University of Texas Austin - Cactus Yearbook (Austin, TX)

 - Class of 1985

Page 69 of 756

 

University of Texas Austin - Cactus Yearbook (Austin, TX) online yearbook collection, 1985 Edition, Page 69
Page 69



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ving the three people in mind for each lead role from previous things I have seen them in, " she said. Sept. 20, 1984 The directors nar- row their choices for their casts. Call backs are held on this day. Categorizing individual people into " types " for roles, Bergeron said she looked for the per- former ' s creativity, focus and personali- ty. Bergeron has the prospects speak in the language of the play. Bergeron also wanted to see how they fit in musically by analyzing the singing ability of each. When asked about call backs, Christi Carafano, acting senior cast said, " They ask to see you again and you hope to God they just want you. " Bergeron and two other directors begin to cast the department ' s fall pro- ductions. Performers are required to act out two contrasting monologues. Sept. 24, 1984 The cast is listed and production work begins Oct. 8. Rehearsals are held from 7 to 11 p.m. Sunday through Friday. Carafano remembered the hard work and the constant stopping of scenes at the " hold please " calls from Bergeron. Carafano said that " through directing and choreography, Ann cultivated every aspect of the production, creating the ideal atmosphere " in which to work. Bergeron realized the importance of establishing a trust between the actors in order to get started working. The result was a special unity in the Cabaret cast. Chorus member Julie Alford, dance junior, said the cast " wouldn ' t be the same if just one person was missing. " Carafano added, " you learn a lot about life and working by being together. We ' re all so close. " Nov. 13, 1984 8:00 p.m. The place: Berlin. The time: 1929, before the rise of the Third Reich. Carafano becomes Sally Bov.L . fpy, carefree cabaret girl. Her > .- Hartmen, acting sophon Clifford Bradshaw, the sensitive American writer who fails for Bowies ' charming decadence. Blake Hammond, acting senior, and Terri Easter, acting junior, tie in the subplot of the heart-breaking romance between the elderly grocer, Herr Schultz, and the charming landlady, Fraulein Schneider. Bergeron ' s production exposes the play ' s political conscience-raising theme through her polished direction. As the devilish emcee, Steve Thomas, dance senior, maintains the overriding theme of immorality and decadence throughout the play with his eerie smirking and ethereal omni-presence. Selling out every night, the play became a fitting tribute to the hard The spotlight falls on Christi Carafano as Sally The finale of " Cabaret " signals the coming of the Nazis and the end of halcyon day for the Kit Kt Bowles, bringing her own flair to a role made Klub. famous by Liza Minelli. Cabaret -61

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