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Page 129 text:
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Nielsen-Olmore Rex Nielsen Peggy Nielson Michael Niesen Stephen Nippert Wendy Nitkowski Mi Hui No Tom Nokes Therese Noot Cynthia Nuttall Kim Olmore RSJUNIORSJUNIOR v c- —ORSJUN1 125
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Page 128 text:
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Milne-Nichols Todd Milne Cori Mitchell Layne Moffitt Bryant Moore Corey Moore Richard Moore Chris Mortensen Seanne Mossman Doug Mounteer Kent Mounteer Mike Moyes Mauricio Munoz Jeanne Murray Charles Myers Marcy Myrick JUNIORS’82 UNIORSJU Wendy Myrick Kyong Na Mary Nastale Lance Naylor Jay Neiheisel Kenny Nelson Nancy Nemanic Lori Neve Shauna Newbold Randy Nichols 124
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Page 130 text:
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Olsen — Parker, Da. Michelle Olsen Pam Olsen Troy Olson Kathy Osieja 980’sMUS Lisa Ostler Selena Overstreet Pat Ozosky Daniel Parker y v i i ' nW 11 i a O VIDES AN EMOTIO Music is a popular form of en- tertainment whether on the radio, on record, or in concert. Some im- portant music was released in 1980. Pink Floyd’s The Wall topped charts for weeks with its cynical view of life. Christopher Cross debuted with his self-titled LP of easy listening, while Van Ha- len crescendoed with heavy metal on Women and Children First. The Rolling Stones reappeared and came to our Emotional Res cue. And Queen did not bite the dust with their platinum album The Game. Michael Jackson boo- gied with Off the Wall, while Pat Benatar became the hottest fe- male rocker of the year. For the second time, four top ten singles emerged from a Billy Joel album, Glass Houses. And Bob Segar “The soundtrack to Urban Cowboy had more hit sin- gles released than any al- bum in history...” gained more personal success from his Against the Wind. Top singles of the year came from a variety of musical types. The Stones had an Emotional Rescue Queen had two big hits with Crazy Little Thing Called Love and Another One Bites the Dust Australia’s Air Supply brought out mellow with All Out of Love Blondie succeeded with the suggestive Call Me and Diana Ross turned Upside Down Kenny Loggins’ I’m Alright helped draw audi- ences to Caddyshack Other chart-busters were Barbara Strei- sand’s Woman in Love, Christo- pher Cross’s Ride Like the Wind, and Pink Floyd’s Another Brick in the Wall. The soundtrack to Urban Cow- boy had more hit singles released than any album in history and Xanadu spawned five hit singles for Olivia Newton-John and ELO. Nineteen eighty was a crowded year for concerts in Utah. Did you see: The Who, Van Halen, Bob Segar, Cheap Trick, Blue Oyster Cult, Kansas, Black Sabbath, Styx, Judas Priest, Molly Hatchet, The Doobie Brothers, John Denver, Air Supply, Linda Ronstadt, the Beach Boys, the Commodores, Christopher Cross, Seals and Crofts, or Kenny Loggins? Heart’s Ann Wilson at Salt Palace. 126
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