Belmont High School - Campanile Yearbook (Los Angeles, CA)

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The success of every year book is dependenl upon much more fhan +he mere organizafion of ifs slaff or lhe work of 1'he edifors and faculfy advisor. Only 'loo oH'en +his assisfance is accepfed as a maH'er of course or as +he expecred fhing. Special ihanks should be given +he Adminisiralive Offices for 'ihe cooperaiion given dur- ing 'rhe dilificuli' periods of Pic+ure Week -fo The Faculry for iheir generous response and underslanding when anylhing unexpecled developed which disrupied fheir class plans. Mr. Alfred of Alfred and Fabris, fhe pholographic sludio, has been mosl' generous wifh fhe lime and efforl' he has given us. The aciion piclures were 'raken by,Mr. Boushard and Mr. Anderson, bofh of Alfred and Fabris. . Mr. De Mamiel of fhe Superior Engraving Company is more fhan a mere engraver. For years Belmonl has looked upon him as a close friend and has always profi+ed by his wise counsel. Mr. Andrews, of Wolfer Priniing Company, has been painslaking wifh The forma+ of +his book, giving freely of fhe experience he has oblained in priniing year books of +he past As for 'lhe sludenl' work, mosl' of fhal' speaks for ifself. As The maioriiy of +he arf work is -signed, proper recogniiion may be given +o 'rhe proper person. On +he lirerary side, if is noi' so easy. Special recogniiion should be given +o ihose who creale wi'rh words, com- mas, and periods. Kafhyrn Kerns, Marvin Marsh, Lucille Paffon, Chuda Rhee, and Jean Sproul deserve menrion for rheir ouisrand- ing work. ' Many Thanks! ' ARNOLD BAUER ' Campanile Facul+y Advisor IMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMETIMET IME S I G T1 H T U R E S Sign it in blue or sign it in black, But flon't forget to give it back. 23

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GIRLS' CONTROL BOARD W '42 Row 4-Mary Pascale. Christ'ne Iude. Anna Tom. Lotus Ung. Yuriko Fuiikawa. Ann Hughes. lean Sproul. Mary Lou Gandy. Beatrice Alvarez. Mary Alice Vega. Grace Diaz. Dsrothy Coverly. Norma Caplan. Row 3-Haruko Mataish. Audrey Compton. Lucy Iasso. Darlene Kelsey, Bertha Chavira. Grace Kase. Chieko Soda. Chizuko Nishimoto, Carla Herskind. Kathleen Rowlett. Marylon Young. Edna Wellman. Sally Carpenter. Louis Paddock. Row 2-Barbara Badge. Charlotte Peterson. Rita Donatoni. Lynette Berg. Mary Micchia. Marion Byrd. Pat Gott. Mutsue Uyeno. Margaret Kaminura. Surniko Shigematsu. Yoshilca Okazaki. Margaret Lennox. Lis Mears. Row 1-Rebecca Monroy. Yolando Barbato. Karie Shindo, Pricilla Lumm. Peggy Clement. Martha Henry. Alice Walters. Audrey Dakin. Mrs. Chamberlain. Mary Hamamoto. Mary Mayekawa. Grace Setsuda. Teruko Matsumoto. Hana Mambow. Shirley Iohnson. BOYS' CONTROL S '42 Row 4--Yoshikatsu Nakoyama. Shogo Iwasaki. Yolk Ti Lew. Thomas Adam. Walter Quan. Tad Mukaihata. Bob Boyd. William Kalb. Ierry Victor. Donald Welch. Norman Dickman. Sol Donner. Lincoln Riley. Row 3-Teru Uematsu. Eddie Hintx. Ralph Yanari. Charlie Coyle, Bert Most. Chuda Hhee. Leo Eisenson. Iohnny Ignatz. Harold Drapkin. Henry Levitt. Luiii Torres. Gayle Gerllickson. Ruben Greenberg. Row 2-Don MacDugall. Dorian Keyser. Kazuo Odashima. Toshio Kaurasaki. Ai Takagi. Emmitt Bailey. Arthur Zussman. Irving Arouh. Henry Kim. Cal Mclntosh. George Nelson. Bob Yackey. Iohnny Hilchasck. Row 1-Kyn Utsomomiya. lack Lehan, Takeo Kamishiro. Charles Keene. Murray Greenberg. Walter Bagley. B. F. Hill. Marvin Marsh. Robert Carranxa. Agustin Cervantes. lack Hammalian. Dick Mareina. Morton Rego. Iohn Taira. Don Iohnson. 22

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The wheels of 'Time' are confinually moving-ever ficking onward-fhe consfanf move of fime. Time-wifh all our acfivifies-is confinually racing wifh ifself, round and round. Jusf as fhe fempo and rhyfhm of living has changed from f'he slow, peaceful, rafher prosaic way, so have our sfudenfs, our faculfy, our secrefaries and ianifors changed from fhe peaceful, easy going ways of 'rhe pasf. Our span is shorf no maffer whaf we do fo change our fempo, buf 'Time'-fhaf ageless monsfer-will live--change ifs rhyfhm like a chamelon-and survive. . . . We gof fhaf far in our Campanile Sfaff meefing while planning fhe layouf of our fheme and found ourselves in a preffy hof argumenf. One of fhe brains in our group wanfed fo know iusf- how did Belmonf and fhe fhings faughf help anyone fo meef exisfing condifions and meef fhe change in life or change in Tempo? Well- fhaf was some bomb shell Nafurally we iusf felf in our bones fhaf Belmonf was fops. However, feeling in our bones wasn'f puffing anyfhing across fhe board Chiefly, fo prove fo ourselves and fo you curious readers, fhree of us phoned Alfred and Fabris' sfudio fo send a phofographer fo fhe school fhe nexf day. We were ouf fo see whaf we could see, dropping info classes unexpecfedly, sficking our noses info weird places and in general, backing up fhaf feeling we 'had in our bones abouf fhe value of our classes and sfudenf acfivifies. We fhree made a pacf-we kepf if foo, which is unusual fhese days-and swore fo fell and show fhe frufh, fhe whole frufh, and nofhing buf fhe frufh. To make fhe pacf binding we fweeked our leff ear wifh our righf hand, spif, sfamped, bowed foward f'he norfh and said Tnomleb --a super superior charm, especially when you say if backwards. X . .- N- 1-srwmewxxmsw-15,1.1+.-M-.v --,,, s ic i. w.vw as wmzfsxwumm- szmz,-wNf.sm:,:f-T -1- l 111 sf-s 1Qm