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Page 12 text:
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Page 11 text:
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VCI'tl1I'6 FOREWORD MUSIC, thc thcmc of MEMORIES '56 . . . universal in scope, significant to us all! Our favorites . . . popular . . . classical . . . jazz . . . arc all hcrcin unilccl to form our modern- istic Symphony ,56. Each symphony has four movements. Our first, thc S'l'Al l , begins just after tlle l'rincipal's l'.lllCLljlllf, the UYHR- TUNE, and the presentation of the CONDUC- TORS. NOTES, arranged upon the ever-lasting, all-important S'l'Al l . constitute Movement Two. Wie-, the NOTES, group togcther in har- monius fashion . . . wc form CIIURDS lactivi- ties! or Movement Thrccl But a symphony contains four movements-Y -wlif-rc is the fourth? For tlxc prescnt, nonc exists . . . ours remains an UNFINISIIICIJ SYMPHONY. We NOTES will compose that fourth movcmcnt Illftlllgfll- out tlic rest of our livcs. Our original covcr of momlcrn colors . . pink-light, fast-niovingr music . . . hlackf- deep, heavy music . . . ilrumatize our Hmodcrn- istic symplionyfi Trehlwic. a musical abstrac- tion rescnibling a trcblc clcf, accompanies the rest of tlle arl, photography anal literary work. All of thcsc, together, comprise thc Editors' presentation to you, a unified 56th Symphony.
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Page 13 text:
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X 4 1 X I X I 1' I 1' 1 I , X, A fondu tor and staff ADMINISTRATION and FACULTY An orchestra playing without a con- ductor-truly a difficult feat! Musical notes without a staff, indeed meaningless! In the same way to us, as NOTES, the STAFF is indispensable with their counsel and instruction! Mindful of their assist- ance . . . we now pause to let the CON- DUCTORS take their bows . . . to give humble and thankful recognition to the STAFF, to whom we owe so much. In- numerable have been the times, when. by their considerate and skilled guidance and teaching, we have been made better citi- zens of our democracy. gflff 'Q-Fi . 5151 - V. . -ra -'A- ' ' f' - - ' '
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