Boston University College of Practical Arts and Letters - Sivad Yearbook (Boston, MA)

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IP-ALI will nn Ehvr Zlinrgvi ELEANOR ALLEN playing the flute? VIOLA ALLEN, our genuine, -accept-none--without-this label blonde? EVELYN ALTER entranced at Prof. White's reading in Drama? BARBARA ARCHIBALD running from the street car for nine o'clo-ck class? ADELLA BEAULIEU'S distinctive name? DOROTHY BLEVINS alw'ays c-onsulting Dr. Coffman? DOROTHY BRYANT taking a summer course in Geometry without credit? MARGUERITE BURKE answer-ing the telephone for Mr. Kadesch? MARY BURKE'S -successful debut in Stu. G. Assembly? BERNADETTE CARNEY-Of course-the editor of SIVAD fand isn't it the big gest and best yetl ? PRISCILLA CONANT, who came to us from M.aine? An-d her Memory Book? DOROTHY COOKSON, the girl who always take.s a goo-d picture? ALICE COX, who is always being page-d in the Dorm? MARGUERITE CROAK'S tranquil expression? HELEN CUMMINGS, our lunch hour librarian? GEORGIA DE LUE and her banjo? DOROTHY DICKEY, whose voice was ever s-oft, gentle, and low MARIETA DOUGHTY'S weakness for the army Cand possibly the navyJ ? MARY DIGOU'S dignity? MILDRED DUNBAR'S jolly laugh? AGNES DYER'S successful straight hair? ALICE DYER'S fondness for languages? CShe took French, German, and Spanish all at once.D RUTH EPSTEIN-that beetle pin of hers? MILDRED FAIRCLOTH, who finally decided to do up her hair? ALICE FAY'S literary appreciation? NORMA FINNERTY, Cinderella Junior fs-ize ZMZJ ? CATHERINE FLEMING, our first Royal prize winner? . . H , MARY FLEMING. whose eyes were- probably the inspiration of That s My Weakness Now ? I 0 JEAN FREEMAN for-getting to -rememaber her mandolin? GRETCHEN GABBI, the girl who never us-es cosm.etics? MARY GALVIN'S curls? . 6? FLORENCE GRAY'S obse-s-sion for opening window-s on a cold day- CAROLYN GREENE, The Wife Who Came- Back? ELLEN GROSSMAN and her Hslnlakyn JGWGIFY IRENE HAGAN being late for meals? ELEANOR HOBBS' tranquility? H57 ? , ,, Q. eee,..e or L or K 7 X- if H -A 'J-3:25593 413515. it Eizrztgiflfiiii. V N illcty-2 Z I

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l l 1 7 I I I i 1 1 I i i X I ll 1 l I ,' , ,,. -. -we Q xi N 1 , - yffen-.. gf-. rt: ' .iw-f . J' 'B -f 4' ,-- - - -'fl - V- , tl ' VM-f ',f' . ' . awfnfi a . . ., .,.......,. .., .,.. 4 , , g YA k MMFAWQ I ' A 0 - 1 A, Y.. MW -'f.1ffl1fl,gfQg I i K ' 6 A,,,,M.,,.., , ..,r,,...,. V-few --- ' V A I H - IWW,-l ,,,,.,,,,,,,,,..l,-.., -. ---f -- ,.,,.. 65. To Cora McCarthy-an adding machine to rectify her many accounting mis- takes. 66. To Susan McLaughlin-a new smile for use when her present one wears out, 67. To Etta Masters-a copy of But They Mfarry Brunettes. 68. To Lillian Melhado-a permanent lead in the B. U. Show. 69. To Irene Miller-a Vogue so she may always dress A la mode. 70. To Genevieve Patricia-a Toonerville Trolley to- help her get to Salem and back again. 71 To Edith Perry-as good friends as she had at Miiddlebury so she'll like us as welll 72. To Marlon Rich-a husband named Poor for variety's sake. 73. To Ina Rosenthal-a book of Ask M-e An-other to keep- the Profs on edge. 74. To Iflllian Rubenstein-?b2,00l0 as -a beauty prrize. 75. To Janet,Rath-the loss of three permiss:ion.s so we'll have her with us at lea-st one week-end. 76. To Phyllis Savoy-a to-nic for her appetite. 77. To Rose-Marie Schoen-a Turkish veil so she will stop collecting hearts. 78. To Frances Scipione-a safety clasp for that fraternrlty pin. 79. To Olga Slpolin-a few more notes to pu-t in :those oiverburldened notebooks. 80 To Grace Small-a new name that will not underestimate her ability. Carolyn Stevens-presidency of the Writers' C-lub Eleanor Snllivfa-n-Alice-In-Wonderland s remedy for height T Esther Sutton-wa. few good marks in psychology V ' Evelyn Szlveflria-a manti-l-la to wear on th-at trip to Spain Helen Tebbets-a few more rings for her c-ollection A Eclna Tierney-a chance to- compe-te in the talking marathon Elsbeth Trfaeonan a. life claim on Pa-t Nancy Tnbtash a debate with Dr Waiien -Eleanor Walsh-a Job a-s U S Treasurer - Mzlclrecl Waltz-a complete set of cold creams to preserve- her complexion. - Anne Wezsva-l-a contract with a Toothpaste Company where sh-e ca.n dis- play her charming smile Helen Welch an express wagon to deliver her cello to P A L Thelma Wtght S5 000 for efficiency Dorothy Young a toast to Dot that she may always live up to her name P A L S2 000 000 to help realize the dreams of a real campus The remainder of our estate, real and personal, which we own or arf ent1tled to at the time of our decease, we bequeath to the Salvation Army We hereby name an appliant, Rena Keay, to be executor of this will, witness whereof we set our hands and seal In the presence of three Wit nesses we declare this to be our last will, this seventh day of Mav, 1929 THE JUNIOR CLASS By LOTTA NERVE May seventh 1929 On this date the J unior Class of fthe College of Practical Arts and Letters of Boston University signed the foregoing testimony in our presence declaring it to be their llast will and we three doa now at their request and in their piesence and in the presence of each other hereto inscriloe our names OPHELIA PULSE DELIA CARDS DR WARREN I it - S L V .... ..f-.-.... .,.-,....s,X..,w..n......-....s.,....,..a.., LV 6 Q sffs fi sg A .Ny ' K V f ,f---f---M --- f- .-.wv..a.., , K f ' r A - f- A'-'-f' ,, -.... , N I 147l Ns. XX it

