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Page 62 text:
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Page 64 text:
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.. . I ff I H vi? ' , ' 7 'mh' f l 'k 5 ff ' diff: A. 1 , I I in I IT I W VV'-iib,::::::-1--, --1:11-J-::1,::::.:.:xT,,,i ,H,,:,,,,,-,,,, L tv 1 K X in t- vs. .SNS r x 1 f N I N - ' , IF Agg,4rj52:g xj by fl 5. '4.45!iE.1ie Ej, '-igzfjt hx, gil? ,SSPN lfi I I Ill IX C It ,g3jj,ai:.j QQAI3 ELSE' IIEFWI 1 I . 2' ....,., . ,. .A , A S- . I-gf-, . ..,, ,L Ni? :Tx1?fhn-?'H. igtylqrxraqwiwnwdh u Q in :tag I s fig .15 f Q: 1 ---:--f ' '----- E ' TM..-.ig rife! XX NL C I C e A ff' pw ll fqb I f lv ill Q S rg, . ti., -, ill!! l i A . I- fl J Q I V ii IQ Gi ew ' I I' F A III t C k I A .Jg rl - re ti I - - I ' - .. . A I, Tl P DRAIVIATIS PERSONAE ' vl., .1 .J I , , . . fn- tfdfgw A Prince A Princess A Poet A Loral High Chancellor A Tutor wg ' fl . ,J N , 'R SETTING: The throne room of the castle: a large dim hall with a vast-ceiling and dark 6591 ttf' I5 panelled walls. In the background and dominating the whole scene is the throne, draped with N In ff velvet. It 1S on a dais with several wide steps lead.ing up to it. On either side of the throne are X fl l long mullioned windows. ' f TIME: A long time ago. I SCENE I I 4. 6,7 tWhen the play opens, the Princess is seated on the throne, the Lord High Chancellor and Q 9 ' I the Tutor seated at her right and left respectively. The Princess looks like a conventional fairy- - X .. tale princess, but alas! she does not act the part. Just now she is lounging on her throne, and L scowling at the toe of her small slipper. The Lord High Chancellor and the Tutor sit stilliy erect W! Tfrgs in their highbacked chairs, and eye the Princess severely from time to time. They wear curly .X , wigs and shoes with largefsquare buckles. The Chancellor wears an ermine-bordered robe: the Q I I Tutior an academic gown. They are both small stout men, are so much alike that they look like a pair of book-ends.D h I Q . 0 ff 9 , . e Q . v THE LORD HIGH V But-your Royal Highness-it's just one of those things that arenlt done in the 1' CHANCELLOR: ! best of royal circles! . THE PRINCESS: fwith an emancipated gesturelz Why aren't they done? Because nobody starts X Q the fashion, that's all. And if everybody waited for somebody else to start things, . - this would be a pretty silly world. , H - CHANCELLOR: But--yo-ur Royal Highness. this marriage was settled years ago .... years! 610 When you were a mere infant-when you were four years old, to be exact, your Q B 1, the royal father made an agreement with the King of Nuritania, father of the present as Prince-. Y ' PRINCESS: fpetulantlylz Why didn't theyuconsult me? f ,Q THE TUT0R:A fdissfusted. but trying to be patienglz Now, now! Reallyk Annette, what help I pr :I would you have been at four years. I CHANCELLOR: And besides, what possible objection can you have to the Prince? Why, youlve Q33 ' 'fffxl never even seen hi1n! A PRINCESS: H That's just it: Ilve never seen him, and I donlt love him. . 1 ,Kg TUTOR: That's not an objection: it's not even a reason. D As for IIIIS young man, this Wvxw Leon .... A poor poet! . . . you can't take him seriously. l . ir.--If PRINCESS: Of course I don't . . . it'.s the last thing he'd want. fSl1e looks dreannly into j sfgfl spacej But he does write such lovely poetiy . . . and then. theres the wav 5? iffy! he tilts his head back . . . as if he wore a plume! and he has such a quizzical M-,AH ' FI- ' ' I '1,. f f way of laughing. if 5 TUTOR: Tut, tut! Remtember. your Highness, that your head as well as your heart must tigcj dictateyour choice of a husband. And it would never do for a princess to ff 1, Cgjv m'a1.1.y 3 Wamqel-ing poet: noblesse oblige. youiknow. and all that sort of thing- I I I CHANCELLOR: fbowingl: lVIy sentiments exactly. only infinitely better expressed! -sg A 65359 Pnnvcisssz But Pm a woman as well as a p1'inCSSS-find H1110111' Obllse, f00-- if fmt!! y I IRI? -. - 1 f7 X?5 ,- .. H, . 2, E, ll QQ? ! I' 'r H- fffi, 0 2, ' I-.WTP LX N C ', . - 5 I ee :Gy efatxa, A fee? 111211 QQ Sfaf! X weikffit Ng I fr .gflf fxviwgi X ,ffm C I ,, gf., Lies 1 ,GX 'rf' W. K-4 Q1f
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