Ouachita Baptist College - Ouachitonian Yearbook (Arkadelphia, AR)

Page 33 text:

OPPOSITE TOP: Glenda Williams. . . the murderess sorority sister burns a letter that could convict her in the sum- mer production of This Little Hand. OPPOSITE BOTTOM: Mary Ann McRae and A. Roy Threet. . .Eurydice implores Creon to be more lenient in his treat- ment of Antigone in theatre director Den- nis Holt’s original version of Antigone. ABOVE: Cynthia Crews and A. Roy Threet .Creon mourns the death of Antigone which resulted from his blind insensitivity. LEFT: Cynthia Crews. . .Antigone com- pares her fate with that of the brave, free larks scorning the earth in their flight. Antigone—31

Page 32 text:

ouachita theatre The tradition of Thespis carried on under lights and greasepaint and the history of the theatre continued. After the audiences were gone, all that was left were the memories of a past performance. The shouts, applause, triumphs— all were gone. The only touch of reality that exists is the echoing of footsteps on anempty stage. 30—This Little Hand, Antigone

Page 34 text:

ABOVE LEFT: Judy Riddle, Arlyss Friddle, and Mark Ledbetter. . .Leonardo looks away hatingly as his wife and mother-in-law hum lullabies to his baby in Ouachita Theatre’s production of Blood Wedding. ABOVE RIGHT: Patsy Hill and Jim Elliff. . .The young son explains the necessity of his going into the vine- yards to cut the grapes with the most hated of weapons, the knife, in a scene from Blood Wedding. RIGHT: Paul Bat- soir. . .angrily demands to know the ar- rival time of Godot in student director Susan Sutley’s version of Waiting for Godot. OPPOSITE TOP: Wayne Green and Anne Landes. . .Captain Hook and Peter Pan engage in a sword duel over the status of the Lost Boys, Michael, John and Wendy in the Children’s Theatre production of Peter Pan, student directed by LeElla Ratcliff. OPPOSITE BOTTOM: The Lost Boys. . .successfully subdue the pirates which have held them captive. ee 32— Blood Wedding, Waiting for Godot