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Page 25 text:
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A shevill e School 21 Latin: Cesar ' s Gallic Wars, Books I-IV. Caesar and Nepos at sight. Prose composition based on Csesar. Greek: Paradigms and simple syntax. Xenophon ' s Anabasis (20 to 30 pages). Practice in translation at sight and in writing Greek. Systematic study of grammar begun. Mathematics: Plane Geometry, completed. History: United States. FOURTH FORM— Scientific English : Reading of such works as Twice-Told Tales, As You Like It, Two Years Before the Mast. Advanced study of words, sentences, paragraphs. Compositions, narrative and de- scriptive. Latin: Cassar ' s Gallic Wars, Books I-IV. Caesar and Nepos at OR sight. Prose composition based on Caesar. French I or II : See page 23 for details. OR German I or II: See page 23 for details. OR Spanish I or II: See page 24 for details. Mathematics: Plane Geometry, completed. History: United States. Shopwork ' : Mechanical Drawing. FIFTH FORM— Academic English : Reading and study of books required for preliminary ex- aminations for entrance to college. Elements of rhetoric. Compositions, descriptive and argumentative. Latin: Cicero, six orations. Cicero at sight. Prose composition based on Cicero and Caesar. Greek: Xenophon ' s Anabasis, continued. Books I-IV, together with other Attic prose. Practice in translation at sight. Systematic Study of grammar and practice in writing Greek, based on study of Books I and II of the Anabasis.
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Page 24 text:
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20 A s h e V i II e S c h o o I THIRD FORM— Academic English: Reading of examples of various styles of narrative and descriptive literature in both prose and verse. Study of words and sentences. Compositions, narrative and descriptive. Latin: Paradi.e ns and simple syntax. Marking quantities of vowels. Easy reading. Written exercises. Reading of Latin aloud. Training in understanding the Latin before trans- lating. Preparation for the study of Caesar. Mathematics: Algebra, through Quadratic Equations. History: Outlines of Ancient History. Carpentry. THIRD FORM— Scientific English: Reading of examples of various styles of narrative and descriptive literature in both prose and verse. Study of words and sentences. Compositions, narrative and descriptive. Latin: Paradigms and simple syntax. Marking quantities of vowels. Easy reading. Written exercises. Reading of Latin OR aloud. Training in understanding the Latin before trans- lating. Preparation for the study of Caesar. French I : See page 23 for details. OR German I : See page 23 for details. OR Spanish I : See page 24 for details. Mathematics: Algebra, through Quadratic Equations. History: Outlines of Ancient History. Carpentry. FOURTH FORM— Academic English : Reading of such works as Twice-Told Tales, As You Like It, T vo Years Before the Mast. Advanced study of words, sentences and paragraphs. Compositions, narrative and de- scriptive.
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Page 26 text:
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22 Asheville School French I (optional) : See page 23 for details. OR German I (optional) : See page 23 for details. OR Spanish I (optional) : See page 24 for details. Mathematics: Reviews of Elementary Algebra and Plane Geo- metry. History : Reviews. FIFTH FORM— Scientific English: Reading and study of books required for preliminary ex- aminations for entrance to college. Elements of rhetoric. Compositions, descriptive and argumentative. French I, II, or III : See page 23 for details. OR German I, II, or III: See page 24 for details. OR Spanish I, II or III : See page 24 for details. Mathematics : Solid Geometry. Plane Trigonometry. Reviews of Elementary Algebra and Plane Geometry. History: Reviews. Physics: Including laboratory work. SIXTH FORM— Academic English: Reading and study of hooks required for final examina- tions for entrance to college. Elements of rhetoric. Composi- tions, prepared and extempore. Latin: Vergil ' s Aeneid, Books I-IV, and either the Eclogues or Books VII-IX of the Aeneid. Prose composition, based on Caesar and Cicero. Translation of prose Latin at sight. Greek : Homer ' s Iliad, Books I-III, and other books of the Iliad or the Odyssey. Thirty to fifty pages of Attic prose, as basis for prose composition. Translation at sight.
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