Boston University College of Practical Arts and Letters - Sivad Yearbook (Boston, MA)

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l l 1 7 I I I i 1 1 I i i X I ll 1 l I ,' , ,,. -. -we Q xi N 1 , - yffen-.. gf-. rt: ' .iw-f . J' 'B -f 4' ,-- - - -'fl - V- , tl ' VM-f ',f' . ' . awfnfi a . . ., .,.......,. .., .,.. 4 , , g YA k MMFAWQ I ' A 0 - 1 A, Y.. MW -'f.1ffl1fl,gfQg I i K ' 6 A,,,,M.,,.., , ..,r,,...,. V-few --- ' V A I H - IWW,-l ,,,,.,,,,,,,,,..l,-.., -. ---f -- ,.,,.. 65. To Cora McCarthy-an adding machine to rectify her many accounting mis- takes. 66. To Susan McLaughlin-a new smile for use when her present one wears out, 67. To Etta Masters-a copy of But They Mfarry Brunettes. 68. To Lillian Melhado-a permanent lead in the B. U. Show. 69. To Irene Miller-a Vogue so she may always dress A la mode. 70. To Genevieve Patricia-a Toonerville Trolley to- help her get to Salem and back again. 71 To Edith Perry-as good friends as she had at Miiddlebury so she'll like us as welll 72. To Marlon Rich-a husband named Poor for variety's sake. 73. To Ina Rosenthal-a book of Ask M-e An-other to keep- the Profs on edge. 74. To Iflllian Rubenstein-?b2,00l0 as -a beauty prrize. 75. To Janet,Rath-the loss of three permiss:ion.s so we'll have her with us at lea-st one week-end. 76. To Phyllis Savoy-a to-nic for her appetite. 77. To Rose-Marie Schoen-a Turkish veil so she will stop collecting hearts. 78. To Frances Scipione-a safety clasp for that fraternrlty pin. 79. To Olga Slpolin-a few more notes to pu-t in :those oiverburldened notebooks. 80 To Grace Small-a new name that will not underestimate her ability. Carolyn Stevens-presidency of the Writers' C-lub Eleanor Snllivfa-n-Alice-In-Wonderland s remedy for height T Esther Sutton-wa. few good marks in psychology V ' Evelyn Szlveflria-a manti-l-la to wear on th-at trip to Spain Helen Tebbets-a few more rings for her c-ollection A Eclna Tierney-a chance to- compe-te in the talking marathon Elsbeth Trfaeonan a. life claim on Pa-t Nancy Tnbtash a debate with Dr Waiien -Eleanor Walsh-a Job a-s U S Treasurer - Mzlclrecl Waltz-a complete set of cold creams to preserve- her complexion. - Anne Wezsva-l-a contract with a Toothpaste Company where sh-e ca.n dis- play her charming smile Helen Welch an express wagon to deliver her cello to P A L Thelma Wtght S5 000 for efficiency Dorothy Young a toast to Dot that she may always live up to her name P A L S2 000 000 to help realize the dreams of a real campus The remainder of our estate, real and personal, which we own or arf ent1tled to at the time of our decease, we bequeath to the Salvation Army We hereby name an appliant, Rena Keay, to be executor of this will, witness whereof we set our hands and seal In the presence of three Wit nesses we declare this to be our last will, this seventh day of Mav, 1929 THE JUNIOR CLASS By LOTTA NERVE May seventh 1929 On this date the J unior Class of fthe College of Practical Arts and Letters of Boston University signed the foregoing testimony in our presence declaring it to be their llast will and we three doa now at their request and in their piesence and in the presence of each other hereto inscriloe our names OPHELIA PULSE DELIA CARDS DR WARREN I it - S L V .... ..f-.-.... .,.-,....s,X..,w..n......-....s.,....,..a.., LV 6 Q sffs fi sg A .Ny ' K V f ,f---f---M --- f- .-.wv..a.., , K f ' r A - f- A'-'-f' ,, -.... , N I 147l Ns. XX it

