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Page 73 text:
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Skill And Precision Richard Wong demonstrates the use of a table saw. The mask which is worn is a protective measure to prevent foreign objects from hitting the face and eyes. Shining new equipment makes industrial arts a fascinating, as well as an instructive, subject. Mr. McAlister watches with interest as Emory Rayle operates a lathe used in turning wood for table legs. 61
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Page 72 text:
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Industry Demands Don Coble concentrates on a technical problem while planning a project in drafting. We had to see it to believe it, and then we were speechless! The shop had undergone such a re¬ markable transformation that we knew we had the most efficient, most creative, and best workshop in all of North Carolina. And what magic is wrought within these walls! The industrial arts course is divided into two areas—drafting and shop. In the drafting classes, we were made aware of the fact that today ' s engineering and production achievement is based upon technical drawings, and these drawings form the primary communication media throughout in¬ dustry. We were taught not only to draw and design but also how to read blueprints. In shop, metal working, leather tooling, wood¬ working, and electronics were offered this year. Students can design and build their own projects while they learn how to operate and maintain the valuable equipment used in the building process. We worked hard on end tables, coffee tables, lamps, pocket books, and transistor radios so that Ben L. Smith would win honors in the N. C. In¬ dustrial Arts Fair in the spring. Careful supervision in the to perform the skills of wood-working. Here Mr. aids students in preparing wood for the lathe. industrial arts class
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Page 74 text:
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Eagle Eye’’ Keeps On The Janet Fitzula, Editor, and Brenda Collins, Business Mgr., go over the final details of the paper with Miss Lobdell before publication. Standing, I. to r.: Miss Lobdell, Advisor; Bobby Eisenhower, Bonna Woodard, Nancy Young, Tommy McKeithan, Brenda Collins, Teressa Williams, Jay Melvin, Lorry Lewis; Seated, I. to r.: Patsy Sizemore, Janet Fitzula, Editor; Kay Wood, Lynn Oldham. 62
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