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Page 24 text:
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5 .X Fiddlin' Around Under the skillful baton of Mrs. Jean Graham, the South- west orchestra carries on the tradition of winning honors and recieving recognition from the fine performances given throughout the year. Capturing the U.l.L. Sweepstakes trophy for two consecutive years, this orchestra creates the stiffest competition for other orchestras in the region V area. Also, many of the orchestra members comprise a large part of the Youth Orchestra of Greater Fort Worth, as well as the Region and State orchestras. Never have so many talented young people come under one roof to chal- lenge the works of Mozart, Beethoven, etc . . .5 and with the leadership and guidance wholeheartedly given by Mrs. Jean Graham, the Southwest orchestra will continue to achieve in the years to come. l
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Page 23 text:
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Page 25 text:
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rg, 4 Q., r ' 4 ' X X 5 X l i ' in 9 'A W., I :UQ 3 ' 1 A .g A l F5 Y? ,, 1 'fit vtwifx' Upper left going clockwise: Scott Jessup and Terry Flomanko rehearse a difficult viola passage for an upcoming concert. Mrs. Jean Graham gives the audience beforehand information on concert selections to be played by the orchestra. Seth Lar- mer, Andy Mullins, and Steve Massey display the concentra- tion needed by A Capella choir members. Ennounciation of the words is one of the most important factors when singing any type of choral piece. Director Alan Potts leads his choir through strict, continuous rehearsals. Darrell Stark, Randy Phillips, and Alan Reed add to the variety of facial expressions encountered in any choir class. Flautist Tracey Schunder per- forms as her solo debut the Quant: Flute Concerto. Why won't Mrs. Graham let me play my Dvorak cello concerto? ponders a sullen Beth Enochs, while David Holiday casts an inquiring eye towards the audience. . V , if TY . H: , , .L , if A. Do, Re, Mi, The Southwest choir is not just your run of the mill choirg in fact, three separate organizations comprise this rather unique department. A Ca- pella choir deals mainly with the advanced vocal- ists who have, through the years, developed their talents well enough to sing unaccompanied. Fihythmical Medieval songs make up an inter- esting repetoire for the Madrigal choir. It can be foung singing to any senior English class study- ing that particular period. Show choir completes the listg this group incorporates contemporary song as well as choreographed stage work for an effective presentation. CHOIR 21
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