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li 4 A l L PALS I ee . A Q35 . fy 5 7 gi 1. - 24. To Helen Cmnmings-a malgi d. k. '13 .I N . fl . Won't .have to Wait in the third floor coirrfdomflrm ey ll cannot beforgotten S0 She Q. .25. To Vwzen Daniels-on-a bell for her neck in order that We may know when ll 1 lr she is present. l 2-6. T-o Dorothy Dickey-a pill Wh' li .h ll ' '1 ' M . . knofwleldge of the FTench1angu age. 1C W en swa. owed Wil give her a perfect , E1 27. To Many Dtgioruf-a no-teb-ook in which to keep her notes on integration. V 2 I 23. To Miarrieta Dlolughty-a bottle of ger-micide to keep her healthy .7 g ,29. To Mfilclreol Dywnbar-abli-lity to write Palmer' Mletfh-od with her le-fft hand S0 She H Wlon t have to spend her class qper-iodsa p-r:a,ctic'in.g, 30. To Agnes Dryer-permission to be absent from all accounting quizzes .1 u 3.1. 'To Alwe Eyer-fan encvyclope-dia. to sit on so that the tops' of the desiksr Won.'t it 5 interfere with her vision.. I -32. T-o Ruth Epstein-a scholarship to the Art of Speech Academy 33. To Milolre-ol Faircfloth.-a.n F in Spanish to spo-il her record of A's t. 6 34. T10 Alice Fwy-a scolding for idling away he-r sehiooldays a 35. To Norma. Finnerty-a bottle of Anti Kink because We are jealous of he 1 i ' 3 curls. 36. To Catherine Flewnriny-glue-, to keep .her in her' s-eat for a. re-aszon-alole lenguth of time after 'she has iingished her quizzes. 5 1 37. To .Mary Flefmrzlng-dark glOig'lg'lQS4l'1+9I' eyes p-lay havoc with the hearts of all Q our boy ffriends. A 38 To V . ' Jean Freeman-a me-gap-hone to-make herself heard A 39. To Gretchen G'1abb11-wedding bells to acoompany the ring 40'. T-o M ary Galvin-a comb to keep the fringe -on. her dresfses .untangled 41. T-o Florence Gray-a girl scout badge- to add to her collection E 42. To Carolyn Greene-ea name plate so We can learn- her new one 3 ' 43. To Ellen Grolssmnan-a. ghost to take her place in t.he 4.15 type class 5 j. if A- 44. To Irene Hagen-clippers to keep her Windbl-own bob in trim 45. To Edith, Hager-Palm-olive Soap for her' schoolgirl complexion l 2- 46. To Eleanor H obbs-a Woo-den soldier to remind :her of Stunt Night 1 ' 47. To Ruth Hoplcflns-an engagement book for her dates , 1 48. To Elinor Hfant-an extra large Sigma. Key for slpecial honor l. 49. To Harriet Hyrule-compliments becau-se she .always looks -so nice Q 50. To Maoleline Irwin-a police whistle to h-elp the eh-eer'lf1ulJ leaiderr collect her . A crowd in the looker' alley. l 51. To Charlotte Isaacson-fa. rope to tie her to Eleanor p 2 . 