Calhoun School - Ink Pot Yearbook (New York, NY)

Text from Pages 1 - 88 of the 1937 volume:

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M -A -- g Jw .' ,' -1-1, . ' :, F- -- -, 3 ' - 5,-,.5-gf n .ig-2.-fapyxfbge ..gg,L1g,',,-3 . f, I-1--'5!:.g-55-qi-,Q-.,.1 If - , gf 4 4 - 4-92 -.-- f'1J'-fliiv . ,- . 1, - --:..,:':?. if nl.- TM 7 'f'fHJ Z,w.,'f,,.g,4' gr 1 77147 'ya-4-3-K,-a-4. ,,,.,...,,,JA4,,u,9, 4q4'abm4'. 4011 wb! nfuv 4,.....44.vif24-I Z5 Z3.g,.7 501,-Jufnd fiuclffc, Jkyzoof ,mf g,.,,.y7,q,...,,,, aw ww-f-J. Mkyw, wffzw GW gwnf 0,,,,.,.,...f644-'S 94- If-M3--Z we-'ma 1937 INK P PUBLISHED BY CALHCDUN SCHOOL NEW YCDRK, NEW YCDRK 1 To - 1 v f A! .lean E. Brown tl ' lh dbh!-ecia+ion of her unwavering fidalify, shrewd guidance. and ever- wiilinqfassisfence. we dedicafe Huis' issue of 'Wie INK POT. r contents ,.i ,:x - ,, . N g........L.g,5........,...... ......... ........ .. .. ....., .... ........,............. . ,Y I is ' INK Povqkcgmmarfeau.- ....... nm.-. ,.1 V .s ....... , ....,.. - ....... , ............A,........... - .,...., M ,,... -- .... M ....... - ....,.... -..M ...... BYALADCROTI-IEA WEITZNER. '39 uvmze POEMQ ........... QYRJQRGYHEA WEITZNER, 'aoqsr-:om sToRY Pmzey ..... - .... - ............,.. Lpginggif-wma on PEACH. BY CAROL KADEN. 'aa IPROSE PRIZE, ?3oif Re4vrEVvsQ .......... , ............ ....,......,.................................,................. . . JUVENILE ............., SQ:-fool. News ...., ..,,. Sjmpemrs LEAGUE .... L ............ if I L1 . A-1 ' N . -L..x-.r,..,.w .1,...k, . - wr km .X z..nu...nnnm+..na.4.1..!..gs..,,,, L W' ink pot editorial FROM The observaTion car oT The souThbound Train rushing me To Florida, l waTched Maryland, Virginia, and The Carolinas TiguraTively Tly pasT. As we crossed each suc- cessive sTaTe line. The ThoughT recurred To me ThaT here was anoTher small principaliTy consTiTuTing a governmenTal uniT in iTselT and, simulTaneously. an inTegral parT oT This, our greaT naTion. Such could only have resuiTed Trom years oT consTanT compromise, eTFacing individual desires Tor The good OT The whole. Our hisTory subsTanTiaTes This. On The wings OT ThoughT l was borne To The European siTuaTion where The sTaTus of The diTTerenT counTries under The supervision oT The League of NaTions is similar To ThaT oT The TorTy-eighT sTaTes uniTed under one cenTral governmenT. Each counTry is, in a sense, like a small principaliTy or sTaTe, sending delegaTes To parleys. This League. The ouTgrowTh oT The lasT war, was Tormed Tor The express purpose oT eliminaTing The causes and prevenTing The recurrence of such calamiTies by seTTling dispuTes Through Tranlc discussions and muTual compromises. Up unTil I933, The League was a big success. Why? lTs auThoriTy had never been TesTed. When iT should have sTepped in To halT an aggressor, iT proved iTselT ineTTicienT and powerless. Japan, musTering up all her deTiance, invaded Manchuria. disregard- ing The League's mosT ardenT proTesTs. A Tew years laTer, expanding lTaly grabbed up unproTecTed EThiopia: naTionalisTic Germany renounced The Versailles TreaTy and laTely announced her inTenTions oT regaining her losT colonies. These Three counTries were shrewd enough To discover ThaT, alThough The League's proTesTaTions mighr seem Tirm and emphaTic, noT one member would have raised a 'linger physicdly To halT Their invasion or enTorce TreaTies Tor Tear oT becoming enTangled in a conTlicT. lnsTead, The League began a boycoTT oT These counTries' goods. Due To economic greed and The unwillingness oT people To sacriTice someThing Tor The advanTage of all, iT is diTTiculT To make a boycoTT eTTecTive. NeverTheiess, Germany is beginning To show signs oT The sTrain oT supplying her people wiTh The necessiTies oT liTe wiThouT The aid of Toreign Trade. IT human naTure could be changed, These drasTic measures would noT be neces- sary. BuT, being, as iT is, overruled by disTrusT and deceiT, an organizaTion such as The League can never eTTicienTly Tlourish unTil honor has displaced deceiT and sacrifice disTrusT. MILD RED SCHWARZ, '37 eighT Ink p 1 ink pot committee Edi+or-in-Chief, .A Associafe Edi+or, A Secrefa ry .A,,.,.. ...,, Juvenile Edi+or BeHy Baron, '37 Jane Poll, '38 CharIo+'re Shnipkin, '38 Sallee Fox, ' MILDRED SCHWARZ LILLIAN FICHTENHOLTZ , eee. .. J CAROL KADEN. ,. BETTY GERSTENZANG, ' Simoneffe Lens, '39 Fanny Miller, '39 Jean Cohen, '40 42 I en I1 k pot class of IQ37 Presiden+ ...,..x......,.. Vice-Presldenf ..,,,.,...A..,, Secre+a ry-Trea su rer Befiy Baron Jean Cassriel Phyllis Copeland Ann David Dorila Davis Beafrice Epsfein Beverly Goldworm Florence Waliers ACADEMIC HONORS ...ELINORE PREVILLE ELAINE ADLERMAN .,,,..........,..RHODA MINTZ Muriel Heller Ruflw Herslcovifs Rufh Horwifz Lenore Kafzman Mildred Schwarz Lucille Simon Nona Sfern BETTY BARON lValedic+orianl RHODA MINTZ lSalu1'a+or1anl MILDRED SCHWARZ CITIZENSHIP HONORS BEATRICE EPSTEIN NONA STERN ELAINE ADLERMAN Thou werl a beaufiful Ihoughf. and solfly bodied forfh. BETTY BA RON I love 'rranqull solifude And such soclely As is quiet wlse and good. I 'N' 'J' S x on wo to Gi 499 . Q. ty' Ns-I 95. L9 of V ,SX P15520 w:i:o'5 em QD av .oz JEAN CASSRIEL Life is a Iesl, and all Ihinqs show I+: nk I Ihoughf so once, bu+ now I know I+. www VQSOVN' Hoa If E , Nl! wx I JMX XMI' K aww I n pf I Df WWW! mf' 'ZW MgJ,. , ink p fwelve PHYLLIS COPELAND Be +o her virfues very kind: Be +o l'1erfaul+s a li'r+le blind. ANN DAVID Siohed and looked.. and sighed a a'n.M MWMQ W J , DORITA DAVIS Her voice was ever soft Genfle, and low-an excelleni' fhing In woman. SSN , i n k p n 3:-v en S, ' . Q99 BEATRICE EPSTEIN Man is buf a reed, 'rlwe weakesf in nafure, bu'r he is a Hwinking reed. BEVERLY GOLDWORM Loveliness Needs no+ Hue foreign aid of ornament Buf is when unadorrfd adorn'd The mosh D . Y QKQJQL A-gun., NNQs.L.s.q,9ss.gg ob 1-Lo fbvu- 'A-Mg, M . WK Ll.. N. 3 t9Lvi vX5g,g-, 1S - Duwkllv MURIEL HELLER Be swif+ fo hear, slow 'ro speak, slow +o wrafh. yin:-1 Ui-, 1 .r61a,..X 42695 QQLQML 'O x Wham . butt QA'1Q4mA'-gg fhirfe Vx il.,Q-lun.,-'U-1,6-a, ! ,ffikx k-Qgvgggi N Ink pol GSH RUTH HERSKOVITS No+hing grea+ was ever achieved wi+hou+ enfhusiasm. Tolnwcglh, l1..uQjcu.:v..0..' K-64-4 yard Ltguh, cLu.4 -TI'-it ifsumll 5.2. O. .. KQLLL-uma' Or. '4--if uv-L vvuuzfi' O-Q2,k4.Jeix 3'o 9 ' RUTI-I HORWITZ Genius does wha? if must +aien.'r does wha? if can , if www flu' . JW- 1 M wp LENORE KATZMAN Our youfh we can have buf Today: We may always find iime 'ro grow oidk X...a.n.J-A- ',a bjggpx-4' Geo' M' mu- -9u ' in k p 0 I RHODA MINTZ Speech is a mirror of Hue soul: as a man speaks, so is he. 1,wgx ze WMM we W Qfw.,l...a. '3l ELINORE PREVlLLE Eleganl as simplicify, and warm as ecslacy. MILDRED SCHWARZ Those graceful ads, These fhousancl decencies +l1a+ daily flow Flrom all her worcls arjdfacfions. ' 1 . LjL,L4-f-9 ,,: 1 l l ,QM 1 -i f, wk 1 -if 'UWA 75 -Jw - W .. ., M544- + J l l fl UPL - J4L'ff'f'! I ' 1 C' 'L mf V 1 V if, , een W 'I :AMI k SFI LUCILLE SIMON The difficulfy in life is fhe choice. NONA STERN Rejoice, O young man, in Hwy youfh. fQLdJLL4Af 9 . 4,4 JG? 0-1 ,Lu-ok .I M4 M pam? 7M5 ,,:a...a'f'. 'lcv-A-ax FLORENCE WALTERS Peace, peace is whaf l seek, and public calm Endless exficcfion of urwy WW MM' Ui4nM'b1wMTw+DG .au V-'c 'X-,,f9X X QM c JJJP QoN3TpNy 'X zkqf-1. flfiw YW ink put the class of l933 Presiolenr .........,.,. Vice-Presiclenr. ,, Secreia ry-Tree su rer Helga Bodenheimer Charloffe Davis Arlene Fine Frances Goldsfein Marjorie Gordon Elaine Graham Joan Jacobson Carol Kaden Cecile Kallman Bealrice LIH Florence Yachnin .. ..,... LEE EITINGON JOAN AMBERC5 . . RUTH LITT Esfelle Mifchell Alice Plaur Jane Poll Beafrice Rubenfelcl Vivian Scharf Charloffe Shniplcin Eleanor Schreiber Frances Shapiro Rufh Solomon Madeleine Thomas sevenfeen I1 k pot metal symphony lf is incessanf, Thaf ceaseless chaffering Of sfreamlined iypewrifers, And fingers claffering. The room if is filled Wifh daffy reporfers, And cify edifors, Those lolusfering snorfers. There, in his office, The publisher's seafed, Afrowning af libels And +hose he has cheafed. Bur over and over, Thaf noise of a clank, Plus bangin and rancin 9 P 9 O'er fhe +ypewrifer's flank. Hundreds of wrifers, Jusf racing wifh fime, To gef our fhaf edifion Concerning some crime. Weird and mysferious, Same as a baffle, Snarling and shrieking, Thaf symphony of mefal. There's never a reason And never a cause For halfing fhis mofion, E'en The slighfesf of pause. The nuisance revolfing 'Mid sfruggle and sfress, The columns musf go And be prin+ed in press. Absfracf and clumsy, Devoid of all poise. Champing and fhund'ring, Such shocking noise! elghfeen PRIZE POEM Men labor and sweaf- The reward of Their foil? A menacing glance, When fhe edifors boil. The flipping of paper- The muffering of feel- Af Times, even The boss's Harsh words appear sweef. Things are imporfanf. Especially like mail, Broughf by The office-boy Who compefes wifh +he snail Engaging operafors Lisfening for flashes, Thar come in less frequenf Than cigareffe ashes. Bold brows are fwisfed, Truly in fhoughf: The quinfuplers are fhree And fhaf headline is soughf. Various sfories, From diefs fo sociehf, Wriffen wifh ufmosf Lack of propriefy. Things are unfidy, Clippings and arficles, Some 'racked on walls Creafed by miracles. The signal is sounded, 'Tis fhe inevifable hour For fhose giganfic presses, To employ all fheir power. Once fhe paper is prinfed And ouf on fhe sfreefs Newsboys are howling Wifh furbulenl' shrieks. DOROTHEA WEITZNER 39 ink pot mlguel SHORT STORY PRIZE IN a crudely consfrucfed school-house, on fhe oufskirfs of Madrid, labored Miguel Picasso, a young feacher almosf fhirfy-fhree. His keen face and figure were har- monious in fheir Casfilian beaufy. His clipped Spanish vernacular rang wifh clarify and cognizance, and his eyes glisfened wifh animafion as he faughf. Miguel was radi- anfly happy in his feaching, and, in fhe lafe affernoons, as he walked home, wifh his books, fucked under his arm, he whisfled and sang fhe lilfing Spanish sea ballads over and over. His head held high, wafching fhe clouds af sunsef, he swung along like a young boy, kicking up fhe dirf from fhe dusfy road wifh rhyfhmic gaif. As he neared The finy coffage where he lived wifh his elderly mofher, his cheery nofes penefrafed fhe modesf inferior wifh ifs spicy aroma of Chili Con Carne, and fhe woman wifh fhe dusf-caked Casfilian face heard him. She would drop her splinfered wooden spoon, wipe her moisf hands on her skirfs, sfraighfen her greying hair and run eagerly fo fhe open door fo greef her Miguel and embrace him. Laughing, fhey would go in fogefher and Miguel would la his books carefully on fhe low fable under Sf. Maria's shrine in a niche in fhe sfuccoed wall. He would eaf his frugalmeal quickly. and refurn fo his reading while fhe lasf vesfiges of day lingered. ln fhe mornings, af seven, as fhe rousing church bells pealed, mosf of fhe youfhs were cheerfully seafed on fheir hard benches, affenfive fo Miguel. Af fimes, when he grew conscious of a venerafing mood, he resfrained his daily roufine and began preaching for a few momenfs fo fhe obsequious youfhs. The more Miguel faughf, fhe more he found himself wafching fhe lazy school boys in fhe prisfine sfages of fheir infelligence and seeing fhem grow more culfured, mindful of fheir environmenf, eru- dife and affenfive. Wifh his whole class presenf, he was confronfed by fhirfy-seven dirfy faces, of varying ages, from eighf fo sevenfeen. On cerfain mornings, when fhey awoke early enough, some wenf fo fhe neighboring fields fo gafher fhe warmly hued meadow flowers, and placed fhem abouf fhe modesfly equipped huf in clay vases fhaf hung on fhe walls beneafh fhe musfy porfraifs of famous Spanish heroes. Neverfheless, if was remarkable fhe way fhese young sfudenfs came fo school from amidsf fhe ignoranf farm life of fheir families, how fhey fugged fhemselves away from fhe whirlpool of illiferacy and swam carefully in safe, wise wafers. The pupils adored Miguel for his keenness and placidify, his undersfanding and infelligence, while Miguel's love for fhem was yef sfronger: fheir fies were eacefulness and fhe liffle school-house. Af fimes. affer fhe pupils had gone home, fafigued from school work, and Miguel realized how ve dearly he cherished fhe liffle building in which he worked and enjoyed fhe mosl' peaceful days. he would circle his fanned arms around fhe rough- casf posfs and hug fhe walls, kissing fhem and rubbing fhem wifh his cheeks unfil fhey burnf. Two monfhs lafer, on a warm, peaceful morning, when fhe sky was clear and doffed wifh whife clouds flouncing by, Miguel as he leaned leisurely on fhe doorposf of fhe school-house heard fhe melancholy drone of airplanes above him. Disfurbed and roused from his sfafe of drowsiness by fheir sound, he noficed fhaf fhe children had already drop ed fheir boards and rushed oufside fo wafch fhem as fhey passed, flash- ing sfreaks ofbsilver in fhe sun's fixed glare. lnsfanfly, a deep shadow crossed Miguel's ninefeen ink pot chilled face. Simulfaneously, he herded fhe children back info fhe room like a flock of sheep, and resumed work wifh fhem. Things seemed unaccounfably differenf. On fhe following Sunday, when he wenf fo fhe church, he found fhe chapel fhree-quarfers empfy, and fhose seafed or kneeling, praying wifh fear and anxiefy in fheir hearfs. Then he wenf fo fhe village and began quesfioning some of fhe nafives who were dis- persing quickly, buf fhey could nof sfop fo be annoyed by one who wondered whaf was happening. Doors and windows were shuf mechanically, and Miguel was leff sfand- ing in fhe middle of fhe cobblesfone sfreef, his arms oufsfrefched as if asking a ques- fion. He purchased fhe cheap newspaper, buf, nafurall , fhere was nofhing in if buf fhe daily news. Then, sp ing a priesf in his dark habif, he ran fo him and quesfioned him impafienfly. The padlre informed him disconsolafely of fhe civil war going on, and how fown affer fown in fhe soufh had been seized by fhe Spanish rebels. He had feared fo break 'rhe pififul news 'ro his peasanf congregafion lesf fhey gef panic-sfricken and go mad, screaming and crying, buf, somehow, fhe news had leaked ouf fhaf fhe insurgenfs were now nearing Madrid and, perhaps, in going norfh would seize fhe finy, insignificanf village. Miguel walked home pensively wifh downcasf head. The following day, as he plodded nervously on fo his school-house, Miguel again heard fhe perpefual lamenf of swerving airplanes overhead. He grew so agifafed fhaf. flinging his arms info fhe air, he dropped down on his knees on fhe cool red earfh of fha rgad and prayed like a maniac for peace in his land. Then he confinued on fo fhe sc oo . lf was a meagre lof fhaf affended school fhaf day: fhere were no more fhan eighf. The disfressing groan of planes, whose wings fickled fhe clouds, grew more emphafict fhe deafening sound of bombs and grenades crumbled in fhe air: and brief gun-shofs re-echoed under fhe fhroafy roar of fhe cannon. The children grew panicky and in unison began fo fremble and cry. The volley of bombs confinued as Miguel, caufiously poking his perspiring head ouf of 'rhe window, looked down fhe road fo see innumer- able cozy Spanish dwellings sweaf, s lif and surge under fheir vermilion flames, acquiring a crisped look. Miguel pulled back, his head shuddering. Each fime a swirling bomb dropped, he held his breafh, while fhe children clusfered abouf him, crazed and dazzled. Finally, fhey were safely dispersed and he heaved a sigh of relief. Presenfly, Miguel became aware of a froop of rebel soldiers marching double file along fhe narrow pafh, wifh rifles hugging fheir shoulders. The column of men came closer and closer in fhe direcfion of fhe huf. As The paffering of fheir feef grew louder, Miguel's hearf beaf fasfer and fasfer. His mind was racked wildly as he fhoughf of his helpless mofher, perhaps busying herself wifh some housework or weeding fhe garden as she was always wonf fo do. Perhaps fhe insurgenfs would reach his home before he could! Whaf would fhey do fo a virfuous old woman? He sfarfed clown fhe dusfy road fo gel' home before fhe soldiers would arrive. He ran madly, nof sfopping fo cafch his breafh. Once he sfumbled and fell, his fhroaf dry, and, as he furned fo look back, he saw dazedly his humble school-house ravaged and collapsing, wifh fhe dismal soil ifs only supporf. There was a lump in his fhroafi his eyes grew moisf and his feel' ached. He reached home iusf in fime-iusf in fime fo grasp fhe welcoming door posfs fo save him from falling. Miguel halfed af fhe open door af fhe sighf of large, dusfy foofprinfs on fhe sfep and smoke in fhe room. His eyes were half closed and he was dizzy as he looked up and found his mofher poised proudly in her chair, her eyes upliffed, on her lips her usual warm smile, and her body sfill. He furned his back fo fhe scene and puf his head in his hands. He fhoughf of fhe sunny, golden days of peace, of work and of ioy, and now fhe skies were bleak and grey. Even fhe flowers seemed fo have losf fheir lusfre and dro ped fheir hued heads in melancholy. Quickly he drew ouf a large chesf, deffly laid fhe franquil woman info if and placed fwenfy ink pot beside her fhe 'rwo rare candelabra fhaf adorned Sf. Maria's shrine. He dug a deep pif in fhe neglecfed garden. concealed fhe chesf and. pulling a small cross from afop is fafher's grave, placed if above fhe freshly made one. His face was resolufe and unyielding. lmmediafely Miguel leff fhe house and sef ouf for Madrid and ifs fury in revenge for fhe merciless murder of his mofher. Many hours of dangerous walking fired Miguel, unfil he reached fhe cify. filled wifh fhe sounds of gun-spiffing and human shoufs. Everyone was armed. Miguel picked up a sfray gun from fhe sfreef. Women, holding, perhaps, a babe in one arm, used fhe ofher recklessly, slashing fhe air wifh kifchen knives. Churches were in flames, wafer mains had bursf, Red Cross ambulances raced. frolley and felephone lines lay splif on fhe sfreefs and buildings were collapsing. Miguel was so confused fhaf he forgof fo duck. Hundreds of bodies lay limp, soaked in mire, and among fhem a oung loyalisf Casfilian, his keen face smudged wifh dirf and blood, his shirf ripped, andyone hand clufching a shoulder where he had been shof. His ofher lay sfrefched ouf awkwardly on fhe pavemenf. The corners of his moufh were biffer, for all his praying for eonian peace. eifher af home under fhe shrine, on fhe dusfy road, or af 'rhe school-huf had been fufile. Never was he fo feach, sing or pray again, buf figurafively-he had reached his goal. DOROTH EA WEITZN ER. '39 our destiny-peace or war? PROSE PRIZE UNCE again fhe hideous horror, war, looms ifs monsfrous being over all mankind, fhreafening desfrucfion and uffer ruin fo our progressive civilizafion. We Americans, because of our unfamiliarify wifh mass demonsfrafions and huge mobilizafion advances, do nof fully realize fhe sfark fragedy fhaf confronfs us foday. We calmly assume an indifferenf affifude. disregarding fhe perilous foreign sifuafions, asserfing fhaf we shall remain forever independenf of foreign enfanglemenfs. Buf when fhe wholesale slaughfer begins on a grand scale, how long will we be able fo sfeer aloof and mainfain our desire for peace? We musf awaken and face fhe facf fhaf all fhe world is preparing for fhe grand rampage of which we undoubfedly will be a parf. We all know fhaf in Europe and Africa and in fhe Far Easf 'roday insane lusf for power has murdered fhousands rufh- lessly, sparing none. People everywhere are being regimenfed and prepared, led on, liferally, by greedy, domineering cannibalsl I do nof wish fo painf fhis picfure more somber fhan if is, buf we are fhe only nafion fhaf is nof war conscious. We advocafe peace af any cosf, and yef we do nof sfancl behind our ideal wifh fhe fervor and inspirafion if demands. We musf sfrive fo main- fain our desire, buf we musf also be fully prepared for fhaf which is fo come. Our des- finy abides wifh fhe fafes! Shall if be peace or will if be war? CAROL KADEN. '38 fwenfy-one ink pot Q amateur in disguise CUBISM, fufurism, ex ressionism, impressionism, and surrealism are ferms invenfed fo fool 'rhe lover omparl, confuse his mind, and foisf upon him painfings fhaf he would nof wanf. Today, af every gallery, modernisfic painfings have been placed on view for fhe public's adorafion. Upon enfering a gallery of such painfings, remove your haf and glance aboul' you. Observe fhe people sfaring rapfurously al' fhe painfings and copy fheir expressions