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Page 31 text:
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Page 30 text:
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Shadg characters abound in spring musical Cutting hall became Broadway of the 1940s as Nathan Detroit, Sky Masterson and their gambling cronies plied their trade in Damon Runyon's Guys and Dolls the week- ends of May 9-10 and 16-17. The story concerned the problems of Nathan Detroit tBen Sieglerl and his colleagues in crime, Nicely-Nicely lohnson tMark Goughnourl and Benny Southstreet tMike Longl as they tried to find a spot for their floating crap game. Their efforts were complicated not only by the law Uack Prendergastl but also by Miss Adelaide Uacque Fer- rariol, Nathan's chorus girl fiancee of 14 years, and the Sal- vation Army, led by Sarah Brown floan Brownj and her grandfather tFrank McGeeJ. In trying to get S1000 to finance the game, Nathan bet Sky Masterson tTim McGlynnl, the biggest gambler of all, that he could not take Sarah to Havana. However, Sky and Sarah fell in love and Sarah went to Havana, and Sky saved her mission from being closed by bringing in a dozen sinners, all participants of the crap game, Others in the cast of over 80 included Sheila Fyfe as the Salvation Army general Matilda Cartwright, Mark Kuchynka as Brooklyn mobster Harry the Horse and Pete Reese as Big lule, Harry's friend from Chicago. Miss Mic- key Williams choreographed all dances, and Miss Carol Williams was technical director. Mary Scollay as student director and Brad Samojla as stage manager assisted Mr. Peterson, drama, Mr. Reiser, vocals, and Mr. Trimborn, pit band. ABOVE: Nathan Detroit, aggravated by the cold reception he was getting from loey Biltmore at whose garage he wanted to hold his crap game, hearing that joey wanted S1000 before he will let Nathan make use of the garage. This caused Nathan to remark, l hope he gets stabbed by a Studebaker. RIGHT: After being thrown out of EI Cafe Cubano, Sky Masterson and a slightly tipsy Sarah Brown strolled in the moonlight, and Sarah sang of her love for Sky in lf I Were a Bell, Sky had bet Nathan he could take the mission dolI to Havana, but he had not counted on getting romantically involved with her. This scene and many others were on the ramp, an addition to the small stage in Cutting hall.
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