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Page 11 text:
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as old blends with new Some things never change — the joy ol youth, the warmth of friendsfiip, the thirst tor knowledge, the spirit of competition. Other things must change; 75 years of active life and bustling activity create the need and the means for many changes. Those things vhich do not alter ease the transition between old and new. At Ripple the new joins the old grace- fully, with lasting values of a rich heritage bridging the years. Physical failine often comes with age, but Ripple ' s facilities defy her years. Well-e(|uipped physically. Ripple moves ahead in the realm of new ideas. Old, time-tried theories serve as bases for fresh attitudes and methods. The stream of enthtisiasm that flows through Ripple produces not only new ideas, but also new honors. Broad Ripple is an old — yet a yoiuig — school. The old mellows the new, and the new stands proud- ly by the old as Ripple becomes 75 years yoimg. Starting the day with a friendly chat, Pollv Colvin and Mrs. Edna-Mae Ross enter school together. Regardless of its wintry transfor- mation, lettering on a corner of the building ' s new wing proclaims Ripple ' s name to passers-by. Bearing strong resemblance to a modern industrial plant, Broad Ripple High School ' s shop wing and cafeteria present a striking view of the school. Each morning this aspect of Ripple greets pupils and teachers who use the ample parking space in the Compton Street lot.
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Page 10 text:
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75 YEARS YOUNG Spirit turns well of tradition into fountain of youth Utilizing the switchboard in the new office section, Mrs. Sara Powell transfers a call to one of the administrative offices. Three generations of school leaders share common loyalties and goals. Principal J. Fred Mur- phy and Senior Class officers Dave Cranfill and Peg Ballard admire a portrait of Mr. Karl Von Ammerman, former prin- cipal who led Ripple through critical years.
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Page 12 text:
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Oh, What a Beautiful Mornin ' it is for the entire Oklahoma! cast as they rejoice with Laurey, Avis Settles, and Curly, Dick Emery, at the production ' s close. Maestros of the show, accompanist Mary Jo Bush and directors Mr. Gene Poston, Mrs, Rosalee Hofmann, and Miss Ruth Bertsch, review musical arrangements. Picnic plans dominate the dis- cussion of Westerners Peggy Ballard, Marilyn Henzie, Ken Bierman, and Rob Payne.
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