Broward Community College - Silver Sands Yearbook (Fort Lauderdale, FL)

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cgi, , I9 l: upergroup Graduate to uper tars from the supergroup middle of an leadership failure. Twice we attempted ironic travesty of and moving into the hypothesis, 1971 moved in leaps and bounds concerning conglomoration of styles, both and muscial, which greatly to the anarchistic leadership. Old favorites e the Airplane were dropped and as a new generation of Osmond lovers moved into consumer market. The new of 'surfer-hero' called David dominated top-40 radio as the rnmiscent generation of old perately continued to grasp for slackening life-lines as FM Radio The Firesign Theater. it is half-past Jackson Five and really knows what's going to you enclose a seal from any made by the Woodstock you will receive, absolutely of charge, our fully guaranteed coroners report on Janis Duane Allman, and Jimi Be the first on your has been caught right in the to bring the students together, once with a proven star of yesteryear lChuck Berryl and once again with a totally diverse group of fine musicians llfl and failed. Chuck Berry was total mockery due to poor planning and a total disregard toward adequate facilities. Cramped stage space and absolutely no P. A. system for the first half of the rock 84 roller's show brought down just about everybody's head. If was absolutely too good for the average BCC student. A poor attendance of 320 showed up to observe the multi-styled group dazzle the hospitality center with superb solos and some fine progressive jazz. Alas, the coffee house. lf anything was successful it was these free Friday evening programs which booked such various artists as Cheyenne, Duckbutter, and some of our own talented students. People showed up, listened, and generally seemed to enjoy themselves with little or no quams. By Bill Jacques Silver Sands wri ter Bill Jacques is a music enthusiast who as well as writing for the Phoenix, worked in promotion for a record company and also managed a local rock group Also of merit was the jazz ensembles performances throughout the school year. Our Jazz Trio, consisting of Jim Conti, on piano, Del Baroni on bass, and Bob Economou on drums, put on some thoroughly entertaining performances which can only be attributed to their obvious talent and blatant self-discipline. Lowell Little should be complimented on his excellent direction and guidance. His eighteen member ensemble performed to standing room only audiences and always provided some thorough entertainment inside the Lecture Theater. David Snively offered us a little class with his Symphonic Band, and another capacity crowd turned up to hear pianist Byron E. Franklin, Jr., and clarinetist Snively perform a smashing bit of chamber music in the Lecture Theater. A worthwhile contribution which cannot be overlooked. Considering the chronic identity crisis under which popular music is currently suffering we have really nowhere else to go but forward. Hopefully, BCC will take part in laying down the future path.

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i , UU' , ' ' ,- - .5 ' 5... 'ef , N. . ,, .T . ' ' ' V ' I o- ' I' ff .it f .0 ,. f ' 4 9 '- . '?-N . iw K, , - ., 6 .. . Ati' Q L, E Tl-IU IA M as a iverse au ience reacts to acu ty recitals I am reminded of the old adage concerning bringing a horse to water as l consider Term I's faculty music recitals. True, the department can require that all students enrolled in music courses attend at least eight cultural events, but they cannot make the audience enjoy them. Only the performers can do that. And that is exactly what Dr. Thomas Cavendish and the Kammer Duo accomplished on two successful nights that saw the Lecture Theatre filled with SRO crowds, of both students and people outside the campus. Dr. Cavendish, director of BCC's Chamber Choir, opened the series of faculty recitals on September 24, accompanied by Byron E. Franklin at the piano. The baritone, singing in English and German in the first two sections, enchanted the audience. He completed the first half of the program with what was by far the most popular of the program, temporarily becoming Figaro to sing Largo al factorum from Rossini's The Barber of Seville. The second half of Cavendish's performance rounded out the international sampling. The French were represented by Debussy, Ravel, and Poulenc. Spanish folk songs by Manuel de Falla concluded the excellent program. Byron Franklin organ and music theory instructor at BCC appeared two weeks later with David Snively conductor of BCC s Symphonic Band on clarinet. Together they are the Kammer Duo. Again there was a capacity-plus audience on hand to enjoy the program which was on Octobe performed in New Yorks Ca Hall by the two. Composers from Brahms to Berg represented and that s quite a va There is still a mystery concern: composer of Meditation credit G. Kirkor a Russian. However is no other indication that the actually lived and in fact the R embassy denied his existance Franklin called for inform Russian composers have punishment in the past for A music that was considered western. The first half was conclud Leonard Bernstein's Sonata, st reminiscent of his West Side - score, but written well befor latter. The entire second half consi Brahms's Sonata in F Minor, contrasted not only in style b length with the very short Berg p Blending is important. When instrument plays while anoth featured and does not detract fr when the audience barely realiz w are playing, the performance success. In this and all other r were the Kammer Duo success . 1 'i 1 Ly, fx I I f 5 31: , X v '- rx 'r 1, I 5 ' . le, U h gi . ,w In - -I . ig T. . ' S3 f . -M lf- Q 7 ' it ' K .fi Uv it 15 'A ' age ' fi 5 - .s .. ss E '. V Y :AJ . i V .K s Y 17 p s ' 7' ' - 'I V l A , - : l ' ig ' - bp- 4: -. iw . 1-'V fi- ' li X ' I I I I

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