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Page 22 text:
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e :fr,,i:9,..f - 1: . GY oadw Br Under the bright lights drama club members prove they're bound for Drama department members continued their tradition of excellence this year with two new produc- tions, Guys and Dolls and You Can't Take lr Wirh You. Talented casts with the right chemistry devoted many hours of hard work to pro- duce shows that would be entertaining as well as im- pressive to audiences. The fall musical Guys and Dolls, set in the 192O's, was a great success despite many obstacles. Through two and a half months worth of rehearsing, some lasting as long as six hours, and five dress rehearsals a fine production emerged. The technical crew work- ed at leost three hours after school each day in order to prepare the set. Almost everything on the stage we built, said set chief Jodie Thompson We finished it at 2 a.m. the day before opening night. Dealing with a wealthy gambler trying ta win the af- fection af a determined mis- sionary, the play was filled with entertaining scenes of action, dancing and singing. At times it was irritating, said senior Marty Burke, but it was one of the most enjoyable shows l've ever done. The spring production, You Can't Take lt With You, proved equally successful. QD. Nottlnghamy Shape up or ship out - Seeing some crap-shooters gambling in the street, Mike Cooper, depicting a hard-nosed policeman, orders them to stop disturbing the peace, Tying the knot- After being engaged for seven long years in Guys and Dolls, Rob Kolar finally succumbs ta marrying Christy Easterling, as Sean Owens, portraying his best man, gives a grin of approval. 18 Auditions were held in late November for the February play. Regular daily rehearsals and three dress rehearsals prepared the COST for two impressive performances. The plotline dealt with an unusually rebellious family trying to survive in a confor- mist society. The grand- father, for example, played by Preston Bryan, had not paid his taxes in 25 years. The family's favorite dinner was a meal of cornflakes and watermelon, and throughout the play, two uncles experimented with fire crackers for some unknown reason. Both productions were not produced without problems, however, Scott Rogers came down with laringitus during Guys and Dolls and ad-libbing became a necessity when actors found it impossible to recall that one line. Several oeople also forgot their entrances, the firecrackers did not go off during one performance of You Can'r Take lt With You, and a few blunders occured, but as senior Linda Giles ex- plained, Every perfor- mance has those because everyone is so nervous. Copy - Briana Brady Layout - Sherry Garonzik Let me entertain you - In a scene from inside of a racy Cuban restaurant, Kate Brown performs a flashy routine as one of the club's showgirls. H 1 CD Norringhamj i J-lm. XC? l l i l 1, VV i CD Nortlnghamj
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Page 21 text:
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Let's make a deal - Deciding to skip lunch just this once, Rusty Greer and Cathy Mortin solicit the Student Councils version of the school directory to Brod Foster, who oppeors to be o satisfied customer f -lf V A If 4- -so 1 r xv nuomsy 1 1 I . 3 f' T . 'xiii l WI .ff Ay '1 +4 r-1.M- t It 'lx 1 ' ' X x - skXLr eg ' s X 1 U ' NNQ ., r , I r QM. Williomsj ey call me Bruce - With great support Bruce Webber olds DECA in their effort to earn money to finance employer banquets and to send students to stote competition. l .,,yP f' ,ww .JT- 13. Q STAY ALIVE CS Greenp Students Against Driving Drunk - ln on effort to roise enough money ro set up a hotline for high school students who feel they are not sober enough to drive, SADD sells T-shirts, buttons ond bumper stickers. How's the weather down there? - Demonstrating haw to perform a pyramid, the Varsity cheerleaders hold o workshop for elemen- tory children to raise money for their trip to Florida. 9 . 1. A . s 4. CL Hopkrnsj if 5 1264lW?'ii25 :QSM-5, .eyes- 'li 2Qes.m,5ge,sf ms gf :ff Y WM F puns 1 sgo S18 ..n. NI
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Page 23 text:
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Mr. Sandman - Brian Carr poses in his chic night cap and bathrobe while playing a tune on his accordion as his character Donald in the play You Con't Take it With You. I t 1 1 I is ,f :,,!, 1 is , , , . V W - 13 . . I f. Q ...ll 1- .t 1 X fM'50'V93 i ,T it f' ,, at ei H J ll T -rf 7 it i iii at if . is t ' ',,,,-.,.3il ,...... ., fx 4 ' , 1 . 'K ' . f M .a 2 ' , ' - I it .gf -I-JI 1 ,L U . '1 'Ti iii , Riiif: QM. Wllllamsj QM. wuuumsp Be that way - Ponraying the volatiletempered Russian dance in- structor, Mr. Kholenkoff, Victor Szucs sits stubbornly in a corner after having a brawl with the sophisticated Mr. Kirby. .st H-.Q Ig. or vm l ' Wi swf: If r e , 1 l 9' 9...:'fff'f.5',1'f..H'Q. a , N, ...- i s 'X ' i . x A! :Ir gn xx i gg 2 'fuk' 5 ' ' ' Qi ' i f fx .3 ' .. c ' 2 :J QM. Wllllamsj Hold that pose - With grace in form, Stephen Tomac strikes a dramatic pose as the subject of Christy Gleaves latest attempt at abstract art. Everybody say Amen - Taking a moment to say grace before chowing down on a dinner of Cornflakes and pickled pig's feet, cast members of You Can'r Take lr With You fervently pray as Preston Bryan has an informal chat with God. pootq ADM .n 'O
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