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Page 11 text:
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Page 10 text:
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m am y(nec( t(nd Forewords are customarily written to give explanations, and are usually read as a finale to the rest of the book, after the fraternity and sorority pages have been well thumbed, the personality pictures discussed, and the last proof reading error soundly criticized. It is onlv then that the gentle reader turns to the foreword, to see what the editor has to sav bv way of excuses. We have no excuses, no messages, no instructions to cherish this book as a memento of happy days that will be no more, no remarks that 1953 is the dawn of a new era. We merely preface the pages of the L ' AGENDA with the comment that it, like all other annuals, has been produced, processed, engraved, and sweated over just for YOU. YOU are cordially invited to frame and keep for admiration the painting which Bruce Mitchell created for us, as the most tvpicallv Buckncll landscape that anyone could select. YOU are cordially invited to peruse the section containing the pictures of the administrative officials, which contains very little of novelty, for the administration, as the backbone of the university, undergoes little flux and even less commotion. YOU are cordially in ited to glance o ' er the academic section, which contains THE STORY OF THE THREE BROTHERS The story of Ab, the first brother The story of Bis, the second brother The story of Eng, the third brother YOU are cordially in ' ited to search for our face among the many faces con- tained in the activities section, which turned a deaf ear to the Muses and a bright face to Ogden Nash. YOU are cordially in ited to turn to the personalities section and meet a sur- prising and diabolical new visitor to those pages. YOU are cordially invited to step aside for a moment while we turn the spot- light on the heroine of our book, and INTRODUCE IVY
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Page 12 text:
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