Bishop Noll High School - Marquette Yearbook (Hammond, IN)

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Above: Mike Gaza moves a set piece backstage during rehearsal. Left: Senior Cirilo Rangel demonstrates the total concentration necessary to perform his music during the play. Above: Mrs. Kay Fair and Dave Bergin put finishing touches on the train used in “Sunday Clothes”. Left: Mr. Malczak and Fr. Winterlin discuss adjustment to the mu- sical score.

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Senior Lynn Hubbard’s art work graced the cover of the program for Hello, Dolly! his year for the first time the Spring Musical became the Fall Musical, exchanging places with the drama. Work had to begin on Hello, Dolly! almost immediately after the be- ginning of school, since the perfor- mance dates were November 17, 18, 19, 24, 25, and 26. The preparation that had to go into this musical was astounding. The casting of major roles and a chorus of singers and dancers was only a start. Sets were designed and constructed, costumes were found or sewn, dances were choreographed and practiced endlessly, props were found or made. Of course, there were continual re- hearsals for the cast, band and crew— after school, in the evenings, on weekends. The people on stage are the ones who justifiably receive the applause but they are only a part of the building of the play. In addition to directing the play, Mr. Malczak did most of the set construction, as well as attending to all the details concerning the production. Fr. Winterlin did double duty by re- hearsing both the chorus and the or- chestra. Adrienne Eggleston and Mrs. Barbara Wolf choreographed all the dance numbers, and in some cases, had ai’ the action on stage. IRB 3 tony a oe es rps if : ‘ad a to teach the cast how to dance. Mrs. Szewciw coordinated and sewed the cast costumes while Miss Hepner con- centrated on Dolly’s many wardrobe changes. As student director, Jayne Tumlin did everything from making coffee to filling in for sick cast mem- bers during rehearsals. Mike Gaza’s task was to keep everything backstage running smoothly, with scene changes as quickly and quietly as possible. Jeannette Varro made sure that the au- ditorium was presentable before the audience filed in and commanded the ushers. Was the end result worth all the ef- fort? Natalie Gilbert, who worked on make-up, commented, “Working on the play built a sense of unity among all of us who worked on it—we became al- most like a family.” When asked her opinion of the production Mrs. Fenters said, Hello, Dolly! showed how dedi- cated and talented our student body can be. It was obvious that a great deal of time and work went into this production.” Though it was time-consuming and often frustrating until the end, Hello,Dolly! had elegance. ry At oS Sue Leonard helps Sue Murphy curl her hair before a performance. Dan Szumlas, Mario Segneri and Jesse Arredondo take a break during practice to watch | eps Oa H | Junior John Meir follows the script and waits for a lighting cue.

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Horace, Barnaby, Cornelius and male chorus sing the praises of feminity in “It Takes a Woman”. Dolly’s Calling Card Mrs: Dolly Gallagher Devine crenata stensctccrnesnsetsstesessessrs a meee Marjorie Gibson Ambrose: Kempe ties scccrcvisicesssgtetoveecerssavoctsness seers arenecamen coat teereaee Marty Kometz Horace Vandergel der ..sscccccs...csescsosssnctetto-1 creestvsecontemass tenes eyeeers mereeen Joe Kruzan ELMen garde ia....cesscesecs audernetsescesctoavessrecsasscerot ected erat des deer ae ee Sue Murphy Cornelius Hackle.. .c.ccacscssvteesscerssccepocssentees nesttecestersremeechartaoraers Drew Sosnowski Barnaby Tucker's. si.sccceoscvacc-ctcercesestcssetiaceneatee Shes tirteess nen ene ee Joe Ortega Minnie Fa yviecsscsdecccevacesccccessovssscesescnastetettas tanner ttecysea{iaes-oste aera: aaeeeare nae Barb Kozak Trene Mulloy: s....sctscsssecgieensaveecseesecescecettecvacesssthetrercetensees soe eee ean Mary Leonard Mis. ROSE .:..5s.sseccecs tessstiaeel socceudes onustunseviamess vactanes siraentanenen sitar teeenaee Maritza Lopez Ferme@stimal dcvisscvaveseces ce eects cravateceescocaereeee etic oe Ene ee eee Deanna Niedenthal RUGOIpD wscecoissssseessnceteceece ssoceoncveseseczee-coecatst soars me epacvie (oon teen eee Horatio Vela PoliG@Matiiies..cosssacoscseasosecusedecteceescsseete darters agaeeneret tes trate stone eee ee Brian Fech JWG nes cciscleveloedecseseenccesecocensteteerawaessey supncescees eicerle: Cane tettentetars eee Kevin McCarthy Wallpaper! Hangerie...s.scccsssdoceitrast csvsavecensende ce ouserere coveemon etter anaes Mark Tribble Cathy Barna Janet Bodney Jim Brokemond Elaine Brown Cindy Cherogan Tom Daly Joan Dettmer Brandon Edenfield Dan Egenlauf Jim Ferra Tom Fife Roland Galindo Madeline Haraway Jeanna Hoess Bernadette Jones Jesse Arredondo Mark Bohney Julie Dubec Mr. R. Lesniak Chris Meyers Diana Molle Mary Ellen Jorden Karen Kudnowski Jeanne Leonard Maritza Lopez Kyle Malone Finch McGee Lynn Medwetz Juana Mendez Diane Mihajlovich Sue Motkowski Marty Mulholland Lourdes Munoz Maribeth Paul Julie Peifer Greer Perkins Dan Polack ORCHESTRA John Pressner Lynn Radde Laura Rivas Karen Russell Debbie Scott Paul Shaffer Sue Siegler Joanne Smith Dan Solis Karen Stack Horatio Vela Donna Webster Mark Webster Ann Wells Terri Wolf Carole Morris Joe Mulholland Mike Niemiec Portia Pittman Cirilo Rangel Mario Segneri John Stedman Ron Sullivan Dan Szumlas Sophie Wiecinski Barmaby, Cornelius, Minnie and Irene practice walking with “Elegance”. Dolly and Horace encounter the irate couples who demand their money.