whenever possible. Try fo remember fhal' modernisfic painfings are a producl' of fhe arlisf's imaginalion, and, more offen fhan nof, inspired by some hor- rible nighfmare. As fhe people sfand alongside of you, you will hear fhem sigh and say fhaf fhe arlisl' is a genius, and has such wonderful undersfanding, expression, and a remarkable sense of fone value. Remember fhis, because you will soon have your chazce fo fell il' fo someone else and impress upon him your knowledge of fhe ar'risl s wor . lnvariably, you will find one or fwo people presenl who will refer fo fhe arfisf by his firsl' name, menfion picfures which are nof exhibifed, and deprecafe fhe presenf show by comparison wifh previous ones. lgnore fhem, for 'rhey have seen fhe arfisf only, if af all, from a disfance al' a parly, and know less abouf him fhan you do: buf fry fo remember whaf fhey say, because if mighf come in handy. When you come upon a painfing 'rhaf is ufferly incomprehensible, you have your chance fo impress 'rhose aboul' ou. Sfand in fronl' of fhe painfing for five minules wifh your hand u on our chin, ancll under no circumsfances move. Then sfep back abouf +wo feel' ancfcock your head fo one side and squinfg 'rhis ives fhe effecf of a connois- seur in deep sludy. Following fhis, look af fhe canvas ?rom all possible angles and wifh fhe besl' poses affainable. As a coup de grace, sfep forward fill your nose is wifhin a half inch of 'rhe canvas, peer infenfly, and genfl pass 'rhe fip of your pinky finger over fhe pigmenfs: immediafely following lhis, sif cllown in The nearesf seaf and sfare as if fhe painfing has overwhelmed you. Affer fhis remarkable performance, fhe manager of fhe gallery will smile af you and people will furn lo fheir companions and uffer favorable commenfs abouf your knowledge of arf. A+ l'he door 'rhe manager will ask you how you enioyed fhe show, as if your opinion were of fhe ufmosf imporfance. Don'+ disappoinl' him by sfumbling over your words: know whaf you are going lo say, menfion 'rhe name of a modern arfisf and say 'lhal alfhough 'lhe show was good, if did nor compare wifh fhe ofher ar+is'r's previous exhibif. He will feel very sorry, fhank you for coming, and wish he knew as much as you. ELAINE G. GRAHAM, '38 diana She guides her silvery chariof Over fhe sky Al' nighf. The goddess of lhe Moon. She wafches o'er fhe maidens, This beaufiful Diana. To fhe hunl She sends fhem forfh, Fair Diane. MARGARET HARTlG, '4l 'lwenfy-fwo TTT ink pol do, mi, sol, do! DO, Ml, SOL, DO! Scales and arpeggios! Breafhing exercises! Sonia was Tired of Them all. Always pracficing and rehearsing wifh The piano! Never any fun! And Professor Giovanni was so hard To please. She remembered, in a bursf of self- pify, ThaT only yesferday, when The inTeresTing-looking young arTisT from The Third floor had asked her To go wiTh him To The sTreeT fair, she had begged The professor for per- mission To go. BuT, as usual, he had said, No! l-le Told her, as he had counfless Times before, ThaT she was There To work, noT To gallivanf around. She ThoughT, wifh a deep sense of iniury, abouf The Time when The whole group of sfruggling sTudenTs in her house had gone gondoliering. ThaT had also been denied her. The professor always had a logical answer To ward off These re uesTs, buf eighfeen does noT care for logic. IT would rafher have fun. She realized, of course, Thaf her scholarship would noT lasf forever, buf Then, one was noT young forever, eifher. Sonia Thou hT back To her firsf days in lTaly. How Thrilled and bewildered she had been! lT had ai seemed like a dream. Prior To coming To lfaly, There had been The audifion aT The lvlefropolifan in New York, before a group of imposing, seasoned musi- cians. She remembered clearly The sick feeling aT The piT of her sfomach, The dry Throaf and perspiring hands. Then, as she began To sing and, liTTle by liTTle, gained confidence and volume, her lovely voice rang ouT in all iTs prisfine beaufy, and won The favorable decision, sending her To lfaly To Professor Giovanni, for The finishing Touches she needed. Now, here she was, Tired of iT all, aching for a biT of fun. While she saT There, sympafhizing wiTh herself, Professor Giovanni rushed in ex- cifeclly, followed by a raTher small, disfinguished-looking man wifh rnusfache and goafee, aT whom he gazed wifh reverence. l'le called To Sonia, in a voice shaking wifh excifemenf and anxieTy, To bring The music for The Bell Song from Lakme. Coming for- ward wifh The music, she gasped, for she recognized The liTTle man as The famous direc- Tor of The Venice Opera House. Sonia knew, as all singers in lTaly knew, Thaf, if he gave you a conTracT wiTh The Opera House, you were as good as made. The rofessor infroduced her. She gazed wifh awe aT The direcfor, noTicing The bored indifference on his face as he glanced aT her. Walking over To The piano. she Took a deep breafh and began To sing, pouring her hearT and soul inTo making The beaufiful Tones of The Bell Song ring True. When she had finished, There was a deep silence. She scarcely dared To breafhe. Then The direcfor walked over and, wiTh all his indifference gone, solemnly kissed her on The forehead. The nexT morning, gay Trills and joyous scales were ringing ouT over The whole house, for, had she noT a conTracT wiTh The Venice Opera l-louse? No work or pracfice seemed Too greaf a sacrifice. Going To sTreeT fairs wiTh handsome, young arTisTs, gon- doliering wifh gay young people, whaT did These amounf To compared wiTh do, mi, sol, do! Scales and arpeggios! Breafhing exercises! Sonia loved Them all! FRANCES SHAPIRO, '38 memories of babyhood A fleefing kiss on my Tousled head, Which seems To ward away all harm. A cloudy figure by my bed, She driffs away as in a dream A sweeT aroma fills The air, And Mr. Sandman sways The scene, As Mommy says a silenf prayer. And on I driff To ofher lands A slighf caress on my baby arm Conscious of proTecTive hands. ESTELLE WYNER, '40 fwenfy-Three ink pot contemporary music hath its charms CONTEMPORARY music has aT lasT won iTs way To an imporTanT place in my musical Thoughfs. NoT so long ago, modern music appeared To me To confain iusT a series of weird, inharmonious noTes, wriTTen wiTh an uTTer disregard for paTTern or Theme. I was noT a Ii++Ie bewildered by if. However, Through much reiTeraTion. I have become accusTomed To iTs sTrange beauTy. and have even grown To love much of iT. BuT, There is s+iII modern music which sounds monoTonously uninspired and some which graTes on my ears. The beauTy in conTemporary music differs greaTl from ThaT of The classics. Brahms. BeeThoven. and MozarT sTaTed Their Themes aT The beginning of Their compo- siTions, and buiIT up numerous variafions around Them, whereas The modern composer will someTimes build up and up. before wriTing his Theme, which ofTen comes near The end of The piece. This. of course, makes The music much more difficulf To comprehend. and ofTen requires much repeTiTion To make iTseIf clear. ' I Think my favorife modern composifion is one by Debussy. His music alwa s gives me The feeling of being aparT from anyfhing ThaT is ear+hIy and maTTer-of-flacT. IT makes me experience a feeling of noT belonging To This everyday world of ours. The composifion is his Three Symphonic Skefches of The Sea. The firsf is called From Dawn To Moon aT Sea. The second. FroIics of The Waves. and The Third. Dialogue of Wind and Sea. I remember very disTincTly The firsT Time I heard This marvelous piece of music. IT was in Cleveland, The firsT year I had had a season Tickef To The Symphon ConcerTs. I was greaTIy excifed and Thrilled, and felT very grown up. When I heard! The eerie. opening bars of The firsT skefch, I could noT quiTe decide whaT To make of iT. Up To ThaT Time, I had heard very Ii++Ie modern music. As The music progressed, cerTain un- earThly chords and sequences chilled me Through and Through. During The whole per- formance, I grasped very IiTTIe of The acfual beauTy and depTh of The music. I only knew ThaT iT impressed me Tremendously. I was relieved when iT was finished. The nexT Time I heard This Debussy composiTion, I was several years older, and much beTTer equipped and mafured, musically, To aTTempT This Tremendous piece of music. This Time, from The opening bars, I saT enfranced. The conducfor, who sfood before me, waved his arms, and The orchesfra produced This beauTiful, efhereal music, which swelled To The deafening crescendoes of Trolicking seas, Then fell away To The sooThing murmurs of waTer falling over rocks, and from That fainT sound, away To nofh- ingness. IT was enchanTing. In This glorious world of sound, I feIT myself To be iusf an infinifesimal drop. The music expressed so clearly whaT The TiTles implied. I could almosT imagine The conversaTion befween The wind and The sea. When iT was finished, l had a very collapsed feeling inside of me. I had lisTened To Truly greaT music. Confemporary music has grown considerably in The IasT Tew years, and, To suc- ceed, needs only a more ToIeranT audience who will nof fear iT. FRANCES SHAPIRO. '38 pe-nsee d'amour Je pense a Toi quand Ie soleil se Ieve, J'y pense encore quand il finiT son cours, ET si parfois dans mon sommeil, ie reve C'esT au bonheur de vous aimer Touiours. RHODA MINTZ. '37. TwenTy-four ink pot uncle alfie and his adventures U NCLE ALFIE was noT having a very pleasanf Time in The wilds of Arizona. lT all began when, one day, swimming in a small lake, he found ThaT his cloThes, which he had hung on The limb of a Tree, were gone. Poor Alfie! IT cerTainly wasn'T very digni- fied for a cerTified public accounTanT To race all over The place, aTTired only in MoTher NaTure's ouTfiT, pursuing his Two nephews whom he righffully suspecfed of having hid- den his cloThes. He finally caughT Them-and ThaT was ThaT. Every day, insTead of helping To clean The Trailer in which They were Traveling, Alf would say, Now, boys. leT's geT To work, and he would proceed To clean ouT his pipe. One day. his broTher-in-law said, Alfred, you don'T know how To clean a pipe. LeT me show you g and wiTh ThaT he em Tied The pipe. When Alfie's back was Turned, he pulled some hairs from The Tail ofia donkey sfanding near by, chopped Them up To- geTher wiTh some pieces of rubber bands, sfuffed Them inTo The pipe sTem, Then puT some Tobacco in The pipe. and gave iT back To iTs owner. Alfie liT iT, Took a puff-whaT in The world! Quickly he Took The Tobacco ouT of The pipe and refilled iT: The same Thing happened. He swore, buT iT sfayed ThaT way for a long Time, as Uncle Alf did noT wanT To clean The pipe for fear of insulTing his brofher-in-law by hinTing ThaT he had noT cleaned iT well. BuT alas, ThaT was noT The end of Alfie's Troubles. They wenT on a Trip The nexT day up To Rainbow Bridge, a wonder of naTure which so few people go To see because iT is so difficulT To geT To. They sTopped Their horses when They arrived There To see This marvelous sighT: everyone was looking and admiring iT, when up piped Alfie. as he nudged his brofher-in-law, Morris, look, There is Rainbow Bridge! Remarkable, wasn'T iT? ThaT nighT when The canTeens were being filled, one of The generous, ThoughTful liTTle boys ThoughT iT would be a cuTe idea To fill Uncle Alfie's wiTh four pollywogs, which he prompfl did. ThaT evening The boys, on examining The canTeen, saw There were only Three leflf. Uncle Alf, in all probabiliTy, had swallowed one. I am glad To sTaTe ThaT he survived-which only goes To prove ThaT whaT you don'T know won'T Trouble you. MARGARET HARTIG, '4I . age of youth Sixfeen years and baby face He approached her wiTh a grin, Prefends To be a man- Assumed a cocky air. Tries To arran e a hoT embrace His e es drank in her figure Thin VViTh any girlie can. And hasfily whispered a prayer. One day he passed upon The sTreeT He opened his mouTh and said, Hi Kid! A nifTy blonde in black. A sharp slap sTruck his cheek- As he winked, she clicked her feel' His blushing face he benT and hid And Turned her lovely back. And since has been quiTe meek. Sullenly and puT in place, SixTeen years and baby face He sadly looked around, No more assumes an air. And The ideal girl of all his dreams On Safurday nighT aT Ten o'clock He Thoughf ThaT he had found. He's in his bed upsfairs. BEVERLY GOLDSTEIN, '39 TwenTy-five ink pol the samovar THE samovar, wiThouT which no Russian Table is compleTe, sTood on The small, bare Table in The cenTer oT The room. IT was a beauTiTul samovar. WiTh The blue and orange Tlames reTlecTed in iTs brigh+ and burnished sides, iT made The only cheerTul spoT in The dirTy, cluTTered room. The young girl who saT, lisTless and very cold, on a broken sTool in a corner oT The room was surprisingly beauTiTul Tor a peasanT. She had noT Their coarseness oT TeaTure. Her hair was golden and Tell in Two heavy braids below her waisT. Her brown eyes had a habiTually sorrowTul look. Her clear, whiTe skin conTrasTed sharply wiTh The weaThered, ruddy skin oT her broThers and sisTers. She was so much more delicaTe and reTined- looking. She seemed noT To belong To Them. The waTer in The samovar boiled aT lasT and senT up a column oT sTeam. IT had Taken a long Time To boil, due To The sparseness oT charcoal used. The girl goT up wearily Trom The sTool and seT abouT preparing Tea, There was very Ii++Ie Tea leTT To brew. She puT iT all inTo The Tea-poT and Tilled iT wiTh The boiling waTer. The children. who had been playing noisily on The cold, damp Tloor, came dashing over To her, ex- ciTed aT The sighT oT preparaTions Tor supper. Nadya, Ivan, Masha and Tamara, They all sTood waTching aTTenTivel as Sonya wenT on wiTh her work. They sighed, disap- poinTed, as she puT only hahgla loaT oT dried bread on The Table wiTh The Tea. This, Then, was To be Their supper. IT had been Their breakTasT, dinner, and supper Tor many days. Sonya cuT The bread in Tive even parTs, painTully aware of The hawklike gaze oT The children. Each eyed his piece oT bread, and ThaT oT The oThers, suspiciously. Then, saTisTied ThaT They were all oT The same size, They Tell hungrily To eaTing. They slopped Their Tea clumsily, Tinding iT diTTiculT To handle The cups wiTh Their swollen, chapped hands, blue Trom The cold. When They had Tinished Their so-called supper, and had picked The Table bare oT all crumbs, Sonya puT Them inTo Two broken-down beds in an adjoining room. They did noT undress, buT ,iusT huddled closely TogeTher, Trying To gaTher warmTh Trom The meager covers. Sonya wenT back To The oTher room and saT down close To The dying warmTh oT The samovar To waiT up Tor The reTurn oT her moTher. The Terrible hardships of The lasT Tew years Tlashed Through her mind. FirsT, There was her TaTher's deaTh, his burial com- pleTely draining Their small savings. Then The selling, one by one, oT everyThing They ad Treasured, down To bare necessiTies. The samovar, by which she now saT, was The lasT remaining Treasure. She was Tully decided noT To parT wiTh iT under any circum- sTances. She remembered so disTincTly The day her grandTaTher had died. His lasT words had been To keep and cherish The samovar as long as They lived. IT had been given To him by his grandTaTher and was generaTions old. She had sTood by his bed, a small girl, inTensely awed and TrighTened by The sighT oT deaTh, and her grand- TaTher's words were engraved in her hearT. Never, never would she parT wiTh The samovar. As she saT There, brooding sadly, her moTher came in silenTly and sTood, shivering, aT The door. She worked as a servanT Tor The well-To-do peasanTs of The village. WiTh chaTTering TeeTh, and Tears sTreaming down her haggard Tace, she halTingly Told her daughTer ThaT she had been Told noT To come back To work any more. WiTh winTer coming on, They had no need oT so many servanTs. There was only one way To ToresTall sTarvaTion-sell The samovar. Sonya gasped. She shook her head wildly, buT There was no help Tor iT. The nexT day The samovar wenT The way oT all Their Treasures. Sonya's beauTiTul Tace, swollen wiTh ceaseless cry- ing, Took on an uTTerly hopeless look as The door closed on her moTher and The samovar. Her lasT joy in liTe had been Taken away. LiTe was so dreary andblack, hardl worTh The Trouble oT living. So saT This young girl, already beaTen b The cruelTy oT liTie. FRANgES SHAPIRO, '38. TwenTy-six ink pot if you will, sir THERE was no doubf abouf if: Geoffrey was more 'rhan an excellenf valef, He was superb. Indispensable, wifhouf a doubf. Imagine having To go on wifhouf him! Unheard of, for no one could equal Geoffre . Why, even his pafience was unmafched. Affer fwelve years of faifhful service, Geoffrey sfill prepared Mr. Ranf for his shower af nine every morning, and wifh almosl' clockalike regularify, waifed wifhouf, dressing robe in hand, Iisfenin fo his masfer. Now fake me, for insfance, Geoffrey. There was I, a babe in arms, handicapped from fhe very beginning because I was born of wealfhy parenfs. From The very firsf, I was desfined 'ro be a rich man's son. Buf nof for long! The spirif of democracy was in my blood: I was fhe na+ion's hope! I was youfh! . . . Oh-er, Geoffrey, furn down fhaf hof wafer a bif .... Tha+'s a boy! Fine! . . . Now ah, where was I? . . . Oh, yes! . . . Well, as I was saying, fhere was I, 'rhe nafion's hope! Youfhl Nof 'ro be downed by unforfunafe birfh! . . . Slowly buf sfeadily I made my way in fhe world. The name of Arlingfon Edward Rani' would live forever! . . . College, as you know, was an unforfunafe experience .... Buf I was young fhen, a Iad, and how was I fo realize fhaf work, and only work, makes fhe man? . . . Geoffrey, hand me a fowel, will you? . . . Thanks .... Onward, onward I pressed: forcing my way fhrough sham and freachery, my goal fhe fopl . . . Ah, my robe, Geoffrey .... Nof a penny of my fafher's money would I accepf. I was a man! A man sfanding on his own fwo feef, for beffer or for worse! Then . . . fhen came fhe crash. Ancl wifh if wenf my hopes . . . my dreams . . . my chances! . . . Bul' even fhaf could nof puf me down! I wenf fo work! My posifion was unimporfanf, buf a sfepping-sfone. I found if impossible, however, +o confinue There. Nof a place fo park my car within fwelve blocks! Again I wenf in search of work. If I may, sir, pleaded Geoffrey. , Yes, Geoffrey, I know .... You wanf fo say fhaf I sfill 'haven'f a posifion. No mafferl I sfill have my fighfing spirifl I shall reach fhe fop . . . evenfually. I beg 'ro say, sir, again inferrupfed Geoffrey. Geoffrey, I realize your senfimenfs. I+ is frue fhaf I am geffing on in years. . . . Buf greaf men have offen labored on unfil . . . I beg fo inferrupf, sir, buf fhe felephone, sir. Well, well, Geoffrey, why didn'f you say so? . . . Hello? H'are ya, Pafer? Whaf? Whafl? Fer gosh sakm, Pafer, whaf in fhe devil do ya expecf a guy fo live on? II s fhe fhird 'rime you've cuf my allowance fhis monfh! Have a hearf, Pafer! Why fhaf isn'f even enou h fo pay Geoffrey! . . . Whaf? . . . O. K. I'Il be righi' over. Drawing himseff 'ro his fullesf heighf, dignify prevailing, Arlingfon Edward Ran? addressed his man, As I was saying, Geoffrey . . . JEAN A. GREENBERG, '39. dejected ASHORT, dark, sfubby figure paced slowly up and down in fronf of a large fheafre. He wore a yellow sign before and affer him, proclaiming fhis fheafre unfair fo his acfors' sociefy. His red nose was badly in need of a handkerchief, and his suif and coal' badly in need of mending. I wonder, wifh all fhe wear and fear on his shoes, was his message heeded? MARGARET I-IESS, '40, fwenfy-seven ink pot the simile ff0NE! Two! Three! Four! Accen+ on fhe firsf beaf! Oh, you exasperafing child! The liffle girl siffing on a piano bench dropped her fear-filled eyes and sfared af feef fhaf dangled high above fhe floor. Pay affenfion fo fhe music, ordered fhaf obnoxious voice, and fhe child focused her eyes upon fhe incomprehensible sheef of nofes once more. Buf she could nof con- cenfrafeq her fhoughfs reverfed fo fhe evenfs of an hour ago. Wifh chagrin she re- called 'rhe ecsfasy of whizzing down fhe ice-packed hill on a sleigh, fhe wind beafing againsf her cheeks, her liffle puppy frolicking beside her. Piano lessons were so firesomez and fhe faf, sfern woman siffing beside her was ferrifying. Oh, how happy I shall be when fhis is over, she mused, and wi'rh an inaudible sigh, sfrefched her pudgy, shorf fingers across fhe keys. Those fingers losf fheir awkwardness as fhey grew. The muscles developed and fhe fissue befween fhe ioinfs became flexible. The liffle girl had acquired a cerfain degree of fechnique: buf fhe keyboard sfill remained