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Page 117 text:
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' imfiwn :is tiiv lirilici- iizmli, is lliit' Q'IllliZ11iillllS :il sciiiiiii. lihv mun- iicrs, who :nw sa-ivclvli :il lryliuls Rligvrs ik-ii Iiznili, iii-1 I U14 of lin- Illllll' piipuizii' inusiczii mt- , czicii fziii, piliclicv illllll' lil five' 'i limes zi wi-l-it for twin in' liirvl' won-its. Tin- QVHIIIJS L'llit'l'i2liIll'li :il cmivlicziliiiiis, ilzifls night :nili Qillllifik Czipc-1' inixcii FEP BAND- First row: Kerry Quorn. Dianne Pcwers. Grant LaTurner, Roger Morrison. Ken Hedstrom. Sec- ond row: Scott Murray, Jerry Haupt, Lloyd Osborne, Frank Rider, Gary Gross, Gene Hauf, Dwight Wilson. Carol Rhodes, vocalist: Judy Elmquist, pianist. BAND-First row: Pat Grant. Dave Gurr, Pat Kronmeier, Cathy NlacGown, flutes, Second row: Joanne Becker. Marge Hill. Bonnie Huttner. Myrna Miller, Beverly Huttner, Shirley Brizendine. Lester Zimmerman, Bonnie Wilson. clarinets. Third row: Dianne Pcwers. tenor saxophone: Roger Morrison. Judy Elm- quist, alto saxophone: Ron Hardenbrook. Norm McLean. Claude Cuzzetto, Danny LaTurner, Mack Harris, french horns. Fourth row: Larry NlcGeath, tuba: Dick Olney, Warren Cook. baritones: John Haldi. Gary Gross, Lew Rambo, Gary Johnson, Bob Coppins. Gene Hauf, Denny Hagen, Frank Rider. trombones. Fifth row: Dwight Wilson, Gail Knoke, Bill Anderson, Roger Storey. Bill Scates. Ed Cook. Sandra Taseherau. percussion:WiIlian1 W, Thomas, director, II3
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Page 116 text:
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Page 118 text:
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CHOIR-First row: Donna Garrison, Jean Willman, Ida Anderson, Andrea Foskett, LaVerne Madding, Jean Zimmer, Norma Holquist, Nancy Hovind, Sandra Taschereau, Carole Rhodes, Carolyn Page, Sue Best, Shirlene Dykstra, Peggy Self, Clarene Jeromechek, Joan Knight, Jackie Amsden, Jackie Wellington, Rosa Olson, Barbara Gray, Grace Gray. Second row: Debbie Ludington, Sharol Schroyer, Dolores Richards, Eleanor Johnson, Marilyn Steele, Dianne Powers, Judy Sorensen, Pat Messer, Carol Berg, Ann Bergman, Lavonne Kennicutt, Mary Garnsey, Barbara Lewis, Noreeta Fauser, Joan Herman, Bev Herman, Zola Dahm, Sharon Harrington, Pat Taylor, Arlene Tiffany, Grace Paulsson. Third row: Terry Baker, John Swinehart, Pat Johnston, Glenn Pendleton, Carl Burrell, Cliff Lamb, Dan Cloninger, John Milliron, Dick Olney, Mike Sutton, Doug Sutherland, Bruce Crowe, Louie Grimmer, Hal Caufield, Jerry Lynch, Al Maine, Wayne Lawson, Ron Kamin, Darrell Vosahlo. Fourth row: Fred Burbank, Bill Kienholz, Mike Fitzpatrick, Bruce Salberg, Jerry Tolonen, Doug Davis, Floyd Denham, Avery Miller, Norman Hall, Rod Brown, Ron Oliver, Denny Hagen, Bob Roloff, Norm McLean, Ross Byrd, Len Pielli, David Williams, Gary Crisp, Roger Berger, Rudy Wirthgen, Marlo Olson, Carrol Thornton. Choir, Glee Clubs Receive uperior Ratin s Choral groups directed by Forest L. Brigham were very active this year. The Choir gave more than eight performances including the annual lYin- ter and Spring concert, the PTA Christmas pro- gram and a special recording for the NVashington VVater l'ovver's program, Songs From Out of the Nightf' A superior rating was earned by the group at the Eastern lYashington Music Competition festival held in the spring. Many individual awards were re- ceived by soloists and ensemble groups. Also honored were Shirlene Dykstra, Lavonne Kennicutt, Zola Dahm, Doug Sutherland and Mike Sutton who were selected for the a'l-Northwest mixed chorus. These five students accompanied by Mr, Brigham attended rehearsals for three days in Eugene, Gregori, before the April 16 evening per- formance. Dr. Charles C. Hirt, director of choral organizations at the University of Southern Ca'i- fornia, directed the All-Northwest group. Membership in the Rogers Choir is the highest honor a choralfminded student can attain. lVhen- ever a vacancy exists, individual tryouts are held. Members of both the Glee clubs may try out. In addition to a good voice, it is necessary for the stu- dent to be able to read music. Probably the most popular selection of this group this year was the arrangement of the many hit songs from the stage production, South Pa- cific. Almost all of the choral numbers fcfloyv the lired ltaring style as Klr. Brigham is a former student of this arranging. Mr. Brigham is very active in Spokane musicial circles as he is director of the Bel Canto, a vvomen's group, and is contest chairman for the Eastern lYashington Music Educators! association. At the present time he is preparing for next year's all- state chorus, which is held every other year. Rogers is unusually fortunate to have Mr. lirighami as choral director.
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