Sheridan High School - Bronc Yearbook (Sheridan, WY)

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To Harvey Rensvold we leave the title “Love ’Em and Leave ’Em.” To Mildred Polf we leave the right to go to Monarch any “Day.” To Dorothy Weldin we leave a window-shade for “Peaches’s” car. To Mildred Hysell a baritone voice so she can be heard. To Dale Partridge the title of the future Romeo of S. H. S. To Shirley Doyle a thriving bakery with a “Baker” included. To Alan Braun a girl his own size so he won’t have to grow up. To Jim Kelso we will the senior class presidency next year, and to continue to make the girls’ hearts go “pitty-pat”. To Mary Williams we leave a part in the Senior A play. To Raymond Thomas we leave the privilege of managing the Wool-worth Store and Shirley. To Jack Crites we leave four new tires so he can take more girls riding. To Gerry Cox we leave a date with Joe Mascher. To Delbert Tryon we leave the title “tall, dark, and handsome.” To Brad Spear we leave a book entitled “Nothing But The Truth.” To Eileen Guenther we leave a lasting friendship with Ponnie Peterson because they look so cute together. To Dorothy Toland we leave a pair of stilts to dance with Pelissier at the Prom. To Marjorie Brown we leave the title “cute.” To Margaret Jorgensen we leave the book “Little Old New York.” To Mary Culver we leave the right to be one of the few natural blondes in S. H. S. To Ernest Rotellini we leave the title “Slaphappy.” To Sally Anne Fair we leave a man of her own. To Duretta Olson we leave the right to go steady with Kelso. It’s easier on other girls that way. To Richard Gruber we leave the right to break all typing records. To Marcia McWilliams we leave the honor of winning many awards in essay contests. To Mary C. Franklin we will a rose to match her blushes. To Gordon Legerski we leave the right to grow another six inches. To Herbie Kerns we leave the leading part in the Senior A play. To Andy Long we leave the right to translate Polish words into English for inquisitive senior gals. To Kenny Newman we leave the title “dream boy” of S. H. S. To Joan Ernst we leave the chance to go “Wading” with Chalfant some moonlight night. To Charlie Emmons we leave the right to be football hero of 1943. To Wade Chalfant we leave the right to make his theme song “Sweet Sue.” To Natalie DeJarlais we leave the right to distinguish between the words Jurkins and Jenkins. To George Stutsman we leave some gas so he won’t run out so much. To Alice Powers we leave the right to go out with Alan Braun just once. To Don Welton we leave a year’s supply of written excuses. To Fay Jackson we dedicate the song “Jim.” To Betty Kelley we leave what her heart desires. To Francis Sandall we leave the right to go with Ellen Harris another year. To Josephine Neely we leave a package of henna rinse. To Iris Eads we leave a share in the Sheridan Flouring Mills, so that she won’t get lonesome for a “Miller”. To Theresie Gruber we leave the title “Prettiest blond with any brains.” To Anne Hallworth we leave the right to become an Ivory Soap model because we think she has such a pretty complexion. To Hugh Bird we leave the responsibility of carrying on the Bird family record. To Dean Christler we leave all priority rights on black, curly hair. To Charles Crum we leave a certificate of his genius. I I ♦ I I Twenty-seven

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Excerpts from the Will of 1942 To Charlie Olson we leave the right to always pester any other girl in the clarinet section of the band, now that Pat MacLeod is gone. To Florence Olson we leave the title “All American Girl.” To Paul Juroshek we leave the right to sit on the bench just once next fall. To Evelyn Colman we leave the right to have a girls’ “Ag” class of her own right away. To Bob Cook we leave the tag of ownership to pin on Phyllis Hume. To Margaret Badget we leave the right to act sensible—just for a change. To Helen Frazee we leave the privilege to go out with a boy. To LaVaughn Kincaid we leave a book of stamps so she can answer all the letters from the soldier and sailor boys. To Louis Plachek we leave the title, “All American Blond.” To Mary Gwen Shellinger we leave the title of “popular”. To Dorothy Upton we dedicate the song “Sweet and Shy.” To George Grace we leave a gun with a true “Trigg-er.” To Leonard McEwan we leave a bar of soap to wash the looks he ! gives Chuck Olson. j To Fred Wright we leave more head (Morehead) lettuce for his health. To Paul Smith we leave the right to be an assistant manager (Archibald) of the Nash Finch Co. To Wyoma Wilson we leave a love bug bite so it will always be I “hoiten”. To Glenn Johnson we leave a ticket to the Freshman Mixer. To Connie Card we leave a more secluded spot than the main hall to discuss her dates. To Josephine Brown we leave the right to be where the Buffalo roam. To Betty Morehead we leave the “Wright” to attend all shows with Freddy. To Wayne King we leave the right to go with Roberta as much as he likes. To George Demchok we leave the privilege of holding hands with Jane Cline for one hour each day. To Leona Long we leave the privilege of reserving a table in the cafeteria during the noon hour. To Ronda and Wanda Troutman we leave the privilege of meeting a pair of twin brothers. To Mary Ann McAllister we leave the right to be the only girl in the advanced Algebra class. To Annabelle Birdsall we leave another bottle of peroxide cause we think she makes such a cute blond. To Eddie Ekis w'e leave two permanent back seats on the left-hand side of the Wyo balcony. To Jack Matica we leave a lasting friendship with Gordon Legerski. To Neil Richardson we leave a dollar instead of a “Shilling-(er).” To Mildred Arnold, although she’s no Chinaman, we leave her all the “Rice” she wants. To Margaret Arnold we leave the memory of Big Goose on the night of her birthday celebration ? To Emma Cline we leave a book entitled “Silence is Golden.” To Arleen Haines we dedicate the song “Dark Eyes.” To Bernard Ekis we leave a “Cooke.” To Frances Miller we leave the song entitled “Stay As Sweet As You Are.” To Wray Carroll we guarantee one more date with Virginia. To Don VanBlitter we leave the right to go steady with a certain senior girl. To Arthur Washut we leave “Butch’s” charms with the girls. Twenty-six I I I I I j I i i i i i i i i i i i i i i i i ! i i j