formidable, and pracficing one hour, fhen fwo, fhen fhree was a frial. So affer a while fhe liffle girl was allowed fo sfop her music, and she ioyfully reverfed fo play. Buf playing had losf ifs fhrill, and as fime wenf on, fhe ga which her music leff seemed fo grow larger and larger unfil she reached fhe sfafe wfiere she could analyze her feelings: she knew fhaf music was a parf of her. Then she declared fhaf she would resume her sfudy. This firne she was inspired by a feacher who was sympafhefic and encouraging. The firsf fime fhey mei he had smiled in a friendly fashion and. running his fapered fingers fhrough her hair, he remarked, People wifh plenfy of curls make good musi- cians. He had a remarkable sense of humor and lessons were like advenfures. Each week broughf zesf fo his pupil, and as her eyes were opened fo The vasf sfores of liferafure she became more and more enfhusiasfic. Her work was a ioy and a revelafion. Three hours of pracfice were no longer a fask, buf a pleasure and a relief. They became necessary for her peace of mind, an ouflef for emofions, supreme momenfs of self- expression. A golden-haired child playing in 'rhe sun, fhe vivid colors of aufumn leaves, a preffy picfure, a piece of sculpfure. or a pleasing book were impressions melded info her music. This medium was so much more adequafe fhan language of fhe fongue! Buf fhe girl was only enjoying a childish pasfime. Music was sfill anofher form of amusement She failed fo gef fhe composer's messages. She only played and felf, buf she did nof hear fhe resulfs. l-ler fones lacked qualify and depfh. Her music lacked undersfanding. Gradually fhe rapid progress slowed up and fhen halfed. Bofh 'reacher and pupil had come fo an impasse. Suddenly fhe girl was faken away from her accusfomed surroundings. She suffered greafly because, being young, she felf fhaf all was losf, friends, school and, mosf im- porfanf of all, music feacher. ln her unhappiness, fhough, she became aware of fhe narrow scope of her pasf life and she began fo observe people in a differenf lighf. lf was possible for her fo fhink obiecfively, and fhen her music came fo life again. fwenfy-eighf ink pot Now she found a friend in a Cho in walfz. She found 'rhe same spirif and come- liness. She found his grace, poise, and ievify. Bach was anofher friend, a girl she had leff behind her. This composer's work was infricafe, difficulf fo undersfand, buf fascinafing because of fhe subfle design. fhe delighiful paffern his music formed. Her friend had been iusf like fhaf, infellecfual, complex, precise, and powerful. Schumann's Childhood Scenes represenfed a recenf acquainfance. The girl was warm, friendly, responsive, unsophisficafecl, and full of fhe ioy of life. Her per- sonalify was irresisfible, one loved her af sighf. This music was a symbol of her char- acfer: each phrase lenf undersfanding fo fheir friendship. All The drama of Tchaikowsky broughf an older person fo mind, a woman who had been very dear fo fhe sfudenfs of music. Her words had been deep and worldly- wise. She was moody buf so sfimulafing. Mozarf fypified a very dainfy person. One would have fo be facfful and diplo- mafic in dealing wifh fhis friend: in ofher words, fhe fechnique was difliculf. The slighfesf flaw would ruin a lovely effecf: similarly fhe friendship would be spoiled. In mutsiic misfakes are reparable, buf in dealing wifh human beings if is nof always possible fo o so. There were many ofher analogies, buf fhe lasf was very beaufiful. fhe Sonafa Pafhefiquef' by Beefhoven. This music reminded her of a boy of her own age, un- spoiled, impressionable, and adolescenf. The music is unresfrained, varying. Af fimes if is genfle and composed: fhen if is wild and impassioned. There are swiff changes from fhoughffulness fo impefuosify. If is full and vifal and complefely unselfish. Careful inferprefafion would disclose greaf pofenfialifies, buf if if is misfreafed if will remain an undisciplined mass. Sfirred by fhe infimacy of her lasf friendship fhe girl scribbled some hasfy nofes: perhaps fhe preceding narrafive will help fhe reader fo undersfand Them. l A person's soul is like a piece of music. Each individual may inferpref fhe compo- sifion as he likes, buf no fwo inferprefafions will be idenfical. The more mafure one grows fhe finer, more complefe significance one will affach fo any piece. There are several sfages of developmenf. Some sfudenfs of music only affain fhe elemenfary accomplishmenfs of fhe fechnique, a second group acfually reached fhe sfage of ex- pressing ifs own emofions reflecfed in fhe music, buf fhe fhird possesses a sensifivify developed fo such a sufficiency as fo be able fo capfure fhe emofion of 'rhe composer of fhaf bil' of music, fo undersfand fhe infricacies of a person's soul. This lasf sfafe is a full com rehension of fhe depfh of fhe piece. lfs undersfanding produces such a har- mony ofpsounds as fo fhrill an audience varied in degrees of sympafhy. If fakes prac- fice fo make a good musician, pracfice on more fhan one piece, on more fhan one person. However, fhe complefe or nearly complefe undersfanding of one piece leads fo an easier approach fo fhe nexf. A sfudenf of music musf be persisfenf and serious. and fully aware fhaf fhere are greaf quanfifies of fhings he does nof know. Above all he musf love fo creafe beaufy: he musi' be willing fo fif himself for feeling. Every branch of acfivify aids fhe sfudenf fo undersfanding. All fypes of sfudy help as fhey may be applied unconsciously. Learning fo make music, fo undersfand people is very difficulf, buf fhe conscienfious aspiranf derives an exfreme sense of pleasure and in- fense safisfacfion even from affempfing. RUTH HORWITZ, '37. fwenfy-nine ink pot some day THIN sfreams of sunlighf invaded fhe warm, somnolenf afmosphere of fhe nursery. Soff blue drapes flapped occasionally againsf fhe window panes. Af fhe foof of fhe blue enamel crib a huge police dog reclined, his powerful body sfrefched full lengfh, recumbenf buf alerf. As fhe young woman came info fhe room, his ears rose sfiffiy and a long grey fail fhumped slowly, ioyfully under lhe crib. Bul' when she passed him wifh a careless caress. he reclined info a wafchful and pensive affifude. His greaf. soulful eyes absorbed fhe overwhelming love she felf for fhe finy creafure in 'rhe crib. lf was such a peculiar creafure: Czar had never seen anofher like if. lf had soff. yellow hair. and greaf big blue eyes, and affer she fed if milk from a boffle if would gurgle and wave ifs finy arms abouf in circular mofion. Rafher fufile acfions, Czar fhoughf, anyway quife be- yond fhe comprehension of a canine mind. Whaf annoyed Czar mosf was fhe facf fhal' fhaf liffle creafure demanded so much affenfion. Up unfil The pasf year he was accusfomed fo being pampered and peffed and made rafher imporfanfg when com- pany came, he was allowed fo display his reperfoire of fricks-and fhen was praised for is cleverness. Buf fhe infrusion of fhis obnoxious liflle creafure reduced him fo fhe lowly posifion of a mere wafchdog-which was far below his dignify. lf was springfime, and fhe budding crocuses on fhe lawn reminded her of her new- born child. As she 'rhoughf of him. bubbles of ecsfasy rose and fell wifhin her breasf, and her lips curved in a smile. She realized fhaf all mofhers musf feel as she did, fhe beaufy of her new possession. lf was marvelous and a liffle frighfening fo have fhe opporfunify of shaping a life fo her own will. She had read somewhere fhaf every child was born wifh almosf similar endowmenfs, and lhaf environmenf and fraining formed fhe real basis for characfer. ' She had such plans for her darling's fufure. Firsf she would make him aware of all fhe beaufy accessible fo man: of 'rhe pure beaufy of nafure, of 'rhe s mbolic beaufy of music, arf. and liferarure, of The philosophical beauly in man himself! and his world of science. ln a year or fwo. perhaps. she would play fo him: fhus he would recognize fhe classics al' a very early age and derive a complefe safisfacfion from fhem when he be- came mafure enough fo undersfand music. As soon as he could concenfrafe she musf read fo him, and some day. when he had developed an insafiable curiosify for knowl- edge. she would ply him wifh all sorfs of books. When he would be abouf six, she could inifiafe him info fhe fascinafing world of creafive expression. Perhaps he would learn fo appreciafe arf: he mighf even culfivafe fhe desire fo spread if more widely so fhaf ofhers mighf benefif from whal he had learned. Thar is where his academic educafion would be imporfanf. His general knowledge would give him culfural foundafion, a fruer perspecfive, a balanced sfandard of value. Buf she would never force her own prejudices and opinions on him: she would place a wealfh of maferial before him and he would make his own choice. Perhaps from fhe complex order of all fhis he mighf discern fhe difference befween really living and merel exisfing. She knew fhaf fhe child mighf nor be able fo fuhfill any of her ambifions because fhere would be legion exfernal forces which musf influence his developmenf: and she knew fhaf even if he did nof comply wifh her ideals she would confinue fo love him iusf as fiercely as before. She would live again in her child: she would share his ioys and his hearfaches-fhaf was fhe greaf giff of mofherhood-anofher life. From among fhe safin coverlefs an infanf's profesfing voice arose. A+ firsf if whined: fhen cried, and as ifs cries were unaswered, if lapsed info a series of sfaccafo bellows which became more and more annoying fo Czar's peace of mind. He cocked fhirly ink pot his head fo one side and liffed himself fo his haunches for a momenf. His brighf eyes narrowed and his chops fighfened againsf sharp, whife feefh in a slow and sinisfer sneer. The cries of fhe child grew louder and louder-fhen wifh one piercing shriek fhey ceased. The young mofher was abouf fo order several pounds of pofafoes when she felf a sudden fighfening in fhe region of her hearf. Wifh a deep sense of apprehension she Ieff wifhouf complefing her purchases and hurried homewards fo her child. The walk seemed much longer now, fhe air colder and less friendly. As she walked along her sfeps became shorfer and quicker and finally she became panicky and broke info a run. The house was ferribly quief as she enfered, and somehow she could nof find fhe key fo fhe Iafch-and when she did her frembling fingers could nof summon fhe sfrengfh fo furn fhe lock. Buf somehow she found herself wifhin her own home and, hurrying fhrough fhe rooms she came fo The fhreshold of fhe nursery. She fhrew open fhe door and, glancing inside, uffered an almosf inaudible gasp of horror, drew her hand fo her fhroaf and slumped info an unconscious mass .... RUTH HORWITZ, '37. the art of eating spaghetti ONE of fhe fhings which worry people is fheir fable manners. There are many fancy. dainfy dishes wifh which one comes in confacf, buf perhaps fhe mosf horrible fo masfer, as an arf, is spagheffi. Spagheffi, when cooked, mainfains fhe appearance of ifs uncooked sfafe, buf is more flexible and, fherefore, does nof sfay on fhe fork. Any- body will admif fhaf if is sudden and shocking, when fhe food is pracfically in fhe moufh, fo bife down, only +o find buf a fork befween fhe feefh. The only fhing fo do is fo look on fhe plafe and acl' surprised fo find fhe same spagheffi, waifing noncha- Ianfly for anofher chance. In fhe firsf place. spagheffi should never be served on any fesfive occasion. If if is served when one is being enferfained af fhe home of a friend. The only fhing fo do is fo fail fo lower one's vocabulary fo profanify. Perhaps I would never make a feacher. buf I should advise anybody. who wishes fo eaf spagheffi successfully, fo pur- chase a funnel af fhe nearesf hardware sfore. The funnel should be selecfed so fhaf if fifs fhe size of fhe moufh. The spagheffi is fhen under fhe besf confrol fhaf can be ex- pecfed, and can be poured genfly info fhe moufh wifh fhe ufmosf success. JEAN S. CASSRIEL, '37 longing N LONG fo walk a barren field or lie face upward on a hill and wafch fhe sky sparkle wifh silver. I wish I were a shepherd of whife sheep ouf on fhe hills, and for fheir sake musf keep awake. I would see fhe radiance of fhe sky and fhe rapfure of fhe slow sfars marching by, 'rhe near ones brighf, fhe far ones very dim. I long for magnificenf beaufy, black glossy hair, black sparkling eyes, brighf wifh infelligence-so lovely fhaf people would call me divine-so fair fhaf I would fake fhe breafh ouf of fhe very souls of gods and morfals. Beaufy-fhe supreme giff of God! Buf all we can do is long for if. FANNIE MILLER, '39, . fhirfy-one ink pot la vie clans un pensionnat Suisse ES deux ans que i'ai passes dans un pensionna+ suisse son+ les plus amusan+s que ie me rappelle. Mais ie me demande si +ou+es les 'eunes filles americaines y seraien+ heureuses, car il y a une chose qui man ue: c'es+ la liber+e. Moi. ie n'ai iamais e+e si libre e+ des le premier iour ie me sen+ais eureuse. Je veux premieremen+ vous racon+err commen+ les iournnees se son+ passees. Nous nous sommes levees a sep+ heures, puis il y avai+ +ous les iours ving+ minu+es de gymnas+ique pour nous reveiller. Apres cela on avai+ le +emps de s'habiller e+ a l'1ui+ heures la cloche sonnai+ pour le deieuner. Le res+e du ma+in es+ rempli par des lecons qui se passen+ en e+e au iardin. L'apres-midi on +ravaiIIe, on +ai+ du s or+ suivan+ les saisons e+ une +ois par semaine nous pouvions aller en ville. Le soir, cenies qui veulen+. +ravaillen+ ou ecriven+ des le++res, on ecou+e la radio e+ quelquefois on danse. A neu+ lweures on va ge-neralemen+ se couclwer e+ a dix lweures la lumiere es+ e+ein+e. E+ puis commence le +emps ou on s'amuse le plus. J'avais la chance d'e+re dans une clique de cinq ieunes filles e+ nos chambres e+aien+ voisines. Presque aucune soiree ne passai+ ou nous ne faisons quelque be+ise. Quand i'y pense main+enan+ ie me demande commen+ nous pouvions e+re +ellemen+ niaises mais apres +ou+ on s'es+ si bien amusee. Les pauvres ins+i+u+rices devaieni' venir clwaque soir au moins +rois fois avan+ que nous fussions +ranquilles. Nous somme allees dans les chambres des au+res ieunes filles, nous avons cl1an+e e+ ri e+ quelquefois ioue aux phan+omes. Je me rappelle une rencon+re avec une ins+i+u+rice, a onze heures du soir quand i'avais ma couver+ure cle li+ fixee au+our cle ma +e+e ei' quelques lampes de poche avec des lumieres rouges e+ ver+es dessous. Je croyais que c'-e+ai+ une ieune +ille e+ ie commencais a danser au+our d'elle. Ne me demandez pas ce qui s'es+ passe le lendemain. Les iours que nous +ou+es aimions le plus e+aien+ ceux ou on +aisai+ des excursions de slci. Deja les prepara+ions nous remplissaien+ de ioie. La veille il fallai+ +ou+ preparer, puis on se coucl1ai+ a l1ui+ lweures. E+ ces soirs-la nous e+ions +ou+es sages. Le ma+in 5 cinqu heures le reveil sonne. On se di+ cle mauvaise humeur: quelle horreur. il fau+ de nouveau se lever. Mais en regarclan+ la mon+re on se rappelle: on va skier auiourd 'l'1iu. e+ on sau+e hors du li+. A six lweures un bus loue du pensionna+ nous a++end. Nous nous y ins+aIIons e+ on par+. Generalemen+ nous allions deux lneures en bus e+ puis on se +rouvai+ en face des plus belles pen+es de neige. Les deux lweures se passaien+ en cl'1an+an+ e+ en blaguan+. Nous arrivions fraiches e+ heureuses, ce qui e+ai+ necessaire pour la mon+ee ui e+ai+ souven+ +a+iguan+e. Mais apres on n'y pensai+ plus quand on pra+iquai+ ce pluscbeau de +ous les spor+s, avec un soleil d'e+e. E+ le soir on ren+rai+. +a+iguees, mais brunies e+ con+en+es. Je ne sais pas si ie serais encore une fois si heureuse pour deux ans dans ce++e a+mosphere, mais ie sais que le jour ou ie devais qui++er Lausanne me parai+ le plus noir dans le passe. HELGA BODENHEIMER, '38. S YSCYB PETS ALL young gian+s +owering in +l'1e air, breaking +l'1e slcyline in+o brigl'i+ blue, iagged Flashes. Here is a baby one, s+ill mos+ly a pile 0+ rocks. We see E+ grow, shape. +orm. Soon i+ s+ands +l'1e +alles+ of all, peeking mischievously +l1roug+i +l'1e clouds a+ +l'1e +iny an+s +l'ia+ buil+ i+. ELISE ELISBERG, '41, +h i r+y-+wo Ink pol mrs. fenton comes to town ULADIES and genflernen. on fhe righf we have fhe Iargesf building in fhe world, fhe Empire Sfafe Building. Did you ever see a faller, more maiesfic building? Louisa, if Pa were only here! lsn'I if W-O-N-D-E-R-F-U-L? Such a big building! Why if musl' be al' leasf eighfy-five sfories-I'd really be afraid fo go up if! Ladies and genflemen, you are now approaching some of 'rhe popular deparf- menf sfores on Fif+h Avenue. Here we have Besf's, and furfher up we have Lord and Ta lor. Y Oh, Louisa, do you see fhose clofhes? My goodness lands, you'd have fo have a million dollars fo be able fo buy fhem! Oh, fhaf looks like fhe coaf I saw in fhe paper lasl' nighf: fhey wanf a fhousand dollars for if. Lands sake, I don'f fhink I ever saw fhaf much mone . Ladies and, genflemen, cas! your eyes on fhe one and only Rockefeller Cenfer, fhree blocks of 'rhe mosf modern buildings in fhe world. Here is Radio Cify Music Halll, fhe largesf fheafre fo dafe, and on fhe righf you see fhe Nafional Broadcasfing Buidin . Sock af Fred Allen, Louisa. Thaf's a good picfure of him broadcasfing. l'd like fo wafch him somefime, wouldn'+ you? Yes, Ma, I would. Oh, my goodness, Misfer, be careful! You nearly ran fhaf poor man down. Lisfen, Lady, I'm drivin' dis bus, and daf man was crossin' on de lighf anyhow, so mind yer own business! Louisa, did you hear fhe way fhaf man falked fo me? Jusf like I was nofhing. I had a mind fo fell him I was Sheriff Fen+on's wife of Newfon Town, Penn. Well, Louisa. glad fo be geffing back fo home affer fhaf big week in New York? Oh, l'll be iusf so glad fo see Pa. Oh, fhere he is now. Pa! Pa! I'm so glad fo be home. You're righf, fhere is no place like home affer all, and you're so righf abouf New York, foo. l'd hafe fo live fhere. Thaf's one of fhe firsf fimes you were righf: if's so big, Pa. Did you gef along nice wifhouf me? Was fhe house kepf clean? Did you always have enough fo eaf? Louisa, say hello fo Pa. Tell him how glad you are +o be MARJORIE VOLOSHEN, '40. a tale of woe MRS. VAN HORN had a liffle Pekingese which she called Scoofles. Now Scoofles, alfhough he made a fine appearance, had a very bad femper. One day, Mr. Van Horn decided, as do all hen-pecked husbands, fhal' he would like fo slip ouf fo a poker game. He waifed unfil Mrs. Van Horn was asleep, and fook special precaufions nof fo lose his key. Buf Scoofles, where was Scoofles? Oh, well, he did noi' have 'rime fo worry aboul' fhaf now. Closing fhe fronl' door quiefly, he sfarfed slowly down fhe sfeps fo fhe sfreef. As his foof reached fhe boffom sfep, he felf a sharp pain in his leg. If was Scoofles! Before he could confrol himself, he had lef ou! a shrill Ouch! Soon, Elijah, where are you? rang in his ears. Whaf could he do? He was caughi' befween fhe devil and fhe deep blue sea, as some people puf if, buf fo him if meanf one fhing, unless his wife had mislaid her rolling pin. HELENE SCHEUER, '4I. home. dear. I'm surprised af you. I f Ire A lash of fhe Devil's fongue. BETTY GERSTENZAN6, '4l. fhirfy-fhree ink pot Ie port de st. malo UAND ie m'assieds a mon bureau, mes yeux se porlenl +ou'ours sur une gravure parliculiere pendue au mur. Encadree d'un cadre 'rrop lourd elle esl encore gracieuse. C'esl' une gravure ancienne du Porl de Sl. Malo faile sur acier el monlranl le porl avec beaucoup cle navires imposanls. Les nuages s'elevenl maieslueusemenl au ciel el donnenl aux navires de Sa Maiesle Louis XVI une splendeur ro ale. Sous celle gravure sonl' les insignes de la Monarclwie de France. Mais la parlie lla plus exlraordi- naire esl la lagon donl on a ecril la descriplion: on peul y lire: Le Porl de S+. Malo, vu devanl S+. Servan en lace de l'Eperon. Reduil de la colleclion de Porls de France dessines pour le Roi en I776. Par le Sr. Ozanne lngenieur de la Marine Pensionnaire de sa Maieslef' MILDRED SCHWARZ, '37. Vautomne I-'AUTOMNE commence le vingl el un seplembre el finil le vingl el un decembre. Les forles chaleurs sonl passees. Le soleil n'esl plus si chaud. Le ciel esl souvenl couverl de nuages. La lorel esl pleine de feuilles 'rombees el les feuilles qui reslenl' sur les arbres ne sonl plus verles mais onl des 'tons bronzes. L'l'lerbe aussi a perdu sa couleur lraiche. Les lruils sonl murs el on recolle les pommes, les poires el' le raisin. Le laboureur neulre ses recolles. Les chasseurs vonl a la clwasse el quelquefois ils onl la