Beaver Country Day School - Senior Yearbook (Brookline, MA)

Page 41 text:

1. Jane Woll 2. Phoebe 3. Sally 4. Ritchie 5. Lois 6. Margie 7. Meg 8. Sccdic 9. Bnbs 12. Pat 10. Dabby 13. Gail 11. Dottic Ran 14. Sheppy 15- Martha 16. Dottic 17. Guess? 18. Myra 19. Lorna 20. Faith 21. Mirium 22. Rosie [35]

Page 40 text:

1. Shepard 2. Janie 3. Bunny 4. Kay 5. Helen 6. Barbara 7. Ellic S. Whicic 9. Shelia 10. Daisy 11. Bobbie 12. Ethel 13. Bliss 14. Ruth 15- Sherrie 16. Phyllis [34] 17. Nancy IS. Betsy 19- Wendy 20. Fitz 21. Jcannic 22. Ginny 23. Jean 24. Gail

Page 42 text:

Class Prophecy The cJock on the wall outside said seven-twenty as I pressed into the BCDS studio, buried in the milling crowd that was trying to get scats for the special Fifth Anniversary of Frilly Frocks for Fillies Show. Rosie had called me up just the night before and offered me a ticket. She said it was going to be a very unusual show. It took me some time to settle myself comfortably in all that crowd, but when I was finally seated, there were still three minutes left before we went on the air. I saw Rosie in the control booth, looking as calm and composed as ever, but I guessed from the way Pat, her secretary, was rushing around on last-minute errands, that Rosie was more nervous than she looked. On the stage, too, last-minute preparations were in order. Whitie apparently, was politely stating to the sponsor and three accompanying dignitaries, that she could not make the advertisement as they wished. Sherrie was gracefully insistent; Jan Wogan, Phoebe and Dabby supported her. From my seat in the first row, I could hear Sherrie repeat, “Frilly Frocks for Fillies make a Budding Beauty the Belle of the Ball. Jane’s sharp advertising sense nodded approval, and Phoebe and Dabby, their artistic eyes seeing the Budding Beauty bobbing about the ballroom in a frilly, Frilly Frock, also nodded emphatically, but Whitie was determined, though tactful. “It will take three seconds too long to say that twice,’ I heard her say. “Couldn't you substitute ...” I couldn't hear what it was Whitie wanted to substitute, because suddenly there came a clatter of xylophone hammers from the other side of the stage. Phyllis had come out and begun to limber up. I remember hearing that she was going to play a new and very complex version of “Perpetual Motion in honor of the occasion. The orchestra was warming up also, under the distinguished baton of Joan Sheplcy, conductor of the BCDS all-girl orchestra. Most of the cast seemed to be present, but I still couldn’t find Miriam. She was to sing on this program. I searched first the stage, then the control booth. There she was! She looked as lovely as usual, conferring with the evcr-mirthful Margie about the sound-effects. Margie served double purpose in the studio. Not only was she an excellent sound-effects director, but was also hired to touch off the audience’s laughter in the proper places. All she had to do was giggle her infectious giggle to create an outburst from the assemblage. It seemed forever to the expectant audience, but finally the three minutes passed, all last-minute bustle ceased, the light flashed on over the control booth, and Whitie stepped forward. “Good-evening, ladies and gentlemen. Our sponsors, Frilly Frocks [36]