Campbell University - Pine Burr Yearbook (Buies Creek, NC)

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The Tartan Whether or not clothes make the man, for the true Scot they do identify him. Of the distinctive garb worn by the Highlander no part indicates identity like the braecan, derived from the Gaelic breac, meaning check- ered. The ordinary Campbell tartan is green, black, and blue arranged in the same pattern as the Tartans of the Black Watch and Argyll and Suther- land regiments. This has been laid down by a succession of chiefs, and they and most of the Campbell families of Argyllshire have worn such a tartan for many years, though not necessarily all in the same shades of color. This emblem of nationality causes the heart of the exiled Scottish clans- man to warm to the tartan and thus be renewed in his continuity with the clan. As one Scot writer has it, The sight of tlie tartan reminds us of the days when the kilt and the tartan w ere our youthful dress, and of happy days spent on the hills or by the loch-side in our loved Highland scenes which can be eclipsed by no other land on earth. All of Scottish nationality will agree that when our ' heart does not warm to the tartan, it will be as cold as death can make it. ' 8

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Dr. Leslie Hartwell Campbell PRESIDENT OF THE COLLEGE This is a reproduction oj the official College portrait commissioned by the Trustees ol Campbell College and executed by William Fields of Favetteville, N. C.

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The Crest In Scotland, with its division into great tribal communities, armorial bearings are essential in authenticating genealogies and distinguishing the various branches of a widely extended clan. In the absence of heral- dry how could the endless diversity of these widespread families be under- stood? In full dress, the Highlander is covered with heraldry. From cap-badge and eagle-plume to kilt-pin there are displayed heraldric sym- bols appropriate to the wearer ' s rank and position in the clan. As a system of identification, the science of armory or heraldry was evolved in the twelfth century (approximate to the first appearance of the name Campbell in 1216.) Leaders adopted simple and outstanding figures, painting them on shields and banners so that their followers might recognize them in battle. These devices inscribed on the shirt worn over the armor gave rise to the term coat of arms. In Scotland the saffron shirt of war or leine croich bore the heraldric objects, as did a small shield in other cases. Armorial bearings became hereditary in the second genera- tion, having been initially a personal mark of identification. In peace a banner above the house or arms carved upon it indicated the owner. Within, over the great fireplace (the hearth of the race), shield, helmet, and crest were hung. Later a carved heraldric achievement representing these ancient accouterments became a more permanent orna- ment. Beside the chief ' s fireplace sat his chair, with the arms carved on its back. This was passed on with other furniture of the Hall as heir- ship moveables. The nature and position of those who first used these arms made them marks of nobility. A grant, or confirmation of arms, to the Representer of a clan or family made it an honourable community of the realm of Scotland composed of daoine-ussail, the hereditary gentlemen of the clan. Heraldric description of the armorial bearings (crest) of Campbell of Lochow, Duke of Argyll, includes a range of picturesque and indicative features. The shield displaying the arms is the most important item. With it divided into four sections, the first and fourth quarters contain a gyrony of eight for the name Campbell. The second and third sections are for the Lordship of Lorn. Behind the shield in an auspicious position is the imperial crown; upon that is the crest of Scotland, marking the bearer as hereditary Master of the Royal Household. The boar ' s head crest atop the crown is relatable to either of two traditions. Sir Duncan Campbell in the fourteenth century is known to have visited France, where he slew a wild boar. Another tradition refers the crest ' s origin to the old tale of