chance de rapporler a leur lemme un beau renard argenle. Les oiseaux migraleurs, senlanl' la fin des beaux iours se meflenl en voyage pour le sud. Seuls les roses de l'arriere-saison el les clirysanlliemes reslenl dans les 'ardins. Les iournees de brouillard ne sonl' pas rares dans celle saison. Le venl souflle el il pleul conlinuellemenl. Les jours sonl devenus plus courls. L'l1iver esl proche el ill commence a faire bien froid. ANN DAVID, '37. A Ia tempete LA neige 'rombail deliors el rendail le pelil apparlemenl de M. Le Grand froid el lrisle. La lranquillile de la chambre n'elai+ inlerrompue que par les quinles de M. Le Grand, qui elail assis sur un vieux labourel. ll avail perdu sa place a la banque, el il ne pouvail pas en oblenir une aulre. Toul ce qu'1l avail epargne elail depense pour les besoins de sa famille el pour les irais de medecin. Celail un homme de laille moyenne, au visage maigre el pale, n'ayan'r eu pour se soulenir qu'un morceau de pain depuis deux iours. Depuis au moins une heure, il feuillelail le journal. Toul a coup ses yeux lomberenl sur une pelile annonce. On demandail un concierge. Paul-e+re se dil'-il, ie puis avoir celle posilion. Me+lanl' son seul el vieux manleau, il dil au revoir a sa femme el a sa fille el quilla la maison. Les rues elaienl couverles de neige el il elail oblige de se ballre conlre la lempele. Tres laligue, mais esperanl oblenir la place, il arriva enfin a deslinalion. Mais, mallfieureusemenl il arriva lrop 'rard car la place elail' deja prise. Sans aucun espoir il repril le chemin de sa maison. Il faisail de plus en plus lroid. ll n'avail plus la force d'avancer el il lomba epuise de faligue a la porle de son apparlemenl. Sa lille enlendanl un bruil, courul ouvrir la porle. En voyanl la lorme inerle de son pere a ses ieds, elle commenga 5 crier. Papal Papal Mais l'l1omme n'enl'endail plus. Sa vie elail finie, ne laissanl derriere lui que des miseres. CONSTANCE MEIROWITZ, '39, 'lhirly-four ink pot an open letter to the facult To Whom If May Concern: Being amidsf and among, nof fo say one of a group of girls in fhe passionafe sfafe of puppy love, l feel qualified fo answer fhe quesfion mosf asked by you faculfy nfembers. Wha+ are you fhinlcing abouf now? Where does your mind wander during c ass. I am surprised fhaf 'rhe feachers do nof use more facf in referring fo a sfudenf's sfafe of sweef reminiscence. Affer all, There was a 'rime when fhe fhoughf of your Beau Brummel fhrew you info a complefe chaos. Yef, day in and day ouf, we are mis- undersfood, even admonished because we dream of fhe way Harvey danced. and fhe fender liffle nofhings he whispered. I admif fhe mafh class isn'+ fhe proper place for memories of an amorous nafure, yef one has no confrol over fhe fhoughfs which enfer and leave fhe mind. ln one momenr of rare ecsfasy we find fhem fhereg in fhe nexf of sfarlc realify fhe are gone. We are none fhe worse for our experience excepf fhaf Miss So-and-So dial, embarrass us before fhe enfire class. We plead guilfy fo occasional day-dreaming, buf we do hope. fhe cause now being known, our crime will be adjudged wifh more iusfice and sympafhy. . . . Love will always find a way. CAROL KADEN, '38. pour plaire l-Grand'mere, enfre nous, savez-vous 3-Si pour le charmer, il suffif, Que l'on songe 5 mon mariage? Car cl'avoir bienfof un epoux, ll paraff que ie suis en age. On doif me presenfer, dif-on On en parle avec grand mysfere. Un ieune homme, du meilleur fon, Mais . . . si i'allais ne pas lui plairel 2-Si ie n'e'rais pas de son gofif, Ce doufe horrible me fracasse. C5rand'mere, vous qui savez fouf Tirez-moi d'embarras, de grace. On di+ qu'il esf 'rouf a faif bien Du rnoins, a ce qu'en dif mon pere. Donc, enseignez-moi quels moyens Je dois employer pour lui plaire. D'avoir l'oeil vif, les levres roses. La main blanche ef le pied pefif, Je possede, ie crois. ces choses. E+ vous meme, l'au+re mafin Vous m'avez assure grand'mere Que i'efais genfille foul' plein Esf-ce un bon moyen pour lui plaire? 4-Dois-ie pour capfiver ses yeux Soigner plus encore ma foileffe. Aioufer aux rubans des noeuds E+ devenir fres, 'rres coqueffe? Si c'es+ oui, ie crois reussir, Car prefend ma coufuriere Je suis fouiours mise a ravir- Esf-ce ainsi que ie pourrai plaire? 5-C'esf ainsi que Marie en fremblanf, Sa voix caline ef supplianfe lnferrogea sa mere-grand, La bonne vieille sourianfe En Vembrassanf, fouf bas, lui dif: Voici Ia clef du grand mysfere, La chose esf bien simple-il suffif D'efre bonne, efd'aimer pour plaire. RHODA MINTZ, '3 7. fhirfy-five U i n k Thirfy-six the land of nod The dozing warder by The half-shuT gaTe ResTs his dull head and dreams of dinner-Time: All round ThaT porTal, where muTe phanToms waiT, Bloom The ay Tlowers oT OrienTal climeg And from Tgar-off There comes The sleepy chime OT silver bells Trom a blue mounTain heighT: The only sound besides, The measured rhyme OT a near TounTain dripping drops ol: lighf- PleasanT dream region oT The SybariTe. And oTTen in The sleepy aTTernoon Rolls down halT-lazily among The Tlowers The velveT peach, King Summer's princely boon. Ripen'd by yesTerday's lasT sunny showers. IT shakes The bee Trom The hollyhock Towers: BuT soon, like babe ThaT TreTs iTselT To resT, Sleep doTh revisiT iT in iTs sweeT bowers, Rock'd inTo sleep on iTs moTher's breasT, UnTil The sun Turns crimson in The wesT. An endless June glows in The cloudless blue- Cloudless excepT one loiTering snowy hill Of driTTing vapour, cruising eTher Through And promising a sunseT ThaT is s+iII So slow To come, Though yeT we know iT will: In Dreamland all The clouds do as They please: SOTT whisp'ring secreTs, murm'ring rill meeTs rill, Red poppy leaves blow by on every breeze, And low dream voices sTir among The Trees. And all around This quieT peaceTul place, Where never TrumpeT blew nor shone a sword, Lie miles of unmown meadows, o'er which race, Glancing o'er cowslip cups and emerald sward. Lighf sunbeams Trorn rich Summer's olden hoard: Through waves of TluTTering flowers grey careless While soTT againsT The Tace of Dreamland's lord DriTTs The gray down oT ThisTles casT away, l-larvesT oT The daydreamers as some say. Beyond These pasTures Tar To easT and wesT. STreTch greaT green ToresTs never Traversed: And There no sound disTurb The wild deer's resT BuT The slipp'd acorn paTTering on his bed, Or The crisp beechnuT crackling aT his Tread. No hunTer's horn scares This bird's paradise. Nor beaT oT echoing hooT: no shaTT is sped By sTaring woodmang nor in any guise Do Towlers hide here wiTh Their lures and lies. play ink pot In This sfrange land found only in one's dreams, Led by a clue ThaT never yeT beTray'd, l soughT Through woodland bowers and dells and sTreams For The greaT monarch of each hill and glade: And afTer leagues of chequer'd lighT and shade l found in dim alcove b man unTrod: A GianT Thronecl: face hidden, head down-weigh'd, Wrapp'd in sTar-spangled robes: Behold The god, The sleepy ruler of dream-world, King Nod. SIMONETTE LANS, '39. cosmetics through the ages DO you noT remember The firsT Time you sfood in fronT of your bureau and gazed info The mirror, dreamily Thinking how lovely you would look wiTh iusf a biT of powder? Mofher had gone shopping: Dad was in The office: and, wiTh no one aT home, you decided To Take advanfage of The siTuaTion. Dipping moTher's special puff info her powder iar, you Then generously smeared your enfire face. Whaf a Thrill! The firsf Tasfe of make-up! Now you are ThirTeen. Powder is no longer a forbidden fruiT. The nexT desire is To use lipsfick. You save a dime, venTure inTo The five-and-Ten-cenT sTore and, wiTh Thaf liTTIe Thrill of mischief, selecT a kiss-proof model. Again you are aT The mirror. arTisTi- cally coloring The face. WhaT fun! How grand and grown-up! The nexT sTep is To beg moTher's permission To use iT-even if iT is only on Sundays. Mofher says Yes : The boys in The class seem To approve: and you are Truly grown-up. Four years have passed and cheek-pinching has given way To rouge. How shocked mother was, buT afTer This vicTory, mascara and eyebrow pencils are a cinch. AT lasT, aT TwenTy-one, how silly iT now seems, ThaT TirsT powder-smearing parTy. Years pass. Life begins aT forTy is The popular Theme, and The Toll of make-up is sounded. To look Truly charming. -mascara and eyebrow pencils are ouT of The quesTion. Mrs. Simpson does noT use rouge. so ThaT is ouT, Too. STill you cling To The lipsTick, buf, according To The popular adverTisemenTs, Lips naTural are lovelier. ThaT means go easier on lipsfick. So The powder Triumphs afTer all! MINNETTE GALPEER, '39. death as a guest W HO is The ineviTable guest? Comes he now or, perhaps. in laTer years. His hosT is waifing. The guesT is arriving laTe. He is in anguish, his body now rigid wiTh pain, now convulsed wiTh chills. Has The guesl' forgoTTen This appoinTmenT? Or is he merely making anoTher call? One musT noT forgef ThaT he is a much sought afTer person. Suddenly The bell rings. A horrible piercing scream, changing To a wavering urgle, breaks The maddening quiet. Then a deeper, more lasfing silence prevails. From Tar off The muffled sound of sobbing is heard, breaking The awesome sfillness. He is here. The long-awaifed guesT has arrived. He does noT sTay. He has no Time To gloaT over his handiwork. Da and nighT, his endless presence is felT. He makes no disTincTions: rich, poor, young andlold, all feel his dreaded sting. Those who escape his visiTs need noT rejoice: he will be back again, This Time inexorable. CHARLOTTE DAVIS, '38. Thin-Ty-seven ink pot going formal in bermuda GOING fo a formal parfy in Bermuda presenfs guife a problem. as fhere are four ways by which one may reach one's desfinafion. Ouf of fhese mefhods only one has proved enfirely safisfacfory. Firsf, we shall begin wifh fhe mefhod used by prehisforic man, walking, provided fhaf your desfinafion is nof 'foo far away. You deparf from your house looking fresh as a daisy, in a preffy new frock and dainfy evening slippers, wifh your escorf on one arm and your chaperone on fhe ofher. Affer walking abouf five minufes up a sfeep coral road, you begin fo find fhe heels of your slippers slowly bending under fhe soles of your shoes. You 'rrudge on wearily, dodging in and ouf among bicycles and carriages fhaf always seem 'ro be geffing in your way. You finally reach your desfinafion, fhor- oughly fired and dirf , wifh your fresh frock covered wifh coral dusf. The second mefhod of fransporfafion is by boaf. You sfarf ouf enfirely af peace wifh fhe world. Your escorf has his new mofor boaf, wifh iusf enough room for fwo in fhe fronf seaf and a nice Iiffle rumble seaf in fhe back for your chaperone, buf much fo your regref, your chaperone iumps in alongside of your escorf, and fhere you are, alone in fhe back seaf, geffing your hair blown abouf and fhe spray drenching you. You arrive wifh cold, sfraighf hair, and a wef dress. The fhird mefhod of conveyance is by bicycle. Your male companion enjoys fhis mefhod immensel , as all he has fo do is fo fake a pair of frouser clamps and be off: buf no such luck for our Iiffle heroine! The long dress has fo be carefully gafhered up, so 'rhal' if can'f 'frail behind or gef caughf in fhe wheel. Ah, buf sure enough, info 'rhe wheel if goes and ouf if comes, affer much persuasion, 'rorn and covered wifh grease. You arrive hof and dusfy, wifh a forn and messy dress. The Iasf mefhod of fravel is fif for a princess and fhe mosf preferable, provided your escorf has received his allowance and is able fo give you fhis luxury, a coach drawn by fwo beaufiful whife horses. You are freafed like Cinderella in her fairy coach. You reach The parfy as spick and span as when you sfarfed ouf, wifh nary a hair ouf of place. Remember girls! While in Bermuda be sure of your escorf's favorife mode of fravel. ELAINE 6. GRAHAM, '38, the ocean THE mosf femperamenfal fhing fhaf I know of is fhe ocean. On a clear, sunny day. The ocean is a mass of rippling silver, as fhe sun reflecfs on 'rhe wafer. One can see fhe horizon, where fhe vasf ocean ends and fhe cloudless sky begins. The waves genfly roll and soffly break, 'ro lap againsf fhe sandy shore. All is franquil as 'rhe sea gulls darf here and fhere in search of prey. On a dismal, dreary day The ocean and 'rhe sky are as one. There is no separafion befween land and sea, as a draping misf envelops fhem bofh. The howling wind whips fhe ocean fo acfion, and fhe rushing, roaring waves gallo and spring downward wifh immense violence and force. The deep, angry ocean snarli and growls wifh malice, as she devours fhe refreafing shore. The frighfful, cruel, un ielding waves creafe pure whife foam which churns and sucks back fo fhe hearf of fhe fempesf. No one knows fhe goal of fhe sfern and hideous ocean, which seems defermined fo sweep everyfhing from ifs pafh. SHIRLEY LU BELL, '39, fhirfy-eighf ink pot enchantment abroad THE booming of fhe fog horn as if bellowed forfh ifs final warning drowned ouf fhe bon voyage chorusing of fhe fhrong. Bidding farewell fo my parenfs amidsf fhis fense afmosphere of excifemenf, I sfarfed for my long-awaifed vacafion abroad. A fhrilling sensafion gripped me as fhe liner sailed down fhe bay. and fhe fwinkling lighfs of fhe New York skyline slowly faded info oblivion. ' For fhe nexf eighf days I enjoyed fhe relaxafion which fhe ocean voyage affords, and when I was nof occupied wifh shuffle board or deck fennis, my favorife pasfime was fo lie on a deck chair iusf gazing af fhe sea and sky. If was on fhe eighfh day fhaf my dream began. Juffing ouf of fhe sea, bleak and bare and enveloped in misf, were fhe Scoffish moors. They were my firsf sighf of Europe. During fhe ensuing fen weeks, my ifinerary covered Scofland, Norway, Sweden, and Denmark. Each nafion fascinafed me. and I was impressed by fhe fair coloring and rugged beauf of fhe Norwegian race, fhe charm and courfesy of fhe Scandinavians. fhe canals of gfockholm, 'rhe New York afmosphere of Oslo and fhe one million bicycles of Copenhagen. However, I have never seen such an awe-inspiring sighf as fhaf mar- velous creafion of nafure, 'rhe Norwegian fiord. Waferfalls, gracefully flowing down a mounfainside from a heighf of 'ren Thousand feef, massive glaciers, deep ravines and winding lakes-all were a parf of fhese glorious fiords. All foo soon I found myself homeward bound in fhe midsf of a furious sea and a howling hurricane. Once again I was greefed by fhe New York skyline, brillianf in fhe noonday sun. If had nof changed, buf I had, for in fhose fwo monfhs my knowledge of fhe world and ifs people had been broadened fo give me a more 'Ioleranf and under- sfanding viewpoinf foward my fellowmen. CAROL J. KADEN, '38. the vision AMASS of black hair hung abouf his head like fhe long fur on a shaggy mongrel. Thick, bushy brows framed fhe alrnosf hidden eyes whose gaze was calm and sfeadfasf buf now held a look of fhe beafen in if. Thaf fhin skelefon of a nose, formed so perfecfly info a forehead far foo low, was somehow ouf of place in fhe homely face. wifh ifs fhick, poufing lips. Life had dealf him difficulf cards and he could nof play his hand. His musical soul craved expression and a chance fo show fhe world whaf he could do. He knew every nofe on fhe keyboard by hearf. The half-limping gaif had a fellfale air as he walked along fhe boulevard, fhe fhin rain falling Iighfly on his head. He leaned over fhe bridge and sfared info fhe swirling wafers as he muffered, lf's no good-Life is roH'enl Then, looking up info fhe gray sky, he cried, There is no God! There is no mercy! Tears rolled down his cheeks and fhe man sobbed. God, he prayed, bring her back fo me. The sky fhundered: Iighfning flashed: and a girl sfood before him. Her flaming hair hung in damp fendrils abouf her noble head and her wef dress clung fo her supple figure, revealing more fhan if hid. Her green eyes-he always fhou hf fhey looked like caf's eyes-were sef in a pale face wifh red, moisf lips. Abouf her hung an air of mysfery and inexpressible beaufy. The sea roared and fhe vision faded. Only realify remained and fhaf is so fasfe- less fo one alone and unloved. People passed, casf curious glances af fhe sfranger, fhen walked on wifh a careless shrug. A splash, and a momenf lafer all was quief. The sky fhundered, lighfning flashed, buf fhe boulevard was empfy. EDITH WILSON, '39. 'rhirfy-nine ink pot fulfillment 0NE Iafe affernoon, in his smaII, one-room flaf, I-Ierr Sfraus, once a well-known German arfisf, saf crouched over a Iow fable, puffing a few Iasf-minufe fouches fo an easel painfing on which he had been working many monfhs. Though his deff fingers were sfeady as he finished if, neverfheless, once fhe brush was down, he had wifh a greaf efforf fo confrol himself. No one knew of fhe hardships Herr Sfraus had been fhrough in fhe Iasf few years. No one knew fhaf fhis emaciafed old man, wifh his long, unkempf hair and ragged clofhes, had once been wealfhy, his fame known fhroughouf fhe world. Cerfainly, no one realized fhaf fhis poor arfisf had been work- ing sfeadily for some fime pasf fo make one final painfing, a painfing in which he wanfed fo represenf fhe life he now wanfed fo Iead . Wifh slow, falfering sfeps, Herr Sfraus fook fhe canvas over fo fhe cracked win- dow, so as fo gef a beffer look af if. If was fruly a beaufiful picfure, one in which only Herr Sfraus could express himself. Affer safisfying himself fhaf he could make no furfher improvemenfs, he resolved fo fake fhe painfing fo Herr Brugard, fhe famous arf dealer, and gef his opinion of if. I-Ie quickly puf on his faffered coaf and, wrap- ping fhe picfure in a piece of canvas, sfarfed on his way, hopeful and eager. Arriving af Herr Brugard's shop, he fimidly enfered. Recognizing fhe man in fhe chair by fhe window as fhe famous arf dealer himself, I-Ierr Sfraus caufiously approached. Do you wish fo see me? asked Brugard, Yes, answered I-Ierr Sfraus in a quavering voice. I wish you fo do me a favor: if will mean a greaf deal fo me and if will fake you only a few minufes. I would like you fo look af fhis picfure and fell me, honesfly and frankly, whaf you fhink of if. You see--if is fhe Iasf painfing I shall ever be able fo do. Very well, answered Herr Brugard kindly. Unwrapping fhe painfing, he sfared af if silenfly for a long fime. Awe and wonder passed over his feafures. Finally, furn- ing foward I-Ierr Sfraus, wifh fears in his eyes, he said: This painfing is a masferpiecel If musf hang wifh only fhe greafesfl Wifh a reverenf sigh, as if peace had suddenly descended on him, Herr Sfraus sank down, a crumbled heap, before his picfure of FuIfiIImenf. MARY I-IERSHENSTEIN, '39, autumn If fhe aufumn of life is half as lovely As fhe aufumn of earfh, I shall nof grieve For fhe vanished days of a rapfurous spring Nor beg for one momenf's reprieve. If winfer should come, I am confenf To leave my life in fhe hands of a God Whose mind could conceive fhe aufumn of earfh And sfar if wifh asfers and goldenrod. FANNIE MILLER, '39, decorum The friumph of I should over I would. VIRGINIA OPPENI-IEIMER, '39, forfy ink pol as you like it UNE affernoon I feIT very mischievous. I had iusT finished reading ALICE IN WON- DERLAND and decided To see if I could walk Through The mirror. To my surprise, IT gave way easily and I sfepped info a world unlike my own. Everyfhing was different IT was old England many years ago. The women were elaborafel gowned in long, flowing robes and wore Tall, poinTed haTs wiTh long veils. 