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Page 32 text:
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28 SUMMER THEATRE In the second season of Noll's Summer Theatre, the drama department successfully executed two arena-set productions. Jim Marshall. Lee Purcell, Michele DuBose, and Cindy Golan starred in a sterling performance of the mild satire on the roaring 20's, Boy Friend. Through unselfish devotion of time and effort timid and awkward students were transformed into outspoken. Riviera-stepping people of the past. In a representation of the avant-garde drama. The Roar of the Greasepaint—the Smell of the Crowd, Terry Sherman and Phil Ponce recreated the constant struggle in life between the ‘‘haves” and the have-nots.” These summer stock musicals, staged under the direction of Mr. Breckle and Brother John Walsh, proved but a small milestone in the path to the summit of modern theatre. |im Marshall and Michele DuBose enact one of the more touching scenes from the summer production. Boy Friond.
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Page 31 text:
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MUSICAL Those who came to the initial tryouts of last year's musical, My Fair Ixidy, were cautioned by Director Charles Breckle and Producer Brother John Walsh that only the utmost in theatre would be accepted. This challenge was met and surpassed by the talent and desire of the young actors. In time, awkward boys and girls were transformed into the most elite of English society, while other participants assumed the guise of ruddy Liverpool cockneys. Much more painstakingly adapted were the lead roles played by Tom Egan, Mary Lynn Kolas. Phil Ponce, and Lee Purcell. All the effort put into the memorizing of lines, the learning of dance steps, and the singing of verses was aimed at the final performance, and yet. whmv it came, no on(f really jntbd iffto finish., Pickering questions. Why can’t a woman be more like a man? 27
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