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Page 216 text:
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j Extracts From a Junior’s Note Book (Course in Shakespeare) I haven’t any change! 60% or PLAY PRODUCED DURING iste Dr. X has another scarf—whom do you suppose he swapped with? Not so bad, though. HisTorRIcaAL DRAMA—Peele. I’m leaving at ten or fifteen minutes of twelve. I'll meet you at 12:15, down by my locker to give you the change. What kind of sandwich do you want? Peanut butter—jelly—salad? No? MaARLOWE—one of the “University Wits. Yes, either in dressing room at the right or left of stage—style show is scheduled for twelve-thirty. Goop ROLLICKING CoMEDyY—beginning of Elizabethan Drama. Good-looking ring the Prof. has? On left hand. ProF. KITTREDGE’S LECTU agedies of Shakespeare. Pearl knocked off our register last night—the one in the closet, and we found a long-lost bedroom slipper and a silk scarf. LECTURES ON TUES. AND FRI.—ADMISSION BY TICKET. IN SAUNDERS THEATRE, HARVARD. What did Bill suggest doing—anything? as usual! Who else will be on the party with us? I’m not so keen on the Westminster, are you? Oh!!! the Prof’s wedding ring is on his little finger! Terrible job of doing up his sore finger, — wonder if it was a corkscrew? SHAKESPEARE COBBLED PLAYS IN LONDON. Yes—that’s all right—wish there were some place new. Gosh, haven’t been there for years! Yes, I’d take a chance on it any day. How about the Lorraine? No guarantee! But don’t you love to know what every place is like? I do! Oh, any decent place, of course. Fine! I’m on—but I think that the party will have to be week after next—as far as I’m concerned. Of course, Marge might fill in—th i ven if she is!! HIsTORICAL DRAMA AND COMEDY —SHAKESPEARE BEGAN EARLY WORK WITH “COMEDY OF ERRORS” AND-'LOVE’S LABOUR Lost.” Why aren’t you going to the dance Friday? Oh, I say—take someone else— what if everyone took only the man they especially wanted, to everything? Either she wouldn’t go much, or some man would be getting an overdose. I wish you would, cause I’d like to see what sort of a “line” a real lawyer has! but you probably just don’t recognize a line when you see one! I'll bet he fas. Fine!! Anything to have you come—I’ll report on the ‘proof’? as soon as I have one dance with him. UNITY OF TIME AND OF PLACE action takes place within short time. Where did you swipe the paper? Lucky you did, or I’d not have any notes, and it’s getting near exams! Haven’t taken such full notes for ages—three sheets already. ORGANIC DIVISION OF DRAMA. Ye, gods! It’s nearly 12—I must leave to get dressed for the Style Show. See you at 12:15—oh, yes, fix it up for a week from Saturday—absolutely any- thing but canoeing!! S’long. » AS) 210
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Page 215 text:
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DID SOUS KNOW THAT: THERESA ARRATTO has a tame “‘Lyon’’? ANNE MARSHALL doesn’t talk about “‘Sivad”’ all the time? CHARLOTTE ARMSTRONG used to get really excited at Prom meeting? GERTRUDE MARSHALL is afraid to go near C. B. A. after the Fashion Show? VERA AMBROSE once got as low as B? MARY JOHNSON sees “‘red”’ if you mention pictures? MILDRED TEWKsBuURY hates to laugh? ELSIE JACKSON was once seen without ELSIE BARTSCH? ELsIE BARTSCH was once seen without ELSIE JACKSON? ALICE WHITMORE was late one day because her train left one minute early? MARGARET KrrBy hates to dance? Mary McGralt sees nothing funny in the “Grinds” department? AGNES HURLEY was once heard to speak above a whisper? HELEN MuLcany craves blonde men? RutH RIDYARD is the original Palmolive Soap girl? HELEN MULVEY doesn’t trust the marginal release? ADA KILKENNY hates fuschia-colored beads? PAULINE JENNESS once had a hair out of place? RAY FRANZBLAU is ashamed of that A in Money and Banking? MADELINE NASON is a “‘dorm”’ proctor? LILLIAN MAHER has got used to getting the left-overs for breakfast? BERYL PARKER gets tired of getting A’s? MARGARET MAGUIRE is going to be property manager for Ziegfeld after her experience in the Bazaar? WINIFRED McDonouGu prefers the Navy to the Army? ALICE KINGSTON spends most of her time going back and forth to C. S. S.? LILLIAN STAFFHORST poses for the Mulsified Cocoanut Oil ads? GRACE BARRETT hated to drop Shorthand and Typewriting? MARGARET CONKLING and PRUDENCE MATHEWs have Jonathan and David backed off the boards? (RH INGOSLH A TENE VE ReELADDEIN Chairs in the lunch room. Classes for men at C.S. 5S. Marion Condon with a grouch. Mary Cox flunking a recitation. Anne Marshall with nothing to do. 209
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Page 217 text:
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She:—‘‘Have you ever been pinched for speeding?” He:— No, but I’ve been slapped.”’ MOST CONTRACTS OF INFANTS ARE VOIDABLE “How long is one an infant?” “Until the day before one’s twenty-first birthday.” “Some baby!”’ Siuad ee Goaising ais | Fae Sora) The difference between a smile and a laugh is the difference between sanity and insanity. 211
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