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Music and Dramatics VOCAL The Mixed Chorus, Girls’ Glee Club, and Boys’ Glee Club, under the direction of Miss Dorothy Griewe, have participated in various programs throughout the year. A Christmas concert was given in assembly on December 19. The annual spring concert was presented on March 13. The Girls’ Glee Club and the Girls’ Sextette sang in the Thanksgiving assembly. The groups have also appeared at Rotary Club, Woman’s Club, and various churches. The Mixed Chorus, Girls’ Glee Club, and Girls’ Sextette attended the 1941 State Music Festival at Casper. This year a Double Mixed Quartette was organized. It was composed of Anna Burke, Marjorie Green, Phyllis Mary Sturgeon, Irene Wolfe, Edward Hansen, Bob Irwin, Kenneth Newman and Bob Stockhouse. Members of the Girls’ Sextette are Truly Barr, Shirlee Hammond, Jo Elaine Howard, Phyllis Larson, Patty Livingston, and Phyllis Odiorne. INSTRUMENTAL The Sheridan High School Band, directed by Mr. Eric Becker, has provided music for all athletic events, has accompanied the team for two out-of-town games, has played for Rally Night at the Wyo Theatre, and has furnished music to send off soldiers. The band presented concerts at Fort Mackenzie, the high school, and the Woman’s Club. They also attended the 1941 State Music Festival at Casper. The Advanced Orchestra has played for all high school dramatic presentations, and at an assembly. Small instrumental groups are as follows: Brass Sextette—Robert Becker, Annabelle Birdsall, Elaine Hurst, Albert Morgenweck, Anne Patterson, and Dorothy Wellwood; Clarinet Quartette—Shirley Evans, Patricia MacLeod, Charles Olson, and Gertrude Voogd: Mixed Woodwind Quartette—Lois Edith Coast, Shirley Evans, Dorothy Hoffman, Betty Lou Timm. DRAMATICS “Cinderella” by Frances Homer Class Play: October 31. Class of January, 1943. Cast: Janet Haywood, Christina Racheff, Marilyn Switzer, Jean Chapman, Della Maier, Betty Jean Wright, Bob Elstrom, Irene Wolfe, Wade Chalfant, Jeanne Brockman, Esther Sweem, Margaret Walden, Charles Garrett, Donald McSweyn, Dorothy Sheldon; Fairies: Gerry Cox, Betty Kruse, Wilma Sack, Marjorie Suchta, Allegra Schoolcraft, Esther Sweem, Marie Capillupo, and Catherine Michels. Production Staff: Director, Miss Beryl Brownlee; Class Sponsor, Miss Ona Toland; Class President, Bob Elstrom; Book Holder, Joan Cline; Properties, Muriel Wilcox and Margaret Walden; Make-up, Mrs. Donald Griffith; Dancing directed by Miss Irene Schlattman; Microphone, Esther Lou Goodwater under direction of Mr. Scheibe; Stage Crew, Donald Phipps, Junior Ray, Charles Cole; Music, High School Orchestra under direction of Mr. Eric Becker. “Huckleberry Finn”—Adapted by Roy F. Lewis Class Play: December 12, Class of January, 1942. Cast: Bonnie Goad, Beverly Ballard, Mary Louise MacLennan, Junior Neard, Dorothy Smith, Celestine Fordyce, Juanita Kimble, Dick Griffin, John Johnson, Joe Driear, Jr. Production Staff: Director, Miss Beryl Brownlee; Class Sponsor, Miss Flora B. Rees; Class President, James Tschirgi; Book Holder, Mary Helen Sterling; Properties, Dorothy Davis; Microphone, Esther Lou Goodwater under direction of Mr. Scheibe; Advertising, Dorothy Nicholin; Stage Crew, Charles Cole. Twenty-eight