Atlanta High School - Atalanta Yearbook (Atlanta, IL)

Page 27 text:

somo cases it's best to charge for it. Doris Ludlam, you have an engaging personality, my dear gal, and from all talG3 a certain A. C. H. S. teacher realizes this. But what would you do if said subject changed her mind about you? After all, Doris, a chair is so heavy to carry around. You had a tough break, Madeline, but most of us believe that you've been sick long enough. Grit your teetii and remember that part of your anatomy won't bother you again. Heaven forbid.'.'. Next and la3t is dear Va.udie. We'll admit, Mr. Upton, that you're very humorous, but gee, don't you get tired of acting up for the same people for a duration of at least four years? Now this grand and glorious galaxy of students has been reviewed for tho world in genoral; take it for what it is worth and may posterity profit. N. A. »39 R. A. »39 Russell H. Why do you always sit in the balcony? Weldon W. So, the jokes won't go over my head. -:hk: »-:hkkh; m-::--: c--5hkk:-- -:hh George Q. I think our lips are paralle-1 don't you? Iris W. I don't know. Why? George Because they have never mot. Eva Loy: Albert and I understand oach other perfectly. He tells no all he knows and I tell Him all I know, too. And don't you find silence rather oppressive? Mildred S.

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over, tension is what sends people to those big buildings in Jacksonville. Eldon, you, my dear boy, can act a new high for poor drum playing and an oven loftier standard for pestiferous activit-ies. Hov ever, your friendly personality and love of life will pull you through if you admit your faults and sincerely attempt to remedy them. Frances, if you will reread the above paragraph we won1t have to say anything further to you. Nardy, ohhhhhhhhhhhhhhhhh ! !.! ! I! I ! ! ! I ! ! If we took the trouble to list all of your faults, the ;'.T-ALANTA would remain in a state of incomplction forevermore. Just remember that ‘the point in basketball is to adhere to the ball and if possible put it in the baskct--not extend it to the opponents free gratis. Another thing, manners never hurt anyone, so don’t be such an alien to them, from what we hear, you and Mr. Appetite are very good friends. Next time you’re out to dinner, remember that four pieces of eake arc enough for any boy. June, it’s hard to find anything to criticize about you. Just keep up the good work and remember, It’s nice work if you can get it.” George, that trusty old Ford of yours has gone pretty far hasn’t it? May we venture this suggestion: driving on four wneels instead of two is often more fun than you realize, and since you paid for four tires, it seems a shame to be so extravagant by using only one-half. Russell, darn you!!! You have done absolutely nothing,so why not commit some scandal and give the rest of us a break? ouch impeccable character! Seems a shame since you’re so young. Vivien Radley, where shall wo commence? You apparently never do anything wrong, Vivien, but after all we arc all human, aren’t we? Junior Irvin, generosity is a virtue all right, but in

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THE VYJ We the class of '38, being about to leave this sphere, in full nosse3sion of sound mind, memories and high standards, do make and publish this, our lest will and testament hereby revoking all former wills made by us. first: To our friendly enemies, the Juniors, v»e do wish to dispose of the following: Hardy Twomey's sleek hair (combed weekly) and Irish wit to Richard Howser. Doris Ludlam's terrific right-hand upper cut to keep the boys away to Anna Brandt. Use it sparingly, hick. Eldon Wikoff's ability to be popular with the girls to Melvin Pittinger. Margaret Warrick's cosmetics, etc., to nako you beautiful to Dorothy Taylor, as v c know Smiley would appreciate them. Cuma Baker's ability to make 7C in typinL, and Ralph Paul 3cn's ability to get A's to Ruth Applegate. Tolu hu -d, Rutliie, as you may need them. Betty Cheek’s smile and hobby of holding hands to Helena Cook. Prances Deuterman's ability to catch an Atlanta boy to Pauline Blankenship. Guard it carefully, Pauline, and keep your affections at home. Seth Kindred's ability to get publicity in local newspapers to Albert Floyd. Lola Cook's pop and vivacity to Joe Speciale, which he will need to be alert on the basket ball floor. George Quisenberry's ability to present Adolph Zukor's productions to Herbert Smith. Joe Thompson's promptness at school to Lucille Lamb. June Karrick's affections for out of town boys to Wanda Brandt.