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Page 101 text:
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1. Labertha Flores jumps for the ball 2. Kim Kultti dribbles down the court while Toni Phister runs into position 3, Labertha Flores jumps ball. 4. J,V, girls basetball members are, Kim Kultti, Labertha Flores, Stephanie Costidoat, Sheila Williams, Trish Thrilvoldt, Toni Phister, and Renee' Waage. 5. Renee' Waage dribbles in to score. 6. Carrie Santos controls the ball E The Girls' Frosh!Soph team started inexperienced as usual but came together well and kept improving Sophomore, Renee Waage, helped provide leadership, with Waage being the hustle and spirit of the team. It was a small team having only 8- players. This was an advantage as it gave more practice and playing time to those there. There were no real stars from the point of offense or rebounding as everyone contributed their share. The freshman on the team, Stephanie Costidoat, Labertha Flores, Kim Kultti, Sheila Williams, Trish Thrilvoldt, Toni Phister showed great individual improvment. Though Kultti is moving and will be missed, the remaining five should give a strong unit for next year. There were a number of games where the margin of victory was 2 points with Benicia winning. That shows a good sense of team play and togetherness. It was really enjoyable watching them grow and develop as individuals and as a team. FROSHXSOPH GIRLS' BASKETBALL 97
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Page 102 text:
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Have you ever wondered what it's like to run track? If you've had the glorious opportunity to be on a track team, of course, then you will already understand what it is like to have such an experience, if not, put on the spikes of your imagination and hang on. You about to run an 880-yard dash, the most demanding of all track races because it combines elements of both the short dashes and the distance events. It requires both speed and strength . . . HLast call for the 880-yard dash, the announcer intones, and your stomach turns over queasily. You strip-off your sweats and step up to the starting line in the lane you've been assigned, Your mouth tastes like brass, it is as dry as cotton, you can feel you heart pounding, the blood rushing in your ears. The palms of your hands are sweaty. You look down at your starting blocks as if from a great distance, but you can see every detail of the chipped surface of the blocks and the crunchy-looking red cinder of the track. The white- chalked line stretches away from you, straight as a die, to the curve. You try not to look directly at the other people in the race, particularly those dressed in the Green-and-Gold of Vanden, because they have dominated this event for what seems like forever, but today you hope to bring their streak to a halt. Individual faces in the crowd have merged into a blur at the periphery of your vision. You can hear friends, coaches, teammates shouting words of encouragement to you, but it's as if their voices are coming at you from under water. They fade into the background of your consciousness. You wipe your sweaty hands on your jersey and exchange quick handshakes and mumbled Ugood luck with the muscles of tirst one leg and then the other. From up the track a whistle blows. Your heart lurches in your chest, and you take a deep breath that unaccountably turns into a jaw-wrenching yawn, There is a sudden Hurry of activity along the length of the course as athletes and officials hurridly clear the track. The noise and motion in the stands diminish, slow down, stop. You can feel the concentrated gaze of the massed spectators narrowing, focusing on you. Your skin feels separate from your body. Runners! Come to your marks! The starter walks across the track in front of your block, off-handedly checking the load in his pistol as he walks. Crunch, crunch: the sound of each step he takes is isolated, distinct. He wears a red satin sleeve on his gun arm, the color flickers brlefiy past your field of vision as you gaze down at the while line marking your start. You watch your hands reach down to the line, see the tendons and muscles stretch, tense as you precisely place your thumbs and fingers parallel to the line. There is a restless shufiiing as the runners adjust themselves to their blocks. You can see the shoulders and arms of the runner ahead and outside you in the straggered start shift and bunch, and your mind skitters away from contemplating your adversary's strength. THER TRACK USet!ll The pores of your hands are huge! You can't feel your legs! Your arms tingle- needles and pins! Your heart is hammering as you raise into the sprinter's crouch! A sudden, icy, calm determination grips your mind .. . BLAIVI! You're out of the blocks and four yards down the track before consciously registering the fact that you've begun. You begin lengthening your stride, knees coming up almost imperceptably higher as you come into the first curve, beginning now to make up the staggered distance on the runners in lanes outside yours, a red blur and white straining face as you pass the first one, the whirl and grunting throw of a discus athlete seen out of the corner of your left eye as you pass another but the Vanden runner is inside you and accelerating smoothly, blonde hair bobbing, already into that high, fioating pace that is the signature of the good middle-distance runner. You know you must stay close! if f i '.rvr 's:HL ' i9 1 A i --'7 'QY - -'M-...mf fi-1. f ..., f +',,p-v ff' i mess Hs-sf 'sf'L . ,, , 1 ,. -rbe ' 1 , . V . - V - 'I rug, . -', 1.- 5 .'a . L- Jgilrf T if 'J . ,-' 1' .ha I. 5 ,rr -- 521' ef' P Q 1 '-'li-lf' 4 4' so q f I ' 3- ' -'kristi ' .417 ' .. s 1 't J . 'iff ' T.-. be . i- ' li f 5 if 3' N 1 i' 7 'z if v r,,r,:,f s ., . w. .. ' n ,gs f 5 . ,, A . A 'a . . 4' i n M: J- .. 5 g iv- , 'I -14 ik ...zip 'lf '16 wm5'b 2 A. ' U' ml if .Y-Ft . f . .1 -rr ni 'li + if-f A 'M ...twig A. 5 L- l 5 1 ,- 'F . -' 1 4- -, , fy . 1 . ' 1 f . 5 . ' . , Kyiv V ,L 'Q Qi ,L ' 3. X-5 I . I J 5 im N X i - 'Y 5 4 s Y - f if I : 4 J H 5 v.Q V v I- 1 'sb ff' K, A ftwhiv - if I .u My hai' 1 Q -- , frqk x 'I I tl s A -- V 0 D I -H' Y K V I' V! r. . 01 0 .c ...u ,. , P i ' T' s ' t t 1 - .- 3 n -H 11' if w. 7 ?...- - 1, Q f A. Rv, . 15 '? ':i X' A ' ' ' ' ' v , f' i an , I V 1. M J . w 04 M.-. N , , ilv1. 1-1, ,-e T is
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