Bishop Feehan High School - Flashback Yearbook (Attleboro, MA)

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a ca Silhouetted in the afternoon sun, Sister Ve- Below: “Please don’t move your arm!” request Below: Con centrating on geometric propor- ronica’s room, almost an art work in itself, ree | Donna Fecteau and Kerrin Lee as they sketch tions, Timothy Wheelock, attempts to capture veals tranquility after a creative day. from a live model. the essence of his model. bo = or)

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= See eg ee eh at te ert e resis: Pahedid Above: Outlining is a good study tool ac- cording to Mr. Galligan, but Richard Shee- han, John Perry, and Steven Pedro disagree. Right: Sizing up man’s past are Donna Castro, Gene DeFreitas, and Mr. Engelhardt. Above: “Justice is blind but I am not” ex- claims Mr. Perkoski in his Law class as he checks Donna Laliberte’s notebook. 20

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on Left: Intent on his work, Robert Pedro makes Above: Learning draftsmanship, Peter Gui- an exact measurement for his diagram in Sis- mond and Timothy McAlice practice the bas- ter Veronica’s class. ics of mechanical drawing. Creativity, skill, erow in Art Future Picassos and Rem- brandts recorded their impres- sions of life on canvas in Feehan’s art classes this year. They studied many aspects of the art world such as geometric proportions, color, and design. Students spent many long, hard hours laboring over every small detail until they attained perfection in their crea- tions. Art II classes worked with clay and paper mache to create 3- dimensional artwork. Sister Ve- ronica’s room was cluttered with statues, sketches, and mobiles, the handiwork of many Feehanites down through the years. Precision and creativity com- bined in Mechanical Drawing classes as students designed fu- ture buildings. T-squares, folders and No. 2 pencils made daily trips to the third floor to begin work on home and industrial plans. Left: Precision is everything—Henry Ne- veux makes hopefully accurate computa- tions during mechanical drawing class. at