Bishop Noll High School - Marquette Yearbook (Hammond, IN)

Page 13 text:

Above: Mr. Malczak, Tammi Warholic and Missy Gibson paint the back drop for the New York scene. Left: Mr. Nowak assists a student in the purchasing of her books. Left: Actors and actresses get themselves into character. Middle: Jim Chute orders Mark Skertic to move sets backstage. Below: The stagecrew moves in place the El Cafe Cubano set for the next scene. FALL MUSICAL 9 ee

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Below: Students wait patiently for necessary schedule changes. Right: Alan Kosinski checks the sound system be- fore a performance. Warming-up A day of waiting in lines though the floors were freshly waxed the windows cleaned spotless and the walls wiped clear, our school seemed cold and barren. Yet, our school was warming-up when some 1400 students entered the main lobby for Orientation. A few hugs are exchanged while tales of summer adventures are told. As you wait in a line which ends somewhere outside around the building to pay tuition, you find out that your best friend went to California while you went to Southern Indiana for va- cation. As you look around the school you see all the people you thought you knew. Like the boy who was always teased about being short is now 6 foot 2 and the shy girl with braces and thick glasses 8 ORIENTATION now has her braces off, wears contact lenses, and already has a date for Home- coming. You part company to wait in line for your schedule, that happens to have three Math classes and no lunch. You are then directed to wait in line to see your counselor. The line extends past A build- ing and into B Building. The wait seems like a lifetime. Now that your classes are straightened out you must run to the Cafe- teria to buy your books, before it closes, but wait! there awaiting you is another line! You wait and wait, finally you are in buying books only to find out that they are out of the books you need. The first day of school goes by easily except when you get your locker and no matter how nice you talk to it or how hard you hit it, it still will not open. You enter your first hour class, Algebra, only to find out itis Calculus. Freshmen have it harder than others. They do not know where they are and when they are right next to their classroom a helpful Senior will give them the famous directions, ‘‘Oh, it’s on the 4th floor.’’ Passing the auditorium while going to lunch one notices that the auditorium is dark and uninhabited. However the lights are turned on and tryouts for ‘‘Guys Dolls’’ have begun. Before you know it it’s dress rehearsal and the school year is already warming-up.

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ights—camera—actio Fall musical—‘‘Guys and Dolls” Ties overture starts, lights dim, and the curtains open. Faces and applause of the audience make every grueling hour of work worth while. The play begins and the performers’ heart begins to beat faster and faster. Words and songs no longer belong to a script, the words and songs become a part of oneself. The musciai Guys and Dolls written by Damon Runyon and Frahl Loessar is a tale of gambler Nathan Detroit and his quest to find a place for his floating crap game and to avoid marriage. Nathan was not the only troubled one. Dashing, wo- manizing gambler Sky Masterson can not believe that he has fallen in love with a young lady from the Save-a-Soul mission. The plot is set and as the story comes to an end, Nathan realizes that his girl Ad- Above: Sky Masterson bargains with Big Jule whether or not the gamblers go to the local mission. Right: Out of jealousy, Sara Brown socks it to Pe- pina at the El Cafe Cubano. 10 FALL MUSICAL elaide is more important than his crap game and Sky has won the girl of his dreams. Weeks of hard work went into the musi- cal production by many dedicated individ- uals. The production was guided by Mr. and Mrs. Richard Lesniak, Mr. Malczak, and Mr. Winterlin. Each individual in- volved was a in a matter of hours. The cast: Ron Adams, Tony Aguirre, Julio Alonso , Bill Berge, Judy Biscan, Marcya Boyd, Connie Breitweiser, Ed Brown, Elaine Brown, Karen Bur- hartsmier, Julie Buzinski, Peggy Cafferty, Dino Christopoulos, Jim Chute, Joan Dettmer, Craig Doo- ley, Sharon Dooley, Daniel Fabbri, James Ferro, Kathy Ferro, Thomas Fife, Jenny Fisher, Lori Gra- dek, Dan Gutridge, John Kendra, Alan Kosinski, Danine Kostyo, Barb Kotlik, Larry Kruzan, Lisa Kur- mis, Jeanne Leonard, Sue Leonard, Jose Lopez, Maritza Lopez, Bob Lucas, Monica Mika, Paul Mot- kowski, Mary Helen Nichols, Deanna Niedenthal, Cindy Niemiec, Nancy O’Dea, Tina O’Drobinak, Mi- chaeline Olguin, Joe Palla, Jacki Raso, Karen Rus- sell, Bill Sheahan, Mark Skertic, Michele Sos- nowski, Tammi Warholic, Russell Zdrojewski. The orchestra: Jesse Arredondo, Sheila Canamar, Ka- ren Dubczak, Julie Dubec, Rose Gabrys, Manny Gar- cia, Matt Glover, Donya Hicks, David James, Jeff Johnson, Mary Kamin, Jan Kolodziej, Mr. Michael Madonia, Greg Mahoney, Carole Morris, Jackie Mosca, Mike Niemiec, Portia Pittman, John Sted- man, Linda Tybik, Anne Wells. The production staff: Tony Aguirre, Jerri Austin, David Bergin, Con- nie Breitweiser, Ted Burzynski, Julue Buzinski, Barb Ceiga, Jim Chute, Chester Dominik, Jerry Dominik, Sharon Dooley, Kathy Ferro, Tom Fife, Ken Fistro- vich, Missy Gibson, Rod Kiak, Karen Kiloziej, Alan Kosinski, Lisa Kurmis, Lisa Kurteff, Mr. and Mrs. Lesniak, Mr. Malczak, Nancy O’Dea, Tina O’Dro- binak, Laura Onohan, Dave Richardson, Service Club, Mark Skertic, Sue Skertic, Laurie Sutko, Fr. Winterlin.