Academy of the Holy Angels - Angelus Yearbook (Minneapolis, MN)

Page 29 text:

IMF 1932 ANCFI IJS Til F. CARVKU GATES The English Gothic arch over the Sanctuary, rich in symbolisms, takes some minutes of study. Coming to the altar, we are again greeted by two life-size Angels bearing flame-light, five-branch candelabra. Passing through the richly-carved doors, we enter the carefully planned, well equipped sacristies, which are so immaculately kept. Returning toward the entrance, we arc again attracted by the Angels, now three life-size figures carved in silver 03k. and forming the outstanding decorative motif of the parapet surrounding the choir gallery. Before leaving, we again kneel for the Master’s blessing. We rejoice with Him for this new House of Worship, and this new Temple of Learning. We beg His special benediction on all who dwell here, and on all their work for His honor and glory. —Mary Craig. 33. f 25 1

Page 28 text:

THE 1932 ANCEEUS REAR OF CHAPEL A Visit to Our Chapel AS the heavy oak doors softly open at our touch, we arc in the midst of the great silence that reigns in the Holy Presence, and are instantly transported from the hum of busy life to the calm of celestial retreat. At the threshold we are met by a life-size Angel who solemnly offers us the purifying ablution. Once within, the very walls seem to re-echo the words of the risen Christ. Peace! Peace be to you. We kneel and adore Him. Quietly passing down the main aisle, we are impressed by the simplicity of the finish, which at first seems severe, but which gradually grows upon us by its dignity and sedateness. Now our guide directs our attention to the beamed Gothic ceiling, which is so rich and so high. Then we rest our eyes on the large, deeply-recessed Gothic windows, five on either side, admitting floods of soft, silvery light that moves slowly with the day-god around the holy place. [24]

Page 30 text:

THI 1932 ANCELUS SENIOR CLASS From Row—Ro»e Marie Caron. Gale Reynold , Arlinc Miller, Nancy Stafford. Joan Helk, Mary Pendergut, Kourmarv I’uritiion. Mack Row—Mary Connor, Mary J« »rit, Clara Knapp, Mary McCarthy, Grace Crawford, Jeanne McCaffrey. Senior English OUR course in English Four began with the Romantic Movement. There we first met Gray, who immortalized himself and the little country churchyard at Stoke Poges, in his famous Elegy. By a careful study of this masterpiece. we discovered the beauty of diction, the harmony of numbers, and sublimity of thought that distinguish his lyrics. Then we caught the rich melodious voice of Burns echoing from the field behind his plow. He was indeed a human lark singing at dawn. Sweet Highland Mary. And we learned to appreciate him as the world's greatest songwriter. Scotland's sweetest bard, the lyrist who struck a new note, and brought song out of cold barren classicism, to nature, and the home, and the countryside. In Wordsworth we tracked the parents of Lucy Gray.' Downward from the steep hill's edge. We spent some time with him in his beloved hills and dales of Cumberland, and we saw him in his ecstacies over purple dawns, and crimson sunsets, and dancing daffodils. In Coleridge’s famous ballad we caught the salt-sea scent of Water, water, everywhere, nor any drop to drink. With Shelley we Weep for Adonais! He is dead. r 26 3