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tk toJk bd O.A. ■ J ' A Cottick and John Kiddell deserved great praise. They maintained a high level performance and supported Aaron ably in all the major scenes. Both Muir Meredith and John Kiddell delivered their major speeches beautifully. Of the four tempters Brian Ryder deserves the most credit for improvement during the production, and this, after all, is the purpose of SJR productions — to train actors. Ryder was specially impressive on the Saturday night; however Ian Fraser, Bill Gardner and Mark Jackman also acted well and delivered their lines well and with conviction. The four knights, David Sprague, Peter Fahlgren, Bill Gray and Paul Schmidt, gave equally smooth and effective performances and in the modern transition section of the play, where the four explain their actions, Paul Schmidt carried off a character part extremely well. Terry McGaughey, as the messenger, should be mentioned with credit for a good delivery of his lines. The chorus, as a whole, did an excellentjob; Ron Little, the leader, kept a steady hand on the helm and was ably assisted by Rob McCarten and Edward Orton. There was a discipline and precision in the delivery of the chorus’ lines which not only made an admirable background to the major speeches, but which brought out the music and variety of Eliot’s words. They are to be congratulated. Many thanks are due to the people who devoted a great deal of time and energy to the success of the play. Mark Glasgow, as stage manager, and the creator of many excellent properties, Bill McWilliams who handled the lighting, John Kilgour who helped with and organized properties all deserve credit for work well done. Special thanks are extended to Mr. Geith, who organized ticket sales, to Mr. Hammond who, with Mrs. Maurer, did the make-up; to Mr. Ronald Gibson, who provided the organ music; to Mrs. Stewart who did such a won¬ derful job on costumes, and who proved to be an invaluable help backstage; to Mrs. Maurer, who devoted much time to the play as assistant director and especially to Mr. McLeod the director, to whose tireless effort and ability may be attributed the ultimate success of the play.
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