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Page 49 text:
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une 19 CL AQ9 II ILL fConcluded from Prge Gu and De1ceful dream noxx th 11 xxe are no more Thex hrxe donc therr dutx rroblx and deserxe therr rexx 1rd Ihtnessed and atte ted to thr 16th dax of Aprrl 1920 I1 rtnesses The Senror Cl'1 s fgffdlr Nlargaret Krrsch '30 CI SSS PROPHECX ne cl1x not ong 1go I xrsrtec 1 gx sx c 1mp 1I1flXXl'1llQ there I p.1rd .1 xrsrt to the tent of a gx psx xxho could grxe me a glrmpse rnto the future I h1d rn mrncl mx Scnror Cl 1ss 1nd rsked to le1rn the future of crch of mx cl1ss m1te I gazed rnto the globc the gxpsx then placed bcfore mc 'soon therc xx cre m rnx drffer cnt colors rcxolxrng xxrthrn thc globc 1nd then 1l1ght mrst coxcred all XX hen the mrst drs1p pe1red lo 1nd behold I saxx mx classm rte M rr g1ret Krrsch Krrschrc xx 19 knoxxn 15 Mrss Ixrrsch to the sccne deprcted rn the globe And xxhx not'l Shc xx 1s co1chrngb1sketb1ll ln Srnr. Qrng -Xfter 1rosx mrst p rssed ox er thrs sccne Fxerett Peter xx 1s thc next one to apperr It surprrsed me greatlx to see Pete rn '1 court room trlkrng to a rurx It seemed that Exerett s a 1 rmrn nt rxxxer rn th crtx Albanx Elrzrbeth Shrll apperred next She xx1 stfrndrng on thc porch of a Qpmrsh bungaloxx As the mrst rolled bx I clearlx s rxx her pushrng, 1 bassrrret brck 1nd forth Soon up the porch F111 '1 lrttle dark curlx hfrrred box It xx 'rs her n Hoxx happx she seemed to be' L'iQtlX frppc rred XIQIIOIIQ Hoag She xx 'rs xx rlkrng doxxn the street rnd I xx rtched her care fullx To mx surprrse she turned '1 corner and entered 1 large field xxhere there xxas 1 tennrs court There xx 1s Har rorr trll trxrng to learn to plax tennrs I heard th rt she goes there dlllX hoprng some d'1x to be rble to pl'1x xxrth her babx sreter Mar1or1eHo1g 30 FIRE' rConcluded from Page 71 n trme of rest o rdle moment rn e achrex ement of our task We should keep forgrng aherd for greater herghts rn lrte 1s Henrx Iford has done rn order to keep up xxrth the trmes He has frlxxaxs been forgrng ahead ex en rn hrs old age forgrng ahead for somethrng strll greater rn lrfe Let s all grasp those opportunrtres and keep that smrll firckerrng spark gloxxrng for rf xxe do xxe sh 1ll soon reach success as Henrx Ford and mrnx other promrrrent men haxe and also be 1 good and helpful crtrzen of our communrtx md country Charles Dufur '39 Assrstant Edrtor rn Chref TH ANKS' In behalf of Thc Parrot Staff I xxrsh to ex pre our 1pprecr1tron for thc contrrbutrons and cooper rtron of the tuclent bodx toxx 1rd the sue s ot 1 nnur u ua Nr Ca rxar and Hrs O trander haxe grxen most helpful a sr tance To th m also xxe grxe mo t heartx thanks The pre entatron of Edrth Nlarshall Clark Concer of Boston arded the financrng of the -Xnnu 1l -Xlso the busrness men haxe gracr ous x grxen Lls ads for our book rn order to help the school publrsh rt Annual xxrth success 1nd to ard our adxertrsrng sectron In conc usron the 1930 Parrot S a xxrshes the officers of the succeedrng xerrs the best of success 1nd cooper xtron success and cooperatron such as our strfi' iflfl former st'1ii's h 1xe h 1d rn publrshrng The P 1rrot Flrz1beth Shrll 30 Edrtor rn Chref DRANI ATIC9 lConcluded from Page 289 rt xxrth the Boss md the Senrors presented 3 rrdrnes The materral for these programs rs selected to dex elop 1nd encourage dramatrc and publrc rerkrng 'HIJIIITY of the puprl In dr trrbutrng part especr 1l care rs trken to 1ssrgn parts to as mrnx puprls as possrble In thrs xxax