'I felf Terribly ouT of place as everyone looked aT me queerly. Finally, a good-looking youfh came up To me. I'le had sTraighT, sandy, bobbed hair, sparkling brown eyes and a charming ace. I could see ThaT he had a IoT of personaIi+y. Who arT Thou and whom didsT Thou wish To see? I gave him my name and asked him who he mighf be. To my amazemenT, he an- swered, I am Rosalind. Thou hasT sTepped info Shakespeare's famous Tale, AS YOU LIKE IT. I was delighfed as Rosalind is one of my favorife characTers in Shakespeare. I hardly knew how To sTarT, buT I began by saying, Rosalind, I have always longed To see you. Tell me abouf yourself and OrIandol If Thou wouIdsT, she answered poIiTeIy, accompany me To my home in The foresT where I dwell wiTh my fair cousin, Celia, searching for my faTher. Agreeing To her will, we sTarTed Through The foresT, jumping over sfreams and laughing aT The Trees wiTh RosaIind carved on Them. AfTer Telling me her unforfu- naTe sTory, Rosalind broughT me To a shepherd's huT where no one seemed To be aT home. I was glad. Refreshed wiTh a drink of goaT's milk, we saT down on The Trunk of a fallen Tree To Talk. I Told her of The wonderful world in which I lived, wiTh subways, Taxis, Trolley cars, busses, eIeva+ors, airplanes and so many oTher Things. She appeared dazzled, so I asked, Why don'T you come To where I live? Ph, no! she exclaimed. I would be surprised and I know I would noT like il' aT a II Finally, I Told her ThaT I had To go. I could noT waiT To meeT her cousin and Orlando, so Rosalind showed me Through The mirror and inTo my home again. I was glad To be back, buT I enjoyed my visiT and nexT Time I shall waiT To see Celia, her cousin, and Orlando, her faifhful lover. SUZANNE GOLDBERG, '4I. skyscrapers BROWN hair, brown eyes, brown haT and suiT seemed To HT wifh Dale's mood as she h crossed The sTreeT. Her skyscrapers seemed To be swaying wiTh each honking om. Lake Placid seemed a far-off lace. JusT a week before, she had figure-skaTed her way To The amaTeur TiTIe ThaT hacfigiven her Ten days in New York. Now she had all she could do To keep her equilibrium on The ice ThaT coafed Fiffh Avenue. She had Tried To geT a parT in The Ice Carnival. buf There were no vacancies. She Tried ofher places, buT iT was always The same sTory, LeT you know. She had used up eighT days of her recious sTay. As she neared The rink in Radio Cify, she decided To skaTe for pracfice. A IiTTIe Iafer she was one of The moving figures, once around, a figure eighT, a Top Turn, and a few ofhers. She sTarTed To go around again, buT as she came To The edge of The rink, she heard someone call her. From Then on, she was in a dream, sailing on and on. She pinched herself. She! She was asked by a producer To come The following morning To be in a play, To skaTe on a sTage in New York Cify, The +aIIes+ cify in The world. Her skyscrapers Touched ground. EDITH MAYER, '4I. forfy-one ink pot the complications of reducing THERE he sfood, scowling af himself in fhe mirror, as fhe blood frickled slowly down his cheek and below his ear. Shame on you! You shave like a high school boyl Mr. Warner grinned down sheepishly af his young daughfer and blurfed ouf. Well, Bess, l was hurrying. Don'l' like fo keep your mofher waifing. Hey, nof so much powder! Therel Thaf's ENOUGH! and Elizabefh Warner, beffer known as Bess, smiled al' 'her fafher's be-powdered face. I bef you'll be more popular fhan fhe groom fo- ni f. g He will be, wifh me, and Mrs. Warner looked af her husband for a full minufe, as she so offen did now. l fold you l could do if and, by golly, l did! said her husband, as he furned fo appraise himself in fhe mirror. He wore a robe several sizes foo large and if was almosf unbelievable fhaf, six shorf monfhs ago, he had iusf managed fo buffon 'lhaf same robe. Oh, l've reduced for my healfh, he would say and fhaf was frue, buf fhen, when you fhoughf of Connie Warner, you wondered. He wanfed her fo be nof only proud. buf able fo brag a liffle abouf him. Now Mr. Warner sighed, wifh an l carried fhrough fo complefion air. Would he nof have fun fonighf, he fhoughf, wifh Connie? Why had he nof done fhis years ago? Why . . . Connie! H' was a groaning S. O. S. and Mr. Warner sfood holding a pair of panfs af leasf eighf sizes foo big for him. The failor, he senf 'rhe wrong suif! These panfs don'f fifl he repeafed, as if frying fo convince himself fhaf somefhing had gone askew. Then he realized whaf had happened. Quick anger overwhelmed him and he spoke hoarsely, fensely. Now don'+ gef exci+ed, caufioned Mrs. Warner. Oh. how could such a fhing happen and affer she had falked everyone deaf abouf Charlie's grand new physique? Oh, why had she noi' made him buy a Tuxedo insfead of renfing one? Buf he had in- sisfed, chiding her, wifh l'll gef so much fhinner. l'll be downrighf handsome, yef. As if he were nof handsomeienough for her now! l'll make him pay for fhisl sformed Mr. W. l'll have my lawyers sue him for all he's worfhl He'll feel sorry for his carelessness. This darn suif would have fiffed me six nnonfhs ago, before l gof some sense and reduced. Before-- Connie Warner abrupfly sfopped her pacing and slowly re eafed, Big enough- six monfhs ago-six-Charlie! She seemed elecfrified. lnfo ClTarlie's closef she dove and came our friumphanfly, holding a Tuxedo-draped hanger on which one could read, Clofhes fo hire for all occasions. Don'l' you see? she fairly squealed wifh icy l'he suif you iusf had on was your own old one. This one here, and she unceremoniously flung if af him, is fhe one you renfedl As Mr. and Mrs. Warner enfered fhe vesfibule of fhe church, a solemn voice was saying, and do you promise fo love, cherish and obey, fill deafh do you par+? Mr. Warner squeezed his wife's hand as if resfed on his Tuxedo-sleeved arm. LILLIAN FICHTENHOLTZ, '39, autumn leaves The sunbeams rushing pasf painfed fhem wifh blushes. VIRGINIA OPPENHEIMER, '39, fo rfy-fwo ink pot diplomacy 9 U B UT I Tell you I won'T go To any American Ambassador's house. WhaT The devil do you wanT me To go There Tor, anyhow? Darling, I know all abouT iT, Mrs. STone Tried To reason wiTh her husband. BuT aTTer all, Donna is one oT my Triends and she did accepT The inviTaTion Tor us. IT would be very rude noT To aTTend The Tea now. All righT, I'II go: buT you'II admiT ThaT They'll all probably be sTuTFy as can be. l came on The Trip To geT away Trom socieTy and Those darn social gaTherings, and whaT do I bump inTo? An Ambassador's Tea. Am I righT? GeTTing no response Trom his wife who, used To his sTubbornness, was enioying The Mexican scenery, he Turned To The congenial elderly genTIeman who had saT opposiTe him Tor The pasT Tew meals and who had been lisTening To him wiTh an amused look. Well, am I? The genTleman was, however, spared The Trouble oT answering by The conducTor who came To The dining car To announce Their ap roaching arrival aT Mexico CiTy. The passengers bound Tor ThaT ciTy, including The 5Tones and The congenial genTIeman, rushed To Their respecTive cars To geT ready To clebark. NexT aTTernoon Jerry STone was looking around desperaTely To Tind someone in The greaT room who mighT be inTeresTing. JusT as he was deciding ThaT all The people aT The Tea were sTuTFy, he spoTTed his breakTasT companion oT The previous day. ATTer a hearTy greeTing Jerry sTarTed Talking in conTidenTial Tones. For Heaven's sake, The people here are sTuTTy. Am I glad To see you! Thank goodness I haven'T had The pleasure oT meeTing The Ambassador yeT. I-le musT be- Jerry was inTerrupTed by his hosT's secreTary who, coming up To The liTTle old man, said, Pardon me, Ambassador, buT ou are wanTed aT The Telephone. The Ambassador excused himselT wiTh a smile. Jerry's rnouTh was wide open. ANNE FRANKENTHALER, '39, une declaration d'amour Le premier iour que ie T'ai vu Dans le iardin, sous le pommier, Tu eTais debouT. Tu regardais I'herbe, les arbres, les Tleurs, J'aurai pu Te regarder pendanT des heures. Crois-moi, serieusemenT, ie T'aime. Mon coeur s'ouvre a Toi: Tu es mon premier Tu seras mon seul amour ET ie T'aimerai Touiours. RUTH J. I-IERSKOVITS, '37, paths They walked The road TogeTher, I-Ie smiled To Think, Though a Tear Trickled down The old man and The child, OT The handsome man in his prime, And as The bo looked inTo his eyes, Who lay buried under The cold, hard earThg Behold-The olld man smiled! I'low his liTe was sTolen by Time. The smile was noT oT ioy, he knew, His TaTher, This dear chiId's TaTher, And yeT he was noT sadg Whose place he now musT Till, He smiled To Think oT his own boyhood, Ancl TeIT iT his duTy To walk wiTh The child, And The paThs he walked wiTh his dad. The old paThs sTiII. ELISE ELISBERG, '4I. TorTy-Th ree ink pot what i think of war WHEN I Think how foolish men are, in wanTing To fighT each oTher, shed each oTher's blood and kill each oTher, I wonder if These are The same men who have creafed such masferpieces, invenfed such wonders as The Telephone, radio, Telegraph. phonograph, cable, airplane and auTomobile, all works of man's achievemenT. IT seems incredible ThaT men who have creaTed such wonders ever wanT To kill each oTher, To go back To primiTive Times when man was no more Than a roaming animal and had To Tighr The wild beasTs if he wanTed To live. In Europe Toda , The counTries are re-arming and Training Their children in ways of warfare. Think of! The horrors of The IasT war! How many people were killed, how much money losT, how many people influenced by The slaughTer. We all know of people who have Iosf Their sighT, Their hearing, an arm or a leg, who have received shell shock and are now suffering invalids due To The lasT war. When vou Think of war you Think of men fighTing in The Trenches, being killed. killing. This isn'T all. There are educaTed men who, more Than The soldiers, work for war. There are scienTisTs. all over The world, who now are searching for more deadly poisons To desTroy oTher human beings. The rich men who finance wars, The ammuniTion maker, The gun manufacTurer, and The war-plane builder all wanT war. War does no one any good. One counfry may become greedy and wanT more land or more power, buT The lives losT and properTy damaged more Than double The vicTory if There is any. No one wins: everyone loses, wheTher lives, properTy, or money. IT seems absoluTeIy impossible ThaT highly infellecfual men wanT To go backwards and Tigh+ like barbarians. I believe ThaT war is a sTep backward in civilizaTion and in naTions as highly civilized as Those of The world Today, There should be no ThreaT of war. CONSTANCE MEIROWITZ, '39, A P 5 sing sing routine BEING The firsT dressed in my cosTume, waiTing To go on, I sTood in The wings and peeped inTo The audiTorium. In a few minuTes I saw someThing I shall never forgeT. Alfhough I had seen iT in The movies, in real life iT senT shivers up and down my spine. Several hundred grey-garbed men of all ages were shuffling down The aisle. Their pale faces looked as if They were moulded in masks. Blue uniformed guards showed Them To Their seaTs, where They saT quieTly. STanding There, The ThoughT came To me of all The ones who were so dear To Them. To whom They had broughT disgrace and misery. Suddenly The music began To play and a voice called, CurTain. PATSY AUERBACH -41 weathered H E saT wiTh his back To a pile on The wharf, his crisp grey hair framing a face Tanned and lined by his many years of conTacT wiTh The sea. The cord, wiTh which he was mending a fish neT, flashed in and ouT in his long, dexTrous fingers. His eyes were a deep blue which reflecfed The azure of The waves over which his gaze wandered. When any alien sound came To his ear, his eyes darTed abouT inquisiTively. His chin was square and firm, showing an obdurafe personaliTy. He smiled as The IiTTle children, frolicking on The sandy beach, Then Tiring of Their play, came To him for a sTory of his seafaring days. Then, as a IiTTle boy climbed upon his knee, he soffened and Told his sTory in a voice which rang like a bell, mingling pleasanfly wiTh The slap of The waves upon The beach. The gulls circling above seTTIed down in an aTTiTude rivalling ThaT of The children, one denofing inTeresT, pleasure and well-being. SARA PERLISH, '4-0. forTy-four ink pot wasp waist vs black mustache FOR as many years as I can remember, our family has Taken reaT pride in one pos- session. We have moved abouT from ciTy To counTry and bactic again, and always our Treasured memory book has come wiTh us. A home wiThouT a picTure album is as cold and unfriendl as a home wiThouT radiafors. To The older people in our family, The album brings back memories oT The days gone by, and, for The younger elemenT, iT in- variably provokes IaughTer and amusemenT. We simply cannoT become senTimenTal when we see our favoriTe aunT gazing aT us in The mosT absurdly-fashioned producf of The milliner's arT. To our aunf, The years swifTly unfold Themselves and perhaps bring back pleasanT memories, buT for our parT, we cannoT prefend To become Teary and emofional. Somehow, The masculiniT of men in Those days was recorded in The annals of a personal album. ln our very family one finds exacT reproclucfions of whaT we call our modern Tarzan. IT is noT an uncommon picTure aT all To see uncles and cousins peeping ouT of Trees. A Tamer, buT sTill a sTrong Tarzan is always found sTanding beside his wife in every picTure of a happily married couple, which brings me To one picTure ThaT is quiTe amusing. MoTher is siTTing on a high-backed, ornaTely Tiligreed chair, and Dad, of The celluloid collar and severely-Tailored black frock coaT, is sTanding beside her. One's aTTenTion is drawn immediaTeIy To a peculiar ouTline on The chair. Yes, iT is The mosT incredibly small waisTIine one ever did see. l'm ashamed To Think ThaT I measure TwenTy-seven inches when, aT my age, MoTher boasfed only eighfeen. Then we see an ebony-black someThing or oTher waving gracefully over Dad's face. Proudly he Tells us ThaT a Beau Brummel was noT a Beau Brummel wiThouT one. ApparenTly he was noT To be oufdone by The ofher dandies of ThaT day and age. BoTh ouTsTanding, I can r decide which is The more inspiring, a wasp waisf or a black musfache. CHARLOTTE SHNIPKIN, '38, starlight and embers WE had paddled abouT Tiffeen miles, in The scorching sun across The rough whiTe- capped lake. Now, as we saT around The blazing fire, we felT somehow conTenTed, and in The uTTer silence of The nighT sensed how really insignificanT we were. The sky was sTudded wiTh sfars and The norThern lighfs casT weird shadows across camel-humped mounTains. The embers glowed and There is noThing so beauTiTul To see or so delicious To smell as The saTin bark of whiTe birch as iT slowly burns. The red-gold colors danced on sun-Tanned faces wiTh ThoughTful eyes. There was a cerrain peace and perfecT undersTanding in The hearTs of everyone, as we saT, some wiTh immobile faces, oThers wiTh faces as innocenr as a child's, and some wiTh hidden Treasured Thoughfs ThaT were Their very own and could noT be inTerpreTed inTo words. We sang for awhile, and as our voices floaTed ouT across s+iII waTers, There came To us The sound of Taps, and wiTh iT a sense of securiTy. Perhaps, afTer all, There is a sandman, for our eyes were heavy Iidded and slumber overfook us, as we Thoughf, Gods in His heaven, aII's righT wiTh The worId. EDITH WILSON, '39. a rainbow An arTisT's brush SwepT across The sky In a curve Of magic beaufy. MARGARET HARTIG, '4l. forTy-five -Q ink poi secret passions of an undergraduate GAUNT and Treckled was my kid broTher aT The brave age oT sixTeen and a half. Hopelessly overcome by some presenT Teminine TIaTTery, Bobby was a problem chilp. For anyone sTudy:ng a course in adolescenf psychology he would have been a per ecT specimen To ana ze. AT one Time during his illusTrious career Ialong aThIeTic linesl Bobby's acTions were becoming a biT puzzling. He wasn'T a bad young one, buT, like all bo s, a liTTle unTidy, and a comb never ran Through his Tair hair buT once a day. How, like a clean spring wind. he blossomed inTo a perTecT genTIeman. His Tormer habiTs were mainly To run abouT The house knocking everyThing over in his paTh and leaving a scene behind him which resembled a sTreeT in war-Torn Madrid. WhaT was This change ThaT had come over him? His shoes were meTiculously shined each morning, and his hair, paTenT- IeaThered careTuIly, looked like Pinaud's TavoriTe adverTisemenT. OT course There was Carolinji picTure on hif burciaud? BuT he always complained abouT girls geTTing in his wa an ow sooner or aTer e' 'oin a monasTer . Y Well, one Tine morning, Bobby approachedyme aTTer breakTasT, and wiTh a grin on his Tace said, Come on, Sis, how abouT Two biTs? Sunkl I ThoughT: he saw me come in aT Three lasT nighT. He goT my IasT quarTer, and Trom Then on I kep+ an eye on him more closely Than ever. IT only I could discover whaT grade he had made on his French exam! CerTainIy, if he had passed, he wouldn'T keep ThaT a secreT Trom his ever-admonishing parenTs. And yeT iT couIdn'T be ThaT. Bobby was sTruggling againsT someThing sTilI greaTer Than he could cope wiTh. Poor kid, he asked Tor money, and I accused him oT Taking iT as hush money. Feeling an overwhelming surge oT older- sisTer responsibiliTy, I decided To aTTack This subiecT wiTh all The TacT and s mpaThy I could musTer: Poor Bobby, he is even now brooding up in his room insTeadl oT doing his homework. His li+TIe hearT breaking Tor wanT oT someone To confide in. Up I ran The TIigh+ oT sTairs To Bobby's room and opened The door slowly. There in The mirror I could see a reTIecTion oT him making The queeresT Taces and muTTering To be, or noT To be. I had all I could do To keep myself from shouTing wiTh laughTer as I Turned my back To slip ouT, when he spied me and called me back! ExerTing all his manliness he succeeded in quieTIy ThrusTing me inTo a chair. WiTh his hand covering his mouTh and one TooT unyieldingly placed on my poor Toe, he proceeded like This- HonesT, Sis, I love you, buT l won'T be responsible if l kill you or sumpin'. You musT never Tell whaT you iusT saw me doing. WiTh This he made me swear never To uTTer a word abouT his aspiraTions. He Then unToIded his Tale To me. He was going To be one oT The greaTesT Shakespearen acTors in The world. The money he Took was very sensibly in- vesTed in an impressive green covered book enTiTled How To ACT in Shakespeare! Dramas in TwenTy Easy Lessons. And a sub-TiTIe, Overcome STage Frighf by Fol- lowing Bill Shakespeare's Ten Easy Rules. Goodness! Bobby was going To be an acTor. And whaT is iT people say abouT girls being sTage sTruck? CHARLOTTE Sl-INIPKIN, '38. a valued treasure THE nighT is mosT exquisiTe and rare. IT gives The heavens Their holiesT hue. The sTars are sTudded againsT Their ebony background, and The divine moon shows above The Tops oT The snow-shining mounTains. NighT is The moTher oT ThoughTs and puTs old cares To TlighT. Some say ThaT nighT brings our Troubles To The lighT, raTher Than banishes Them. ThaT is noT True: iT Iulls The world To sleep and gives back The losT delighTs ThaT The soul once possessed. A dewy Treshness Tills The silenT air: no misT obscures, nor cloud, nor speck, nor sTain breaks The serene oT heaven. How beauTiTuI is f1l9h+! FANNIE MILLER, '39, TorTy-six ink pot gateaux de riz Les Personnages: Madame Duponf La bonne Caroline Le iuge Monsieur Duponf Scene I La scene se passe dans la cuisine de Madame Duponf. L'l'1eure-apres le deieuner. Mme. Duponf se prepare a faire des gafeaux de riz: Caroline regarde. Mme. D: Horace, ie veux dire M. Duponf, ne sera-f-il pas surpris, Caroline! Eh bien, ce mafin seulemenf, il me disaif: Fifi cherie il m'appeIIe Fifi fouf courf, au lieu de Josephine, vous savez-Fifi, ie voudrais que vous sachiez faire la cuisine! J'en suis fombee des nues Apr:-S lui avoir di+ que ie m'e+ais leve 5 5 heures pour re arer ses cerea es! gasoline: Oui, ie sais, mais .... Mme. D: Oli! Je sais ce que vous allez dire. El: bien, efaif-ce ma faufe si i'ai pris la mauvaise boife ef si i'ai mis du riz au lieu de semoule. Caroline: Pour vous dire la verife .... Mme. D.: Je savais que vous me donneriez raison. Eh bien, ie vais lui monfrer! Mes gafeaux de riz vonf le faire fenir franquille. Mainfenanf, Caroline, ne difes pas un seul mof. Je vais faire cela enfieremenf par moi- meme. ll ne pourra pas dire que vous ne m'avez aidee. Si, ie vous demande quelque chose, ne me difes rien. J'ai noul ce qu'il me fauf. Je sais que c'esf le riz parce que c'esf la boife opposee e ce e e ce mafin. Caroline: Mais, Madame, ceffe boife .... Mme. D.: Caroline, ie ne veux pas que vous me disiez quoi que ce soif. J'ai foufz le sucre, le laif, le beurre, le riz, la farine, les oeufs, ef le livre de receffes. Ne difes pas un mof. Voyons! Ou esf-ce que i'en efais! Vous meffez dans .... Oli! oui. meffez deux fasses de riz. Caroline: Mais, Madame .... Mme. D.: Non ne difes rien. Ou esf la fasse? Oh, voici! Mainfenanf aioufons le sucre lenfemenf. Caroline: Oh, Madame, vous avez mis .... Mme. D.: Mainfenanf. ne me derangez pas-farine-oeufs ef laif. J'ai mis le beurre, n'esf-ce pas, Caroline? Caroline: Mais, ie pense, Madame, que vous .... Mme. D.: Oli! Ne me difes rien! J'en meffrai encore un peu pour faire bonne mesure, cela ne fera rien, n'es+-ce pas? Caroline: Maisie ne pense pas que .... Mme. D.: Oh! par grace! Ne me difes pas ce qu'il fauf que ie fasse! C's1' une chose que ie veux faire moi-meme, voila! Mainfenanf dans le fourneau! EST-ce qu'Horace ne va pas efre surpris! ll m'esf impossible d'a++endre! Scene ll Caroline: Voile commenf c'es+ arrive, Vofre Honneur. Elle ne voulaif pas que ie lui dise