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Page 27 text:
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. . You must know yourself as well as your materials . . . An artist I- f mixes colors carefully for consistent A 5- hues of ' . v ' ' ,J x 'al ' if A' , ' , ' students are looking for an easy way out, you must know yourself as well as g Y M W your materials, and it takes a lot of V hard work to develop the necessary skills. QQ, my , A N75 The pre-requisites of the course I P it are Design I and ll, Drawing I and Il. ,,,, ,jg 13,3 Q ,g4:L 5 gq2,, , . Although there are a few students in 4 V' the class who don't have the necessary -'ggzwiiieg ' pre-requisites, Mr. Boase doesn't rec- ' 7 1 -x I ' 'N ommend it for the average student, 15,2 'KS K.1' feeling that the previous courses will l 'N' NNN help the serious student develop the discipline and skills needed in the illus- Uation course, and make the non- serious student aware of the difficulty in becoming a good artist. A, I 1, ,KX Flllllllllli Q, ,L e ..- Q sf' ei AWN N sv. . Q si J Bd: LL 'YG sv Contrary to many myths, women do have a place in commercial art. s n t N ' l 3 J A - , V, , ' 'L V - N ' 4 ' '951 ' -j . .' ' . X L 0 i's- ' in Q Q ' I' here are three women enrolled in ' as V h Sr, 'K , ' K the class' . if Lg H 3 5
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Page 26 text:
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One of the newest courses offered in the Fine Arts department is the Commercial Illustration class taught by Mr. john Boase. Mr. Boase ex- plained that a commercial art program was needed because of the increasing number of printers, publishers and new industries in our rapidly- developing area. A professional artist for eighteen years, Mr. Boase is well aware of the problems of both the Commerical Art- ist and the student. He stresses discip- line and hard work as well as talent, and makes no bones about the diffi- culty of the course: Most students want A's, he said, But they'll have to work like heck to get them. How well they do in the class depends on their ability and how much time they devote to it. And look at any current magazine - imagination is the big thing. ,VS There are eight students enrolled in the class, and the atmosphere is re- laxed and informal. A coffee pot sits in a corner, and the students sip coffee as they work. There is no real competi- tion in the class, and they work at their own pace. There are people who tend to un derestimate the Commercial Artist- Mr. Boase says, Anyone that is inter- ested in becoming an illustrator or a commercial artist must have a very strong drive. It's a demanding art form and requires disciplines that are fast disappearing from our society. Many 1 is relaxed and informal. . . ' . . The atmosphere of the class
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Page 28 text:
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Q 'ami' 5 ,. . LJ' . is-, . ..4. ,.. . Assignments for the illustration class include prac- tical applications, such as the airline and radio ad- vertisements and the Silver Sands cover designs fabove and rightj. WW? i 5 s MONDAY 82 30 abc
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