Oneonta High School - Tomahawk Yearbook (Oneonta, AL)

Page 215 text:

TIMIDLY LEARNING TO lollow a and Rachel Payton pair off to learn the ataps. CLOTHES FOR STEPPING OUT: John Gordon and Su r«i ' j| 1 y i i 1 nf Bjf uisbU en • • Lowery ar 1. Tucker. d ByCthdlr - ™- d Donald iP % wm JOINING IN A FOLK dance, Reid Fogeliv... I i... I .,. . . ..-. „„ ,,,, hoel-lo ■aid the reason for the ity of country-western lancing was Urban Cowboy. Others said it was simply this decades an- swer to disco, and still others maintained it was a cultural pat- tern, that after our country ' s two- hundreth birthday, people started reflecting on their past and musi- calizing their heritage. From the rhythm of spirituals and the beat of Dixieland jazz has come the music for country-west- ern dancing. A down-to-earth defi- nition of country-western dancing Pid describe the ease with :h it is done. It ' s easy to do. ' s why people like it. And as long as it ' s easy for people to dance, that ' s how long it ' ll be in vogue. The easiest dances to learn were ' Eight Corners ' , ' The Two Step ' , or ' The Polka ' , but a more advanced floor-stomper could show you how to clog. Country-western dancing is inti- mately associated with country music. Country musicians have come from everywhere, as have country music fans; they are all part of the honest appeal of coun- try music. Country-western music has done something for everyone — but especially for those whose home was in Alabama. Dance Country 211

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DAHCE COUNTRY! COUNTRY FLOOR-STOMPERS MODI- SH FY THE TEXAS TWO-STEP TO FIT TUPiD UPART np nixiE STYLE. [ Ll ;MNi! ' » l!-J ' U»a J ley and Patrick Ryan. 210 Closing

Page 216 text:

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