qu'elle meffaif du sel pour du sucre, de la semoule pour du riz ef du sucre pour de la farine. Peuf-on en vouloir a Monsieur s'il a iefe le fouf par la fenefre? Le judge: Hurn . . . um . . . sifuafion delicafe, +res delicafe! Mme. D.: Voulez-vous dire que vous m'avez laissee faire sans me dire. Caroline: Mais, Madame, vous .... Mme. D.: Ne me repondez pas, ie vous renvoie. lSe fournanf vers son mari, assis a une aufre fable! Oh! Horace cheri, ie regreffe fam' de m'e+re mise en colere! ie ne ferai lus de cuisine, ie 'le le promefs! Horace: i c'es'r une promesse, fu peu revenir e la maison, mais . . . e l'essai! Mme. D.: Oli! Horace! lElle commence a pleurerl. JUNIOR ll. forfy'seven ink pot dogs PEOPLE say ThaT a dog is man's besT friend. Whoever firsT said ThaT musT have been a greaT lover of dogs, as l am. A dog is greaT company, even when he is old and cannoT do Tricks. He can make you feel well again, if he is wiTh you when you are sick. He can make you feel as if The whole world were wiTh you, when you are alone. IT does noT maTTer wheTher he be a liTTle Terrier or a big SainT Bernard, he will make you happy. lf you live in The ciTy, a liTTle Terrier will give you much pleasure, going wiTh you every- where. ln The counTry, a lovely seTTer or spaniel is a good companion, especially if you go ouT hunfing wiTh him. Some people buy a dog because They see ThaT everyone has one, buT They soon grow To love iT, noT because iT is a dog like Their besT friend has, buT because iT is Theirs and They love iTs sorrowful eyes or iTs happy bark. I Think The saying, Man's besf friend is his dog, will live forever. NATALIE SILVER, '42, farewell NT was Edward MacDonald's lasT Trip and all his friends were There To see him off To his home Town-all his friends who had seen, as The expression goes, a small Town boy make good in The big ciTy of New York, and now. Edward MacDonald was going home. The silvery sTream-lined Train whizzed info The sTaTion wiTh all The smooTh speed of The age ThaT provided iT. Bidding Their friends goodbye, all The passengers boarded The Train. The shriek of The whisfle, as The Train pulled ouT of The sTaTion, seemed To symbolize The Tension felT by his friends as Edward MacDonald was going home To be buried. JOYCE GOODMAN, '39. my class There are Two gigglers in mg' class, By The names of Salmon an Kass. When we're worried or when we're blue, We always have our liTTle Sue. Good old Sallee, on The job, Wifh a hanky when we sob. Marilyn makes an awful din, Abouf her favoriTe, Errol Flynn. GEANE LINZ, '4-2. I'I18I'y Ell'II'IE l'ler hair The hue of golden sands, The golden sands of many lands: Her e es The color of The skies, And The oceans ThaT far disTanT lie: l-ler lips so beaufiful, cherry red. Like Tulips of my flower bed. My Mary Anne. SALLEE FOX, '42, forfy-eighf 133 fr wg. ,f f nf r -a -a 4 . i l --a ink pot gone with the wind by MARGARET MITCHELL THE overwhelming enThusiasm Thai greeTed GONE WITH THE WIND is an asTonishing reacTion since iT is MargareT Mi+cheII's TirsT novel. ITs overnighT populariTy obviously gives rise To The query. whai' is The cause Tor This unanimous approval? IT is quiTe safe To use The word unanimous, because up To daTe liTTle, if any, adverse criTicism has been voiced. The firsT quaIiTy ThaT people ascribe To Miss MiTchell is her power of human characTerizaTion, especially ThaT oT Scarleff. The obiecTion To This sTaTemenT, however, in endeavoring To answer The query mighT be ThaT a characTer such as Oliver Alden in SanTayana's IaTesT book, THE LAST PURITAN, is beauTiTuIIy porTrayecl, yeT did noi' receive The boisierous acclaim ThaT ScarleTT won. My opinion is ThaT ScarleTT has characTer- isTics ThaT people find in Themselves, aIThough They may be IoaTh To admii iT, and consequenTly under- sTand her beTTer Than They do Oliver, whose ThoughTs and ideals had IiTTIe in common wiTh Those oT The general public. The conclusion arrived aT, There-:Tore lassuming good characTerizaTion on The parT oT The auThorl, is ThaT The Type of characTer porfrayed wins popuIariTy for a boolc. JusT whaT is iT Then ThaT makes ScarleTT dilifer from oTher heroines? ScarIeTT O'Hara is conceded To be selfish, aggressive, and viTuperaTive: yeT her moTives were clear, and The goal she was so earnesTly Trying To reach-ThaT of re-aTTaining a secure posiTion in liTe-is a direcf resulT of The Civil War, and as such is To be admired and sympaThized wiTh aIThough her meThods were wrong. AlmosT any girl oT sevenTeen, wiTh ScarleTT's inexperience, who is suddenly Thrusi inTo a posiTion oi as greaT imporTance and responsibiliTy as managing a planTaTion, would have hear head Turned and would become bossy wiTh The acquisiTion of power. ScarIeTT's iealousy of Melanie because of Ashley, her disregard of convenTions, her asTonishmenT when RheTT probed inTo her deepesT ThoughTs, her feeling of superioriTy when she made her daily Trip To The mill, The charms which she Turned on Tor The boys' beneTiT, and her na+uraI desire To be The belle of each parTy To malce The oTher girls iealousz These are undersTandingIy dealT wiTh by The auThor. So, Too, are The TraiTs which malce her dislilced: her indiTTer- ence To her children, her selTishness in wanTing Carreen and Suellen To geT ouT oT bed before They Tully recuperaTed from Typhoid so Thai' The pIanTaTion would prosper more quickly, and her venaIiTy in marrying Franlc Kennedy, wiThouT loving him, when he was engaged To her sisfer. The ending of GONE WITH THE WIND did naT deTracT Trom iTs appeal because people realize iT' To be The only sensible one and The ineviTable one. ScarIeTT only loved Those people whom she was unable To order around, as is shown in her devoTion To her moTher and To Ashley. IT she ceased loving Ashley aTTer she was sure of his love, iT is only consisTenT To presume ThaT she would do The same To RheTT. The name of ScarleTT O'Hara has become a synonym Tor GONE WITH THE WIND, for she is The greaTesT TacTor in cleTermining iTs popuIariTy. Miss MiTchelI deserves The recogniTion she received, Tor she labored Ten years wriTing This book. IT MargareT MiTchelI is noT Too preoccupied, in The near TuTure, wiTh The movie version of her book, I hope she will wriTe a sequel To iT ThaT will be equally successful and equally worThy of public acclaim. BETTY BARON, '37. an american doctors' odyssey By Vicior Heiser, M.D. SIMILAR To The Time-worn Tale oT The roving Odysseus who soughT sancTuary from his suffering, we Tind an even greaTer advenTure depicTed upon The sTirring pages of This modern medico's biography. His liie was devoTed To The accomplishmenT of one ideal, The applicaTion of his lrnowledge of medicine To The prevenTion of disease. VicTor Heiser was possessed wiTh The TorTiTude, deTerminaTion and inTelIigence required oT a slcillful surgeon. BuT his noble characTer soughi no personal glory. To serve his Tellow men To The besT oT his abiliTy was all This modern Odysseus aslced of life. Vividly each phase oT his resTless exisTence has been recorded, and one Tinds a Thrilling advenTure, Tense in iTs realiTy, wiTh every new chapTer. As a governmenT agenT, Heiser's worlc led him inTo TorTy-'Five disease-infesTed Toreign counTries. Washing up The OrienT, prevenTing EasTern plagues Trom ravaging The WesTern world, and inTroducing sgfniTary meThods and prevenTaTive medicines The world over-all have been a parT of his unrelenTing e oris. Dr. Heiser has been a medium Through which ignorance and supersTiTion have been dispelled in iavor of inTelIigence and science. AN AMERICAN DOCTOR'S ODYSSEY is a TiTTing TribuTe To a magnanimous individual. CAROL KADEN, '38. TifTy ink- pol memoirs of a small-town surgeon By John Brooks Wheeler, M.D. M R. WHEELER was graduaTed from The UniversiTy of VermonT in I875, and in The same year began The sTudy of medicine aT Harvard. He has noT only waTched The developmenT of This science buT has Taken acTive parT in iT. ln an auTobiography comprehensible To laymen he has relaTed iTs growTh by relevanT sTories and anecdoTes. in The I870's medical schools were noT graded, nor were sTudenTs. They had a Three-year course and during Those Three years were required To aTTend Two lecTure courses of from Tour To six monThs each. WriTTen examinaTions were noT given, buT aT The end of The second course oral examinaTions were given which consisTed of noT Too severe quesTions. The sTudenTs, who were required To become apprenTiced To pracTicing physicians, were supposed To acquire Their pracTical knowledge from Them. As an inTerne he waTched many operaTions which are The basis for some of his comparisons. ln his Time anesThesia made paTienTs more comTorTable Than They had been prior To iTs discovery in The l840's. Discoveries were being made. buT were Too TrequenTly scoTFed aT. since some which had been Tried 'failed because of TorgoTTen deTails or less skillful Technique. SomeTimes, Too, surgeons were Too sTubborn To vary Their accusTomed meThods. The morTaliTy raTe was Trom eighTy To nineTy-Tive per cenT, since sTerile garmenTs and insTrumenTs were noT known. Surgeons operaTed conTinually in gar- menTs ThaT had become Too old and ragged To wear in The sTreeT. These were usually sTained wiTh pus and blood. IT a surgeon had To inTerrupT an operaTion Tor any reason he would place The insTru- menT'he had been using in his mouTh and Then use iT again. Thereby endangering his paTienT and himse T. DocTors TrequenTly Travelled hundreds oT miles To operaTe on paTienTs in Their homes. The paTienTs had a horror oT hospiTals since The deaTh Toll was so high. OperaTing Tables were erecTed on Two barrels wiTh a board sTreTched across. IT a paTienT's TeeT hung oTT The Table a chair was used To prop Them up. A docTor considered himself TorTunaTe if he Tound a kiTchen Table on which he mighT operaTe on a paTienT. AT one Time Dr. Wheeler was Taking a paTienT To a hospiTal by Train, and since The paTienT had To lie down They Travelled in The baggage car. AT The TirsT sTop a leaky craTe of TrouT packed in freshly waTered grass was puT on. NexT Time Two hounds were added To The group, and The Third Time a large craTe oT squawking ducks ioined Them. Thus iT was ThaT paTienTs Travelled To The hospiTal. WhaT a conTrasT These illusTraTions presenT To modern Technique and hospiTalizaTion. Well- Trained docTors and nurses work quieTly, quickly, and eTiicienTly in disinTecTed hospiTals. The mor- TaliTy raTe has dropped To Ten per cenT. Trained men work in laboraTories daily sTriving Tor beTTer resulis by new meThods. Diseases previously incurable now have remedies. All regions in The body are explored, and diseases in Them TrequenTly cured. During The nineTeenTh cenTury surgeons did noT dare operaTe on The head, chesT, or abdomen. The complain? I have wiTh The book is ThaT Dr. Wheeler apologizes Tor whaT he says and Too oTTen musT admiT ThaT he is noT sure of his TacTs. He could have, in many cases, I am sure. veriTied his sTaTe- menTs. and where he could noT he mighT have omiTTed Them. This gives The impression ThaT he does noT know whaT he is Talking abouT, buT in realiTy The book is a Thorough and inTormaTive accounT oT The growih oi one oT our mosT viTal sciences. BETTY BARON, '37. crimefile on bolitho blane 5 By Dennis WheaTley and J. G. Links C RlMEFILE is The name given To a police record oT a crime. This book presenTs To The reader every clue and iTem oT evidence. exacTly as The police find iT. IT is unique in ThaT, insTead of giving descripTions, iT provides acTual phoTographs: insTead of described clues. The burnT maTch Tound in The dead man's cabin and a paTch of a blood-sTained curTain are given. Telegrams, hand- wriTTen messages, and reporTs are reproducTions of real ones, adding more inTeresT To The sTory and making The reader Teel like a Sherlock Holmes on The Trail. The sTory, beTTer Than The usual run oT mysTeries, is wriTTen by Dennis WheaTley, buT crediT also goes To J. G. Links, who planned iT. As DeTecTive KeTTering geTs The case, BoliTho Blane, wealThy Brifish Tinancier, has been Tound dead in his cabin aboard a yachT oTT The coasT of Florida. Aboard This yachT are The daughTer of Rocksavage, a fake counT, a Bishop, The ever-mysTerious Japanese oTTicial, several guesTs and Blane's secreTary. His hosT, CarlTon Rocksavage, reporTs Blane's deaTh as suicide, and iT is noT unTil The Chief of DeTecTives Tinds a clue in a phoTograph senT him by KeT- Tering ThaT The reader begins To suspe-:T various characTers. I Think ThaT This book, in iTs uTTer originaliTy, will appeal To all readers, while an ardenT Tan of mysTery sTories will Tind iT To be iusT The Thing he has been seeking. LILLIAN FICHTENHOLTZ, '39. TiTTy-one in k p 0 t of lena geyer By Marcia DavenporT W HEN David asked Lena for permission To wriTe her auTobiography, she refused, giving a very iusTiTiable answer. There has never been a book wriTTen abouT an opera singer ThaT was True. You would make me appear like a Hollywood sTar and I don'T wanT ThaT. David. BuT Tinally, aTTer many monThs oT TacTful approaches To The subiecT, David goT her To give in, and Thus, OF LENA GEYER. WiTh This in mind, you are prepared Tor a book ThaT hides none of The coarseness of The poor Bohemian peasani' who rose To such fame wiTh her Thrilling voice. Lena lived in a small world, encircled by her very few friends who, one and all, lived in The glory oT her sparkling, energeTic person. She was noT beauTifuI, buT, as one of her dearesT friends said, She is The only woman I know who, Though noT beauTiTul, has a glowing radiance abouT her, ThaT fills The room, opera sTage or concerT-hall, ThaT she happens To be in, wiTh an alive and fiery beauTy. OT course, her voice was parT of her charm, for There was someThing elecTrifying and viTal in iT ThaT en- rapfured people wheTher she was giving a command performance for kings, or singing To The Town oT Sioux CiTy, on one of her Tours. Coming Trom Prague To America To be near her dear maesTro, she began her career in dire poverfy, buT happy neverTheless, To give her whole self To her arT. Going back To Europe To gain recogniTion, she ToughT againsT her personal desires and always puT her music before even The whole world. Much doubT has arisen as To wheTher Lena is a ficTiTious characTer Tor she is so naTural, so TruThTul, wiTh her liTTle faulfs ThaT she is really noT a book heroine. Marcia DavenporT is in a fiT posiTion To wriTe a book abouT such a greaT arTisT, Tor her moTher is a greaT singer and her faTher a noTed violinisT and she has been raised wiTh a deep undersTanding of music. Through her pen we see a magnificenT woman, Lena Geyer, and aT Times, almosT her Tasci- naTing voice. Ll LLIAN FICHTEN HOLTZ, '39, north to the orient By Anne Morrow Lindbergh T HIS is noT a book such as one Conrad or Hugo mighT have wriTTen, buT iT is wriTTen in a sTyIe so human, so beauTiful in iTs simpIiciTy, ThaT iT aImosT equals The works of The greaT auThors. The descripTions of Their many sTops, when Mrs. Lindbergh and her famous husband flew To The OrienT via a norThward rouTe, long remain in one's memory, so vividly are They painTed. In Norfh Canada, visiTing a IiTTIe seTTIemenT comprised solely of men who had noT been in a populaTed, civilized communiTy Tor many years, in China, volunfeering Their services To The sTricken Chinese, and Then on To Russia and Japan, The Lindberghs conTinued Their Thrilling iourney. ATTer finishing This greaT book, one feels as if one had been NORTH TO THE ORIENT wiTh Lindberghs. JOAN AMBERG, '38. the nine old men By Drew Pearson and RoberT S. Allen T HE NINE OLD MEN is one oT The TinesT books ever wriTTen abouT The Supreme CourT. ITS auThors. Drew Pearson and RoberT S. Allen, are leading experTs and wriTers on foreign aiifairs in The UniTed STaTes. They have exfensive conTacTs which make Them auThenTic sources of public inTormaTion in WashingTon. The book describes each of The nine iudges on The bench, Their personal and social lives, and The backgrounds ThaT have helped shape Their opinions. IT Tells how The courT during The one hundred- and-TorTy-seven years of iTs exisfence, has risen from an insigniTTcanT body, which meT in any dingy room ThaT iT could obTain, To The powerful posiTion which iT now occupies in The governmenT, siTTing in a whiTe marble palace, in WashingTon. JusT who are The nine old men who siT in The Supreme CourT? How do They live and work? WhaT have been The eTTecTs oT Their recenT decisions, veToing acTs of The PresidenT and Congress? The book answers all These quesTions. IT exposes The Supreme CourT in an inTeresTing and lively manner. IT is a daring and revealing picTure of The Supreme CourT, iTs personaliTies and iTs TuncTions. IT should be read by everyone for a beTTer undersTanding of The mosT powerful courT in The world. CONSTANCE MEI ROWITZ, '39. fiTTy-Two in k p o t beloved friend By Bowen and Von Meck O NE of the more recent works of literature is BELOVED FRIEND, by Catherine Drinker Bowen and Barbara Von Meck, an excellent collection of the letters of Peter Tchaikowsky. the famous com- poser, to his beloved friend. Nadeida Von Meck, and her replies. From this prolific correspon- dence. which continued for more than a decade, has been woven the story of a most fantastic romance. which leaves the reader breathless with its strange beauty. The letters are entirely authentic, many having been contributed by one of the authoresses, Bar- bara Von Mack, who, incidentally, is the grand-daughter-in-law of the heroine. Rubenstein, the great pianist-composer, first introduced the works ot Tchaikowsky to the widow Von Meck. She immediately fell in love with his music. and soon proceeded to write to him and tell him ot her admiration tor his compositions. Tchaikowsky replied, and from that day on continued a most fascinating correspondence between the two. Despite the brief marriage of Tchaikowsky and the fact that Nadeida Von Meclc had grandchildren. nevertheless the two felt deeply for each other, and laid bare their hearts in the most poignant of le++ers. Madame Von Meck, being an extremely wealthy woman, provided Tchaikowsky with every possible luxury. But perhaps the most miraculous part of this romance is the fact that Tchaikowsky and Madame Von Meck never visited each other, although they lived close by-never were introduced-saw each other occasionally at the opera, only at a distance, however-never attempted to see each other, and never did meet each other during their entire lives. Barbara Von Meck and Catherine Bowen have contributed a most worthy book to the world of literature. It is surely destined to become a universal favorite. JEAN ADRIAN GREENBERG, '39, fighting angel By Pearl S. Buck F IGHTING ANGEL is the biography of the author's father. Andrew came of what was called the preachin'est family in Virginia. His story begins on a farm and tells of his struggles to receive a good education. He wandered about China for more than half a century. He went there young, and there he died, an old man. Part of his lite work was the translation of the New Testament into the Chinese language. He was a devoted tighter for the souls of the heathen. He was so sure of his rightness and so impatient because there was so little time to save the millions of souls, that he went through all the hazards of banditry, of famine, of epidemics, of the Boxer Rebellion, and of revolu- tion, but still on he moved the same. serene. odd, devout Andrew, so sure of himself and his cause. His is a portrait of one single soul fighting for other's souls which have been lost. and thus he is pre- sented as the FIGHTING ANGEL. FANNIE MILLER. '39, from these beginnings By Will Levington Comfort FROM THESE BEGINNINGS is an amusing, realistic picture of an American family in moderate cir- cumstances. It is written from a humorous point of view, but with a sympathetic treatment of a young girl's emotional lite. Wilton Crosby, the well-beloved father, had been writing a book for many years. Judith, like so many mothers ot today, is the inevitable go-between, trying to inspire the confidence of her daughter. Paula, without losing that of her mother-in-law, Mrs. Crosby. She must be an understanding link be- tween old and young, as well as mother to three children. This bool: introduces lightly a situation that exists, to a certain extent. in every American home. Its charm lies in the vivid personalities of the characters. The author is the brilliant and talented daughter of the well-known writer, Will Levington Com ort. PHYLLIS AARONSON, '39, fifty-three in k p o t the broken song By Sonia DougherTy THE BROKEN SONG