Ball State University - Orient Yearbook (Muncie, IN)

 - Class of 1974

Page 25 of 400

 

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1974 Edition, Page 25 of 400
Page 25 of 400



Ball State University - Orient Yearbook (Muncie, IN) online collection, 1974 Edition, Page 24
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Page 25 text:

she lavished the audience with clear, crisp vocals as well as soothing, mel- ancholy tunes. Throughout the two-hour perfor- mance the folk artist of the past made subtle comments on many issues in- cluding Watergate, conscientious ob- iection and, especially, male chauvin- ism. Even her descriptions of upcom- ing songs set a very distinct mood throughout the auditorium. Travers, first dressed in a silken black outfit, emphasized the moods of all of her songs by facial expressions, vocal volume and body movements. Changing into a petite red maxi-skirt with white lace at intermission, she then slackened the pace of the show and brought out the sounds of loneli- ness, yet with a blend of love. To the very end, Mary Travers kept the audience spellbound with her pro- fessionalism. At the finish, she gave the small crowd a chance to become a real part of her show as she invited all to sing along during SOO Miles and Leaving on a Jet Plane. Meekly, she left the stage only to return for a couple more tunes due to the thun- derous applause from the crowd. However small the audience, Mary Travers put on a show at Emens that Friday night. Her tolksy charm and charisma captured the people and kept them anxiously anticipating the next song. The sensation she genera- ted on stage could never be equaled. It truly was a show for all to see. Singing a very personal song, modern folk art- ist Mary Travers blends her strong, soothing voice with the mellow music to produce a sen- sational sound at Emens.

Page 24 text:

2 0 U7 Ll- L.. 4-9 U5 Mary Travers combined folksy charm, mellow moods into songs of events, love for the 800 who came Q- Thundering out an old hit song, Leaving on a Jet Plane, Mary Travers, formerly of Peter, Paul and Mary, captures the Emens' audience with her folksy character. Almost everything was perfect. Em- ens' lights colorfully caught and ex- tended each movement the artist made. Feelings ran the spectrum from romantic to sad to mellow. The five- piece band precisely blended the songs to fit the atmosphere. Almost everything was perfect-but only around 800 persons watched as the concert unfolded into a picturesque presentation. The performer-Mary Travers, for- merly of Peter, Paul and Mary. The Friday evening concert, perhaps shaken by earlier rumors of cancella- tion, was touched with many songs of the past and various modern artistic arrangements. The golden-haired singer gave meaning to every song as Some feelings can't be expressed in songs, as Mary Travers talks backstage with some of the ' audience. There she further explained, ln be- tween autogrophs. her views as voiced ln the concert on national issues and being a profes- sional performer. 4 rl



Page 26 text:

Black Greeks celebrated annual migration to campus with fund raising dance designed for self-expression Jumpinl jivin' Jabberwock u i i i i The occasion had hints ofa high school prom, but it was much more sophisticated. Some of the celebrants had initiated the evening at a restaurant: others began the two- night celebration at the dance. Height of fashion, getting together, Greek publicity-such was Jabberwock. Donned in semi-formal attired, the climax of the fashion world, the couples paraded into the appropriately named Student Center Ballroom. Styles ranged from long Civil War era men's coats, bow ties and feathered hats to Spanish boleros and Sequined evening dresses and pant suits for women. Others felt more appropriately dressed comfortably in Kappa Alpha Psi or Omega Phi Psi shirts. Records of pop and soul artists such as Marvin Gaye and Sly and the Family Stone provided the music, but the vibrations formed on their own. Syncopating with the music, hymns of Come, follow me livened the dance. Throughout the evening, men circulated, inviting the women to dance. Occasionally being refused, they would iust continue along the circle outlining the walls. I During a hop and skip type dance, they incorporated their own words into the song, You can have your Ball State, you can have your Watergate... and continued with suggestions for a more peaceful and satisfying world. Johnny Biscuit, disc iockey from WLTC, Indianapolis, spun lrecordsj the whole night, explained Sharon Mukes, Wood Hall, Jabberwock chairman. Around li p.m., the dance changed form as all the participants shifted en masse to form an aisle extending from the stage to the west doors of

Suggestions in the Ball State University - Orient Yearbook (Muncie, IN) collection:

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1970 Edition, Page 1

1970

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1971 Edition, Page 1

1971

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1973 Edition, Page 1

1973

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1976 Edition, Page 1

1976

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1977 Edition, Page 1

1977

Ball State University - Orient Yearbook (Muncie, IN) online collection, 1978 Edition, Page 1

1978


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