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Page 90 text:
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The last play was the hit of the evening: Chekov's The Shoemaker and the Devil, a Faustian story set in Russia of the 19th Century with a twist of Sholem Alechim. Danny Szor was magnificent in the role of the shoemaker, who trades his soul to the Devil lBen-Amij in order to become instantly wealthy. As things evolve, the shoemaker prefers his poorer life because his low-level manners and habits do not fit in expensive neighborhoods. He decides to be hap- py and poor rather than unhappy and rich, thus he returns to his nagging wife lMuIlerl and returns to drinking copious quantities of vodka. Szor's Russian accent ftainted with Yiddishj, was marvelous, cap- turing the audience. He was supported by jimmy Krissel fhis rival shoemakerj, Mark Tiedemann and Freddy Vogelstein fbutler 84 maidl, Timi laukowsky la Cossackj and Mario Muller this wifej. On March 15th came the long-awaited Mikado, presented by Maestro C-auger, hordes of upper schoolers, along with well-wishing mothers who fondly sewed costumes and made up boys to look like various stages of japanese sterotypes. Instead of the usual 50-person chorus, only true enthusiasts turned out, and the result was perhaps the best chorus G 84 S has seen here in a long time. For the occasion, a professional lighting crew headed by A- S alumnus Charley Bullock Q'72l, with help from Ralph Whitmore and Craig Boyce, arranged a myriad of floods, spots, gels, blinky-winkies, etc. to make outstanding stage effects. Also featured was a stunning backdrop painted by art teacher Ms. Kopple fwith help from Mr. Kerseyl. lt was a bright- ly-colored japanese scene with the ever-present Mt. Fuji in the background. .N A i . i X 1. 5 inf 1 1 .s .. i't.3' ' f r - K . X52 fi X f X x. S' J' E: R .1 .. ' k ff I .
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Page 89 text:
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sta 5 .. , O'Henry, was a mirthful story set in Tennessee of the 188O's. A couple wishes a divorce, but finds life is even worse when separated. After numerous ex- changes of a S5 bill fthe divorce and marriage feej, the couple remarry and live happily ever after fdon't they alllj. Timi loukowsky portrayed the tobacco chewing hillbilly who wants to dump his dumpy wife QDanny Szorj. john Schubert played the justice of the peace, a hard-of-hearing rustic. One of the best jokes centered around confusion over the word plaintiff rnis-read by the myopic justice as plainstiff. The second play, The Reigate Squires, was a typi- cal Sherlock Holmes mystery which isn't really a mystery. Naturally Holmes is the only one who can figure out the murder, as the rest of the cast hadn't a clue. Peter Livingston tripped over his English accent, supported by Freddy Vogelstein, Robert Margolis, Mark Tiedemann, Bodey Brookins, jimmy Krissel fthe inspector - hahlj, and Mario Muller. The third was entitled A Madison Square Arabian Night, also by O'Henry. This was about a famous painter who, when he painted, would by' strange reasons, capture a person's true character and iden- tity. This power eventually led to fortune as Bodey Brookins starred in the role of a millionaire seeking advice from painter jeremy Ben-Ami. s 85 00 0
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Page 91 text:
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aff? , G P-Q Mark Tiedemann stole the show as the corpulent Poo-Bah, Lord High Everything Else. His imperious manner and over-size belly grabbed everyone's at- tention. Yum-Yum fthe soprano heroinej was well- done by Tony Green, while Pitti-Sing fher friendj was very well done by jonny Potter. Katisha fthe mezzo villaini was white-faced Sandy Trippe, who couldn't sing in anything other than a gravely croak but sure could act! Besides singing isn't important for this role. The Mikado fhimselfj was done in low- key fashion by Mr. English, while Ko-Ko, Lord High Executioner, was interpreted by Roger Summers fwho finished memorizing his part shortly before the curtainj. Brad Kulman did a surprisingly good job with Pish-Tush to round out the high-level parts. As in A-S tradition, the afternoon production brought shivers to the actors, as they waited pa- tiently for their parents to come to the evening performance. Some never even got out of their make-up, and thus terrorized Kay's and the Pavillion Pizzeria! The evening performance, of course, went far smoother fthe audience laughed at the proper times and squirmed less in the front rows.J. Despite near heart-failure, Mr. Gauger again pro- duced another fine G 84 S, and prediction of G 84 S extinction due to lack of popularity once again proved unfounded. Clearly Allen-Stevenson dramat- ics have come a long way this year, and perhaps even Mr. Cole will return to the stage after a year's lay-off!
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