is a very unusual sTory laid in Russia during The Time oT The Revolufion. The Oblanofis are a very inTeresTing Tamily, and Their advenTures and The diTTerenT people They meeT .while moving Trom place To place To escape The RevoIuTion make a very enTerTaining book. There is an exciTing climax and Tinal happiness Tor all. Miss DougherTy's THE BROKEN SONG holds The reader's inTeresT Trom beginning To end. NATALIE SILVER. '42. vein of iron By Ellen Glasgow VEIN OF IRON is The sTory oT The FincasTles Tor Three generaTions-grandmoTher, John and Mary Evelyn, and Their daughTer Ada, who brings us up To modern Times. Ada has The same spiriT oT courage in meeTing The harshness of The TwenTieTh cenTury ThaT her greaT-greaT-grandmoTher had when facing capTiviTy aT The hands oT The Indians. All Through The book runs The VEIN OF IRON, forTiTude, sTrengTh, a will To live ThaT holds generaTions TogeTher. LEE EITINGON, '38. lost horizon By James l-'lilTon L OST I-IORIZON is The Thrilling and amazing sTory of Three men and a woman missionary abducTed by plane Trom India To a TibeTan lamasary. The principle oT The Lamas is moderaTion in all Things, and Through mocIeraTion They achieve an incredibly long life, The head lama being cenTuries old. To me iT is noT The sTory buT The philosophy and The inTiniTe wisdom ThaT make The book so precious. LEE EITINGON, '38, to the mountain By Bradford SmiTh WITHIN This Tender sTory is The drama oT modern Japan-The sTruggle beTween The old and The new, beTween ancienT, OrienTal TradiTion and wesTern innovaTion, beTween The lovely grace of a kniqhTIy culTure and The spiriT oT war and conquesT, beTween ChrisTianiTy and ShinTaism. IT is a novel of beauTy and signihcanceg iT broadens undersTanding. AT The cenTer oT The sTory is The ill-sTarred love of Two charming persons-Shigeo, a quieT, sensiTive sTudenT, son of a rich and rakish merchanT, and genTle Kimi, rescued Trom a house in The Yoshiwara To which her poverTy-sTricken parenTs sold her aT TiTTeen. LiTe seems To Torbid Them happiness eiTher TogeTher or aparT. IT TogeTher They dishonor The old TradiTion, Tor They are Tor- bidden To marry, yeT They love each oTher Too well To parT. They Tind Their own TranscendenT soluTion. To The delighT of The narraTive and The greaT range of living characTers, are added in every page, impressions of Tokyo Today, so vivid They have all The illusion oT realiTy, so unusual ThaT They have The TascinaTion of a newly-discovered counTry: such varied scenes as: Kimi's Tamily, six oT Them, living in a Tiny room, sleeping under rags, wiTh only a Ii++le rice Trom The governmenT-dole, noT suTTicienT To provide one meal a clay: The Tamily life of The rich oil merchanT-a business man's banqueT, a sTag parTy wiTh geishas To enTerTain-a baThing beach as crowded as Chicago's: The unTorTunaTe women in The Yoshiwara, described wiTh resTrainT and digniTyg The deparTure and reTurn of soldiers from The Manchurian war-insTances oT heroism-The war propaganda: The crowded uni- versiTy-sTudenTs sTriking and bossing Their Teachers-communisT sTudenTs TorTured inTo confession- sTudenTs picnicking and ashamed oT Their TrighT aT a liTTle earThquake: young people so paTienT. quieT, and conTrolled we almosT believe The Japanese can never be so violenT-and Then an oTIicer pushes a lighTed cigareTTe in a suspecT's nose. Bradford SmiTh's pen is uniquely TiTTed To TranslaTe To us in TicTion The psychology oT The Japanese -a Task requiring knowledge, sympaThy, peneTraTion. Even more remarkable Than his insighT is The depTh oT Teeling wiTh which he Touches and moves The reader in The Tragic problem oT Kimi and Shigeo. Rl-IODA MINTZ, '37. TiTTy-Tour l 1-K We L-554-231 EN! '- ' fi Xp, - , 2,5 U v Q 'ff' ' Q Q . of P? ' is, 'I F Q' ll ' cg X, ink pot the snowfall JUVENILE PRIZE All day long The snow Tell lighTIy Like some fairy child so sprighTly Clad The earfh in glisfening whiTe Breaking The darkness of The nighT. When aT lasf The moon came ouT. Turned her shiny face abouf, She saw no dull and barren land BuT silvery whife a fairy sfrand. From mansion down To hovel whiTe The snow had Transformed The nighf Sparkling as a Thousand iewels Wifh reflecTions in icy pools. Sleigh bells ring across The snow As oTf The dashing horses go Tingling wiTh our spiriTs high Down The counTry road we fly. Cold hearTy days like These WiTh a keen and blusTery breeze Blowing long from ouT The wesT Are The days I like The besf. RUTH MICHAELS, Fiffh Grade. the ghost of the sizzling bomb ASTRANGE and suspicious box, covered wiTh holes, lay on The windowsill aT The end of The hall. A maid happened To pass by ancl, seeing The hole, ThoughT iT was a bomb. She ran downsfairs and Told The house-deTecTive. The house-deTecTive called his assisTanT, who called The clerk, who followed aTTer calling The bell-boy. They ran upsTairs and saw aT The end of The hall The bomb .They heard a soff scraTch, To Them The sizzling bombl Suddenly, ouT of one of The holes popped a head dime. buf disTincT as big as a The deTecTive gave a yelp, his assisTanT ran down The sTairs Tasfer Than a lack-rabbiT bulleTg The maid TainTed complefely. The bell-boy did likewise, and as far as The clerk, doesn'T know whaf happened. A maid sfepped ouT of The room To ask abouT The commoTion. The deTecTive yelled Ghosf of The Sizzling Bomb! The Ghosi' of The Sizzling Bomb! and moTioned Toward Th The box had a posTmark on iT and, sTrange To say, if was addressed To This maid. She was puzzled. IT is from my sisTer, she ThoughT. She lisTened: The sizzling was scraTching, The ghosT was a Tiny head. OT course. said The maid, TurTIes from my sisTer's TurTle farm. IRMA NEWMAN, SixTh Grade. Tiffy-six bookland When everyThing is wrong and you don'T know whaT To do, You'll find ThaT almosT any book is an open door To you: Wifh ROBIN HOOD AND HIS MERRY MEN we'II spend a day or Two Or journey To TREASURE ISLAND, you'd like ThaT, wouldn'T you? We can follow IiT+le Alice righf Through Wonderland Or ioin up wiTh TOM SAWYER, and his daring piraTe band. l'm sure ThaT HElDl'd greef you in her mounTain home so highl And ThaT Those well loved LITTLE WOMEN will make you laugh and cry. When you've Traveled Through These books and made so many Triends, You'll find ThaT Book-land's loys never, never end. scared by a well, he sTill aT her. The e windowsill. RUTH MICHAELS, Fiffh Grade. in k po t a surprise ONE morning Early Bird asked his moTher if he could go ouT To see his C-5randmoTher. Early Bird's moTher said, You may go laTer, because she is busy now. When you go you musT be very quief because she has a surprise Tor you. Early Bird was so exciTed ThaT he could noT waiT. Soon iT came Time To go. Early Bird asked his mofher Tor his bow and arrow. His moTher said. l don'T Think you beTTer Take your bow and arrow To your GrandmoTher's. She mighT noT like iT. Don'T you remember l Told you she has a surprise Tor you? So Early Bird wenT To his GrandmoTher's. He was very exciTed while he was on The way. When Early Bird goT There, he remembered whaT his moTher had Told him, so he was very quieT. When he opened The TenT Tlap whaT do you Think he saw? Why There on his GrandmoTher's lap was a liTTle baby sisTer. The very TirsT Thing Early Bird asked was, WhaT is The baby's name? GrandmoTher looked up aT Early Bird and said, When your moTher comes she will give The baby her name. When Running WaTer came she said The baby's name would be BrighT Eyes, because she had such brighT eyes. BARBARA LIGHTFOOT. Third Grade. jane ti etner JANE TIETNER was a very rich miser and, unTorTunaTely Tor The people who worked There. owned Springvale's largesT Cannery. Now everybody knew ThaT she was always cross, buT, she was Twice as cross during The Two weeks oT special canning because everybody came in Tor advice concerning canning The smaller vegeTables. On This parTicular morning, The sevenTh day of special canning, Jane was unbearable. She yelled aT everybody, unTil no one came in Tor advice aT all. Then, when The room was empTy oT humaniTy, excepTing Jane, The door opened creaking and-There!-upon The Threshold sTood a weird old man TransparenT as a pane oT glass. Jane saT There as if she were paralyzed. Suddenly The ghosT moved. iTs meTallic garmenTs clanking. Then. a minuTe's suspense, To Jane iT seemed like hours, and The ghosT Talked: Jane TieTner. you have sinned a greaT many wrongs. You are cruel, mean, wicked and, above all, you sTeal from your workers. You hoard your pennies like Fafner and Hreidman. The Andvari gold. You musT sTopl RepenT your sins or else six monThs To live are yours. Jane, repenT your sins, repenT your sins, do beTTer, do beTTer . . . The voice Trailed oT'T and when Jane looked up The ghosT was gone, Ever aTTer Jane TrieTel was known Tor The kindness and hospiTaliTy she besTowed upon ofhers. G-LADYS V. MARKELL, SixTh Grade. the ghost of the corner lot The C-5hosT of The Corner LoT walked by His howls made all The children cry, He walked by nighT and slepT by day. His groans would TrighTen Them away. UnTil one day a knighT walked by And heard The people scream and cry, Alas, The ghosT will walk TonighTl He Took his sword and cried, Fear noT, l'll slay The GhosT oT The Corner LoT. The knighT was up when The ghosT walked by And he heard his eerie, shrilling cry, He drew his sword and wiTh one sTroke The supersTiTion of The people broke. The ghosT no longer will walk by, No longer will The children cry, No longer will The people Tear, Because The ghosT will noT appear. TESSA LIPPMAN, SixTh Grade. TiTTy-seven ink pot the haunted house W E had been driving all day and loward nighllall we arrived al a small village. There were no holels, so we wenl lo lhe nearesl house. As I knocked on lhe door, a dog barked lrom wilhin and soon an old lady opened lhe door. We asked for sheller and she allowed us lo remain lor lhe nighl. We were cold and lired and decided lo slay, in spile ol lhe poor hospilalily shown us. We were laken inlo a large room wilh an old-lashioned bed in lhe cenler. Il looked so inviling lhal we soon fell asleep. Suddenly I awoke. There seemed lo be someone in lhe room. I could hear a groan now and lhen which gradually died away inlo a whisper. Across lhe window pane appeared a black shadow wilh lhe Iargesl head I ever saw. I dared nol waken my sisler for lear ol lrighlening her. Would morning ever come? We dressed hurriedly and I lold my sisler ol lhe horrors ol lhal nighl. The old lady asked us if we had slepl well. I lold her whal had happened. She laughed and said. Thal was lhe wind you heard coming down my old chimney, and lhe shadow across your window was my cal lhal prowls al nighl. We lell as soon as we could and resolved never again lo sleep in a slrange place. TESSA LIPPMAN, Sixlh Grade. nigalak NIGALAK was a li++Ie Eskimo boy. He lived in lhe Far Norlh. His molher's name was Ikwa. His lal'her's name was Agoonack. One day Nigalak's molher was having a baby. She named il Nipsu. Agoonack was on a hunl. When he came back he had a polar bear. His molher skinned il righl away because she needed lood and clolhes lor Nipsu. Nigalak was oul playing wilh his lriends. Eskimo children play shooling games and lhey fish. When Nigalalc gol home his molher had some bear meal ready. Nigala'4 was hungry and lired. He ale and lhen he wenl lo sleep. GLORIA BARNETT, Third Grade. m0ther's love UNE day as molher bear was in lhe woods leeding her young cubs, she smell danger in lhe air. The molher bear was willing lo risk her lile lor lhem. When she discovered lhal hunlers were aller her and her cubs, she quickly lold her cubs lo run away. The molher was lacing sudden dealh. As lhe hunler was aboul lo shool, lhe sherill ol lhe counly came along and said, You know lhis is nol lhe hunling season. You will gel a hundred dollars line or a hundred days in iail. While lhey were arguing lhe molher bear slipped away and lound her cubs. Animals are like people in lheir supreme love lor lheir children. MURIEL SIMON, Sixlh Grade. the sun and the moon While lhe sun lies lasl asleep, The slars inlo lhe dark nighl peep. The moon so yellow and so brighl Is dubbed lhe guardian ol lhe nighl. While il slowly passes by, The slars lheir nighl walch keep on high. The sun awakes from his long sleep And from his warm bed, slowly creeps. ll is lhe break ol lhe coming dawn. Il is lhe slarl ol a beaulilul morn. The sun is rising higher, high. 'Tis day, lhe sun is lhe king ol lhe sky. IRMA NEWMAN, Sixlh Grade. lilly-eighl in k pot the twins B ARBARA and Mary were Twins. One day Their TaTher came home wiTh a Twinkle in his eye. What is iT? cried Mary and Barbara. I knowl said Mary. WhaT7 asked Barbara. Tomorrow is Hallowe'en, you know. Yes, said Barbara. WeII. FaTher has someThing Tor Hallowe'en. Ohl exclaimed Barbara. This Time The Twinkle in TaTher's eye grew bigger. WelI. said moTher, l Think iT is Time for you To go To bed. So do l, said TaTher, l do noT wanT To be boThered. BUT please Tell us whaT iT is. FaTher shook his head. So oTT To bed They wenT. ln The morning They saw a big pumpkin in TronT oT Their beds. Thank youl Thank youl They shouTed as They ran inTo Their TaTher's room. How would you like a Hallowe'en party? Oh, yes! They boTh shouTed. I inviTed some oi your friends, TaTher Told Them. 'WhaT Time are They coming? AT Twelve o'clock. Oh, goodyl Run upsTairs and puT on your besT dresses, said father. So up The sTairs They ran. As soon as They goT downsTairs, a group oT children came rushing inTo The room. When all The children went home They all dreamed oT The nice Hallowe'en parTy. ARLYNE PROPPER. Third Grade. an adventure underground H ELEN was picking Tlowers in The Tields when she saT down under a Tree To resT, Thinking, How nice iT would be iT someThing inTeresTing would happen. The nexT Thing Helen saw was someThing gIiTTer in The corner oT a cave. She wondered if The gliTTer was a monsTer's eyes. She was TrighTened and looked abouT To see if There was a chance To escape, when she saw a Tunnel leading To The sea. GreaT waves were splashing againsT The rocks in Tury. There wasn'T any noise excepT The roaring and splashing oT The sea. Helen knew The gliTTer couldn'T be a monsTer or iT would growl. She looked again and saw ThaT iT was gold. She ran To The gold and gaThered handfuls oT iT, dropping iT To hear The Tinkling sound. She Tilled her pockeTs wiTh as much gold as They would hold, Thinking whaT a pleasanT surprise her parenTs would have. Helen leTT The cave by walking Through The long Tunnel unTil she reached The beach. The waves were so greaT They seemed To splash her. She awoke in The midsi of pouring rain. the apple tree ln my garden is a Tree, ThaT blossoms There Tor us To see. And as I waTch The apple Tree, IT geTs bigger iusT Tor me. ln my Tree There is a nesT, There The bird Tamily grows The besT. They sing sweeTer Than all The resT, IT seems as iT They never resT. GLORIA GARTEN, FourTh Grade. what i saw Alone in The nighT On a dark hill, WiTh pines around me Spicy and sTill. And a heaven Tull oi sTars Over my head- WhiTe and 'Topaz And misTy red. NORMA SHAPIRO, FiTTh Grade. continents There-'s Asia on The avenue. And Europe on The sTreeT: And Airica goes plodding BeneeTh my window seaT. This is The promised land of dreams Where worlds and naTions meeT. Ah, do not say romance is gone- Behold The ciTy sTreeT. BARBARA KELLNER, Fourih sta rs You gleam up in The sky so high, l beg oT you. please Tell me why. BuT please sTay up There all The while. Because- l like your smile. You look like lanTerns in The sky, BUT all The while l wonder why. Grade. BARBARA KELLNER, FourTh Grade. JOAN SAMEK, Fiifh Grade. TiTTy-nine ink pot I11BI'y 0 NCE There was a liTTle girl named Mary. IT was near Hallowe'en. Mary could have a pumpkin Tor Hallowe'en, and her moTher said she could Iowe'en came Mary made a iack-o'-lanTern. ThaT nighT Mary lighTed The iT on The Table by her bed. While she was asleep an old wiTch Tlew in The asked her moTher if she have one. When Hal- iaclc-o'-lanTern and puT window and Took Mary and The iack-o'-lanTern To her huT. JusT as Mary was going inTo The huT, her moTher woke her up and sa.d, lT's Time To geT up. BARBARA LIGHTFOOT, Third Grade. early blrd E ARLY BIRD was six years old. He was ouT hunTing wiTh his TaTher, FIeeT Deer. He caughT a deer and broughT iT home. They cooked iT, and Then They aTe iT. The End MARION NATHANSON, Second Grade. morning in the tepee O NCE upon a Time There was a IiTTIe boy named Red FeaTher. One morning his moTher was ouT picking sTrawberries and Red FeaTher heard a noise. IT was an enemy Tribe near. He was TrighT- ened, buT They wenT away and he was noT TrighTened any more. MARION NATHANSON, Second Grade. how man got to see the owl GNCE upon a Time There was a house and There was someThing very mysTerious abouT iT. Every nighT when everyone was asleep, iT wenT inTo a deep wood and sTayed There unTil dawn. In This deep wood There was an owl, He was a very odd owl because he was invisible To man buT he was visible To The old house. The owl was invisible To man because an old wiTch made him so. Though The owl was The smarTesT owl in The world he couldn'T make himself seen by man. Now when The old house spoke To The old owl aT nighT They Talked of conquering The wiTch so ThaT man could see The owl.. One nighT The house ThoughT oT a plan. He said To The owl, The wiTch lives in This wood. doesn'T she? Oh, yes, answered The owl. The house said, The wiTch has a sword ThaT will kill anybody. So when she goes To sleep aT nighT we will Take The sword and Tell her ThaT we will kill her if she doesn'T Take The spell away. ThaT nighT when The wiTch wenT To sleep They sTole inTo her house and goT The sword. They ThreaT- ened her, saying ThaT if she did noT Take The spell away They would kill her. The wiTch was Torced To Take The spell away and man can now see The owl. RAYA SPIEGEL, FourTh Grade. chee wee C T-TEE WEE was a liTTle Pueblo girl. Chee Wee could weave bIankeTs. Whenever iT was Trading day she would Trade. The Trader liked her blankeTs. One day Chee Wee wenT down To The Trading posT. She saw a IiTTle papoose doll in a caboose. She asked, WhaT do you wanT Tor ThaT doll? The Trader said, l would like your preTTiesT bIankeT. AlI righT, said Chee Wee, I will geT The blankeT. Chee Wee ran home. Her moTher was making piki bread. Chee Wee sTole a piece of piki bread. Her moTher saw her. She said, WhaT are you doing? Chee Wee did noT answer. She iusT ran down The ladder. Her moTher ran, Tool Her moTher caughT Chee Wee. She said, Now iusT Tor ThaT you may noT go ouT any more Today. So Chee Wee had To waiT Tor anoTher day To geT The papoose doll. GLORIA BARNETT, Third Grade. the sun Where goes The wind on a summer day? Maybe oTT some place in heaven To play. BuT soon again The sun will come ouT, Then all The children can run and shouT. They'd like To sTay and play some more: BUT The sun goes down aT half pasT Tour. ARLYNE PROPPER, Third Grade. night The sTars were shining brighTIy in The sky, The moon was soTTly gliding by, A bird was sleeping in iTs nesT, The sun had gone away To resT, The children were dreaming pIeasanT dreams, The nighT was waiTing Tor The day's sunbeams. MADELON SHAPIRO, FiTTh Grade. sixTy ' IH In ll S CAL VP qu: 9 My H0314 -if ' 'r EIMS VK Q ff, FUN f-IW www, urn AW U-V 4 Q uhhh. JAM N- is Q-:K Exim l . f, . wh.. '35 A fm.. Sx - x gf-Wfgfw H' -'50 u K sun Q s E ' , 2' I I' n 7 1 'I'5H llllll llllll l L LJ I . Illkl ll Slxfy-TWO in k p o t the students league of the calhoun school THIS year fhe Sfudenfs League has endeavored fo confinue fhe good work of ifs predecessors: ifs aim is fo give fhe sfudenfs a share in fhe governmenf. Wifh fhe cooperafion of fhe Council we feel we have made some progress in lessening fhe noise in fhe library and in assembly. Our commiffees have been mosf acfive and successful. The Chairman Council wishes io express ifs appreciafion fo fhe girls in all fhe groups for fheir accepfance of fheir responsibilifies fhroughouf the ear. Yfhe Assemblies Commiffee, combined wifh fhe Debaling Commiffee. has afforded us fhe pleasure of several delighfful and amusing programs Monday mornings, including some programs by oufsnders. our own school plays, radio readings, and debafes. Some of our visifors were The Hampfon Ouarfef, a represenfafive of fhe World Peaceways Organizafion, Mrs. Geller, a Russian General, Viclor Yakhon- foff. and a psychologisf. Dr. Alexander Schmalhauser. Through fhe Afhlefic Commiffee, we have been represenfed in many infer-scholasfic games which have increased school spirif. We have enioyed fhem