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Page 29 text:
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Sophomores, you hove now completed your first yeor of troining ot our studios. You have graduated from mere wallc-on roles and are now experienced enough to begin playing larger parts in our productions here on Channel 25. The basic knowledge which you acquired in the past year will be of great value now that your first real chanco to prove your ability has arrived. From now on your efforts will be observed more closely and it will be up to you to prove that you have the makings of a star. It's a Great Life, being a sophomore, for now you will make yourself known as an individual performer.
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Page 28 text:
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TOMORROW'S CAREERS (Left) Miu Johnston. Morio Anicito. Rosann lns«bell«. Madge Freiwald. and Barbara Martin prepare the Christinas murals for tho Board of Education display. (Above) The Occult equilibrium of dynamic tensions result in iconoclastic expressionistic monocular perspective. explains Mr. Landsman. But dear, must the boy in the portrait have a qreen shirt with yellow stripes and purple polka dots? Life it not still in Mist Howards art clast when itill life's being discussed. AHS-TV studios recently sponsored a guided tour tor visitors. We wore lucky enough to receive an invitation for a special one. along with other television and radio critics. When we arrived the guide greeted us and explained that wo were to see the staff in action. The first place we visited was the art workshop. A group of scenic designers were discussing the plan and design of a house to be featured in a coming play. The script called for a special set design. And the artists were in the process of putting their ideas on paper. From there we went to one of the studios from which a few of the important programs are broadcast. The artists were painting the back drop right on the spot. In another room, we found some girls designing costumes for an operatic production. While some were sketching, others were piecing together muslin miniatures. Farther down the hall we discovered a few artists preparing oil paintings for rooms that are televised; others were modeling lamp bases, ash trays, and knick knacks which were to be used as props. These artists are particularly talented and ingenious. Of course they have to be. for producing a television program requires many different forms of art put to use in many ways. 2
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Page 30 text:
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HOME ROOM 204 MISS THERESA DAVID First row: Robert Hill. Charles Herman, Edward Enerlick, Michael Halmsteadtar, Richard Hillman. Stephen Bezarewsky, Peter Girruh. John D'Andree. Lawrence Crawley. Joel Cannata, Edna Jones. Second row: Vivian Bristol. Matilda Fletcher, Frank Jacoby. Robert Bell, Philip Emanuele. John Jones. Charles Casier. Stephen DeBock. William Heavner. Leo Smith. Third row: Paula Jackson. Ann Himmelberger, Anthony Lordi. Judith Brown. Marion Dellaria, Janice Crooms, Zolia Singletary, Marie Guanno. Darleen Galardi, Mary McGuiness. William Delli Santa, John Delk. Missing from the photograph is Patricia Ellison. HOME ROOM 220 MISS RUTH ABOS First row: Ronald Sommerhalter, Richard Shanks. Neil Harris, Nelson Martin, Roy Herriger, Archie Russ. Norman Gilliams, Joseph Palmucci, Walter Slawuta. Second row: Elizabeth Woodruff. Jay Serco. James Robinson, Anthony Rosati, Ruth Stubbs. Judith Plesnik, Carol Poranski, Norma Tenore, Sophie Sigouris. Rhode Schainman. Third row: Virginia Delli Santa, Meredith Edwards, Eva Tyler, Joselyn Melillo. Edna Rainey. Barbara McCarl, Ann Picillo, Kathleen Galasso, Clyde Kuemmerle, Anthony Sorce, Vincent Sentora, Michael Lallone. 26
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