manx puprls are prcpared for publrc spe rkrrrg rn therr lrter xear 1nd the natur 11 abrlrtx of the fexx xxho haxe specral talent rs drsclosed lVI'1rJorre Hoag 30 He s pcrtcctlx quret remarked the man to t e txxo grrls xxho xxere hrrrng 1 r'1p Onlx xou must take carc to keep the rerrr from under lr s till XX e xx on t forget thex s11d II hen thex returned hc asked them hoxx thex h 1d got on Splenclrdlx thex excl rrmed XX e had one sharp shoxxer but xxe took turn holdrng the umbrella ox er the horse sr t1rl so there xx 1s no real danger Our bodx rs a xxell set clock xxhrch keepe good trme but rf rt be too much or rndrscreetlx tampered xxrth the 1l'1rm runs out before the hour Ethel XI here rs xour ch1x'1l1x Ioe I turned rt rn for a Purck XX hat xx 1s the most drfircult part of the crxrl serxrce exrm xou took at the post office Wrrtrng xxrth the post office pens V 3 0 .'..-Q'9' O00 O9 ' 1 A L A ' . 1 c . . . 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Page 48 text:
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Page 50 text:
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+049 THE PARRO True Bon 1r Tho11 must be true to thyself Think tIlllX and thy thoughts If Thou the truths yy ouldst te 1ch Shall the yy orld s famine feed Thy soul must oye1floyy Speak t1uly and each yyold of thlne If Thou another s soul yyouldst reach' Shall be a trultful seed It needs this oy erfloyy to hear To giye the lips full speech O-O-00440-0 6-6-vo-0+ Q-ro-Q9-9+ MUSIC rConcluded from P1ge 381 Xa ent'11e D11ll Hclen Ly11ch I'lc1no1 I IX In Betty SILIEIIJQIIJ L11u11 H nton -Xlyls I'1 ber Ellen Ge1t7 Albe1th1 IXLIISUI beul1h Ph1ll1p 1 esmilcls NI bcl Iuc1kle I l D Helen KlINLll C1s1mc 11 Thom1s ips Lou1s X 1n de IX 1l 1 dcr Pl1s 11 odll lx th1y11I 1y111 1 D yaclnth ll s 1nc Helen Ic Ixlo ki ie I3 ds 111 es SIL! 111d I11e Xogt Hensbc1gc11 mse Dllll L Xllla D1ot 011 It N 1 1 1 e Cl11lcl1o 1 ncttc OIIXX 1y Pl 1 S1ue1be1g DOI1DtllX Lisosky Teunt1c Petws IIX 91g1sh illtl HIIIIPY D1y1 s 1g Dllll 60126 D1ck111 on hcoige 1 Qyys IxiX!'l101lfl D1y1d 1' 1c1s f 1 Ll s Don1ld biodcen RIXITIOITKI fI1Il'Ill Alton Bushcy Thomas Iebiecht Donald Ilill H11 m TIYIOI IIC 11d An OI s Pumpkin Drill-I lizabeth Koss one Fc!- '111 Helen Ray Nlabel Conyvay Thelma rloff- man Ol1I'iKO1'Hj'I1 Margaret Snyder NUI'l!i'i G 'een and Pearl Conlin. Santa Claus Song-Helen Ray Olga Kornyn. Ellen lanke Norma Green Donald Paul Ray- mond Griffin Francis Lord a11cl William Taylor. MUSIC AND DISPOSITIONS Do yo11 think n1usic affects your disposition. Of co11rse it does. It is almost impossible to feel dis'1g1'ee'1bl. yvhile pl 1ying beautiful m11sic. . if you carry the idca '1 little ftrther you play lots and lots of beautiful music. you yvill nevcr have time or desire to be disagree- ' e or -of-sorts or 1y 1' moo y or cranky. 'tlusic absolutely yvipes these feclings out and in thcir place brings smiles cheerfulness and good nature. 'tlusic' yvill not have anything around but good dispositions. That is one of the reasons yvhy music is so important in life' it helps our spirits to improve. I1ye tr11ly 1nd thy 1fe Shall be 1 great noble creed 0-Q-9 9-9-0 9-so-Q 0-0-Q-Q-9-oo-4-0-0-0-0-9 'so the next time you feel out of sorts or 5. ouchy go to NOUI p11no play some loyey mllalt 1nd notice hoyy yo11r feelings change Thc1c ls no gre 1tc1 force for peace and h11pp1ncssth1n m11s1c We in 'XITIEIILA could take no Nlllglt step th 1t yy Ollltl acly 1ncc our na tion ilflllg thc 1o1d to h1pp1ncss fLlItll9I than the cst 1bl1shmcnt ot 1 111t1on1l me IIIS