fhoroughly in spife of our numerous defeafsl We are looking forward enfhusiasfically fo our yearly oufing on Field Day. As we usually have such a grand fime af Tibbeff's Brook, we will probably go fhere again. The Cornmiffee presenfs awards af fhe end of fhe year for cooperafion, spirif, abilify, affendance, and improvemenf in gym. As usual fhe Dramafics Group, wifh fhe assisfance of Mr. Reynolds. has produced anofher Gilberf and Sullivan opereffa: fhis fime THE GONDOLIERS. These plays are especially well adapfed fo our use because, alfhough fhe leading roles are Iimifed, fhe chorus provides an imporfanf parf for any girl who wishes fc enfer. The Group also made possible our poefry or radio reading for a Monday morning assembly. The Finance Commiffee has had ifs accusfomed responsibilify of collecfing League dues. Sev- eral fimes during fhe school ferm if gave reporfs ofsfhe financial sfafus of fhe League. A new rule has been formulafed by fhe Improvemenf Commiffee: if is fhaf fhere shall be no furfher circular fraffic. This has been a very welcome change fo mosl of us and has worked ouf safisfacforily. New regulafions have also expedifed our deparfure from assembly. The girls are now working ouf a rule for improving fhe appearance of class rooms. There is no need fo fell you whaf fhe Ink Pol' Commiffee has accomplished 'rhis year. as we can see how hard fhe girls have worked by fhe book ifself. There is always a surprise in fhe new form fhaf fhe book fakes. Never before has our library been kepf in beffer order fhan This year. We have some useful and aufhenfic addifions fo our bookshelves: ANNA KARENINA, by Leo Tolsfoy: THE ART OF PLAY- GOING. by John Mason Brown: INSIDE EUROPE, by John Gunfher: AN AMERICAN DOCTOR'S ODYSSEY, by Vicfor Heiser: CATHERINE DE MEDICI, by Ralph Roeder: Complefe Works of O. Henry: GREAT MEN OF LITERATURE, by Duranfe: BEST STORIES OF THE WORLD: THE HISTORY OF EUROPE, by Fisher: THE OUTLINE OF HISTORY. by H. G. Wells: POLITICAL AND SOCIAL HISTORY OF THE UNITED STATES, by Schlesinger: WITHIN THE WALLS. by Agnes Carr Vaughan: BIRDCRAFT, by Mabel Osgood Wrighf: PARADE OF THE ANIMAL KINGDOM, by Roberf I-legner: METHODS IN PLANT PHYSIOLOGY, by Loomis and Schull: and SENIOR SCIENCE-SOCIALIZED FOR HIGH SCHOOL, by Bush, Pfacek, and Kovafs. The Commiffee is also complefing fhe series of fhe TEXTBOOK EDITION OF THE CHRONICLES OF AMERICA. The regulafions for 'Ihe sfudy periods have nof been changed. Quief is required af all limes. Because of some changes in fhe offices of fhe Faculfy, we were given fhe back room fo be used as a sfudy hall and fo be run according fo sfudy rules of fhe library. This room was greafly needed as fhe library was nof confined fo fhe Senior Fives and Sixes, or fhose girls who had required reference work fo do, buf fhe whole Junior and Senior High School were allowed fhe privilege of if. The Publicify Commiffee besides painfing several colorful posfers fo adverfise our play. prepared fhe scenery for if. The Commiffee also kepf fhe school informed by nofices of all ifs aclivifies and supplied fhe cufs for fhe INK POT. The Social Commiffee has given fwo very successful parfies: fhe firsf one, a welcome fea for The new girls, was somewhaf dignified and formal, while fhe second one, a HalIowe'en parfy, was more ioyous and lively. The Social Service Commiffee is doing some work af fhe Hospifal of Joinf Diseases. The work fhey do is feeding children and acfing generally like assisfanf nurses. For fhe younger girls who are nof able fo go fo fhe hospifal, fhere is sewing in school. AI' fhe beginning of lhe year, drives were given for cards. clofhing, and foys, packing baskefs af Chrislmas fime and following some drives for magazines, flood relief and fhe Red Cross Annual Drive. Among fhe insfifufions which benefifed by fhe donafions were fhe Jewish Federafion, Federafion of Jewish C.harifies, fhe Red Cross and fhe Hospilal of Joinf Diseases. ln each successive year, fhe work of fhe League has been broadened, and we feel fhaf wifh fhe acfive parficipafion of fhe members of fhe school ifs work in fhe fufure will become increasingly worfh while. NONA STERN, '37, Presidenf. sixfy-fh ree li. in k p 0 t last will and testament of the class of I937 WE, the unappreciated, overworked, and unlamented Class ot l937, being ot separate and un- coinciding minds and memories, and knowing the uncertainty of our lite here. do make. publish. and declare this to be Our Last Will and Testament as follows, revoking all other and former Wills by any part ot us at any time made. We leave to the Class ot '38 an indelible lipstick, in the hope that the Calhoun wash rag will have to retire once and tor all. God rest its soul! h Tlo our most honored and revered teachers, the memory ot the smallest yet noisiest class in the sc oo: To Miss Dietz, a snow plow so that she will not be absent trom school tor another fifteen years: To Miss Hotfman, a well-developed paragraph: To Miss Levis, an elastic currency: To Mrs. Popini, dates: ' To Mlle. Davis, a waste-paper basket to take care ot the overtlow 7t tan mail: To Mrs. Bosch, room and board in the Metropolitan Museum ot Art: To Miss Lent, a Spanish stallion, which, when small, was known as a Latin pony: To Mr. Reynolds, a lump ot sugar: To Mrs. Armstrong, a sign: 2B or not 2B: To Miss Reeve. a slide rule: To Miss Brown, a sophisticated class: To Miss Hile, a picture ot Gym: We leave Miss Calhoun: To Mlle. Pons. a lily: To anyone who wants them, any crushes and tavorites that we may have had: To each girl, a hot water bottle: John, a magic blackboard: the Finance Committee, a mint: To To To the lnk Pot Committee, tar more originality plus a large collection ot articles: To all the college divisions, the answers to all their tuture questions: To Fanny Miller. a zipper to be used tor the good ot everyone:' Cecile Kallman, a scale: Mary Poll, a pair ot stilts: To the Junior lll's, a successtul dance: To Beatrice Rubenteld, a talking doll to keep her company on the train every morning now that Ruth Horwitz has graduated: To the corner ot 92nd Street and West End Avenue, a booth where the girls may put on lip- stick, etc.: To bored class members, a printed tick-tack-toe pad: To the Library Committee, a vacuum to suck up all the stray papers. In Witness Whereot, we hereunto scribble our name, this twentyeseventh day ot May in the year one thousand nine hundred and thirty-seven. C.lass ot '37, To To Witnesses: Elinore Preville Mildred Schwarz Lucille Simon Ruth Herskovits Betty Baron faculty epithets Facetious: Miss Hoffman Conscientious: Mrs. Armstrong Aberrant: Miss Levis Agile: Miss Dietz Charming: Mlle. Davis Limn: Mrs. Bosch Unconverted: Mrs. Wendt Honey Chile: Mrs. Popini Linguist: Miss Lent Obliging: Mlle. Pons Turbulent: Mr. Reynolds Unbiased: Miss Calhoun Youthful: Miss Reeve Nimble: Miss Hile Outspoken: Miss Brown Facile: Mrs. Regan MILDRED SCHWARZ, '37, LILLIAN FICHTENHOLTZ, '39, sixty-tour ink pot prophecy of the class of IQ37 DN a lovely spring day, ?he Senior Class wen? ?o have ?heir palms read. The reader ?ook fhese illusfrious personages ?en years info fhe fufure where we now find ?hem. Elaine Adlerman has ius? refurned from a friumphanf world four, and is being hailed as ?he second Pavlova. Be??y Baron, now famous for her wrifings, is conducfing a column en?i?led: Wanfed-Affenfion, Friends. and Imporfance. In need of an exfra wine cup, Jean Cassriel wen? ouf and made eigh?een holes of golf in one. Phyllis Copeland, affer all fhese years, has creafed an original hair s?yle. opening her own shoppe fo le? ?he world know fha? she has some originalify. Ann David has recenfly scored a sensafional radio debuf as ?he Shadow. Dorifa Davis has married M. Nicolas Casserole, descendan? of ?he delegafe ?o fhe Vienna Con- ference. Beafrice Epsfein's fheme songs are srill There's Somefhing Abou? a Soldier and l Love a Parade. Beverly lPeggy Hopkins Joycei Goldworm is Reno-vafing for ?he ?en?h ?ime. Schiaparelli and Chanel are now passe due fo ?he success of Mme. Murielle Hellerre's salon. Rufh Horwi?z, foremos? au?hori?y on psychology and ?he mind. has refurned ?o Calhoun ?o ex- perimen? on fhe High School in an affempf ?o solve fhaf grave problem: why pupils cram for exams. Ru?h Herskovifs ou? Garbo-ed Garbo in her lafesf sfarring opera?ic vehicle, Laughing Eyes. Lenore Kafzman is paying ?he las? insfallmen? on her Sfuden? League dues. Dr. Rhoda Minfz has lafely been honored by being asked fo make a soap-box speech in Union Square on behalf of fhe Bla-bla-ism Parfy. Since her graduafion. Elinore Preville has very successfully carried ou? her How fo Gef Along Wifh People bureau and has ius? complefed arrangemenfs ?o a??end fhe opening of her la?es? en- deevor in California. Shep Fields and His Rippling Rhy?hm Orchesfra has been surplanfed by ?he overnigh? success of Mildred Schwarz and Her Giggling Syncopafors. Lucille lKa?herine Cornelll Simon has finally achieved her mos? desired role, fhe feminine lead in Sir James Barrie's She Sfoops fo Conquer. Teachers from all over fhe counfry paid ?ribu?e a few mon?hs ago ?o Nona Sfern, head of ?he foremos? kindergarfen school in fhe Unifed Sfafes. Florence Walfers's fhree se?s of ?wins are now effending Calhoun where she is ?eaching. the music box Midnigh? Blues .,...,...,.,.,... .......,... H omework Angel Mine ....,..,..,,....,.,.,...,..,.., ,.,.,........ T he Bell When I'm Wi?h You .....,..,.,... ....,.......,......,.,...,,. W eekends Cross Pafch ..,.,.,.....,...............,.,.,,,.........,..,.....a..................... Council Sing Baby Sing ........,.,.,.....,........,,......,.....,..........,.......,..,..,..... Music You Goffa Ea? Your Spinach, Baby ....., Lunch Time Le?'s Make a Wish ..,.......,...,,,.....,.....,..,.......,.. Before Exams Be S?ill My Hear? ..,.,.,.....,,..,..................,.,.,.,....,.,........... Crushes Abou? a Ouarfer fo Nine ........, ..... ..,.,.,.,.....,........., W o rk I Believe in Miracles ......., ,......,...................,,,...,.,..,..,,.,... . A? Rhyfhm in My Nursery Rhymes .,.........,,.. Firs? Grade l?'s a Sin fo Tell a Lie ....., Brough? Before Council Make Believe ..........,.........,,.,,........ What No Homework? Blue Moon ..............,.,,..........,....... Reporfing fo ?he Office Delighfful, Delicious, De-Lovely ,....,.,..,.... De Faculfy Bye. Bye, Baby .,...............,....,.,,..,.,....................,.. One O'Clock Wha? a Difference a Day Made ...................,. Vacafion Never Gonna Dance .,.,.........,........,...,...,..,...,..,.......,., Rhyfhms Home On ?he Range ...,..,,..,. 309 Wes? 92nd Sfreef Wifh My Eyes Wide Open I'm Dreaming ...,.. Period Monday Don'? Lef If Bofher You .............,.,...,....................,.... Excuses Any?hing Goes ,,,,,....,..,..,,,..,....,....... .....,..,.,.................. ,..,... E n glish He's a Jolly Good Fellow ....,..............,.... Mr. Reynolds Eas? of ?he Sun and Wes? of fhe Moon...Science We Don'? Wan? fo Make His?ory We Jus? Wanf fo Make Love .......,,.,....,.....,.,....., Seniors SALLEE FOX, '42 ANNE KASS, '42 sixfy-five nnkl I sixfyvsix in k p 0 t dots and dashes FLASH! The Easf is invaded by fhe soldiers from fhe ranks of fhe Class of I936. The invasion oc- curred lasi Sepiember wifh 'rhe accepfance of Judiih Scherer. Marion Schulman, Renee Klein, and Rhoda Granowifz af Goucher: Irene Frank af Wellesley: Esfelle Cohn af Russell Sage: Shirley Greene and Phyllis Margulies af Barnard: Judifh Frank a+ Michigan: Madeleine Jacobs af Cornell: Birdie Schloss a+ Skidmore: Blanche Wiikind a+ Mary Baldwin: Elinor Schloss af Froebel League: Mar- iorie Ullman al' N. Y. U.: and Jeanne Siegel and Norma Kaplan af Columbia: Evelyn Ampolsk, llene Holiienberg, and Joan Horwifz are defending 'rhe 'fronf ai arf school: while Irene Fischer and Mariorie Alsberg are doing The same af secrefarial school. A+ fhe same iime, Julief Forbes, nee Fischl, won a brilliani viciory by capfuring lhe parf of Bobby in The Broadway hir, STAGE DOOR .... lrma Levy, '24, has middle-aisled il' wifh Irwin Kolodin, while Sylvia Frankel Lubeikin of 'rhe same class has become fhe proud mama of Phillip .... Bouquefs fo fhe Class of '3I for having fhe grealesl number of brides: Ruih Fine married Barry Golden: Doris Pollard-David Marks, Jr.: Louise K. Schlosserv- Milfon Ledner: Marfha Voice-Armand P. Barihos: Sylvia Whife-Jusiin R. Wolf: Therese Reineman- Arfhur Schlicler: Riia Kahn-Milion L. Elsberg: Roslyn Liliensiern-Herman C. Frauenfhal, Jr.: Maneife Da Cosfa-Richard K. Kaufman: and Mariorie Herne-Bernard Cryslal .... Congrais io Margery Siegel Dillenberg, '27, upon ihe birfh of her daughferl . . . Lucky Seymour Finn for having goHen Miriam Levy, '27 .... Helen Siewarf, nee Bamberger, ex. '30, has been enhancing fhe sfage as a member of The Merropoliian Ballef .... Beiiy Epsfein Goldberg and Olive Sfark Sfernberger, bo+h of fhe Class of '30, are fhe proud possessors of daughfers .... Flashl Edna Jane Sfrauss, '34, has iusf announced her engagemenl fo Sidney Treifel and Mariorie Korn, '35, hers io Lesier Osferman. . . . From Vassar comes lhe news fha? Roslyn Kaplan, '34, was on fhe honor lisl' oi fhe Class of '38, . . . Cupid has played havoc wirh lhree members of our '35 alumnae: Phyllis Goldsmifh is now Mrs. L. Morfon Sfern: Florence Rosensiein-Mrs. David Sadowsky: and Jane Levy-Mrs. Sianley Rud- nick .... Flash! Rifa Gomberg, '29, and Harold Gales: Louise Ollendorf, '29, and Roberi Teille- baum: and Naomi Feldman, '35, and Sfanley Pelz have all 'tripped down fhe aisle .... Two more of our illusirious alumnae have ioinecl ihe long lisf of foorlighiersz Elaine Ellis, nee Oshrin, '33, is appearing as Pearl in +ha+ erernal Broadway success, TOBACCO ROAD: while Vera Kafz, '30, was casl' in 'fhe Provincefown and Cape Cod produciion of THE YELLOW JACKET .... Our besfesf fo Lucille Franklin, '30, and Harry Meyer on lheir marriage .... Also io her classmare, Dorolhy Leibes- kind and her husband. Dr. S. Charles Werblow .... Congrafs are in order for Nafalie Sieiner, '30, and Dr. Herberl' Orange: Rufh Greenbaum, '30, and Marlin l-lirshiield: and Esielle Shaw, '30, and Arnold M. Denby upon fheir engagemenis .... Congralulalions io Louise Blumgardl' Kahn, who has become fhe boasfing mofher of a boy .... Orchids Yo fhe members of our Class of I933 who are gradualing from college 'fhis June. . .. Lasf minu're flash! Jus? as we go To press we learn fha? Harrie? Rosen, '32, is engaged to A. Alexander Kafz: and fhaf Helen Minfz Wiffy, '28, has become The proud molher of Palricia Ann ,... Ruih Frankenihaler, '35, has made rhe Daisy Chain ai Vassar. M. S., '37. L. F.. '39. yeh! miss hilel IT is due To Miss Hile's unfiring ehforls fha? Calhoun fhis year has been able fo compefe wilh ofher schools in volleyball and baskefball. The experience gained from fhese games was well worih ihe many hours of praciice. Alfhough This is 'rhe firsl' year Miss Hile has faughi 'rhe upper school, gym affendance has already reached a new high because of her lively inieresf in bofh lhe girls fhemselves and in fheir acfivifies. On behalf of all fhe siudenfs, we should like Miss Hile fo accepl' our sincere and cordial ihanks for everyfhing she has done. FLORENCE YACHNIN, '38, sA5 sixfy-seven ink pot the executive council of the Presidenf , Vice-Presidenl Secrelary Treasurer, , Elaine Adlerman Dorila Davis Elinore Preville Lee Eilingonu Beafrice LIH, Alice Plaul Carol Abrahams, Sylvia Adler ,, Consfance Slern slxly-eiqlwl students league HNONA STERN , ,,,, BETTY BARON , u, ANN DAVID BEATRICE EPSTEIN Barbara Blum Muriel l'lu+ Elaine Kaufman Nalalie Coplan Bernice Propper Dorollmy Wallaclm Mary Kunsller, Geane Linz, Suzanne Warendorll ink put Clwairmann. Bea'rrice Epsfein... Ruflw Herslcovifs .,....,., Rhoda Minlz ,..,.A,,,, Mildred Sclwwarz ,,,,,, Lucille Simon ..w. chairman council 37 '37 '37 37 ...BETTY BARON, '37 Arlene Fine ...,,..i.,,ii Elaine Graham, ,. Joan Jacobson ,..,... Cecile Kallman ....... l a '38 '38 '38 '38 Eleanor Schreiber ,,.....,,,,. Y... . '38 Florence Yaclinun ...,..,..,, ....,...,,.....A . '38 fy-nine ink pot assemblies committee Chairman .,,.........,........, .,......,,.,..,.................,.. L UCILLE SIMON, '37 Assisianl' Chairman ......, ...,......... C ONSTANCE MElROWlTZ. '39 Joyce Goodman ...,., .......A ' 39 Ediiln Wilson ,........... ...... Rila Goodman ....,.,..... ........ ' 39 Eileen Goodsfein ............... ..A... Minnelfe Galpeer ........ '39 Joyce Slorch ..........,. sevenly ink pol athletics committee ' .., .., .. FLORENCE, YACHNIN,i aa Chairman .......,.,............. Assisfanf Chairman .,... ,.....,,,,,,,,,,, J OAN AMBERG, '38 Charlofie Davis .,.,,....,....... ...,,....... ' 38 Jane Oppenheimer ........... ......... ' 40 Bea+rice Rubenfeld ............. ............ ' 38 Sara Louise David ......,....... .....,.. ' 4I Mildred Goldsmi+h ............. .....,...... ' 39 Nancy Erianger .A.....,...... ......... ' 4l Aline Greenebaum ............. ....,..,.,,. ' 39 Joan Isaac ..........,,.., ,.,,,,,., ' 41 Anifa Rosens+ein ........ ...,........ ' 39 Gloria Dauman ........ ,.,,,..,, ' 42 seventy-one il1k pot dramatics committee Chairman .,.,,,....,.,,......,.,, ....,..,.....A J OAN JACOBSON 38 Assislanl' Chairman ..... .....,,,v..,... C ECILE KALLMAN 38 Helga Bodenheimer ......... ........... ' Jane Frank ....,,...,,,.,.. Phoebe Burger .A.......,. Beverly Goldslein ....... llvluriel Sfrauss ...,,...... Jane Ellenbogen .A....,..,........,...............,,..,.......,, ' sevenfy-+wo Thelma Salmon ,,.,.A. . Elaine Friedberg. Jane Selling .,......... Phyllis Baron ...... Palricia Maimin ..,. nk pol finance committee Chairman ,.,. ., ,4...A.,.. BEATRICE EPSTEIN, '37 Rhoda Minfz ........ ....Y,,., ' 37 Eileen Goodsfein ..,, w.. ........... ' 40 Rufh UH ...............,................ A........ ' 38 Margaref Harfig ............., ........... ' 4l Anne Frankenfhaler ..,,...... ........A ' 39 Nafalie Silver .,......,... '42 seventy-fhree ink pot improvement committee Chairman .........................., ....,...,....,,,......,...,..,.,...., A RLENE FINE, '38 Assisiani Chairman ......... ....,....... A NNE FRANKENTHALER. '39 Phyllis Copeland ,,,,,,....,w. ...,.... ' 37 Barbara Levy ......,,... .... Phyllis Aaronson .......... .,.,. ....,........ ' 3 9 Doris Miller ...........v..........,.. .... Mary Hershens+ein ..,......,,..,........,,.................. '39 Virginia Oppenheimer ......, ,,., Palricia Auerbach ............................................. '4l sevenfy-four nk pot library committee i Chairman .,..........,.............. .,....... - ..... R UTH HERSKOVITS, '37 Assisfanl Chairman ...... ..................... E LISE ELISBERG, '4l Margarel Hess .........r.,.... ....,..... ' 40 Blossom Jacobs ,,,. .s., , .. ..,s......, , '4l Suzanne Goldberg ,,,.....,..., ,.s,,,..s. ' 4I Mary Poll .,,.........,......, .....,..,... ' 4l Margaref Harlig ,....,,,,....... ,......... ' 4l Marilyn Marlcs ...,..., ............ ' 42 sevenfy-live ink pot publicity committee Chairman ,.,.......,A.,,....,... ,,.. . ..,, ..,....A., E L AINE GRAHAM 38 Assislanl Chairman . , DOROTHEA WEITZNER 39 Muriel Heller AA........A,... '37 Elaine Berg ,.., Lucille Granowifzu, ,.,..,... .,r.,,. ' 39 Claire Geller ....... Jean Greenberg ...w,, ,.e.,. ....... ' 3 9 Ann Kass ..,,........... Shirley Lubell ..,..4...w, .,.w..........................,.,....... ' 39 Thelma Salmon .,...... Belly Jane Wein .,.........,.......,..,..,.............,...,.... '42 sevenfy-six social committee Chairman ,,AA ,Y,,,AA,,AAA,, , . HELEANOR SCHREIBER 38 Assis+an+ Chairman. . .,.,,,,,,, RUTH SOLOMON 38 Beverly Goldwornn Ma rjorie Gordon ,,r. Madeleine Thomasa , . .,., Jane Grafz ,.,,,.,,.,,a.. , Evelyn Oslwrin Jean Engle, , Marjorie Nafhan A Dorofhy Reich A. , Marjorie Voloslwen Esielle Wyner ...,.. , ink pot social service committee Chairman ,.,,, , ,.A. .WRHODA MINTZ, '37 Assisfanr Chairman. . ,HFLORENCE WALTERS, '37 Jean Cassriel. 3 3, '37 Edna Hamburger '40 Frances Goldsfein ., ,,,,,.. '38 Margery Hyman , .. .. '40 Vivian Scinarf ..., ,, '38 Lenore April ,,,.,. , A, '4I Barbara Brand, . ,,,...a. '39 Edifh Mayer ..., ., '4l Ruin Haas ,, ,,,a,... '39 Helene Scineuern ., '4I Marian Cohn . .....a.. '39 Nafalie Silvern. ,...,.,, , '42 sevenfy-eigh+ Q X119-6,?,,,c.P! WA ' 9SQ,Q,6173grr Z' vv-on Q1---L-Q.J.l..'4., VME Bax- u:.Ss,,,,,g igxzguxont msc, xii'-721, Vvws UVUMI- X- '4 iB'0.Ah'g ' wat J-J U-J-L.' - QM' 0L 'Q LJ 'WW ,CZUSIAA-4 Bn' M I ,, - -..V ':- - ,. 1 ', 2-4l'5l,5 . r -V - - . K .. ..,..V -. ,, , .V ,,.., . V, r,.,. 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