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Page 32 text:
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Don ' t let it be forgot ' In Camelot, the joust scene is an emotional situation involving the death of Sir Lionel (Todd Unsicl er). The chorus. King Arthur (Larry Stoller) and Queen Guenevere (Leann Ehle) are over-come and shocked after Lancelot (Jim Gerardot) defeats three of Camelot ' s best Knights. Sir Sagramore (Tim Amstutz) leads Guenevere (Leann Ehle) to be burned at the stake while the Priest (Becky Niccum) prays for her from the Bible. Lancelot (Jim Gerardot) protects Guenevere (Leann Ehle) as Mordred (Clint Bockelman) discovers his motive for killing the round table. While Dinadan (Ken Brown) and Lionel (Todd Unsicker) stand aside to protect Mordred. 28 i lusical
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Page 31 text:
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Making note of the action Mr. Jolin Briegai looks on as Regina Gerig ges- tures toward Rae Ann Heinhold ' s escort. jr Beaming with delight after being named Class Clown, Gary Fry prepares to step into his accept- ance routine. tt Our grand illusions ' ' Surprised at being chosen prom queen, Terri Shaw approaches her court; Tim Amstutz, King: Dawn Shurg, Clint Bockelman, Sherri Mendenhall, Brent Splndler, Rae Ann IHelnhold, and Mike Kacer. Clint Bockelman balances precariously as he and Tim Amstutz hand a stream- ing prom decoration.
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Page 33 text:
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t T The chorus plays an important part in Camelot by telling its story in song to the audience, Wendy Hockemeyer, Kirsten Willinger, Susan Cummins and Yvonne Gerig show emotion as Guenevere (Leann Ehle) is about to be burned. Now that the table is dead, Arthur (Larry Stoller) tells Lancelot (Jim Gerardot) and Guenevere (Leann Ehle) that they must leave Camelot rather than be burned at the stake. In the Lusty Month of May, Brett O ' Neill enters as an old man known as Pellinore, as he rumbles on Guenevere (Leann Ehle) tries to understand what Pellinore is talking about, while the chorus sees him as a humorous sort of man. Camelot, Lerner and Loewe ' s musical adapta- tion of the book THE- ONCE AND FUTURE KING, is the story of a man who dreams of freeing the world of its hostilities and replacing them with love. Rehearsals challenged actors and singers dur- ing the cold winter months. Rehearsals started January 3 and continued through March 16 — open- ing night. For many ac- tors this was their first performance on stage, and for them it was a nerve-racking, but exciting night, as well as a treasure of experi- ence for the whole case. Todd Unsicker sings a solo while the chorus stands in grief as the death of Guenevere approaches. 1usical 29
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