star Is Born by Rlta Schubert Reglna Gam and Rosemary Breslm In th1s age of glorlfled snapshots p1ctor1al magazlnes et cetera the second ment1oned should have a part1cular appeal to anyone who has ever tr1ed to make Jumor watch the b1rd1e More romance th1s tlme 1n the modern manner Susan by Catherme Copeland A Womans Pr1v 1lege by Mary Watson and Anne Lynch and Spec1al Del1very by Genevleve Wrlgley wh1ch comb1nes romance with h1lar1ty 1n an endlng wh1ch IS a surpr1se ID the true sense of the word A Wom ans Prrvllege 1S a SILVER SANDS streamlined model wrrtten 1n the language of modern youth A glrmpse of Europe by one who knows IS pro vxded rn My Own My Natxve Land by Yvonne Ernst The t1tle refers to Germany the authors brrth place and It lS descnbed as only one who knows and loves her fatherland can descrxbe lt The World War and a man catapulted out of h1s l1ttle world by tragedy are the elements of Luc1lle Judges Aftermath An unusual theme unusually well treated 1t should mterest us the post war gen erat1on For all of you who feel that pocket books are a necessary 1nconven1ence Elizabeth Donlon wrltes I Speak Wlth Feelxng And speak w1th feehng she does-on the handbag from all angles The 111 used pocketbook IS not the only art1cle be fnended by an xnsplred champ1on Mary De Fay carr1es on the good work puttmg eye glasses 1n a new llght I I , Z I ' 1 - st - wa - ' S . . - sn - as - 1 5 - 9 1 ' S 5 1 , 0 . ,, . . . 1 - s - 9 0 0 ' ' ' , - - - su - 1 I ' ' 11 it - Q5 lb r ' 1 ' U ' , sa - . . 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