Capital University - Capitalian Yearbook (Columbus, OH)

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SECOND ROW: Robert Geist, Grover Orr. Donald Elsass. Harry Klepser. Paul Zimpfer, William Craig. R. Ralph Sokolowsky. J. Garber Drushal. THIRD ROW: Dorothea Conrad. Dorothy Dillenbeck. Ellis Snyder. Wilbur Crist. Loy Kohler. Maud Ochs, William Bailey. 15

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TOP ROW: Paul Davidson. Lawrence Schaaf, Waldemar Doescher. Edgar Ebert. Harry Truxall, Theodore Schalinske. Karl Busch. Guy Fromm. 14

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The Senior Class: This is the heavy”, dramatic part which adds poignance and heartache to our production. However, those who appear in this role will have ample opportunity to display their versatility—their capacity for trials and triumphs, for leadership and laughter. These qualities they possess in abundance. The Junior Class: Here we see the characterization of a queer type of individual blinking sheepishly in the glare of a double spotlight—the white-hot glare of upperclassmen supercili- ousness and the warm, heartening glow of lower-classmen admiration and adoration. This role is very difficult to enact, and will require much stamina and endurance to carry out successfully. The Sophomore Class: A vast body, garbed according to every- one's stereotype of a college sophomore. The roughest and most threatening among the fellows wield bulky wooden paddles, flourishing them at frequent intervals during the first act before the more timorous of the freshmen, but later turning out to be kind-hearted, after all. The Freshman Class: Portrayed by a group of miscellaneous types—some eager, some gawky and awkward, some possess- ing the polish and sophistication of the large city, many on their first trip away from the farm, and all greatly in awe of the omnipresent, omnipotent, and ominous sophomores. The Seminary: To be played by a select group of men. stead- fast in their devotion to Christian ideals and in their sacrifice of self.