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Page 54 text:
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THE 1931 RED » WH ITE a Mary Louise Epperson and Dot Hughes leave their worldly knowledge to Betty Martin and Mary Ellen Coast. Elsie Sedlacek leaves her art ability to Rose Cerny. Hack Stevens was worried about leaving Margaret Hotz to anyone so he donates her to the whole school with the restriction that she follow him next year. Vera Davis wills her quiet manner to Betty Kuhl. Evelyn Abbot and Dot Webster leave their fondness for U. Hi boys to Esther Brown and Helen Burrell. Marjorie Bryan leaves her sedate manner to Beatrice Glaser. Margaret Campbell bequeaths her blond tresses to Betty Amish. Lillian Walsh leaves her excessive use of the compact to Helen Fitzgerald. Eleanor Eichler wills her love ( ? ) for boys to Ruth Hogan. Merle Edwards leaves his ability to make wise remarks to anyone who thinks he can do it as well. Adelaide Nelson wills her permanent waves to Ethel Huffman. To Daily Mueller, go Cleldon Ruppert ' s physical proportions. Donald Sullivan would like to leave his corduroy trousers to Clayton Single- ton, but as they are the only pair he has, Clayton will have to go without them. Wilson Hedges leaves his method of receiving good grades to Arthur Snider. Ruth Davis is leaving her sympathetic attitude toward the football players to Florence Paine. Hilda Crain leaves her place in Clef Club to Margaret Zimmerman. Burton Schroder leaves his frail, delicate physique to Arthur Glassman. Jeannette Sybil wills her shyness to Grace Land. Richard Greazel ' s ability in Economics goes to Clarence Sedive. To Sam Saltzman goes Arthur Anderson ' s nickname Swede. Don Paden is generous: he is leaving his E grades and three inches of height to Charles Ruppert. Roy Calta and Lorren Burr will their football energy to any two or more aspirant ' s to next year ' s team. Dorothy Ewers leaves her good grades and ability to make G. A. A. points to Reginia Seipman. Albert Tauber leaves his remarkable record of perseverance to Rowland Griffith. Jim Christensen gives his corn cob pipe to Dark Horse Ellis. Lucile Smith leaves her place in Latin Club to Nevada Hagist. Harold Paulus is willing a record of his height, and a lock of his red hair to be put in the show case, to see if it can be matched in future years. Karolyn Haage bestows her quiet unassuming ways upon Inez Miller. Leo Klein, who in the history of the world is known as Barbell Klein, wishes to bestow his ability to make Sonny Boy Bread and Long Johns, on Billy Yetter and Paul Reed. Joe Burger gives his sassiness to Leslie McKray. Carolyn Chapman leaves her sophisticated aristocracy to Normalee Vanhorn. Page 46
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Page 53 text:
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SENIOR CLASS WILL OF 1931 All the world ' s a stage And all the men and women merely players. They have their exits and their entrance And one man in his time plays many parts. How truly has immortal Shakespeare spoken! Is there any greater stage than that of high school life with all its diverse characters? Are there not many exits and entrances, too? Usually these are four years apart, but some are one year, two years, or possibly — five or six years. Of course in a cast of 1-40 players one finds good. bad. and indifferent actors. The more talented have played many parts. Just four years ago. the class of 1931 rushed upon this stage of Iowa City High School each determined to act his part successfully. Many of them have inscribed their names upon the walls of the hall of fame, while others have merely carved theirs upon the desks in the auditorium. Inasmuch as these players are desirous of perpetuating their achievements, they, on the eve of their departure to fresh fields and pastures new ' do will and bequeath their places in the cast to the succeeding generation of actors in the drama of high school life. Betty Kirchner leaves her conceited ways, and ability in numerous lines to Virginia Holden. Ben McVicker bestows his ' barbell on any boy who is able to make a suc- cess of it. Gladys Hagenbuch leaves a vacancy in the office which she bestows upon Gladys Dunton. Zilpha Burr donates her winning childish way to Catherine Burke. Gerald Rogers wills his height to John Findly. Gernele Cuppy s place in Normal Training Club goes to Ella Mae Hora. John Boyles bequeaths his tennis racket to anyone who can wield it as well as he did. Ruth Aurner leaves Newt on condition that no one else takes him. Frederic Higbee bestows his art of love-making upon John Pelzer. Zita Beuter and Hannah Jacobs who will not part with their sisterly devotion are taking it with them. Karl Kirk will not leave Zilpha: he is taking her along. Marcella Cole gives her place in Normal Training to Margaret Pierce. DeVee Chesmore s rollicking, boisterous manner goes to Charlotte Hain. Joe Russell leaves his power over women to Irving Schump. Harriett Batie leaves her particular ways to Josephine Walsh. Bud Wright has only one thing to bestow, and as he must leave something, he wills Helen Armstrong to Tom Gegenheimer. Alys Rummelhart regretfully leaves her boyish bob to Dorothy Strong. Ruth Fullerton leaves her smile to Ruth Burrell. Harry Austin gives his slow, lady-like manner to Donald Rogers. Page 45
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Page 55 text:
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Don Martin leaves his conversational abilities to Gad James. Delbert Zager leaves Mary Hall to the school. Ethel Hayes donates her brunette marcels to Yetta Kimmel. Don Secrest leaves his idea, that puppy love does not lead to a dog ' s life, to Milo Brady. Jessie Mills leaves her heroic bravery to Arlene Finch. Jessie killed a mouse in the senior girls ' cloak room this spring. Virginia Ferguson wills Billy Yetter to any girl who thinks she can get him. With many sighs, Grace Overholt leaves her long hair to anyone who is able to take care of it. Don Anderson wills his way with the girls to a ny ten or twelve fellows who think they can take his place. Louis Zager generously leaves his generosity to Peachy ' ' Shaffer. Jeannette Jones wills her ability to attract U. Hi and St. Pat boys to Kathryn Neuzil. John Ruby leaves his pleasing personality on the dance floor to Bobo Fink. Helen Breece bestows her place in typing class upon Edna Monroe. Raymond Hotka wills his place in Normal Training Club to any other would- be school master. Charles O ' Donnell gives his blushes to Carl Cone. John Stromsten leaves his gentle innocence to Victor Curry. Mary Snider bestows her dramatic and make-up ability on Eloise McGhee with the limitation that Eloise will come back next year, instead of trying to get a job with the Passion Play in Germany. Theola Greenfield leaves her talkativeness ' ' to any girl who is able to do a good job of it. Robert Hedges leaves three inches of his height to Seydel Ersland. In order that the underclassmen may not have to ask again Why didn ' t you ever bob your hair? Wilma Laughlin leaves a supply of pamphlets to be dis- tributed among the curious. Lloyd Ihrig leaves his bold dashing ways to Carl Potter. To Albert Chittenden, goes Ralph Houser ' s self-satisfied manner. Eugene Lewis is going to leave behind him the seven or eight years it took him to graduate, to any freshman who is capable of accomplishing that which Eugene did. Bob Barrick leaves his John Barrymore profile to anyone who is capable of bearing its attractions. Carl Strasser bequeaths his ability of getting to his locker before the bell stops ringing at noon to Dennis O ' Brien. Clinton Moyer leaves his wonderful vocabulary to Merwyn Green for dis- play purposes only. Jack Lewis gives his dash to Richard Davis. Dale Koser gives his soft effeminate ways to Charles Crawford. William Ruppert and Wendell Reilly will bestow their combs upon Staten Browning and Billy Cutler, if they promise to use them more than Wendell and Bill did. Page 47 THE 1931 RED » WHITE § § S
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