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Page 19 text:
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Office Duti es “All for Jesus, all for Jesus - All my days and all my hours. The words of this song run through my mind between typing letters, duplicating reports, balancing books and the many other duties that take up a day in the College office. People might ask, “How can you serve God in the office?” Countless opportunities arise for a smile, a cheerful greeting or a word for our Lord when the mailman, grocery boy or express agent come to collect at the desk. To some people balancing books might appear to be dull and uninteresting. However, the figures shown in our ledgers and statement are helping to build God’s Kingdom, and this makes bookkeeping of vital importance. Often it is discouraging to notice that our bank balance is not large enough to meet the bills and pay the salaries at the end of the month. But oh, the joy of answered prayer when suddenly the needed funds arrive! Correspondence takes on a new fascination when writing to pros¬ pective students. I find myself pondering over their appearance, per¬ sonality, or the homes from which they come. Many events occur in one day to make life interesting. Alice has a headache and asks for an aspirin; Martin cuts his finger and comes in for a bandage; someone else has a problem and wants advice; another has received a low mark in the last Theology examination and needs encouragement. Suddenly an instructor walks in and there is a letter to be typed or some information to be located. The phone rings and usually the call is for another instructor who might be found anywhere from the teachers’ office in the basement to the library on second floor. To me, work in the College office is not just another “job.” The Lord has led me here, and with the Psalmist I can say, The Lord is my shepherd; I shall not want.” ANITA EPP Registrar and Dean of Women r THE FACULTY XV
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Page 18 text:
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John Konrad Director of Music Department and College Choir Kirchenmusik. “Danket dem Herrn mit Harfen und lobsinget ihm auf dem Psalter von zehn Saiten. Singet ihm ein neues Lied; machet’s gut auf Saitenspeil mit Schall.”—Psalm 33:2, 3. Im Neuen Testament finden wir in den Briefen des Apostels Paulus Epheser Kap. 5:9, und Kolosser Kap. 3:16, die namliche Aufforderung zum Singen und Spielen der Psalmen, der Lobgesange und der lieblichen geistlichen Lieder. Der Psalter, ein Instrument mit zehn Saiten, war zur Begleitung des Gesanges erlaubt. Schon im 4. Jahrhundert nach dem Mailander Edikt, das die Christen von alien Verfolgungen befreite, wurde in Rom eine Gesang- schule, die “Roma Cantorum,” gegriindet. Fast 800 Jahre lang hat die “Roma Cantorum” Kirchenmusik gelehrt. Mit der Verbreitung des Christentums fand auch die Musik der neuen Kirche immer mehr Eingang. Bis zur Renaissance hin stammte alle Kirchenmusik aus Italien, Als Luther im Jahre 1517 seine 95 Thesen an das Tor der Schloss- kirche zu Wittenberg anschlug, bedeutete diese Tat nicht nur eine grosse Wendung in der Kirchengeschichte, sondern auch in der Kirchen¬ musik. Es war gottliche Vorsehung, dass der grosse Reformator auch ein gebildeter Musiker und Komponist war. Aus dem gliicklichen Zusammentreffen von Reformator und Musiker in einer Person entstand vor allem der Choral, dieser majes- tatische Ausdruck der Reformation. Seine Form beeinflusste alle spateren Komponisten von Bach bis zu Brahms und Wagner. Im Oratorium verbinden sich Choral und geistliches Chorlied oft zu einer Predigt. Solche Auffiihrungen sind nicht Konzerte, sondern Gesang-Gottesdienste, die zum Nachdenken uber ewige Dinge anregen. In der Musikabteilung des C.M.B.C. wird das Kirchenlied und andere gute Kirchenmusik soviel wie nur moglich gepflegt und geiibt. Beten und Arbeiten muss unser Motto sein, um unser Kirchenlied zu erhalten und vieles noch unbekanntes Liedgut zu heben, auf dass Christi Reich gebauet werde. John Konrad. Irma Konrad A.R.C.T. Instructor in Piano Anne Danyluk Instructor in Voice XIV
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