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Page 23 text:
“
James Sommers Hollywood, here I come.” Glee Club '38. '39; F.F.A. One Delirious Night 40; Mama's Baby Boy '41 Bob Taylor I only want a buddy, no! a sweetheart. Basketball '38, '39, '40. 41; Canoe Staff '41; Drift Staff; Glee Club '38. '33. ‘40. '41; Baseball '38. '33, '40, ‘41 Fern Spaulding She's another Florence Nightingale. Glee Club '38, '39. '40; Canoe Staff '41 Dick Vandenberg Quiet, but not innocent. Class Officer '39, '41 Philip Stein It is not what he has, or even what he does which expresses the worth of a man, but what he is.” Band '38, '39. '40. '41; Orchestra '39, '40, '41; Glee Club '39. '40. '41; Drift Staff; Cance Staff '41; One Delirious Night Doris Walker Side saddle and over the gate. Glee Club '38, '39; One Delirious Night '40; Mama's Baby Boy '41 James Wire A worker always tending to his own business, and doing his level best Glee Club '40, '41; F.F.A. Rosemarie Wire In spring a young girl's fancy lightly turns to thoughts of love. Glee Club '38,'39,'40.'41; Orchestra '38, '39, '40, '41 pafjc srrctifeen
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Page 22 text:
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Donald Roberts My hobby is working but not in school. Der Deutsche Verein Virginia Roth Laugh and the world laughs with you. Glee Club '38. '39. 40. '41: One Delirious Night ‘40; Canoe Staff Clarence Sill When studies and pleasure clash, let studies go to smash. F.F.A. Robert Robinson Just give me a balcony and Juliet. Basketball '39. '40, '41; Baseball '39, '40; Canoe Staff Edward Rudowske Hand in hand with knowledge. Glee Club '40. '41; Drift Staff Kenneth Sink Little man, what now? Mama's Baby Boy '41: Canoe Staff; Drift Staff '41 ; Basketball Manager '40 Venora Robinson I may be little, but I guess I know. Glee Club '38, 39, '40; Orchestra '38, '39; One Delirious Night '40: Mama's Baby Boy '41; Canoe Staff; Drift Staff '39 Kenneth Sceper Full of fun and mischief, too. too, Doing things he shouldn't do. F.F.A. Eva Sommer Diligence, honesty, sincerity. Glee Club '33. '39. '40, '41; Mama's Baby Bov '41; Home Economics Club page sixteen
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Page 24 text:
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OUfi (HILL We, the Senior Class, being of sound minds and memories, do hereby make and publish this, our last will and testament, in order, as justly as may be, to distribute our interest in the world among those succeeding us: page eighteen That part of our interest which is known in law and recognized in the sheep bound volumes as our property, being inconsiderate and of no account, we made no distribution of this in our will. Our right to live, being but a life estate, is not at our disposal. But, these things excepted, all else in the world we now proceed to devise and bequeath. Everett Anstiss—leaves the halls resounding with his laughter. Lawrence Arnett—his ability to come to school three days a week with Stinky Bums. Dale Brenner—is sorry but he only has his laziness to leave. Nona Comstock—wills her pleasing personality to whomever is capable of taking care of it. Walter Eidson—leaves his eloquence to Eddie Schlutt. Arvid Erlandson—to Lucky Anderson Arvid leaves his ability to decipher Mrs. Stebbins' handwriting. Frank Ewalt—leaves his ability to leave the girls alone to Bill McGath, who needs it. Bob Fairchild--bequeaths the parts of his car to anyone with patience enough to put them together. Carl Ford—leaves his ability to sleep in study hall to anyone sleepy enough. Jesse Gill—his managership to Lloyd Kibler, if he can borrow a car. James Griffendorf—leaves his blushes to Donald Hamer. Barbara King—leaves the secret of her personality-plus in a trust fund for the rising generation. Ed Kumat—his chair in Mrs. Stebbins' closet is left to Dick Dilley. Robert Lausman—bequeaths his annual operetta leads to Joe Schimbel. Mary Ellen Lucas—leaves her vocal ability to Nancy Colvin. Alvin Marske—leaves his Book of Etiquette to Don Whetstone. Bob McConaghy—wills his meekness to Kenny Murphy. Maxine Metzger—with great regret gives her last year's formal to Sue Chamberlin. Evelyn Mitchell—leaves her red hair and freckles to Thais Lucas. Marjorie Mitchell—leaves her book on dieting to Sue Hartman. Verl Palmer—bequeaths her office job to Helen Beissel, who will gladly accept it. John Perkins—his frown goes to George Dent. Eugene Porter—leaves his way with the women to Ed Schmidt. Leslie Porter—leaves his place as Mrs. Stebbins' favorite carpenter to Bob Sommers. Don Roberts—wills his monotone to Bob Pagel. I Continued to page 55
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