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Page 6 text:
In the composition of a stained glass window, there must be not only the
artistls fine sense of color harmony, but also the, scholar's knowledge of the
very definite principles relating to the achievement of unity through diversity.
Our days at Rosemont have been for each of us a preparation, a
rounding out, a maturing. Each one of us has been a segment, a part, however
diverse, of a greater design. So, to-o, is each class which graduates from
Rosemont a segment of that greater whole, the sphere of influence which is
Catholic Womanhood. An educated woman, in order to fulfill her part in
Cod's design, must be a blending of dignity and knowledge, balanced,
heightened, and made beautiful by virtue.
We have chosen our theme from the very center of our College life, the
Chapel. The women depicted in the stained glass windows exemplify the
virtues which are the true bases upon which knowledge and dignity must be
built. Each has her place, her definite message g each has her. gift of Catholic
Womanhood to share with us.
It is only in the Light of Cod's Truth that the segments of this design
can have meaning.
Page 5 text:
CBB 1954 uvnefian
Uwe Jseninr Ulfagaf
ul: Rupfsmunf Guffege
ANTONIA ELIZABFTH FERNANDEZ
Photography .J t
MARGARET LARROLI MULLEN
Page 7 text:
Our Dahl! peak
Because my will is simple as a window
And knows no pride of original earth,
It is my life to die, like glass, hy light:
Slain in the strong rays of the hridegroom sun.
Because my love is simple as a window
And knows no shame of original dust,
I longed all night, fwhen I was visiblej for dawn
When I would marry day, my Holy Spirit:
And die by transubstantiation into light.
For light, my lover, steals my life in secret.
I vanish into day, and leave no shadow
But the geometry of my cross,
Whose frame and structure are the strength
By which I die, but only to the earth,
And am uplifted to the sky my life.
From Thomas lVIerton's
. The Blessed Virgin Mary Compared
to a Window.
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