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4. L.---V-J'-M-N .L L p iff' M ,,,.,- , gk 554. A fy- -' - f- .X 1- ., r4 t'w. s , .-.L 1 ff,-f' - 'ea ,5 -, 1 ,f ff W- fc! '- wi M., r , .s,- , ,,. .,,, . I - A . , . ig I 'I ll 4 6 5 I '5' p ei v fjql RUTH HOPKINS reading poetry for Mr. McCloskey? its HARRIET HYDE'S distinctive poise? fl l lllADELENE IRVIN'S Sense of humor? ,ly . . , , CHARLOTTE ISAACSON'S nice disposition? I lil' BEATRICE KAY, our rival of Clara Bow? il 1 l . ll RENA KEAY attempting to bring order to class meetings? .in I . 5 'Q GLADYS KEN NEDY'S weakness for borrowing? FLORA KING'S artistic ability? I I 2 OLIVE LANG'S blush in accounting? v F I N , M FRANCES LAVINE'S superlatives? SHIRLEY LAZARUS' crimson Cupid's Bow? I l I Yi EVELYN LELOFF,S literary ability? j I BELLA LERNER'S quiet Sarcasm? A 1 SYLVIA LESHINSKYJS self-control? . - Y EDNA LEWIS demanding good dancers? l MOLLIE LEWIS with her school-girl complexion? I MARY LUKEMAN answering to the wrong na,me in Psych? I CORA lMCCARTY'S Peter Pan personality? SUSAN MCLAUGHLIN playing basketball? ETTA MASTERS, evenly parted hair? C She must get up early.J LIILLIAN MELHADO,S SucceS.s in All-B. U. activities? IRENE MILLER'S ability to g-et ads? GENEVIEVE PATRICK'S friendly aniswer to anyone's Hi, Pat! ? MARION RICH'S intelligent interpretation in Shakespeare? I ROSENTHAL Where d You Get Th e Eye LILLIAN RUBENSTEIN'S beautiful clothes? JANET RUTH,S debutante Slouch? PHYLLIS SAVOY S bewitching simile? ROSE MARIE SCHOEN S weakness for velvet? FRANCES SCIPIONE'S placitude? OLGA SIPOLIN reading Psych? EVELYN SILVIERA monopolizing the book Store? GRACE SMALL S ultra boyish bob? CAROLYN STEVENS' naturally curly hair? TVIARGUERITE SUGRUE'S slenderness? ELEANOR SULLIVAN S happy go lucky aar? ESTHER SUTTON S quiet good nature? HELEN TEBBETS laughing with her eyes? EDNA l'IERNEY's posing? ELSBETH TRUEMAN S soprano voice? NANCY TUBIASH S pithy remarks? ELEANOR WALSH bawl1ng us out In clas meeting? MILDRED WALTZ and her crowning glory ANNE WFISUL'S drawl? HELEN WELCH'S distinctive hair dress? THELMA WIGHT pushing In ha1rp1nS? DOROTHY YOUNG S height? 2 UQ? I ' H - s I V ' J-4 -I -A-M.---W-.HaAQ,, I ,, MQAWQ mx I--M A, .. ,., H L . . . -, J, .L ,,,.i fIk,, 3 KAHHWLSLL'-A A all XE NQN. xxx,