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Page 33 text:
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ACT III G. G. Pappy: These victuals is suttinly good. Wiliat is this? G. G. Mammy: C-orn Ponte Cat Mush. G. G. Pappy: Le't's turn on the phonygraph and have some dinnah music. QHeard on the phonygraph are the three Hillbillies: Ducky Harris, li'l Joey Paulson, and Meyers Sherbertj. G. G. Prappyx Hyyaaah! One of ouah littlluns is 111iSSlI'l,. Look around, Mlamniy, see which un's lackin'. G. G. Mammy: Hmm, hmm, hmm, Hmm. Wl1ar's ouah Nelli-gan?!? Pause Open the window so we can get her line in. Heard in the distance: Tm 'off to the city, trala, la la. Officahs: Never fear, dear Woiins. We'll find her. ACT V, ACT VI, ACT VII CC-ouldn't think of nawthin'j ACT VIII, SCENE IV CHeard in the distance the bell-like notes of the blood-hound Gh-ost j Dick-erman, the Dick: Ah, the dogs have her trail! ACT VIH, SCENE V Friedman: We're coming nearer. ACT VIH, SCENE VI Wiseman: Ah, thar she blows. fN0thin like being gradualj ACT IX Officah Feldman: Thanks to this nice trained dog, Ghost, welve found youah li'l N elli. ACT X The rejoicing village belles dance a Kentucky Reel, tripping lightly.across the stage. They are Pauline Plesset, Lilly Okerberg, Katie Prosdecimo and Marcella Scott. Crash! Bang! Boo1n!! t fthey tripj. Epilogue David M.cClean: That's all, folks. 31
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Page 32 text:
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fIhe Trained Ghost The Procession of the Loons of 464 efi Tricky Talkie l'rologue Enter .lane Bage and Helen Ungvary: VVe are the scene shifters. VVQ sift the schenes, we inean we shift the scenes. ACT I Lines forgotten. ACT II Enter G-reat Grand I'appy times XVonnj and Great Grand Manimy Cl.ucille McCarneyj 2 G. G. Pappy: Uh, Mlainniy, whar is niah squarrel rifle? Ah hears them revenue officahs agin. G. G. Mannny: .-Xh cain't renieinliah, pap. 'Pears like only las-t night I had it on the window, shootin, at them Kruhns. G. G. Pappy: Mighty queer yo' cain't find it now. Hminnininil Cwhispersj Yo! idon't suppose a hant took it, does yo? G. G. Maanimyz Yo' cain't never tell, Pappy. Still, it niighit have heen one o' theni shiftless skonks. G. G. Pappy: Anyway, who cares? Letls eat, I'ni hiongry. Call the chillun. G. G. Maniniyz Paul Kuznia VYonn, Dorothy Shaw W'onn, Perry Rockwell VVonn Chin, right purty nani-e, thatj g jack Stover VVonn fliet he's down to the river, diving offen that there tree whar they hung yo' pappy, Charles Scott NVonnj 3 Ruth Williziiiis VVonn .... A h caiu't renienihah no nio! Kin yo' recall any, pappy ? G. G. Pappy: Lennne seg Don Butler NVonn ts-ounds Spanish to nie. XVho'd ah evah nanie hiin aftah?j That's the only one ah kin renieniher. XVhy didn't yo' nulnhah them, Mannny? Like One VYonn, Two VVonn. G. G. Mannny: Oh, Pap, yo' knows ah cain't count ovzah five. G. G. I'appy: Ah right, let's cat. ACT IV Enter revenue officahs Uickerinan, lfeldnian, Friedman, Goodman, VViseman in alphabetical order, with blood hounds: Goodman: NVQ all is froin the county-seat. Hullo! Don Butler VVonn fin a stage whispcrj : Hey, you aren't supposed to come in yet. You're in the wrong act. Curtain 30
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Page 34 text:
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Clhe Dangers of Dorothy Douthitt Chapter 350 Synopsis of preceding chapters: Dorothy Douthitt, our heroine, in an effort to frustrate the plans of Alfred Conti, the villain, to evict her widowed mother. Lauret-ta Duddy, and her two maiden aunts, Ophelia Di Lillo and Madeline Phelps, from their home, plans to elope with the hero, VVilliam Hill. ln return for the mortgage, however, Alfred has expressed his desire to marry D-orothy. Meanwhile Ruth Boyer, the heroine's sister, and Harold Dunn. the villain's brother, have planned to elope. Billy Hill intends to take Dorothy to the big city where they hope to live happily ever after. But. before this plan can be executed, Alfred hires Mike Puzak and John Boyd to kidnap the heroine from her mother's home. When we left them last, the three thugs were carrying Dorothy off .to an abandoned saw mill, the hideout of the gang. Dk 'lf DK Sitting in the corner of the saw mill. Dorothy mioves restlessly about. Hier hands and feet are tied. Suddenly, as she ERD-E-KY turning in the lock, she calls, l'Is it BOY-OR girl? GClClR-TRUDIE-11 on my privacy, eh? Alfred enters, demanding that she marry him. A HURCHIQLI. bend and RUSSELL she says, but not If, He furtively strokes his large, black moustache as she emphatically refuses him. You have no means of escapef' he says, You nmst marry me or else-. Ik Pk Dk Ruth Boyer is posing impatiently while Bernice Blumenthal and Kalman Erdeky make sketches of her. MBOYCIU oh BUYKDB am I tired l she explains. JUSTH then the door opens and Harold enters with a marriage license. I went and DUNN it, he cries. 'flt's a-l AUl.-ing. she cried, this being on the l3RlNKflCRl of matri- mony. 'Wherels DI LILLO from my bridal bouquet? He hands her a large lily and they walk off, leaving the bewildered artists who put their brushes and paints in the CUliURCNFKjd. Pk PF Dk Russell Abercrombie, Doriotby's brother, and his wife, Ruth Heimert, have come home with their little boy, .Nlbert Shrager, to aid in the search for Dot. Little Albie goes to the store for san iee cream cone. Alfred, disguised as a s-oda jerker, says with a smirk, CONT-I Pl-lYl.L-C-thjlS l,lT'l'l.li COHEN for you F Little Albie is frightened by his big, black, moustache tboogey, boogey, boogeyj. VVhen he turns his back the little boy notices two strands of long, blond hair on his collar. He hurries home to tell Russell, who is a G Man. 32
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