University of Arkansas Fayetteville - Razorback Yearbook (Fayetteville, AR)

Page 14 text:

The Fine Arts Center at dusk—within its walls are the complete facilities for the pursuit and assimilation of the Arts. INE ARTS ever ceasing is the effort to convey the thought, the sound, the movement to another’s un¬ derstanding; for this is art. As the composition of the tableau is vital, so too is the choreography of the bal¬ let. An exceptional artist seeking this perfection is a Uof A graduate. In the Fine Arts Center Concert Hall, a faculty trio gives one of many concerts which are offered to both the University and Fayetteville communities. Performing in the Severo School of Ballet, Detroit, David McLain (BSE ’S3) has done outstanding work in choreography and teaching for the school.

Page 13 text:

Reverend Claude M. Reves (BA ’05), highly respected Methodist minister now retired, is one of the few UofA alumni to become a clergyman. Right: Dean of Arkansas Polytechnic College Alfred J. Crabaugh (BA ’24) is former president of Arkansas Association of College Deans. Mrs. Margaret Batjer Jennings (BSHE ’24) highlighted a career as Associate Professor of Foods and Nutrition at Penn State with the publication of several textbooks. Boston Avenue Methodist Church of Tulsa was financed and built under the leader¬ ship of UofA alumnus Rev. Claude Reves. The incompatibility of reli¬ gion and education is a mere myth. By combining the two here, we are able to show that they can and do often work hand in hand. These UofA alumni often work to correct the idea that an educated man may be an atheist.

Page 15 text:

' ' Design was completed in ’59 for the proposed National Cultural Center, to be located on the bank of the Potomac in Washington. Within the last seventy years, architecture has made a transition from the cluttered and ugly to the clean and beautiful. The genesis of Frank Lloyd Wright has been sustained by the work of perhaps the most famous UofA alumnus. But going beyond Wright, this man has instituted his own style which is widely copied. Today’s foremost architect, Edward D. Stone (Att. ’23), has con¬ tributed much to the UofA, having designed many of its new buildings. —Karsh-Ottawa. At Villa Malcontenta, Venice, Mr. Stone creates variations of his style of design, which he considers as an individual’s creative expression. 15