Alta High School - Accipitor Yearbook (Sandy, UT)

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Tony Frkovich Todd Gabier Kim Cole Natalie Garcia Jolenc Girmtndii Done Corner Wend I 046 1 Mark Geiselmayr Hike Oort sen Todd Gibson Steve Gill Amy Gillespie Susan Gilliat Susan Glenn Christy Glines David GMnes Howard Goff Keirsten Gourley Beth Graceser Aaron Gray Mark Green Wendy Green Geoff Greg son Paul Gressmen Dianne Griffin Tony Griffiths Bridget Gruver Denny Gurst Cheryl Hadley Kathy Had lock Kelly Hadlock Lyle Hagen Rick Haight Patrick Haley Chip Halford Mitch Hall Holly Hallsey Scott Hamilton Danny Hammond Todd Handley Cliff Hansen Dee Dee Hansen Fred Hansen Kris Hansen Lorie Hansen Terri Hansen Boyd Hanson Heidi Hanson Scott Hardy Brad Harman Beverly Harris Brian Harris Kathie Harris Paul Hairless Rachel Hart Sandy Hatch Peter Hathaway LeAnn Hawker Troy Hawkins Shane Haws Johnny Henrigues Kathryn Hensley Kadell Hermansen Ed Heywood Kenni Hiatt Liz Hibbard Connie Hill Stan Hill Steve Hinner Leasa Hirschi Clay Hodges Russ Hooper Spencer Horn David Howard Scott Howard Rick Howe Susan Howlett Charles Ingram Anita Fla Bill Ip son Brian Jacobson Larry Jacobson Scott Jacobson Todd Jackson Chris Jansen Aaron Jensen Andrea Jensen David Jensen Kevin Jensen Richard Jensen Jeff Jenson Allan Johnson Matt Johnson Rod Johnson Cindy Jones Clay Jones Troy Jones Gary Jordison Julie Kankelborg 154 • Juniors

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Behind The Design People no longer read only billboards and t-shirts, but are now reading derriers. What they find so interesting are the as- sortment of designer jean labels, and possi- bly the derriers themselves. With a multitude of designer jean labels, a few of the more popular seen around school were Jordache (the tight look, straight leg), Calvin Klien (styled after the traditional Levi jeans), Sasson (the tight look), Gloria Vanderbilt (the tight look, straight leg), and Bill Blass (slightly flared, Levi styled). The prices varied in range; some going as high as $50.00—most ranging between $25.00 and $40.00. The price you pay for the designer jean would cover the cost of two pair of the traditional Levi Strauss jeans, Why designer jeans? Laurie Etulain said, “Because they are $40.00 and my A favorite at Hawk Hoedown. designer jeans stood out among the old and faded levis. Polly Sievert's western apparel is accented by her flashy denims. mother bought them. What has happened to the famous jeans named Levi Strauss? They are still around, still the most popular, and the most faded. (Jnlike their cousin the designer jean, Levis are quite reasonable priced. What do you pay for when you buy de- signer jeans? When buying Levis you know exactly what you’re paying for—high qual- ity, durability, and comfort, But designer jeans are a different story; when buying designer jeans, you probably pay at least half of the cost for the fancy label on the back pocket. Which do students prefer? Well, one stu- dent’s philosophy, Levis are for when you want comfort; and when you wear designer jeans, you wear them because you want heads to turn. Sherese Denney Cheri Derbrlde Bernadine Despain Ann Dibinito Steve Dixon Elizabeth Doddridge Bryce Duckworth Dale Duncan Samuel Duncan Lisa Dunn Jackie Eames Tina Earl Margaret Ebell Larry Ebert Rachel Eidahl Terri Eliason Becky Ellisor Laurie Etulain Lee Fairbourn Todd Fairbourn Sherri Farnsworth Christine Fiedel Leigh Figge Teri Fillmore Daneen Fisher Printess Fitzgerald Roxanne Fitzsimmons Paul Flores Anita Flowe Michelle Fogg Brian Foltz Teri Fontaine Jason Forbush Magdalena Fossum Cory Frandsen Tracy Franklin Andrea Frazier Tom Fredrickson Greg Freebairn Galen Frickey Butterfield-Frickey • 153

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Radio Free Gtah ‘Tm sick of this top-forty muzak! I know; it’s the same, day in and day out. But what else can we listen to? Well, listen to this: folk to punk; blues to jazz; country to pop; new wave to rock- abilly; and something for everyone. This special something, this smooth mix of music and pertinent community informa- tion can be found only at 91 FM, KRCL—Listeners Community Radio of Utah. What all that means according to Stephen Holbrook is We give the com- munity a chance to express their ideas and music, and make the media more accessible to minorities. KRCL lives up to this bold ideal with the only two-hour, seven-day-a-week Hispanic radio show in the state, and with truly relevant informa- tion programs such as Morning Light (everything from nuclear issues to third world topics), and the short Energy Up- date spots. When KRCL first started about two years ago, we had mostly used equip- ment, but now through donations and fed- eral grants we have better equipment and a wider range of programming, said Ste- phen Holbrook. KRCL takes in about $ 164,000 a year in donations and $85,000 of that goes towards equipment. Very few people at KRCL are actually paid for their work; the majority of the employees are volunteers, which includes all of the dj’s who bring most of their records in from private collections. According to Stephen Holbrook, the most popular programs are the country and folk flavored Sagebrush Serenade ; the new wave and pop shows “Confushion of Music ; I’m So Bored ; and Easy Street ; also the only reggae program in the Salt Lake area, Jamai- can Jive ; and La Voz del Pueblo”, the Hispanic music and culture show. KRCL also specializes in live local music and specials featuring various bands. KRCL grew out of the civil rights movements and anti-war protests of the late 60’s and early 70 s. I discovered the power of the media in college, when I was turned down to respond to a pro-war edi- torial. I don’t want that to happen here, explained Mr. Holbrook. 91 FM, still clings to its’ 60's roots in playing more ’60’s music than any other station in Utah. The dj’s are for the most part hon- est and good humored, not phoney and slick like so many top-forty radio person- alities. Kai Hollie (host of Progressive Vibrations and Black Track ) was vot- ed Most Promising Radio Voice in The Best and Worst of 1981” in Utah Holiday magazine. KRCL has become the most listened to community radio station in Utah, sur- passing KUER by 50% and KBYU by 100%. Currently KRCL has over 15,300 listeners, of which 90% are between the ages of 18 and 35, but the number of younger listeners is steadily increasing. KRCL, 91 FM, is a nonprofit organiza- tion that attempts to represent the views and ideas of the Wasatch Front accurate- ly and enjoyably. Where else can you hear the Beatles, Bob Dylan, The Who, Bob Marley, The Grateful Dead, Chuck Berry, Pat Metheney, Fleetwood Mac, and The Rolling Stones, all on the same radio frequency? Besides, it’s absolutely, completely, and totally commercial free. Before a board of old. yet sophisticated equipment, a disc jockey for the Hispanic culture and music show programs La Voz del Pueblo . Featuring the music and lifestyles of every culture from Polynesian to Asian, KRCL-FM 91 does what no other radio station can in bringing interesting affairs and ideas to the public ears. Frkovich-Kankleborg • 155