52'. To Beatrice Ka --an allarm. clock .to help 'her get to breakfast on time ?! l i 53. Tlo Rena Keaxy-a derrick to aid her in lifting the classl burd-ens 54 To Gladys Kenneoly-an F so that for once her fears will be realized 1 55. T-o Florla King-a 'million do-llar contract to make posters for college dances 7 o n s n o 11 .L s 0 n 0 u s i4, c a . u - 4 0 n 1 . u n Q l 56. To Olive Lang-handcuffs to bind her to- Vivien. I, E 57. To Frances Lavflne-some reports. to put in he-r class-meeting notes. A 58. To Shirley Iiazarns--the' g'h-ost of Shakesipe-are to be her' Muse. i 59.1 To Evelyn Lelojffa' SIVAD, all printed, so that s-he'll never bother us for 7 Write-u le a. ain. A P 8' ' 60-, Tg. Bglla. LewywqL..a book on Sweetness because she has so mueh of it. ' Q, 1 Q l 61g Trg Sylvia LeS,hmS,I,5y...31,.000- for thawing the most .plealseing disposition in l - sch-oolf ' . ' J A 6-2. .To Edna, Lewis-a pull with Dr. Kingsley. - l r 63. ' To Mollie Lewfzls-envious glances because We like her clothes. : 64. To Mary Daloewnan-a. seco-nd mortgage on N30-rma's Anti Kink. I , .S 1 . . . , , ,. .r ' . r If l ' A , f 1 4 s an , 7 f ' or 5 o - .... .... ' f . V' A .,l 1l lL,.,KZQ,...., 'TT 'i1Tw'jl 33 Rl 5 ,fx ' fl gr-at -nwgzil fn f-W' A-A-M fllflA '. 5 A -i ee .....Q 4 ..... W -Z.......5ZlL..M.w.- -A eeellee ii. I ef iw gf- M ' 5? -1 f Q-+44-mjg,j ' 'i T--Elini2n.g1i,,:L.:::3Ll:,1gLig,1 Qi,,,wz,,L4-..2i 'fmgvrxl 'iz---M'-ff'--Adv Vf 'W' ' ' . .. K . J Q. lj Ninety-seven l x

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IP-ALI will nn Ehvr Zlinrgvi ELEANOR ALLEN playing the flute? VIOLA ALLEN, our genuine, -accept-none--without-this label blonde? EVELYN ALTER entranced at Prof. White's reading in Drama? BARBARA ARCHIBALD running from the street car for nine o'clo-ck class? ADELLA BEAULIEU'S distinctive name? DOROTHY BLEVINS alw'ays c-onsulting Dr. Coffman? DOROTHY BRYANT taking a summer course in Geometry without credit? MARGUERITE BURKE answer-ing the telephone for Mr. Kadesch? MARY BURKE'S -successful debut in Stu. G. Assembly? BERNADETTE CARNEY-Of course-the editor of SIVAD fand isn't it the big gest and best yetl ? PRISCILLA CONANT, who came to us from M.aine? An-d her Memory Book? DOROTHY COOKSON, the girl who always take.s a goo-d picture? ALICE COX, who is always being page-d in the Dorm? MARGUERITE CROAK'S tranquil expression? HELEN CUMMINGS, our lunch hour librarian? GEORGIA DE LUE and her banjo? DOROTHY DICKEY, whose voice was ever s-oft, gentle, and low MARIETA DOUGHTY'S weakness for the army Cand possibly the navyJ ? MARY DIGOU'S dignity? MILDRED DUNBAR'S jolly laugh? AGNES DYER'S successful straight hair? ALICE DYER'S fondness for languages? CShe took French, German, and Spanish all at once.D RUTH EPSTEIN-that beetle pin of hers? MILDRED FAIRCLOTH, who finally decided to do up her hair? ALICE FAY'S literary appreciation? NORMA FINNERTY, Cinderella Junior fs-ize ZMZJ ? CATHERINE FLEMING, our first Royal prize winner? . . H , MARY FLEMING. whose eyes were- probably the inspiration of That s My Weakness Now ? I 0 JEAN FREEMAN for-getting to -rememaber her mandolin? GRETCHEN GABBI, the girl who never us-es cosm.etics? MARY GALVIN'S curls? . 6? FLORENCE GRAY'S obse-s-sion for opening window-s on a cold day- CAROLYN GREENE, The Wife Who Came- Back? ELLEN GROSSMAN and her Hslnlakyn JGWGIFY IRENE HAGAN being late for meals? ELEANOR HOBBS' tranquility? H57 ? , ,, Q. eee,..e or L or K 7 X- if H -A 'J-3:25593 413515. it Eizrztgiflfiiii. V N illcty-2 Z I