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Page 11 text:
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DIPPING. Dancing to Diona Ross' song. I'm Comin Out.” Senior Dave Delambo and Junior Roberta Rossi perform for the crowd We didn't have a set routine.” commented Dave, We were unorganized and kept bumping into each other I was totally em barrassed SOLO. Alone on the dance floor. John Papesh congratulates Cathy Cooper, after she was crowned 1980 Prom Queen They were the first couple to dance to the coro- nation theme song. Together the Two of Us. Tonight ” Cathy was attended by Dru Zahler and Darlene White Student Life Trying “To Belong’’ Proves to Be a Difficult Task Ninth graders, who were merely spectators in the past, actuaty became involved in high school activities. They even exer cised the option of buying class rings. The Class of '84 didn’t man- age to put a homecoming float to gether, however, because “The offi- cers were picked two weeks before the floats were due,” re called Carrie Kovafk, ninth grade vice president. Instead, the fresh- men class decorated the north wing hallway “to show our spirit’’. They even sold “spirit buttons to raise money for their Halloween par ty, although only 30 people attend- ed the get-together. Student Lite----7
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Page 12 text:
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GUNNED. During rehearsal. Dave Delambo as Jonathon Farnsworth clutches the edge ot the sola after an ‘ unknown hand ' fired on him. Delambo remarked. The best way Farnsworth s wife and secre tary could get rid of him was to have him shot. Comradery And Cooperation Characterize the cast of “Heaven Can Wait” Playing Joe Pendleton was a chance of a lifetime.'’ commented Dave Delambo. ‘Getting a lead role in a big production such as Heaven Can Wait is rare. Maggie Lovano, who portrayed Betty Logan. Farnsworth s lover, enjoyed her part because she was a lot like me. Maggie added. Betty was a little help- less at first, but she still wanted to be treated like a lady. Everybody got along—there was no backstabbing like there was in the two former productions. com mented Director Mary Ann Costa. There was more of a spirit of cooperation with Heaven Can Wait, prob- ably because I enforced the attendance contract. The form, which each cast member was required to sign, stated that a person is allowed three absences from rehearsals, including tardies and early dismissals. On the fourth absence, the violator is automatically dropped from the cast. In every play we reach a low point when the ac- “Everybody got along—there was no backstabbing like there was in the two former productions......” tors are just learning their parts, according to Mrs. Costa. But after the lines are memorized, we can be- gin to work on character. Kathi Kainsinger remarked. Costa give us a rehearsal schedule; two weeks after we started practicing, we were supposed to know our lines. She added. Most of us kept scripts backstage and looked over our parts before our entrances. The day before final dress rehearsal, cast members worked backstage during the school day to help build the set. Costa recalled. They worked for a common cause ... it got them psyched for the show.” Kainsinger felt that It was our responsibility to help with the set. and it brought the cast closer. But all matters did not run smoothly with the stage crew. Technical Director John Seaman commented, We ran into troubles with the smoke machine. The smoke was to give the impression of clouds in heaven, but there was a strong draft and it blew backstage. No problem—Heaven Can Wait for the clouds. LAST-MINUTE. Just before curtain time on opening night. Natasha Thomas pins up Lynda Titterington's hair Lynda recalled. ‘I was nervous because I forgot I didn’t have my makeup on. and I was supposed to be on stage in five minutes DRAGGING. On Farnsworth’s livingroom couch, a tired Mrs Costa rests on the set be fore practice The director commented. The rehearsals were slow at first, but three days before the show, the pace picked up.” 8 Heaven Can Wait
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