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Page 28 text:
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I ' -AiiTvy someone just like me! I exclaimed Queen Aggravain (Erica Tobolsk]). Prince Dauntless (Todd Bocik) shows his distress. What was the middle name of the daughter-in-law of the best friend of the blacksmith who forged the sword thai killed the beast? Princess Number 12 (Tracy Shively) fails at her final question. Man of many moods. Court Jester (Jon Zucco) shows the frown of despair, but the next moment he is kicking up his heels. A goose for a goose. Showing her disapproval, the Kitchen Wench (Brenda Winchester) turns to slap King Sextimus (Mike Neleborigp) for his groping. Standing over a steaming caldron Wizard (Dave Bojrab) and Minstre (Don Ternet) reminisce over the old days. Twenty mattresses high. After an exhausting evening of the Spanish Panic . Princess Winifred (Annette Myers) must sleep in the bed pre- pared by the devious Queen Aggra- vain.
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Page 27 text:
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W ' fi do it right or we don ' t do it. Si ' iiior Sui ' Ostrander w.iils on a 10 lop on a busy day at Boh Evans. Sentimentally yours, leuclry. pla- fjucs, and pewler mugs, engraved by :inni ' tte Ellis, keep moments that cannot be erased. Baby Bugey Boogie was one of 15 routines cnoregrapher Amy Knud- son designed for the Huntertovvn Musical. She worked with over 60 sixth graders, teaching them the basic jazz steps. Hot and juicy. Wendy ' s is the place for Seniors Mike Diclion and Roger Erickson to earn money and to learn the basic cuisine techniques. What are your measurements, please? Top Hat employees. Mike Vickery and Dan Gibbons ask the most crucial question to a tuxedo renting patron. Up-beat fashion. Within a modern, m ulti-colored interior. Senior Lori Frey helps select clothes for the fashion-conscious female at Plaza U. Jobs 23
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Page 29 text:
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Many moons ago 1 cnU ' rcci the (Carroll AmphitlK atcr on circss rehearsal nighl with the thought looming over inc. this is going to be a r(;al bore! I hegrudgingly sat down waiting for the Chi- cago photographer to arrive. I had high hopes, that if his photographs were of superb quality, this would comiien- sate for the musical. I could hear the actors moving and whispering: per- haps they were just pacing back and forth frantically trying to prepare themselves. The stage crew and make-up artists, off in the wings, awaited for last minute changes or retouches before the curtain rose for ' Once Upon a Mattress . The musical opened with a ballet pantomine performiul to a version of The Nut- cracker Suite . Based on the fairy tale. The Princess and the Pea , the c;omedy con- cerned the futile attempts of a not-too polished princess to become the wife of a not- too sauve prince as a domi- neering queen and a mute king interfertnl. A contagious laughter swept the crowd as the story progressed to the climax. Whistles pierced the air dur- ing the finale and the acotrs received a standing ovation. The thirty-six students involved, excluding the many that worked on back stage, scenery, lighting, and orchestra, put me in a state of bewilderment. Many of the actors I had known and been friends with for years, and I had no idea of their tal- ents. Costume change. Back stage with the help of Mrs. Bauserman. Lady Larken (Sarah Geller) prepares her- self for the next scene. Through the looking glass. A Lady- in-waitino. (Lisa McPherson) patiently tries to rearrange her medieval head dress.
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