of music Thc11 should b1 1 m11s1c 11 1nst111ment in eyery s oolioom Ill he LOLIIIYIX ll eye1y c 1 ou cl h1yc thc ch11cc t leilll to pl IX so lllatllllllcllf Io1 m11s1c m1kes bettel c1t17en 1p Pll 1n1es D1 I I-IARAC TFR9 By H9llJ9It XI e11clell Allatlll n h1s m1de III extens cy yt m11s11 1 test of ch111cte1 anc sn me o If conc ll mn 1 IS a ye1y mc 111 e 1csc11cl1 yyo1k he foui th 1t Ulllx a sn11ll pe1 ce11t of Ieople despised m11 lt 1 2181181 Illlflllltxl ca1ed nothing fo1 It the m11o11ty 1 y 1 019C 1 e ISO found that those yyho disliked music yyele in variably of bad dir1,ositions and hard to get along yvith. The theory if that any individual yvho despises so bea11tif11l an il't as music is not likely to find m11c-h to admire in his fcllow- man. besides theology music is the only art can- able of affording peacc and joy' of the heart like that induced by the st11dy of the science of di- vi11ity. The proof of this is that the devil the originator of sorroyvful anxieties and restless troubles. flees before the sound of music almost as much as he does before the Word of God. That is yvhy the prophets preferred music b - fore all the other art: proclaiming the Word in the psalms and hymns. -Martin Luther. Blowing Tommy: Do you k11oyy' my father s the greatest musician in toyvn. Joe: H m thats 11othi11g. Why when my father start: his music hundreds of people stop work. Tommy: Hoyv s that? oc: Oh he bloyvs the factory yvhistle. T Q-0-o-4-0-oo-o-04-ooo Qroooooo-04+-0040494-04-0-eo-Q4-eo-Q-9-Q 9-o-Q-0 so-0 -Q-0-o-Q-0-aoj O?09C-Q00-Q-QO-0-0Q-QC-OQQOC0-5'0-C'O?-O-f-0-0COOQC'OCOO00-0-0-OQOOQ-000.0000COQQOO-O-CCC? O-O-0-9-Q. O 0 O O Be , Q Dr. 1 , o .1 -L1 ' ' , . 1 , f ,v Q I I N K I Y ' ' Q . S ' . 1 ' Q 1 ' .' 1 2 I- ls As f . -V Aj Q --1 1 . , 1 1 O L 'S . . A- . .' Z . I' , . . ' ' o o 9 CCC OO O 0000090-O-COCCOIQ O QOO OCC. 9 : 0 O . . , 9 , , r' - -. . I , ' 1 . rr ' j ' 'z , .j .' ' ls' , v . . , .' , , ' , . . ' s . 0 'l . ' F- 1 j - , , 11 ' .1 '- - 2 - - ' . ' . ' .'1 ' ' , ' '1 e , . '1- 0 ' - U . . o ' . . 1 .. 1- 1 . a -1 .1 1 1 ' ' 1 ' . ' L ' ' ' ' . . V . . 5 . . S. . 2 7 .. , A . . 0 Prid .' 1' il 1 ' 1 . .il lilll rost, ' 3 1 ' . ' 'I 'X ' I Tul' Q- '1 '1 11nd A111121 Xvill. '52 -' ' 2 .2 .2 2 2' r -' - o l ls. 1. , D. , Z K. .2 A. . 1 1 : D' ff ' s- '11 .1 and I'll?I'il12i rost. 'Th ' 1 ' 2 ld v ih ld 2 HA s-Lo isa Koss 1 l 1 1 '- I 2 '2 ' ' Q If 0 2 ' Z-I me ' . , , 1 ' T . 1 . -' 1 Q Bll H. lfvl. .2 I C B. L2 ash 2 , 2 n S sh . Hr . J. . J. 1 yls. , ' o o ' 4 Y f N r 1 s 0 Robins-X sobel Sancomb 1111d I',dyv111'r1 X1111 IS rx o 1 J- J i N 0 A - A . A 4 . 0 R15 - 11 ' s . Fl '11 .I1ll1s. j ,' ' ' 1 .' I Ge r1d ' ' su An 1 1 C '1 '. D1 'o'l15' A lover of iusic 1s 1 1 ' -'We I Q1 ' ' , ' j 1 fe st11 lj 1 ' as 1 .' - 1 '1 ' '. 1 l he 9 M1 1,1 if 1 1 1 has -o t tl 1 ' 'l sir thzt it ' re- I F11 -G ' , s , '1 ' A 1- li11ll1 g 'd . I11 his H311 ' ' . 1d z dr, 'if 1 s, '1'111 Lori. Elyvin 1 ' 1 f 1 ' ' 1 '. z B SA., 2 5. 3 V ll. ' u A 1 .2 . . .K - ' . v 3 aj, ' Q 1 ' ' , 11' - bllt 1,' R' re: llj 1d ' 1 't. H :lr lvit aj '. Earl lf 'k EI . t 1io Li'osky. . F ' ' ' ' - 'I , R s 1 - 1 s 1 1 o 1 . 'A , A 4 r , 1 I 1 N 4 1 3 1 , 1 , 1 , . 1 1 0 1 1 1 Q 1 1 , 1 1 Q . 1 , , 1 , 1 H o I , 1 1 I . 1 Z 0 1 f 1 1 1 1 o 0 1 , I 1 1 Q l I . 1 1 1 U 9 o 1 1 ' o -Xnd 1 1. 1 1 , it N Y A I C 1. L N, O H Q , L , 1 1 . , o abl Ollt po1t ll d 0 Q o 0 A 1 as v 9 . - , . 1' 2 11 1 v O 2 . o O A C C N N , o g Y 41 1 vu . 1 .1 1 . s I O 9 O 0 CO0 CC
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